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#I think it won't and the comics are already incredible but!
satuguro · 1 year
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*ೃ࿐TO FAULT A NET
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[ ACT I: KEEP YOUR FRIENDS CLOSE ]
spiderman! ethan landry x black cat! reader
#SYNOPSIS— you stumble across a murder, ethan has daddy issues, you think spider-man's an easy fight, and spider-man makes a deal with you.
#CONTAINS— enemies to lovers, slowburn, antihero&vigilante reader, familial issues, gore, blood, murder, death, sexual/suggestive content (in this part & some other parts), reader is overly flirtatious
#AUTHORSNOTE— is anyone really surprised that i started a new series? no, but i will warn you rn that this series won't be incredibly accurate to marvel and scream (obviously), so if that bothers you, don't read!
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your feet moved quickly as you ran from rooftop to rooftop, the sound of distant sirens moving father and farther away from you was like music to your ears. it would've calmed you down— maybe even slowed your running —if it weren't for the fact that you had a shadow. a comically dressed shadow in red and blue.
the continuous sounds of webs being shot at you was the only thing keeping you running towards nothing. running away from the metropolitan museum (which you didn't even steal from, by the way) with some insect man close to your feet.
"hey, wait! lady, stop!"
and he wouldn't shut up. constantly calling at you, trying to catch your attention like some fanatic. it would've almost been cute if you weren't avoiding capture.
you didn't even turn back to look at him, forcing your body to move faster and faster until your momentum was stopped by a web hitting your ankle. you growled in annoyance, reaching down with your unsheathed claws to cut yourself free from the webbing, until you were harshly pulled onto a roof by the masked hero himself.
you laid on the rooftop, staring up at new york's very own spider-man (who was never a problem until a couple months ago, when he seemingly appeared out of nowehere). covering your obvious discontent, you smiled a malicious smile. "hi, spider," you said, before kicking his knee back and forcing him to fall. his groan of pain met your ears as you threw a punch at his face, one he quickly dodged.
"are you another hero?" he asked between kicks and punches, completely ignoring the fact that you were both in a fight. it didn't seem like much of a problem for him, as he was far too focused at multitasking between asking you personal questions and dodging your attacks. "i take that questions back— if you were, you wouldn't be attacking me right now," another dodge, "but you brought that painting back to the museum! but you also stole it so it's a bit of a question of morality, so i think i have to turn you in—"
you grabbed his arm and pinned it behind his back, your other hand coming up to wrap around his neck. your sharp claws dug into his neck, making him hiss in pain as you leant in close to his ear. "do you really think you can turn me in?" your hand let go of his neck but remained close to his face, your pointer finger coming to play with the edge of his mask. you pulled it up, only making it halfway up his face, before he broke free from your grasp.
but once he turned around, you were already gone.
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some say that when your father died, the rich people of new york were finally able to breathe. finally, their endless valuables were finally safe, their priceless collections of stolen art, their rows of cars enough to pay any college kid's tuition, and their bank accounts were now all free from his iron grasp. gone was the man who had taken what he wanted and got it, gone was any trace of his legacy or his family; walter hardy was dead.
he always claimed that of all the valuables in his hands had taken, you were his most prized possession. the one person he would lay down his life for, and to have him gone.. it was all too unfair. all too wrong for him to die trying to get back to his daughter.
so that was why you had taken his place. black cat no longer became something policemen and journalists used to reference your father. that title was something you chose to share with him, because as policemen talked over their little radios about the burglary on west 81st street, you were already miles away, listening to their pathetic voices over the radio.
it was halloween in new york, and while many homeowners chose to stay home and tend to their candy duty, others were off partying at their friends' houses, oblivious to the fact that you had already deactivated the alarm to their home. three houses in the span of one night; you were sure that your greed would be your downfall one day.
but as you raised your hand up to the moon, watching how the rays of light danced along your wrist, you knew in your heart that your greed ran deeper than simple wants. you had your reasons.
a blood curdling scream met your ears, making you hurriedly shove the jewels into a pack and unsheathe your claws, ready to attack. walked near the edge of the building, the squelching sound of blood reached your ears, making you all the more on edge as you peered off the side just in time to watch a man shove a mask (the same mask from that one movie, stab) into his bag and turn a corner.
your eyes focused on the woman in yellow, dead and seated against the wall with blood pouring from her chest like a fountain. not a sound was made as you climbed down the wall and landed on your feet, cautious as you stepped closer to the unresponsive body.
"fuckin' asshole," you murmured as you observed the body, eyebrows furrowing. the woman, blonde and pretty, looked familiar to you. leaning down to take a closer look at her face (and careful not to step in the growing pool of blood around her), your eyes widened when you fully took in your features.
that was a film professor at your college.
wordlessly, you pulled out your phone and called a number you've never typed in your life.
"manhattan police department," the policeman stated.
"laura crane was just murdered in front of a manhattan bar." and with a click, you hung up.
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the sound of that familiar thwip and landing feet made detective bailey roll his eyes in annoyance. just when they had gotten the reporters and journalists in control— a certain masked individual just had to make an appearance. "you aren't supposed to be here," he said in annoyance, turning to look at the masked hero.
"don't you know my m.o by now? like, isn't that your job?" spider-man asked with a cock of his head, obviously enjoying his teasing. "but you can't really.. not allow me to be here. i'm here to help, after all."
"i'm not letting some kid help," detective bailey practically growled, but the hero was already pushing past him to look at the body.
from beneath the mask, ethan hid his shock at the sight of one of his college's professors, dead and staring blankly into empty space. as if constantly being around his estranged his father wasn't enough; now a professor from his college was dead.
"what? bug man finally ran out of things to say?" detective bailey asked snarkily, making ethan snap out of his stupor.
"no, da— detective," ethan said in a faux matter-of-fact voice, squatting down to look closer at the dead body. he almost cringed at the slip up he just made; if only his father knew. "can't a man observe in silence?"
it wasn't like ethan had planned his superhero life out. he had moved to new york right after his brother's death for college, and being desperate to leave his brother's horrible crimes behind, he changed his last name. calls to his dad and his sister became texts. visits became nonexistent. even after he was bitten and took on the superhero roll he was desperate to move on, and right when he believed he finally was, his dad and sister moved to new york.
ethan didn't tell any of his friends that he was related to richie, nor did he tell them that he was the detective's kid. all they knew was that quinn was his sister, and while it hurt to pretend as though richie never existed, it was for the best. he left that life behind him, and quinn seemed to respect that at least.
"how'd you find her?" ethan asked a nearby cop.
"anonymous tip around the time she was murdered."
his eyes took in the gruesome scene in front of him. his eyes drifted to professor crane's blank face, before following the splashes of blood on the brick behind her. his eyes squinted as he continued to look up the wall, the dots connecting when he saw familiar claw marks above the body. they were faint, so faint, that if ethan hadn't seen them before, then he was sure that the police wouldn't have.
he raised his hand, and with another thwip of his webs, he was gone.
ethan was searching for any sign of you. a part of him hoped that you weren't within the confines of your home hiding behind your civilian name. there was a possibility that you helped kill the professor. maybe you were an accomplice. regardless of your role in it all, ethan was sure that you had seen something and chose to keep it to yourself. you had your own reasons for doing so; you believed you were far more clever than anyone. maybe you were.
the scratches on the walls were something you left behind. ethan knew that; he had literally been choked by those claws of yours when he first took up his job as a hero. he didn't want to believe that you you were quicker than him, but the fact that you had gotten away.. to say that he wasn't annoyed by it would be a lie.
he later learned who you were because of his father during one of their awkward dinners. the black cat.
he hadn't invited quinn this time. it was as though he was trying to strictly have some father-son time with ethan; some pathetic attempt at reconnecting, he assumed. if reconnecting meant taking him out to a thai restaurant and only talking about his job or richie and never asking ethan anything beyond the, "how's college?" question.
but something within his father's ramble about work had caught ethan's attention. home burglaries were a huge problem, that much ethan knew, but this had been the first time he ever heard his father talk about it; much less talk about who he suspects had done it.
"they call her black cat. witnesses have only ever seen enough of her to know she's a lady—"
"who do you think she is?" ethan asked, unable to stop himself as he leaned forward in his chair. so that was who he caught running along the roofs of new york. the one person who had gotten away from him.
"some fan of the original black cat, walter hardy. either that," his father put a forkful of pad thai in his mouth, chewing and swallowing, "or his daughter. there's no record of them, though."
"do you think they're the ones who stole from all those houses?"
"that's all i'm saying about the subject, ethan," his father said sternly, looking him up and down suspiciously. "just eat your food."
it didn't take much for you to catch yourself up on the stab murders. you had only heard a little bit about it; not because you lived under a rock, but because you didn't care. not until now, at least.
tara and sam carpenter. tara was in your psych class at blackmore university; you had talked to her enough times that she was probably the closest person you had to a 'friend,' as off as it sounded. you had a similar humor and she wasn't the type to pry over your past (which made sense now, after you scrolled mindlessly through your phone to catch up on the continuous murders).
that was why you were watching their apartment building from the building right in front of it. you had only seen them through their window, but at least you knew they were alive. on any other day you would've called anyone in your position creepy, but you considered this to be lawful stalking.
truthfully, you weren't sure why you were doing this. maybe you had gotten soft ever since you started college. maybe you were bored.
you toyed with a golden locket you had stolen that night, eyes set on their forms moving in and out of sight. you were so focused on them, something akin to worry thrumming through your veins until a web hit your back and dragged you away from the edge of the building. your back scratched across the roof floor, and as you looked up, you saw the familiar red and blue suit you had only ever seen from afar.
“hi, kitty,” spider-man said, almost smiling.
you practically hissed at the sight of him, your hands making quick work of unsheathing your claws as you narrowly dodged another web. you moved quickly and kicked him in the face, letting him hit the ground for just a second before you were straddling, legs tight around him as you grabbed his hands and held it above him. your claws came close to his wrists, the shining metal threatening to break and hurt his web makers.
"oh, spider. i didn't know you liked me enough to stalk me." you smiled wickedly, pressing the metal closer to his wrists. you could feel something bulky underneath his suit, and your malicious grin only grew as you pressed harder against it.
"i don't like you," the super hero said annoyedly, making you scoff in amusement.
"are you sure?" you leaned closer to him, practically touching your nose against his mask. "then why aren't you fighting back right now?" you sent him one last grin before your hand left his wrists. you stood up, not even bothering to offer him a hand as you let your claws come out fully, one of your hands reaching for your gun. "what do you want?"
"i needed to ask you questions about the murder of laura crane," spider-man grumbled, standing up and crossing his arms at you. he looked at the apartment building before glancing back at you, the eyes of his mask narrowing. "why're you watching tara and sam's apartment?"
"why do you know that tara and sam live there?" you fired back, raising a brow. it was moments like these where you were happy you had a mask that at least covered half your face; the more you heard the spider-boy speak, the more you noticed how young his voice sounded. what if he went to your college? what if he was friends with them?
"because based on their history, they're vulnerable to attacks. i know that— being the friendly neighborhood spiderman ‘n all," he said, and you swore he rolled his eyes. "but it doesn't make sense for a criminal like you—"
"that's unnecessarily rude."
"to be watching them.” he looked you up and down, eyes seemingly lingering on your grappling hook and pack of god knows what that were strapped to your sides. the hero’s head then snapped up to look at you. “did you kill her? laura crane?” even he seemed unsure by his own question, the uncertainty in his tone making you shrug nonchalantly.
"do you think i did?" you asked, "you seem unsure yourself."
a pause. "no, i don't. but you know something, and you need to tell me what it is."
you glanced at the apartment building before looking down at your nails, absentmindedly observing them. "what's in it for me?" you asked, not even looking up at new york's favorite hero.
"i don't bring you to the police."
"as if you could do that before," you scoffed, rolling your eyes. you heard him exhale slowly, a smirk appearing on your face at the sound. you were getting to him; with every snarky comment, you pissed him off more and more. and the sadistic part of you loved it. "don't you remember? you couldn't even catch me the first time. sad, isn't it?"
"i'm not gonna make that same mistake again," he said firmly, walking closer to you. stiffly, he brought his gloved hand out. "you tell me what you know and you help me—"
"well, don't word it like that," you muttered. "i'm only telling you information, spider. i'm not being your stupid sidekick."
"you aren't," he said, "but since you're such a well known felon, you could help me figure out who's the murderer. see if they're a criminal, if they were hired by anyone, anything." he sighed. "you help me, and i let you go. deal?"
warily, you looked at him up and down. you weren't one to make deals with anyone, much less a masked hero who was loved by practically everyone. but you found yourself wrapping your black gloved hand around his and shaking it once. "fine."
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ACT II, ACT III, ACT IV, ACT V, EPILOGUE
#AUTHOR'S NOTE— feel free to ask to be on the taglist! i'm also sorry for all the typos lol
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pucksandpower · 11 months
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IN MY BLOOD
Y/N SENNA x CHARLES LECLERC
Series Masterlist
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INTERLUDE: Grid Walks
2000 — Age 5
“Hello, Y/N. How are you enjoying race day so far?” Martin asked, bending down to her level.
Y/N grinned mischievously, “Oh Mr. Brundle, I love it! But you know what? I've been to so many races that I think I know this place better than you.”
Martin chuckled, intrigued by her confidence. “Is that so? Well perhaps you can give me a guided tour sometime.”
Y/N's eyes sparkled with excitement. “Deal. But first you have to catch me!” With that, she darted off into the paddock.
“Hey, where are you going?” Martin called out, chasing after her.
But Y/N was already gone, her laughter echoing through the air. Martin found himself in a comical game of cat and mouse, weaving through the paddock, trying to keep up with the energetic young Senna.
Finally, after a series of twists and turns, Martin managed to catch up with Y/N. She was standing by the side of the track, giggling uncontrollably. “Gotcha!” she exclaimed, clearly proud of her mini-adventure.
Martin gasped for breath, a grin forming on his face. “Y/N, you really gave me a run for my money. You're as fast as your father on the track!”
Y/N smiled in delight, her small chest puffed with pride. “Thank you, Mr. Brundle. I'm just getting started.”
2004 — Age 9
Spotting Y/N near her father's memorial, Martin approached her with a smile. “Hello, Y/N. How's the karting going?”
Y/N's eyes lit up and she eagerly launched into a passionate monologue about her karting experiences. “Mr. Brundle, you won't believe it. I had this incredible race last weekend. I started from the back but I overtook one kart after another and finished on the podium!”
Martin listened intently, captivated by Y/N's enthusiasm. “That sounds like an amazing race. It's clear that the racing genes run strong in your family. Your father would be proud.”
Y/N nodded vigorously, her ponytail bouncing with excitement. “I want to be the best, just like him. I practice every day and study every race I watch.”
Martin couldn't help but smile at Y/N's determination. “I have no doubt that you'll achieve great things. Keep pushing and one day we might see you in a Formula 1 car.”
2008 — Age 13
On the grid, Martin spotted Y/N intently observing the mechanics working on the cars. He approached her with a smile, ready to engage in a conversation about the technical side of the sport.
“Y/N, it's great to see you here. What fascinates you most about Formula 1?”
Y/N's eyes sparkled as she replied, “Hi, Martin! I love everything about it. The aerodynamics, the engineering, the strategies — it's like a puzzle waiting to be solved. Did you know that the airflow around the car affects its performance? It's amazing!”
Martin raised an eyebrow, impressed by Y/N's knowledge. “Well, you certainly know your stuff. I might have to come to you for technical insights in the future.”
Y/N beamed with pride. “Absolutely! Anytime you need a crash course in this side of F1, just let me know.”
Martin chuckled, enjoying their banter. "I might take you up on that offer. Just be prepared for a barrage of questions."
Y/N nodded eagerly. “Bring it on, I'm always up for a challenge.”
As they continued their conversation, Martin couldn't help but notice Y/N's genuine passion and curiosity for the technical aspects of Formula 1. It was clear that she had inherited her father's analytical mind and thirst for knowledge.
“Y/N, you remind me so much of your father. He had a similar fascination with the technical side of racing,” Martin remarked, a touch of nostalgia in his voice.
Y/N's eyes widened with excitement. “Really? That means so much to me. I've always looked up to him and admired his approach to racing. If I can carry even a fraction of his dedication, I'll be happy.”
Martin smiled warmly at her. “You're already making your own mark. Keep nurturing that passion and who knows where it will take you?”
2012 — Age 17
Martin found himself amidst the bustling paddock, searching for the now seventeen-year-old Y/N Senna. He spotted her in deep conversation with her future team, a determined expression on her face.
Approaching her with a smile, Martin congratulated her on signing her first Formula 1 contract. “Y/N, congratulations on your contract! How does it feel to be back in the paddock but as a driver this time?”
Y/N's face lit up with joy as she replied, “Thank you, Martin! It's an incredible feeling — a dream come true. I can't wait to show what I'm capable of on the track.”
Martin nodded, his excitement mirroring Y/N's. “I have no doubt that you'll do amazing things. Your journey has been incredible to witness, from that mischievous young girl to the talented racer standing before me today.”
Y/N filled with gratitude, her eyes glistening with determination. “Thank you. Your support means the world to me. I'll give it my all and make my family proud.”
Martin patted her shoulder, a paternal gesture filled with encouragement. “Remember, you carry the legacy of a true racing legend. Your father's spirit and passion live on through you. Embrace the challenge, enjoy every moment, and keep making us all proud.”
As the interview concluded, Martin couldn't help but feel a sense of awe and anticipation for the upcoming season, where Y/N Senna would make her Formula 1 racing debut.
With a playful twinkle in his eye, Martin leaned closer to Y/N and whispered, “You know, your father was known for his incredible speed and skill on the track. But you seem to have inherited his mischievous spirit too.”
Y/N laughed, her eyes shining with a mix of innocence and determination. “Maybe I got it from him. I can't promise I won't give you another run for your money someday, Martin.”
Martin chuckled, his heart filled with warmth. “I'll be ready for the challenge. Just make sure I have my running shoes on.”
With a final wave and a shared laughter, Martin left the grid, eagerly awaiting the moment when Y/N would grace the Formula 1 circuits as a driver. He knew that her journey would be filled with triumphs, challenges, and the unwavering support of so many motorsport legends.
As the engines roared and the lights dimmed on the current season, the motorsport world brimmed with anticipation for the next. They eagerly awaited the day when Y/N Senna, with her father's legacy as her guiding star, would step into her racing car and write her own chapter in the history of Formula 1.
And so, the world watched with bated breath, knowing that the story of Y/N Senna would unfold in the seasons to come. With every lap, every victory, and every challenge she faced, Y/N would make her mark, continuing the legacy of her father while creating a legacy of her own.
And through it all, Martin Brundle would be there, cheering her on, sharing in the excitement, and forever grateful for the lighthearted moments they shared during those unforgettable grid walks.
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ratrrriot · 11 months
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How do you feel when people call Amy a stalker?
People can call her what they want, however…
Do i think it's fair to call Amy a stalker?
In some of the games? Yes, and even in some of the ones she wasn't a stalker per-se, she still showed possessive and obsessive tendencies. So i get where it comes from...
Generally? No. Her character originally wasn't supposed to be a harasser and she sure isn't one in the present. the franchise has been clearly trying to do better for her these past few years.
I think Amy's changing characterization is an interesting topic of discussion, so even though i technically already answered your question i'll take this chance and proceed to talk about my fave for way longer than i need to :).
Note: This is just my take on Amy and the way i understand her ENGLISH PORTRAYAL. I won't be talking about her japanese one which would deserve its own analysis.
Sorry for any writing mistakes in advance (english is hard) and feel free to correct me if i'm factually wrong about something (i wrote this thing mostly from memory so i imagine i must be.)
Amy has changed A LOT troughout the games and has been in the hands of many different writers across Sonic media ,so when talking about her is important to be specific about what game,series or comic we are talking about (and language),and while i know that some of you might not agree and i respect that, i think that -looking at the subtleties- Amy has had at least 6 different portrayals through the course of the games. That being said,i believe the idea that she is a stalker comes especifically from the characterization they started giving her around 2003
Originally,Amy was envisioned as a sweet 12-year-old kid who had a huge unreciprocated crush on her idol and a passion for fortune-reading ,but who wasn't exactly much of a heroine herself. In the classic era,her place in the narrative was just to serve as a damsel in distress and a cute,funny detail. Ofc,in comics and animated shorts for games like Origins, we have gotten more content of classic Amy being fully independent and capable of defending herself (even more with the upcoming playable mode for her in Origins Plus), but i think we can all see how such aspects of her character weren’t included at the time she was created (only exception being Sonic Fighters)
Especifically in the adventure era (AKA the birth of modern Amy) they gave Amy her iconic strong,compassionate,romantic personality and an interest/love for adventure (and her sassy attitude ofc). She's outspoken,stubborn,brave and honest. I also want to point out that in this first portrayal ,her love for Sonic feels more like innocent childish idolization than an obsession and that her character doesn't revolve exclusively around it (she will stand in his way if she doesn't think what he does is right). Tbh i think she's incredibly funny,cool and lovable,
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They slowly started planting the seeds for her character to stop being a "damsel in distress" by making her playable and defeat ZERO all on her own at the end of SA1,then also being playable in Sonic advance and helping Sonic get out of prison in SA2 (and tagging along for the rest of the adventure). In all these games,her character revolves around empathy,optimism and kindness. The way she protects the flicky since the moment she finds it,how she defends Gamma from Sonic and the iconic moment in SA2 where she convinces Shadow to help save earth are all great examples.
THEN, in Heroes , they decided to try something new with her taking her confidence and sassy attitude to a whole other level. Giving her the chance to be a fully-fleshed hero who didn't need rescuing anymore. She became independent and the leader of her own team of friends who she wanted to help. I love this Amy cause she feels really strong,determined and empowered without losing her peppiness,silliness,positivity and kindness. Her flaws are also especially endearing to me: How much of a wild kid she is,How even if she means well, she relies way too much in brute force, How she has trouble getting out of her own head, etc. She really feels just as confident and energic as Sonic,but just like him,you can tell she has a huge heart.
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HOWEVER, as much as i love how they made her strength and bravery shine in this game, Heroes was the game that gave birth to the idea that Amy is willing to chase and even fight Sonic just to insist that they should marry (in SA2 she did follow him to the prison but it was only to help him and tag along in the adventure).
Ofc this was supposed to be comedic and to be seen as childish,harmless behavior- I say this because the rest of the characters,including Sonic himself,don't seem to take it seriously- but what was supposed to be seen as an endearing flaw at the time, would rapidly mute into what's probably Amy's worst portrayal ,as the writers turned it into harassment for the next mainline games (Ignoring Shadow the hedgehog where she is the same as in heroes and only has a brief appearance.)
Before i go into Battle,i just want to say that the definition of stalker according to google is “a person who harasses or persecutes someone with unwanted and obsessive attention.” A definition that definitely did not apply to her before Heroes,but that i can't deny that does apply to Amy for the next few games:
In Battle, Amy is suddenly written as aggresive and self-centered. All her compassion and empathy from the adventure era is gone, intimidating people (even Cream) and demanding information from them from the get-go. Of course she does a few good things throughout the game too,like take care of Emerl and such,but she still mainly uses him for her benefit (calories counter and emerald radar). Right off the bat,at the start of her storyline she insists on searching for Sonic even when she herself assumes he is hiding from her -which implies she knows what she's doing is worth hiding for- and tries to justify her behavior by saying that Sonic actually loves her and that he is being “ just shy “ or that “ he got cold feet”- while others characters react in a way that implies that's obviously not the case and that her behavior is worrysome..
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I think it's important to mention that before Battle, we hadn’t gotten a single line of dialogue that implied that Amy tought that her behavior could be hurtful for Sonic, nor did she ever threaten anyone at all unless it was self defense. She knew he didn’t reciprocate her feelings and was actively trying to make him fall for her anyways,sure, but we gotta remember that while the canon ages might have been scrapped recently, at the time Modern Amy was created they were still very much canon and you can tell they had them in mind when writing these characters. Amy was supposed to be 12 ,so it makes sense that she didn't understand why Sonic wouldn’t accept her affection. She idolized him and misinterpreted the fact that he always was protecting her as possible romantic interest,but never actually imposed anything on him. The worst thing she ever did to him was wanting to hug him without consent,and again, the games implied that she clearly didn't realize such a thing wasn't ok. Sonic also didn't seem to want to hurt her feelings so while he did run away and expressed being annoyed by her he never explicitly told her to stop. I actually think that if he had sat her down and made it clear to her that what she was doing was truly bothering him, The Amy from the adventure era would have stopped, but i doubt he cared enough to do that honestly (after all ,in his recap screens it is implied that what truly bothers him about Amy being near him is not her crush,but that he thinks shes exposed to danger.)
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BUT in Battle and for the next three games,Amy doesn’t seem to be written as a 12-year-old who mistakes admiration for love anymore. This is where the writers started to portray her as someone who is clearly still young and definitely childish but not innocent. Her whole character revolves around harassing Sonic and using her strength to intimidate others, and don't get me wrong,I like that Amy gets angry easily!! i like that she isn't afraid of a fight,that she complains a lot, and that she isn't peaceful. After all,those are important parts of who she is. But Battle!Amy is on a whole other level: she gets mad at her friends just because they don't agree with everything she does or says. It's not about having a strong personality anymore,she's just generally aggressive. For the next few games she and Sonic can't have one normal conversation that isn't Amy imposing her own wishes over him and him trying to get away from her, so it's hard to believe she wouldn't realize that what's she's doing is wrong nor accidental as we were supposed to before. This time It just feels like she is deciding to ignore the signs.
This continued in advance 3 ,where she literally threatens him with her hammer just cause he shows signs of not being interested in spending time with her when they meet, Then in rush she becomes possesive and jealous the second he mentions Blaze and also seems to treathen him with the hammer in the credits scene because he is running from her hug.
They changed the direction of her characterization again after Rush. The best way i can describe the Amy that is present in Riders,06,etc is one that has two very polarized sides to her personality. On one side,she is a peppy,sweet,over enthusiastic and romantic girl, on the other she is a pretty intimidating one with an obsession with Sonic and very fiery temper. However,contrary to her last portrayal,she is more polite and actually asks Sonic if she can come with him various times,doesn't harass him and doesn't threaten people simply cause they don't agree with her anymore, but she still doesn't seem to have any sense of boundaries,still follows Sonic without permission sometimes and still clearly has no consideration for his personal space. Another thing about this Amy is how her flirting is really intense, and even if she isn't as aggressive as the Amy from Battle,if someone messes a bit with her she doesn't hesitate to resort to intimidation or take her hammer out.
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She still gets violent towards Sonic sometimes,but what's different from her last characterization is that instead of doing so merely because he doesn't show romantic interest in her ,its mostly because he doesn't follow on his promises (end of Black Knight) or shows up to save her “properly” (Referring to 1- that scene in Riders where he blows eggman -who had caught Amy- away with wind and she chases him with her hammer because “how could he not think that would hit her too “ and 2- the one in Zero Gravity where he arrives late to save her and she playfully throws him a few fists saying that “it took him long enough!”). I don't think she's necesarily right to do that but i don't consider it to be problematic either, since by that point the games had strongly implied that there was a non-spoken agreement between the two that he'll always show up to save her and the whole thing feels more playful than anything else. Mostly because Sonic seems to be fine with her being around again, as he never really denies her acussations or runs away when she gets mad,and even tries to explain himself to her.
So yeah,this Amy is one of the more famous -and infamous- ones,as her negative and positive qualities are more balanced than the one from Battle. However,i personally don't like her much as there's almost no focus on the empathetic/compassionate side of her character that was so prominent in the adventure era and ,even if i wouldn’t call this version of her a Stalker , she's still is way too obsessive and possesive for my liking. The writing for her character is still pretty much completely based on being attracted to Sonic, to the point that In 06 she tells Silver that, if she had to, she'd “choose Sonic over the world".
In Sonic Chronicles , Amy gets a lot of dialogue. She gets jealous in a scene but its not as bad as in Rush and she tries to make Sonic jealous by inventing a fake boyfriend (terrible trope) but her levels of aggressiveness are up to the player's treatment of her. I am ,however , mentioning this game because of a scene in specific near the final section in which Amy is scared they might die and aks Sonic if she can have a moment with him. She then tries to have a serious conversation and politely asks if he cares about her or if he likes her at all. if the player chooses to make Sonic say he does care for her she is legitimately surprised and thankful. Idk what happens If he rejects her cause i haven't been able to find any recordings of that and i never owned this game,but i'll assume that her reaction won't be too bad considering she is asking in the first place(?) feel free to tell me if you know…
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This portrayal of Amy is still present in Unleashed (2008) ,in which Amy is there to cheer/support Sonic on throughout the game and to serve as an important indicator that Sonic is quite self conscious of his looks when he's a werehog. She is generally very sweet towards him in this game (especially when she shows no rejection towards his werehog form,which is a detail i adore), even if she does get annoyed when he doesn't pay as much attention to her as he does to Chip or reciprocate her feelings.
A good example is how, before the last temple ,she asks him if he'd like to go on a date with her after everything is over. If you choose the positive dialogue option she is ,again, positively surprised and thankful. If you make him say no she complains about how he's being mean, but doesn't insist on it and just accepts it.
In Free Riders (2010) ,Amy just generally acts extremely out out of character (like,she doesn't even fit into Battle's portrayal). It really feels like someone who didn't know anything about the character wrote her, so for the sake of the pink hedgie let's ignore it and go back to talking about portrayal 4.
I already mentioned her brief apparition in Black Night and there's nothing worth mentioning about her in Generations so i'll skip them.
This portrayal ended in Lost World (2013),In which they toned down Amy as a character in general,leaving out all of her flaws and iconic traits out. She feels plain and her strong personality,confidence,sass,energy,etc all seem to be completely gone. She's just sweet and that's it . For some reason there's a scene where she literally tries to confess to Sonic and is cut off before she can finish,which is very funny considering it had never been treated as a secret before??? it really goes to show how hard they were trying to pull some kind of reboot on her. Fortunately,this characterization was only a two-game-thing (She is just as plain in Forces (2015)) so i'll put it in the same bag as the Free riders one and we'll leave it at that.
After Lost world came Boom (2014) ,and then we got the most recent change of Amy's personality,which we all know has had a mixed reception from the fandom. Originally people thought that this Amy would stay just in the Boom universe ,but this personality has been showing up in the mainline games for a while now,like in Team Sonic Racing (2019) and Frontiers (2021).
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This Amy feels older than any of the ones that came before her. She kept the sass,the love for romanticism,the positive attitude,the confidence and the strenght but her bad temper and over enthusiasm are gone,as she is generally more calm,less energetic and not childish at all. Most importantly,this Amy is extremely emotionally intelligent,as the rest of characters seem to look for her help and advice constantly ( to the point that she has been given the "therapist friend" title by the fandom and is even referred as "the nice one" by Eggman himself ). Another interesting thing about this Amy is that she doesn't flirt with Sonic anymore,In fact, she barely expresses her liking for him (She does so a bit more in Japanese chz the characterization varies) and Sonic seems completely comfortable with this version of her around.
A lot of people say that this version of her is out of character and I completely understand where that comes from, but i must disagree because this characterization of Amy is the first one since the adventure era that focuses on her compassion/empathy rather than on her crush on Sonic, which combined with her intelligence,makes her not out of character,just the most emotionally mature Amy to date instead. I actually think that if the og modern Amy had grown up,this is the kind of personality she would’ve developed while becoming an adult (although she isn't supposed to be one). A good argument to defend this point would be that one Egg-memo you can buy through the fishing minigame in Frontiers where Eggman talks about how Amy has "come a long way" and how it took her some time "to find herself" and get out of Sonic's shadow.
Only problem i have with this Amy is that i wish she was more flawed and bubbly,mostly cause she can come off as very plain from time to time and way too mature. She is a bit too perfect for my taste. I'd like her to mess up more,to not always be so smart,to be more impulsive,a little bit more clumsy,fiery and wild,just so she could have some more of the charm of the original,y'know?
Before i talk about her more recent Videogame portrayal (TMoSTH) i want talk about IDW Amy:
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in IDW, all of Amy's flaws and positive traits from past games are balanced pretty well: she is flawed and relatable and can mess up a bit sometimes because of her impulsivity,but she's emotionally and strategically inteligent, optimistic and incredibly kind. She is a great fighter and leader,but also a wonderful friend who offers emotional support. She has a strong personality, lots of sass and can be very aggressive and intimidating towards her enemies, but not any less of an empathetic and compassionate person because of that. Her strength and confidence are pillars for her character instead of nonsensical anger,but she still shows self doubt and fear from time to time. She is energic, idealistic and still a romantic,but not obsessive nor possesive. peppy but emotionally intelligent. She still loves Sonic, but her feelings for him feel authentic rather than childish idealization,and given that she now respects his space,she's written to be happy just with fighting by his side and jokingly flirt from time to time. (their bond also seems stronger,but that's a topic for another day.)
I believe this portrayal of her is one of the best we've gotten in the sense that she represents a good mix of most things that has made her positively memorable since the beginning and lacks every problematic aspect of her character that was added post her creation. And because of this good mix of characteristics, IDW Amy is constantly praised by the fandom. But something i hear a lot is people saying how they love IDW Amy and despise "Main Amy" -by which i'll assume they refer to videogame Amy just in general- and that way of summarizing all of Amy's game portrayals feels very odd to me, especially because IDW Amy is a culmination of every single good aspect that has been added to this character combined with most of what she was meant to be at the start. In other words,IDW Amy couldn't exist if it wasn't for all the game Amys before her.
It's true that in IDW we haven't seen her character be as impulsive and outspoken as in the Adventure era or Heroes, and i miss that as much as every other Amy fan. But I do think that ,because so much assertiveness wouldn’t coexist very well with things like careful thought, the reason for that change must be that IDW is writing an more mature version of the character and It’s hard for them to keep such aspects of her personality intact without her being seen as childish by the audience now that they are paired up with big responsabilities (ex: the restoration) Especially since that super impulsive nature of hers probably came naturally at the time because she was supposed to be a 12-year old and wether we like it or not, it was implied by the narrative that it was one of the main reasons she got caught by eggman both in SA1 and SA2. Aka,IDW Amy isn't allowed to make as many mistakes as the og.
After all ,Amy used to be written to be mostly seen as a comedic character and as an "extra addition" to the main team rather than as an important,needed member of it. ( even in Heroes,where she had formed her own team,she was still trying to catch up to Sonic and his team because she had been excluded of it.) If she made a mistake and got caught by eggman because of her stubborness,the writers would just make Sonix fix things. In IDW she doesn't just feel older,but she has also gotten to have important roles in the fight against Eggman and people rely on her with their lives,so it doesn't surprise me that the writers try to make her be more conscious and careful when it comes to her actions now that she has more responsibilities and can't allow herself to make as many mistakes as she did back when she was written to be more immature and impulsive because of that extreme assertiveness.
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Now,I personally believe that Amy in TMoSTH is the same as in IDW, just that she feels more like her OG self in TMOSTH because ,for the most part ,Bday Girl is on that train literally to just have fun and do as she pleases. She doesn't have any weight on her shoulders nor expectations,she is free of responsabilities all the way until the climax of the game and the game itself is very comedy-centric for the most part, so the writers pobably felt like they could set that impulsive,assertive side of her loose again, and i loved it!
In this game her character doesn't revolve around Sonic and she messes up a lot (The way she was so ashamed of how she broke her hammer when she tried to escape the closet with brute force that she lied, how she didn't realize Sonic was actually hurt because she was too excited about the game, how she was overconfident and impulsively tried to solve the case and completely failed ,how she and vector started beating a wall violently after realizing the train was alive,etc),but her positive qualities shine throughout the game as well ( How she took the time to organize a party that she'd think everyone would have fun at,How she is so thankful that everyone showed up and doesn't mind that Shad and Sonic didn't bring gifts, how she makes sweets remarks about others and cute jokes in distressing situations,how she has faith in Shadow's goodwill, The way she delivers the final blow at the end and says that despite everything,she loved the party because it was an adventure,etc ). Throughout the game,Sonic and the rest treat her in a way that really goes to show what a good friend and a lovely person she is ,and she expresses great appreciation for everyone's presence in her life.
It's honestly an amazing coincidence that this game takes place on her bday considering that it's the one that made this portrayal of her "game canon". As a fan of her, i celebrate it and hope we get more of it in the near future.
So yeah, i didn't talk about Sonic X Amy,Archie Amy nor all the comics,series and games that came out between the big videogame titles. There is much more about how Amy has been written that could be said, but i think i did a pretty decent summary of the most important changes her character has gone through the years mainline game-wise,at least good enough to defend my point that she wasn't a stalker originally and she definitely isn't one now. As i mentioned before,i agree that she was portrayed as possesive and obsessive for a long period of time and as an actual harasser for a shorter one , and that we should definitely recognize it and be critical of such things being portrayed as “quirky” and “funny” aspects when they are in reality, hurtful. BUT summarizing her whole character by calling her a stalker and an obsessive fangirl is defining her based on the worst examples of her characterization and ignoring her good ones completely.
Feel free to disagree with my character analysis,my opinions and the way i categorize her portrayals,but i strongly believe that Amy rose isn't meant to be a harasser,an obsessive fangirl or personal space invader.
My girl deserves better.
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moonydustx · 1 month
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So I have this thing...
I need more Law x Reader fics pleeeaassee (;TДT)
Anyway...
May I ask a reader (up to you what gender) reacting to law proposing to her? Which I doubt canon law would even do but I guess since it's fanfiction, who cares if it's Canon, right???
OMG, this is incredible, hold my hand and I'm with you on this, thank you so much for the request. In my HCs on the Law (I will still post them) I think if it was important for him to do it without even blinking. Surely it would be something more discreet, a small ceremony between just two? I don't know, I might be rambling too much.
Apologies because I didn't have much time to review and maybe I got carried away writing it. I hope you enjoy!
Important: italics are for flashbacks and character readings aloud.
The proposal - favorite moment (part 01)
Part 02 - Part 03
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Law counted the minutes until night arrived, it was one of his favorite moments. That was when you would sneak around the submarine and end up knocking on the door on it. In most of these situations, you didn't get out anytime soon. He's not much of a follower on the calendar, celebrating each month together - and come to think of it, everything happened so naturally that it was decided on which day it started to be difficult for you to be a boyfriend.
Like so many other nights, you found yourself doing what was one of the only things Law could name as a hobby. You were nestled between his legs, your body resting on his chest as you attentively read another book. He found himself leaning against the wall, one of his hands resting on his body while with the other he tried to leaf through one of the new editions of Sora comics that he had picked up on the last island he visited.
He had already lost count of how many times the two of you had wasted hours tangled up in his bed reading and something else he was used to hearing you sniffle at something, like you were doing this time. His eyes looked away from the painting and went straight to where you were reading, just out of curiosity. The other times you were sniffling, he had found you reading about some character who died, some reunion, some couple who got together. This time, from what he could see, it was a marriage proposal.
He already knew it was an important topic for you. He also knew that if he had to choose to spend his entire life with someone, it would be you. Law had thought about the hypothesis a few times and when reading the small excerpt from the book, he let himself think about the idea.
"Wow." your feet were planted in front of an immense showcase. Dresses were stacked side by side in various sizes and textures, some with huge trains and others full of silk.
"Don't tell me you're one of those marriage freaks." Ikkaku planted himself next to you, next to Bepo.
"They are beautiful." the bear confirmed, touching the glass.
"Not freak…" you tried to find the words, you really didn't want to sound like a crazy person. "I mean, marriages are two people coming out in love to the world, to the government, to whatever god they may believe in or to no god at all, as if nothing could intervene or separate them."
"Okay, insane then." Shachi appeared behind you, mumbling.
"Actually, that's a nice way of thinking." Ikkaku replied to him, watching you just shrug. "And I won't deny it, they are beautiful dresses."
"Time to go." The captain's voice echoed closer than you imagined, as if he had been there the whole time listening.
Seeing the crew members move forward, agreeing to the captain's request, Law took a few seconds to evaluate the display that had distracted everyone. He could just be daydreaming, but one day you would look incredible wearing a dress like that along with the new name you would carry. Ms. Trafalgar.
From that day on, the idea of ​​proposing to you never left his mind, Law just needed to find the perfect opportunity and it appeared before his eyes.
"Okay…" your choked voice took him out of his reverie. "That's enough tears for today and I'm getting sleepy." you closed the book, turning towards him and snuggling even closer against Law's body.
"Do you mind if I keep reading some more?" he asked and you just mumbled no. His hand got tangled in your strands of hair and it didn't take long for unconsciousness to take you away.
Law gave himself a week to put the plan into practice. The small room at Polar Tang was tidier than usual however you could notice Law more tense than usual behind his back.
"Everything is fine?" you asked, quickly turning to face him. Law seemed distracted from the book in his hands.
"Everything amazing." his lips quickly touched the top of your head. It was now. All the other battles he had faced had not even come close to the anxiety he felt at that moment. "That book you were reading last week?"
"Ah, it's this one. I'm almost done. It's a period romance, princess, knight and all the little things that involves." you laughed, knowing that from your description he would hate the book. "There's no point trying to convince me to read Sora, this one is much cooler."
"So cool you were crying the last time you read it." he said in a teasing tone.
In a casually planned way, even if it went unnoticed in your eyes, he placed the comic he was reading on the bed.
"It's because he was so sweet to her, made an amazing statement."
"Really? Let me see." He moved even closer to your back, looking for space on your shoulder to follow the written words and find the perfect cue.
"Here. Can I read it?"
"Please." he asked, feeling his hands sweat cold.
"Of all the countries I've visited, I don't think I've ever found a home except in you. You've been my home, my safe haven." You started reading, already feeling yourself melting with those words. At the same time, Law took out a small box hidden behind one of the pillows. "So let me be the sword that protects you, the heart that loves you infinitely. I thought happiness would only find me in the next life until I found myself lost in you. What do you mean by that, my love? So, the The knight fell to his knees, the wounds of the battle he faced seemed not to bother him, not when Annya's eyes rested on him. Annya then heard the four words that carried a lifetime of promises…"
"Would you marry me?" Law's voice echoed alongside yours.
Before you could ask what he thought, a small black box appeared in your field of vision. Inside it, a golden ring with a small heart symbol glittered. The book fell from your hands, finding your lap, as you turned to your boyfriend.
"Law?" at that moment, your voice was not the most reliable. As shaky as she was, your vision was blurred by what you suspected were tears. Your hands covered your lips, still not believing what you were seeing.
"Maybe my sword heals you more than defends you, but that doesn't mean I'll let anyone hurt you in this world. You're my home, my safe haven and I can't wait for you to be my wife. I'd even kneel, but It's a little complicated." he smiled, seeing you still paralyzed on top of him. "So, would you marry me?"
"Yes." the first time came out as a whisper. "Yes Yes Yes!" with each new time the word left your lips, you allowed euphoria to take over your body.
Law took your hand, placing a small kiss before putting on the ring and repeating the gesture, as soon as the jewel was in the place where it belonged. His hands pulled you so your legs were around his waist.
"That's…" you even tried to speak, but it was impossible to put everything you felt at the moment into so few words. You saw him pull out a ring that was the same color as yours, without all the details. "Let me do it."
Before he could put it on his own finger, you took it from his hand and repeated the same thing he had done to you. He placed a small kiss between the tattooed fingers and let the jewelry take its rightful place.
"I don't believe." You looked at your hand and then at him. "Law, that was so amazing."
"You're incredible. I can't wait to see you become Mrs. Trafalgar. My beautiful, smart, a little crybaby…" he wiped away your tears, bringing a laugh from your lips. "My dear wife."
"I love you so much." you cupped his face, taking his lips to yours.
Even though it was full of emotions and promises, it was a calm kiss. Law, like you, wanted to record every second of that moment, every inch of skin kissed, every touch.
In the end, Law was also a marriage nut - just with his dear Lady Trafalgar.
----
Little extra:
Law was never a big fan of public displays of affection, but that morning he had made an exception. Seeing you happy, showing off your new ring and the promise of marriage, ideas of what to do on the date, honeymoon suggestions. He couldn’t deny it, it was amazing to see how happy you were with the whole situation.
His happiness was short-lived when he saw three sullen faces - one of them looking like a bear - sitting in front of him.
"So Law, my friend." Penguin began.
"Shut up, it's me."
"But I'm his best friend." Bepo grumbled.
"What do you want?" he asked, trying to understand what the three were discussing so much
"Which of the three of us will be the best man?" Shachi warned and Law watched the three in front of him cross their arms and wait for a response.
Before he could respond, Law felt two arms slide and lock around him.
"We haven't decided that yet guys. We can talk about it later." you asked and watched them begin to argue among themselves who would be what.
"Thanks." Law muttered, making you laugh. You bent down to his ear level.
"And you, I'll be waiting for you in the room. I got someone to cover my duties today, now I want to continue feeling what my dear fiancé can do for me." In contrast to the whispered and sexy voice that left your lips, you left a chaste kiss on Law's cheek and left towards the dorms.
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thissongisawesome · 24 days
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now, do i personally believe that maya and franziska would actively try to get phoenix and edgeworth together? not really. BUT. i don't see the harm in people writing scenarios in which they would? ik this sounds silly since maya and franziska wingmaning is one of the more popular ace attorney fic tropes, but i feel like recently i've seen a lot of hate towards and and i don't understand why!
think of it this way: maya is phoenix's best friend and like pseudo little sister, they're extremely close, and i'm pretty sure she teases him about his love life AT LEAST once in canon (it could be more, or i could've completely made this up, but i've played the trilogy enough where if i tried i could probably find an example but it's late and i'm tired). anyway with that said, why WOULDN'T she care about them getting together? she's shown in the first game to be pretty invested in "the deal with [nick] and edgeworth" her words, not mine. i'm not one to speak on later games because i honestly haven't touched them in over two years and even then they were a complete blur and i forgot everything except that edgeworth looked really ugly from the front. but. if my memory serves me i don't think their dynamic changed much? i can't see her caring AS much at 28 as she would at 17, because obviously she's grown and matured, but i don't think she'd be completely uninterested like some people say. maybe she wouldn't be wearing comical disguises to spy on them, but i could see her encouraging nick, or idk just telling trucy stuff about their old cases to stir something up.
i think the franziska side of things is where i'm a little more understanding, but also not really. on one hand, i get that she's very well put together and mature seeming. on the other hand, that's only how she SEEMS. i won't get into a whole franziska analysis because this post is already longer than i wanted and no one wants to hear me ramble about her, but she's not really as mature as she seems. anyway, would she care THAT much? the answer may surprise you!
now think of it THIS way: edgeworth is franziska's little brother. despite how she acts sometimes she obviously loves him dearly, and would (probably) just want him to be happy, with whatever foolishness it may endure. phoenix wright is franziska's sworn enemy. she can't stand him and feels as though he has personally wronged her before they even met. absolutely hates his guts (except for when they investigate together then they can be friends). franziska is incredibly smart, but she's clearly not the best emotionally. even with that, though, she seems to understand how important edgeworth is to phoenix ("earthquake blah blah blah" "are you thinking of miles edgeworth blah blah blah"). she kind of just accepts this, even though it implies that phoenix (a man he only recently reconnected with) would be on a similar level of emotional connection as his sister. maybe she doesn't think much about it though. she's just like sure whatever you're his most dear and indispensable friend i don't care anymore. do people really think that, if somehow she came to the conclusion that edgeworth had feelings for phoenix she wouldn't care in any way??? i'm not saying it'd necessarily be positive and all "you go girlfriend!", but to say she wouldn't CARE is so wild. she'd probably be furious, and so maybe she wouldn't wingman. but she does CARE about her brother, and honestly if it were presented to her on the right way she probably would wingman. one "hey franziska. i bet you can't make your brother get with phoenix wright. if they get together without your guidance then that basically means edgeworth beat you btw" and she's suddenly invested. (dramatized, but you get the point)
tldr; maya and franziska are not so nonchalant and cool that they wouldn't care about one of the most significant people in their lives having feelings for their courtroom rival of over a decade. that is all.
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doumadono · 1 month
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I'm practically giggling, kicking my feet with excitement, and I just can't tear my eyes away from this gem! It's a beautiful comic, crafted by the incredible artist @explosion-island (I collaborate with them for the second time already and they never failed to meet my expectations!) I just want to thank the artists again for creating something so beautiful for me. It was the best money I've ever spent, seriously. If you're thinking about commissioning this artist, go for it! You won't be disappointed!
Bakugo and Kirishima, in my and @crystalwolfblog modern AU, alongside their lovely wives, Ayame and Haru (our OCs, of course) The girls went shopping while the boys had one task - to bathe the pets! Unfortunately, even the heroes found this mundane task to be quite challenging! 😁
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drawnfamiliarfaces · 2 months
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Since this is currently my most active blog with some followers, just wanted to say a few things:
It's so incredibly depressing to see tumblr sellout to the whole AI shit and try to pacify users by the opt-out toggle option when it mostly likely won't do jack shit. Tumblr has been doing shitty things for awhile now, but out of all old social media it was a last shabby bastion for various weirdos, including a fandom weirdo like me.
I'm just an old silly hobbyist artist who badly draws fanart of old cartoons, but even the idea that my stuff will help train AI to be better to stealing desirable art of actual artists, whose work is their livelyhood is fucking maddening. Opting out won't help (Sources say data is already available to companies). Deleting stuff won't help (tumblr have access to deleted blogs and reblogs put your stuff in reach too). Using Nightshade and Glaze is not a viable option for me (my old laptop's specks is not up to support those programs, and I'm too afraid to try and accidently fry it and than all my shit would be lost) and even those doesn't solve the problems of all of my old stuff across like 7 sideblogs+my old tumblr account's 2 blogs.
Of course, maybe all hope is not lost for tumblr. There may be solutions and decisions later down the line. But for now I probably won't be posting any new stuff for a bit while I decide if I want to stay on tumblr and be complicit in feeding the insidious and insatiable AI machines.
And as alternatives, I created new account for bluesky, and consider pillowfort and cohost to share my random silly art. Even dusted out my old tapas and newgrounds accounts, and consider webtoons and comicfury to post and archive my few comics. Hopefully I will share links in my pinned post when I set whatever I decide up, even if all of it is so exhausting and depressing.
And hey, if you read this so far - just a reminder:
Opt out on that 'share with third parties' toggle like explained here! - it may do jack shit, but its better than nothing.
Write a polite disagreeing feedback to staff like suggested on this post. - remember not all staff had a hand in this, so no need to be rude, but make sure to have your voice be heard.
Use Nightshade and Glaze to poison your art - if you are an artist and are able to do it unlike me. It may not be sure proof way to stop/kill AI, but it sure shows that artists will fight back.
Use ArtShield - an online lowtech alternative to Nightshade & Glaze, puts a stamp/watermark on your art, invisible to humans but supposedly makes AI think its unsuitable to train on. (edit)
And please, take a moment for yourself. Because it fucking sucks.
So, I'm gonna go take a step back and burrow into some hole and cry for all of those who AI fucks over. I won't be gone forever, but for now I'm too frustrated and dissapointed to do anything.
and ALSO just to be fucking clear
🇺🇦 I STAND WITH UKRAINE 🇺🇦
🇵🇸 FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸
🏳️‍⚧️ TRANS RIGHTS ARE HUMAN RIGHTS 🏳️‍⚧️
🚫 AI CREATIONS ARE NOT ART🚫
fuck you shitty side tumblr I wish you all a fucking hammer car explosion
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uva124 · 2 months
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Okok, I know what you're thinking: what the hell happened to Aster? Well, it's a funny story <⁠(⁠ ̄⁠︶⁠ ̄⁠)>
I was discussing Aster's design with Emy and Anny, in particular his clothes, since I personally wasn't convinced by the idea of him having yellow boots, but then I realized that I didn't want Aster to look like Emo wearing all black, so I said in the group:"yeahh, I think I understand why they should be a different color, I don't want Aster to look emo either lmao (⁠•⁠ ⁠▽⁠ ⁠•⁠;⁠)", ✨And so this amazing idea was born✨, I mean, just think about it, the boy has a overprotective family that underestimates him because of his age and incidentally does not fully understand him because of his curiosity about the human world, Aster had to have at least one year where he had an emo stage lol, Emy also gave me this idea: I imagined Aster refusing to shine at night and saying something like "if I can't shine on earth I won't shine in the sky either, we already have too many stars here, I want to shine there", it was impossible for me not to draw it lmao.
plus: Aster and Asha's live reaction to Aster emo lmao (if you're wondering who's next to them, it's my avatar :] )
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Now I know what you're thinking (again): Who is Emy?
Well, it is a pleasure to introduce you to the new member of the team "the kingdom of wishes" @emillyverse! *Incerte confetti sounds 🎉🎉🎉🎉🎉*
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She will be in charge of making comics of @annymation 's incredible story, it is very fun to work with both of them!
The 3 of us hope that all of you like our next works :D
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genericpuff · 1 year
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I've come to the stunning realization-
-that Lore Olympus is basically to the webtoons industry what Youtube Kids is to Youtube.
And I'm not talking about the general "Youtube Kids" label, I'm talking about those videos - Elsagate, Johny Johny, Cocomelon, Mickey Mouse tattooing Spongebob or whatever other weird example you can think of - which are explicitly designed to game the algorithm, turn views into money, and most of all, gain and keep the attention of the one demographic that won't question what they're consuming - children.
!!!!THIS POST HAS FAST PASS SPOILERS AHEAD!!!!
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I mean, this is undoubtedly just a tinfoil hat theory, but think about it:
Bright oversaturated colors that are attention-grabbing.
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Meme faces and 'lol rAnDoM' humor even when it doesn't suit the situation at all.
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Art that's all around ugly and cheap on a technical level but still stands out due to its color design and prioritized advertising.
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Vapid surface level scene-to-scene writing that doesn't connect or have any meaning in any coherent way.
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One-dimensional projection characters who are easy to manipulate and sway for audience sympathy or anger even if those opinions change on a dime based on actions in the moment.
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Cliffhangers that are less like true cliffhangers and more like clickbait. Episodes nowadays tend to be filled with drawn out plotlines, vague hints that can be applied to just about any school of thought, and non-sequitur memes to fill the time until they can hook the reader with another cliffhanger to keep them coming back next week.
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Coin prices have gone up but episode length, substance, and quality have noticeably gone down. Even if they reach the same panel count they usually have, dialogue is minimal and pacing is brutally inconsistent to the point that plot progression is often non-existent.
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Banner ads that run constantly, often in the first or second (or both) slots, with push notifications and pop-up ads also becoming more frequent whether you're subscribed to the comic or not.
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And underneath ALL of that, we've got blatant objectifying and sexualization of female characters regardless of context, misogyny that claims to be progressive, racist undertones, borderline fetish content that constantly toes the Terms of Services line, normalization of problematic/toxic relationship dynamics, a creator who's more interested in 'getting back' at critics than writing an actual story, and underlying messaging both from the characters' and the creator's behavior that encourage witch-hunting, rejection of accountability, and blind devotion.
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All this is essentially why I've given up consuming LO entirely, beyond just on a critical level as of late. There was a time long ago when I stuck around in the hopes it was going to get better, that maybe it was just going through a "rough patch" as some stories do. After that I stuck around because I wanted to see how it could possibly pull off its ending. And then after that, I simply stuck around for the laughs and community banter. But now I don't even find it funny anymore, the punchline of how bad it is has gotten incredibly old. And at this rate, as much as we'd like to believe it's going to end in its third season as it's been mentioned in the past, we also were told it was going to end between 100-200 episodes prior to that - the way it's going, I can't even stick around "for the ending" because LO is going to be around for as long as WT tries to milk it, despite it no longer having a heartbeat.
As much as I've loved talking shit about this comic and it's undoubtedly the main reason so many of you followed me here in the first place, I'm not going to lock myself in some kind of purgatory hell just to be proven what I already know is going to happen - either the comic continues on forever, doomed to be a lifeless mascot for the zombie corporation that is WT, or RS eats shit while trying to stick the landing with a plane that has no functional parts.
There's a quote from Caddicarus that I couldn't help but think of as I typed this up, from his nearly-decade-old review of Dalmations 3 (oh god, it's nearly been a decade since that video came out what the actual fuck-)
"And this is where I officially lost all fucking care. I realized it wasn't going to end anytime soon. It's one of those rare instances where the novelty of how awful everything is actually gets really tiresome and unfunny." - Caddicarus
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mamawasatesttube · 3 months
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I don't know that much about superboy so forgive me if this is a silly question but what's the deal with Magdalene Visaggio?
not a silly question, dw!! if you haven't read many kon comics it probably doesn't look particularly noteworthy but OOF. OOF.
the tl;dr of it: despite being paid to write him once, she also hasn't read kon comics and it really, really, really shows. i'm talking geoff johns levels of flagrant disregard for the existing character - maybe even worse than geoff? which i say only because i know geoff did read sb94 even if he didn't act like it. but that's off topic; this isn't a geoff hatepost. this is a magdalene hate post.
under a cut for length, lets goooo!
so we start out with her canonizing supermartian. already off on the wrong foot - that's a ship out of yja the tv show which is a completely separate continuity from main comics and a completely different kon than main continuity kon. despite supposedly knowing that, she still shoves them into a relationship in main continuity, despite them never having actually interacted on page in main continuity.
she then goes on to characterize kon as angry and entitled and uncaring, and also in high school again. not only does she directly contradict all of his preboot existing characterization (which is important because kon-el never got reset during flashpoint - he was in another universe and thus dodged that bullet. current kon-el is canonically the same kon-el as pre-flashpoint/postcrisis kon-el.), but also she directly contradicts both young justice (2019) and superboy: man of tomorrow, which are in current continuity, leading one to really wonder if she has read a single comic kon appeared in at all. it's also worth noting that the asshole with anger issues characterization is, once again, much truer to the young justice animated tv show than any comic kon.
also worth noting is that the infamous red hair dye streak? well, uh...
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yeah..............
on her twitter, she once said something about kon-el not being a good name because it's "still a name someone else gave him", called him "the jason todd of the superfamily", and insisted that the meaning of a trans narrative is "burning down your life and reevaluating your place within it":
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kon-el is a name gifted to him to signify his acceptance into his family (superboy (1994) #59) and he was so overjoyed to receive it that he cried. overall, the superfam are very supportive and loving, and introducing strife just to make him run off and live with jinny hex instead of them just because she thinks one can't transition and retain previous relationships is... not it, lol.
her pitch also contained some outrageously egregious christianity bullshit, like villains named "saint", "shepherd", and "savior", as well as direct comparisons between clark and jesus christ. this is... sorry i really just have to say this is Fucking Cringe. i guess the more polite way to put it would be "incredible gauche" (considering the jewish origins of the superfam) but i just can't call it anything else. This Fucking Sucks Dude. i won't even get into the weirdness about genetic bullshit she leans into by introducing kon's "brother" who's also part luthor, part superman, but "luthor-dominant" (lol?) (do you know how genes work even a little bit).
she has quoted the one panel from reign of the supermen where kon says "don't ever call me superboy" a few times, claiming it's the first thing he ever said and no one listened. to me this essentially reads as her going "i've read one of his appearances and i would like to throw out the like 200 issues of character development he had since then in favor of making him my own self-insert to explore MY transition and religious trauma".
basically she doesn't seem to know how to write a story that's not about herself. as a trans person with a positive relationship with my given name (because as a first-gen kid of two diasporic immigrants, it provides an important tie to my family's cultures, to me) and with trans friends who involved their parents in picking new names and so on and so forth, i honestly find it very reductive and white to insist there's only one trans narrative and only one good way for trans characters to be named. i also find her putting her own christian religious trauma into a superfam story off-putting and . well. fucking cringe. i understand and respect that that is her story, but it sure ain't universal and i won't be able to respect her as a writer until it becomes clear she gets that.
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daresplaining · 6 days
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opinions on the red fist saga? :0
Resoundingly negative, unfortunately. I actually only just read it, because I was having a rough time with it while the issues were coming out and so decided to put it off until I was in a better headspace for it (or until I saw a preview for an issue that excited me and gave me the motivation to catch up, which is what happened with next week's anthology issue).
As I said, I disliked this story very much, so if you aren't interested in hearing me rant (perfectly fine! I wouldn't blame you!), read no further. I really hope you liked it. I really don't want to get you down if you did. This whole run was just the epitome of Not For Me.
Ahem.
The "Red Fist Saga" is, in my opinion, a flimsy "Shadowland" knock-off, centered around the abrasive, moralizing religious zealot who has been inhabiting Matt Murdock's body for the past few years. Elektra Natchios, an incredibly complex character whom I love dearly, had her backstory savaged to remove its autonomy and complexity (that's a rant for another post...) and exists in this story as an accessory to this Matt look-alike and as a handy target of his moralizing (at one point he comes to the revelation that this recent journey she has been on has been worthwhile because it was all about God saving her from her wicked ways!!, at which point I may have blacked out from rage for a few seconds). Matt and Elektra GET MARRIED, and the implications of this massive shift in their relationship are not explored at all. And phew...the less said about Sam Chung's single scene, the better. As was true throughout Zdarsky's entire run, Matt speaks and thinks in this story like he is reading a prepared speech at all times, making grand-yet-hollow pronouncements about the nature of good and evil. He doesn't sound like a real person, but rather like a robot that has been fed a steady diet of religious texts, along with a few surface-level social/systemic reform concepts. His personality consists of being alternately sad, angry, and making lofty proclamations about "fighting evil in the service of God's plan", and I just have no emotional investment in that. I'm not Catholic (and neither, until recently, was Matt Murdock, making this whole thing profoundly weird).
There were some cool elements to this story. I'm a huge Stick fan and I'm thrilled that he is finally back from the dead after all these years. I love Stilt-Man. I love Speed Demon (for some real Speed Demon goodness, go read Superior Foes of Spider-Man, one of my favorite comics of all time). Foggy had a few good panels. I got to read Milla's name; always a treat. Kirsten didn't actually die. Mike was...mentioned (I've already griped about his death; I won't do it again here). The twist that Foggy and Stick were actually already dead was effective and very cool and I didn't see it coming at all, so I will give full credit for that. And I'm someone who genuinely does enjoy Hand shenanigans. I love that stuff when it's done well. But the degree to which I could not stand this new Matt and did not care what happened to him or what he was doing, plus the fact that I had seen all of these plot points executed already, and better, by previous Daredevil teams, meant that this story was just a protracted slog through painful writing, past scene after scene that could have been so much better in the hands of a different creative team or centered around a version of Matt Murdock who was actually a compelling protagonist.
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dani-luminae · 9 months
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GUESS WHO SAW THE HAUNTED MANSION MOVIE BRAINROT INCOMING
First off, that was incredible and the very first sequence of the house alone (Gabbie and Travis getting chased out for the first time) already had me going "this is the best movie ever!"
(For the record: my criteria for "is this Haunted Mansion movie good?" is "do I recognize every single Easter egg and does it bring me joy?" And yes. yes this movie does just that)
My favorite parts:
Constance and everything to do with her.
The grief plotline. OMG. I didn't come into this movie expecting the cry but they did it!!!! AND TATER TOT AT THE END 😭😭😭 I hope he adopted that kitty
Ben running into the mirror in the Endless Hallway sequence!!! Such a fun little reference to the real-life endless hallway that uses a mirror. In the same vein of "dramatic effects that reference the real life tricks" also the stretching room and how Ben's light on the ceiling reveals the rafters!
Also though the entire Stretching Room scene was awesome.
I got so excited when I first spotted April-December portrait on the stairs!!!! Even out of focus in the background, I could tell it was her. The whole deal with the eyes (to open the séance room) was a neat touch, bc I think she used to be one of the portraits whose eyes followed the riders (in WDW HM at least.)
DONALD! DUCK! CHAIR!
The Hatbox Ghost's backstory reveal!!!! I almost screamed when I saw the WDW HM exterior used for Crump Mansion. Frankly incredible storytelling.
Sometimes, a family can be you, your son, your son's new father-figure who built a ghost-seeing camera, a con-man-pretending-to-be-a-priest, the spiritual successor to the famous Madam Leota, and a grouchy old potato of a college professor with a heart condition.
And the Mariner! Considering he's sort of been reduced more and more in the actual HM rides, it's nice to see him get a minor role in the movie. Quite seriously, they could not have done it without him.
Jared Leto... was actually a very good Hatbox Ghost, I'm pleasantly surprised
And even though whom I thought was the Ghost Host was actually the Hatbox Ghost, the Ghost Host did get a little part and get to say one of his famous lines "the real chills come later" (and how they kicked him out of Ben's body - just, the frantic bell-ringing and waving sage in his face - hilarious to watch)
What could have been better:
WHY ARE THE CARETAKER AND HIS DOG DEAD WHY WOULD YOU DO THAT TO THEM
Alastair Crump is a crummy name for the Hatbox Ghost honestly, should've stuck with Randall Pace (from the comics) or a different name entirely.
Considering they were all "we need to find [the Hatbox Ghost's missing] head [for the banishing ritual]" I would have expected them to grab his skull, not just his hat.
And the séance room could have been fancier (in the flashbacks at least, I understand why it's a dank hole in the present).
What I won't forgive the movie for:
WHERE. ARE. THE SINGING. BUSTS. HOW COULD YOU LEAVE THEM OUT?!?!?!?!?!?!?!
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theerurishipper · 24 days
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I have been thinking about your no kill rule post and how Batman is criticized for it. I wonder if it is because he is deeply passionate about the no kill rule, but not under every writer.
In Batman: The Hill he says to Gordon over him feeling bad about killing a black 14 year old: "Don't be sorry. That boy was armed and dangerous. He died trying to commit murder."
Batman: The Hill only came out in 2000, only 5 years before Batman: Under the Hood which isn't a huge number of years when it comes to comics. In Batman: Under the Hood he screams in horror at the death of Captain Nazi and slices his son's throat to protect the Joker.
Jason is not a Bat at this time so it becomes why is the GCPD killing black teenagers okay but Red Hood killing white supervillains not okay. Captain Nazi was trying to kill them at the time. The Joker is a mass murderer. What makes the killing of these people less defensible to Batman?
The Doylist answer is arguably different writers but the Watsonian is him holding his kids to incredibly high standards compared to Gordon and the GCPD. He's not even upset with Gordon but he will beat Jason over this stuff (RHATO 25 (I think)). (and yes Batman was nearby when the kid was shot in Batman: The Hill)
My interpretation of Batman comes down to this: Batman won't kill. He will never condone killing. I've never read the comic you mentioned (and from what you've mentioned I don't think I ever will), but I cannot see Batman telling someone that it was fine that they killed, especially a child. It goes against everything he stands for. Batman is about rehabilitation and second chances and especially about helping the downtrodden. For him to comfort Gordon over killing a child, someone who probably is not a hardened criminal, is grossly against everything he stands for.
I don't think Batman has separate standards when it comes to his kids and Gordon. If he truly thought that it wasn't a big deal if the GCPD killed people, Batman wouldn't exist. One of the reasons he decided to become Batman was because the police force was corrupt. So, for him to excuse Gordon's actions is OOC. Maybe he takes it a little more personally when a kid of his does something like that, but his rule is very consistent across the board, and he will not comfort someone who killed by saying it's fine that they did it, especially if it was a child.
In my most generous interpretation, I don't think Batman would beat Gordon up about it, especially because Gordon is already regretful of what he did, and Batman believes in second chances. The thing with Jason is different because Jason wasn't regretful, he was actively trying to kill the Joker, and Bruce had to stop him. But for Bruce to say that the kid had it coming? That's wildly OOC. It goes against everything he stands for. This is the man who brought the Joker back to life because he was so strongly principled. There is no way he would stand there and say that shit about the death of a 14-year-old.
The Watsonian explanation for this is pretty much non-existent imho. Sometimes, the only explanation is the writers and that's it. I mean, Batman is no stranger to having writers who have wildly different interpretations of him side-by-side. Look at Frank Miller who, during the time when Batman was actually kind of lighthearted, decided to shit out the edgelord fantasy that was the Dark Knight Returns. I personally blame Frank Miller for everything that is wrong with Batman's characterization today. There is no way to reconcile that with the characterization of Batman that existed at the time, even if it wasn't exactly in the main continuity.
For characters like Batman who have existed for years and have had a variety of different writers, some of whom have shitty opinions about Batman and in general (Frank Miller), sometimes there are going to be stories that are so wildly OOC that you can't reconcile with the character. This seems like one of them.
Thank you for your ask!
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Kaiju Week in Review (December 17-23, 2023)
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Episode 7 of Monarch: Legacy of Monsters laid down significant Monsterverse lore, showing the moment Monarch finally revealed itself to the public (under hilarious circumstances) and how the organization's partnership with Apex Cybernetics began. I did not find May's long-awaited backstory super compelling, to be honest, I think because the proto-Apex company was so thinly sketched. And that Frost-Vark better not be dead. :(
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An incredible three Godzilla comics released last week: DC/Legendary's Justice League vs. Godzilla vs. Kong #3 and IDW's Godzilla: War for Humanity #3 and Godzilla Rivals: Jet Jaguar vs. Megalon. The crossover lit a certain section of the Internet on fire with the revelation that Godzilla did, in fact, kill Superman the previous issue. Writer Brian Buccellato chalked it up to Godzilla's atomic breath having "a radioactive signature similar to [K]ryptonite," which as handwaves go is pretty good. Behemoth and Scylla had moments to shine as well, and the issue ended with Lex Luthor discovering a Mechagodzilla eye. Glad Godzilla won't be the only Toho character in the comic; that would've been a bit lame.
Godzilla: War for Humanity remaining a thrilling read, and the Super MOGUERA debuting in this issue is not to be missed. Jet Jaguar vs. Megalon starts with a content warning for depiction and discussion of attempted suicide, which certainly surprised me. It's another strong issue, neither callous nor didactic, and told so efficiently there's plenty of room for the titular bout (which sometimes has felt like an afterthought in Rivals stories). Also, Jet Jaguar talks—something Toho forbade in a comic earlier this year, for whatever reason. Anyway, he's exactly the 'bot you would expect him to be. Hope IDW can keep him chattering in the future.
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You've probably seen my flurry of posts already, but it bears repeating: The Boulet Brothers' Dragula, a drag reality competition found on Shudder, aired a kaiju episode. Reality TV isn't my bag, but I thoroughly enjoyed the competitors' kaiju-inspired costumes and performances. I also kept ping-ponging between awe that Americans are just expected to know what a kaiju is now and yelling at the hosts for, say, not naming any kaiju outside of Toho's Big Five.
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Hot on the heels of the black-and-white re-release of Shin Godzilla comes Godzilla Minus One/Minus Color, which has to be the best title one of these things has gotten. As with Shin, this is no mere filter; each shot in the film was regraded, with director Takashi Yamazaki striving for "a style that looked like it was taken by masters of monochrome photography." It opens in Japan on January 12; no word yet on whether it will play in any other country.
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Godzilla will follow in the steps of pop culture fixtures like The Lord of the Rings and Star Wars with Godzilla: The Official Cookbook by Kayce Baker, due from Titan Books on September 10. (You can tell it's official because he's actually on the cover.) 60 recipes lie within. It's a given that I'm going to buy something Godzilla-related that's this silly; I just have to pick up another cookbook first so it won't be the first one I ever own.
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I was surprised to realize that McDonald's has never done anything Godzilla-related; far less prolific fast-food chains have worked with the monster, from White Castle to Carl's Jr. The first salvo in the campaign was pretty underwhelming—BE@ABRICK figures that can only be won via lottery, with an entirely plain Godzilla. That replica MogeGoji suit looked great in the ad, at least. Tokusatsu is being kept alive in the Godzilla franchise through some truly odd means. The follow-up ad/promo was a lot better, but that's a matter for next week's post.
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This is at least kaiju-adjacent—James Wan's long-gestating The Call of Cthulhu movie seems to finally be going somewhere, as revealed in roundabout fashion by a Deadline article. I thought the 2005 silent version was just fine, but presumably this will be produced by his company Atomic Monster, which is long overdue for an actual giant monster movie.
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isaactheterrible · 1 year
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TF2 Mercs Yandere Version
Trigger Warning: Violence, Abusive Behavior, Stalking
(Disclaimer: This is based on the TF2 comics and the personalities of the mercs in them, this is what I kind yandere I personally think the mercs would be. Gender neutral reader)
1.Medic
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-Obssessive medical yandere
-100% will kidnap you
-Will probably spend years studying you
-Vivisecting you, dismembering you, pulling you apart and putting you back together, learning everything about you
-You're his special interest he loves spending hours studying and memorizing everything there is to know about you
-Probably the most awful and dangerous out of all them, has no regard for your feelings or safety after all if you die he can just put you back together
2.Scout
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-Delusional yandere
-He knows the two of you are meant to be and hey! You are probably already together, you're just taking things slow that's all he's sure of it
-Buys little items that remind him of you such as the same shampoo as you
-Obsessed with chivalry, keeps insisting that he pay for you despite him not always having the funds to do so, insists you wear his jacket even if he's freezing his balls off ect
-Gets jealous easily due to how insecure he is
-He keeps acting like the two of you are dating but won't cross your physical boundaries
-Would never hurt you physically but he will completely break down if you get with someone else
-Takes him days to get out of his depression room, he has convinced himself you'll choose him eventually
-Not that dangerous, at most he'll get into a fistfight with your S/O in a Wendy's parking lot
3.Demoman
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-Two-faced yandere
-He fell for you the moment he saw you, he just knew you were the one
-Tries to befriend you at first but almost immediately introduces you to his mother, the two of you need to get along otherwise it's a deal breaker
-If you passed the test he's already planning your wedding and future
-He does his best to clean up his act and be the ideal image of the perfect man and future husband to you
-He doesn't steal from you or violate your boundaries but he will solve any "problems" that might get between you too
-He will kill anyone that threatens your perfect life, serial killer on the side
-He trust you because he loves you but it's best that you never betray that trust
-Not that dangerous for you but extremely dangerous to everyone around you
4.Heavy
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-Overly protective yandere
-He will kidnap you and force you to live in a cold cabin in Siberia in the middle of nowhere
-For your own good of course, he has tons of enemies and he needs to keep you safe, the world can't know of your existence
-You could try to run but there's nowhere to go, nothing but cold and snow for kilometers around
-You are stuck there essentially forever cause he doesn't believe you can actually protect yourself without him
-Incredibly boring, all that exists is cold and books and we'll him
-You are slowly going insane in the place
-Very dangerous yandere, he won't kill you but you'll end up chained for years potentially if you try to leave, why can't you just understand he wants to protect you?
5.Pyro
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-Codepended Nightmare
-You will never be alone again, clingiest MF
-Good thing is that they don't need that much attention, just being around you and maybe napping on your shoulder is enough
-You're one of the only things that bring them joy
-Will draw you a lot and give you lots of little trinkets and gifts
-If you force them to go in a different room they'll sit outside the door waiting for you
-Not that jealous or possessive will be happy to have other people around
-Might hurt you out of pain and anger if you try to leave
-Pretty dangerous to both you and your safety
6.Engineer
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-Possessive Yandere
-He has strong abandonment uses and is convinced you'll leave him for someone else if you ever get that chance
-Will isolate you and sabotage your relationships, at first from anyone he sees as competition and then everyone else as well
-He doesn't do it from a place of wanting to own you but from a place of insecurity
-Might kidnap you if you try to leave but only as a last resort, he really doesn't want to hurt you but he'd rather do it than be alone again
-Very dangerous mostly cause he prioritizes his desire for companionship over your right to freedom
7.Soldier
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-Absolute nutcase and menace to society
-He fell in love with you, congratulations you're technically married now!
-You are pretty much stuck with him, you two are joined at the hip with him ranting about whatever to you
-Would do ANYTHING for you, except leave you alone of course
-Not at all jealous and pretty chill about your obvious discomfort and escape attempts
-He can't and won't listen to reason, he's too far gone
-Not particularly pushy but very volatile
-That being said he's still incredibly dangerous
8.Spy
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-Controlling ass mf
-On the positive side you will be showered in gifts and luxuries
-On the negative side you get to choose pretty much nothing about your life
-You have an image to maintain so your friends, your clothing, your food, the places you go to are all completely out of your control
-You will probably quickly lose your sanity and if you do you will be shipped off to the highest quality glorified re-education mental hospital
-The doctors aren't here to help you their here to make you more obedient
-Run away as far as you can but he'll always find you, he's a danger to you and all your loved ones, willing to destroy you if it means controlling you
9.Sniper
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-Stalker
-Has entire folders and USB sticks dedicated to you
-Knows your social security number by heart, your current location, your address, your friends, any dangerous people in your area, EVERYTHING
-Watches from afar helping here and there like a guardian angel
-Has put cameras and voice recording devices in your house
-He doesn't collect memorabilia such as t-shirts or other forgotten items
-He does take a lot of pictures and his room is a bit of a messy shrine to you
-Absolutely shook if you approach him first, it's just too much for him he's experiencing too much emotion and might hide away out of embarrassment
-Not that dangerous as he has no interest in intervening with your life unless it's about your safety
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mossycobbld · 17 days
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Drawing a reminder to MarkxAmber using evidence from the comics as well (bear in mind is been over 10 years since I read it so some details remain iffy)
Amber had to always shove her feelings down for Mark, every time he disappears she doesn't have the luxury to call him, she doesn't have the luxury of thinking "well he's going to come back", she doesn't even have the luxury of being angry at him because whatever it is it has to be important (whether or not it really is important)
In the comics she hung out with someone and had a coffee date. He got a call from work asking him to come in and she already prepared a speech about how she won't be upset and she's okay with him going into work.
He told her he already told them no because he already promised to spend time with her and besides they had other people who could do the job and who didn't have other obligations.
Mark CANNOT DO THAT!
At this point this man is nothing more than a friend, he has no powers, but he does have an important job he loves and YET he can make time for coffee while Mark is always on Call.
In the show they had... something approximating a normal work life balance for about 5 minutes. Like Rex Splode promising to cover for Invincible for a night or two. And he told Cecil he needed a few nights off.
Not perfect by any means, but Mark did acknowledge that Amber was important and he was willing to push back and try for her.
Only for disaster to immediately strike.
And that shattered any illusion of a normal life with Mark and Amber. Amber will always be a target, Amber won't be able to fight back. She could be killed in less than a moment the only reason she wasn't killed was Anissa didn't want to kill her.
Even if Mark could keep his promises every time (which he obviously couldn't) this was always how it would end.
She can't talk about her dead grandpa (a moment most people need love and support through) because the world will always be ending, Mark is always healing from a fight. They can't go on a date because even if they succeeded and Mark managed not to fight the fight could just as easily come to him.
A parallel to his dad: Mark's mom knew from the beginning that Nolan was a superhero. Amber didn't.
Every moment Nolan did spend with Debbie he did try to make it romantic, he prioritized her, he went out to romantic dinners often, he flew her across countries, he spent time with her and even then Debbie said he was hardly around.
Even with Nolan refusing to join a team, even with Nolan refusing to work for Cecil, even with Nolan in at least one point, refusing to fight saying "Let Cecil earn his paycheck."
There is a metaphor there for the work life balance that appeals to me because I have a jard time setting boundaries. And I've been in Amber's shoes and Mark's shoes.
Neither are fun. But she had every right to walk away and I applaud her strength to make herself a priority and for the show going so far to show that she is right to leave and Mark was also right for being Invincible
I AGREE WITHH THIS STRONGLLYYYY
nolan — being one of marks important people in his life despite not being around incredibly often — had Definitely influenced mark’s relationship with amber. thinking it was fine to lie, to leave abruptly, etc etc. which made sense to some of the audience as well (ahem ahem , amber haters), the mindset that “Oh, mark is leaving because hes a superhero, he has things to do”. theyre only looking at marks perspective and refusing to look at ambes. and while that might be true that he has some form of obligation to save the world, who Wouldnt be upset that your partner up and leaves you. who wouldnt be upset that your partner lies and makes excuses, maybe even sometimes not making excuses?
which is why i think the choice that spiderman makes in one of the older movies to decline a relationship with MJ to keep her safe is a good choice. because unless youre prepared enough to balance school, relationships, and being a superhero, you have to make a decision because you cant have it all. which is something that is touched on in episode seven in season two. mark has to make a choice. because you cant forget that its only a choice, its a choice between putting yourself in danger, or putting yourself AND your loved ones in danger.
ambers character doesnt have an “improvement” from season 1. ive seen the comic dudebros say this. she only feels like she “improved” compared to season 1 because they dont like it when the girl dating the superhero doesnt comply with everything the superhero does. and lets be honest, its more than just trope divergence that makes those dudebros hate amber, and we all know it.
basically mark was never taught how to balance those lives personally. but he has definitely been influenced by his parents relationship. because of that influence, it lead to mark and ambers breakup.
let me know if i worded anything wrong because i suck at articulation 😓😓
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