Types of romances -
Eda and Titan: Sweet kind, the "we are raising a child (King) together hiding from danger but everything seems possible and nothing can stop us" type, honeymoon hopeful for the future type, the "they are holding hands, looking at eachother's eyes in Love as rose petals fall around them" type, the "popular romance show where fans are piecing together how bad the world is in the background and are foaming for more information" type, the "Secret Royal falls in love with a random civilian" type
Raine and Titan: The "We are a spy helping a prisoner trying to not get caught by a tyrant who we are also trying to take down", the "love bringing a bit of light into this pit of darkness" type, the "romance explored in novels where there's a dictatorship and the couple is part of the resistance and don't know where they will be there to see the other day, that they will be the same the next day, that have to see the Worst of the world and lean on eachother to deal with it" type, the "survived fighting an evil asshole with only wisps of hope of victory but they Won and are together and Safe, they both survived" type
8 notes
·
View notes
24K notes
·
View notes
I love how despite not being a bender, Sokka is the biggest embodiment of everything the Water Tribe values in the show, both good and bad.
Change. Sokka who humbled himself when the Kyoshi warriors proved him wrong and took their teachings to heart. Sokka who always had a plan, a few hundred backup plans, and could still get out of a sticky situation on the fly. Sokka whose friends became bored and aimless without his quick wit and initiative.
Kindness. Sokka who went to save Aang before Katara even had to ask him to. Sokka who saw the humanity in an old man from the fire nation. Sokka who gave Jet a second chance despite being the first one to be suspicious of him. Sokka who showed Zuko to his room and held no resentment against him. Sokka who shielded Toph from falling debris with his body.
Ingenuity. Sokka who invented airships and submarines. Sokka who took down the drill. Sokka who broke into a Fire Nation prison rig and out of the highest security prison in the country. Sokka who levelled Ozai’s entire sky fleet in one tactical manoeuvre.
Love. Sokka who couldn’t remember his mother’s face but carries the grief of her death so deeply that he protects every woman he meets with the same unhealthy hypervigilance. Sokka who instinctually jumps to defend his sister despite their constant bickering.
Community. Sokka who gave up his childhood to become the sole protector of his village and dedicated his time to training the younger boys in combat. Sokka who learned to let go of his hypervigilance and put his trust in the people he’a afraid of losing so they can protect him like he protects them. Sokka who stood alone guarding the gates of his home as Zuko’s ship towered over them.
5K notes
·
View notes
Watching the Ballad of Songbirds and Snakes is realizing that despite the obvious implication that Lucy Gray is the songbird and Snow is the Snake…it’s likely the opposite.
Lucy gray controlled the snakes and used them as her weapon of choice, the snake biting him was Lucy’s kiss goodbye. She is the snake.
Snow sold Sejanus out through the jabberjay’s, they were his tool to fly back home and back into power. He is the songbird.
But at the same time…as in her Ballad, Lucy Gray flys away with the mockingjays after she sings the Hanging Tree one final time while fleeing Snow. She is physically a songbird. And Snow chose to work with Dr. Gaul, who created and controlled those snakes. He was the snake who betrayed his friend.
Who is the songbird and who is the snake? It’s unclear, but isn’t that the mystery?
9K notes
·
View notes
(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:
"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"
3K notes
·
View notes
9K notes
·
View notes
I think there's no greater indication that disco elysium is sympathetic towards communism when it literally says "communism is failure" and then the literal gameplay itself rewards trying and failing. The most obvious one being the Shivers check at the FELD mural, which is an Impossible 20 check BUT opens itself up again and again the longer you spend in the world doing things, but even just looking at sheer probabilities, for any given white check, rolling first and THEN putting a point into that skill upon failure is more likely to grant you success than putting a point first and then rolling, but that would require failing first.
Other things too: Precarious world saying you'll 100% fail red checks no matter what (not necessarily a bad thing, btw!! throwing the boule into the sea is a success but like. in some other ways one would want a perfect petanque throw instead. but people wouldn't typically assume that failure is desirable sometimes from the start) persuading you to accept that you'll fail some things that is irrevocable, for a world where everything is just a tiny bit easier.
The faux game over screen when you faint after reading Dora's letter— emulating a sense of failure on the scale of the entire game. When it rolls up most people go "What?? Game over?? No way, what did I do wrong!!" and waking up after that, with no huge or lasting impact on Harry's health or morale really tells the player, "Sometimes things will seem so bad that it all seems like it's coming to an end, but it's not the end, it's really not the end, go drink so water, you can still go on despite this failure"
I'm sure there are other things as well that are eluding me but like. The literal gameplay rewards failing and succeeding far more so than simply succeeding every single time, and I think you get a fuller experience of Elysium that way too
3K notes
·
View notes
say what you will about danganronpa, at the very least the characters are fun to try to stylize.
thought i'd give a shot at it even though i dont really plan on doing anything more with these
interested in commissioning me? check out my pinned post!
4K notes
·
View notes
Thinking about Weird Barbie and how she's the very obviously queer outsider of the Barbie world, she straddles the lines between Barbie and the Real World. She's the most aware of the performative nature of it all. She supports Barbie while also gently mocking her panic at losing the hyperfeminine perfection. Her weird house is also home to the discontinued reject weird Barbies, the outcasts (including very gay earring Ken) who never fell into either the original matriarchy or the Kentriarchy brainwashing.
The other more classically heteronormative and beautiful Barbies both pity and fear her, and at first the narrative pities her as well. She's the vessel of girls going weird and crazy and feral on their dolls and that's amazing. Weird Barbie is aware of who she is and how the world sees her and she loves it. She's Weird Barbie and She Owns It.
6K notes
·
View notes
pe ru so na
3K notes
·
View notes
posting this with absolutely no context
2K notes
·
View notes
day 12: karma ♡
(femslashfeb prompt list)
2K notes
·
View notes
There’s something horrifyingly beautiful about Tess’s final moments. In the midst of the most dire chaos, as she waits for her death to come rushing past so she can blow it sky high and give cordyceps a big fuck you one last time, one of the infected stops. It looks at her, really looks. Her own mortality is personified in this infected. It’s death that’s looking at her, and it sees her. She looks her own death in the eye, and the suspense is so high as it approaches. But then, it doesn’t bite her throat out like we all expect it to.
It kisses her. What’s more, it kisses her gently. And I think it was a brilliant choice on the writers part, because it reminded me that the infected aren’t supposed to be evil. Sure, they’re scary as hell, but really, they’re just trying to survive. They’re connected to one another, they can feel each other from miles away. They seek out and want to be close to their own kind, just like the human survivors do. And when they do find each other, they kiss hello.
And after so long apart from a loved one, someone you know and trust with every instinct in your body, wouldn’t you want to kiss them too?
15K notes
·
View notes
well, I can't say I expected the new chapter to feature Idia (metaphorically) going to (metaphorical) hell, getting a pep talk from his (metaphorical) Phantom brother which helps him finally move on once and for all from his brother's death, and (metaphorically) overblotting again to fight his way back out of (metaphorical) hell, only to have his darkest fear (non-metaphorically) come true when his mom goes through his computer and finds all his secret files. but I am glad it did!
also this is all a flashback for the purpose of explaining to our group what the heck is going on (whether or not any of it is getting through is another matter)
3K notes
·
View notes