Tumgik
#I made sure the WD tag was the 6th tag so it hopefully doesn't show up in the tag...
dragimalsdaydreams · 3 years
Photo
Tumblr media
IMAGE ID UNDER THE CUT b/c it’s uhhhh a lil long, sorry.. there’s a lot of detail to cover in this one..
now u may be thinking, “Hey Ashley, didn’t you already start 2020 with fanart that riffed off the 1978 Watership Down prologue sequence, and now you’re doing the same thing again, a year later?” and to that I say sh. shhh. shh. I am allowed to draw another WD riff, as a treat
[IMAGE ID: 
a single piece of art with two panels-- a larger top panel, and a smaller bottom panel. the full piece is drawn in a style of flat shapes filled with solid blocks of color, and patterns which emphasize those shapes/silhouettes.
the first panel features Jonathan Sims, curled up defensively at the center of the panel while a menagerie of Entities reach towards his prone form from the borders-- not quite touching, but close. Jon appears here as a small, slight man with dark brown skin and darker hair. his hair is long, wavy, and streaked with grey, all pulled back into a loose ponytail. he’s got a patchy beard, and the scars he’s accumulated through s4 (worms holes on his face, knife scar on his neck, burned hand). his eyes are closed, and he’s got dark circles underneath. He’s wearing a dark green sweater, dark blue jeans, and simple loafers. the background underneath is a dark, dull purple, with a light purple gradient roughly painted around Jon.
the Entities around Jon are as follows, starting from the top and working clockwise:
a large hand reaches down, wicked-sharp claws curving smoothly from each digit, open and eager to catch. the base color is dark red, with yellow and brown patterns inside the hand-- notably daisy-like patterns centered on certain joints and the tips of the fingers
a patch of pure black drips from the corner of the frame, trailing ever closer to Jon. a few simple dots of white stars are scattered across the puddle, some with a single small ring circling the dot.
two long, dull white bones extend towards the center-- a femur at the frame of the panel, with a rib resting near the ball of the femur to extend the reach, deformed enough to curve out towards Jon. ropes of red/white muscles and tendons wrap haphazardly around these bones, barely holding them together. a few teeth are scattered in among the ropes of meat-- some incisors, some molars.
a long, spindly spider leg reaches towards Jon, ending in two pincer-like claws. the main color is bright purple, which darkens at each of the leg’s three visible joints and the claws. a few hairs dust the outline of the leg. two patches of light-silver webbing tie to the leg at two joints and one of the claws, carefully controlling its position and trajectory.
a white heart-monitor heartbeat line points straight towards Jon, the heartbeats growing smaller until they fully peter out near the center. a thicker, straight red line lays underneath the heartbeat line for emphasis.
roaring flames flicker up towards the center, just barely licking up underneath Jon and throwing out blackened embers. the base color of the flames is a bright yellow, while red and orange form central patterns.
layers of sediment stack upwards in jagged formations-- brown, spotty soil, tan sandstone, and striped grey granite alike.
a large silver knife strikes up towards Jon, contained only by the barbed wire tangled tightly around it. the handle of the knife is dark red, while the tip of the knife is covered in bright red blood, splashing out from the tip as it jabs.
a simple sky paints itself towards the center of the panel in brush-strokes of bright, clear blue, with pure white clouds floating merrily across the scene.
countless worms and maggots climb over each other in a frenzy-- a growing pile of mania and motion. some worms are a smooth and sickly silver-green, while the maggots are a segmented yellow-cream. a few tan/brown mushrooms also grow out from the pile.
a rickety arm reaches from out of frame-- a patchwork of multiple pieces of garishly-patterned cloth (purples, greens, oranges), roughly stitched over an arm frame that clearly doesn’t have the right joints or proportions. the hand at the end, however, is perfectly normal-- covered in a clean white glove and courteously offered out to Jon.
a trail of grey-white fog tumbles gently from the top corner, just barely reaching out with a thin wisp of mist.
a neon-green metal spike jabs down towards Jon, with a handful of smaller spikes extending from the main in haphazard directions, making for a hostile silhouette. the main frame is covered in simple posters and advertisements in various blinding colors (purple, orange, red, blue). a pair of red shoes hangs by the shoelaces from one of the smaller spikes, while white, wired earbuds drape limply over the main frame. (in retrospect this particular Entity isn’t as conceptually clear as I’d like, so if you’re confused, here’s an ask I answered about it)
fractals zig-zag their way towards the center, doubling back and curling around, but steadily reaching forwards. the base patterns are copied and layered over each other in offset positions like a distorted photo, all in different neon colors (yellow, magenta, light green).
the second panel features a close-up of Jon-- shoulders-up-- in the same position as before. now, however, his visible eye is wide open, framed in bright neon green, with an iris of the same color. behind him, the background is now dark green, while a huge eye with exaggerated lashes outlined in the same blinding green frames his head. Jon’s head is centered where this giant eye’s pupil/iris would be.
there is text across the full image-- dark green on top of a semi-transparent white background, overtop the image. the text is as follows:
first panel: All the world will be your enemy, Prince With a Thousand Enemies. And whenever they catch you, they will kill you.
second panel: But first they must Catch You.
the first sections of text frame the tops/bottom of the respective panels, but the last two words of the last sentence frame either side of Jon’s face in the second panel.
END ID]
3K notes · View notes