who wants zombie au writing. don't answer that ur getting it anyway (1.6k words)
His shoes knock against the old flooring of the house, wood creaking under rubber soles that slide over the woodgrain. He drags them a bit, lifts his limbs up no more than he strictly has to, and they lead him to the nearest sittable surface.
The couch is old and dusty and has likely gone untouched for months, much like everything else nowadays, so he watches the thin cloud of dust billow off the cushions largely with disinterest. He collapses into the fabric heavily, feels the whole thing scoot back an inch and hit the wall behind him. The sound echoes, carried by lifeless rooms, while he unceremoniously drops his backpack to the floor by his feet.
The breath he lets out is slow and methodical and born of pent up muscles, aimed at the ceiling where he rests his neck against the back of the couch and relaxes every limb one by one. It’s a process he forces himself through, if only to rid the constant ache beneath his skin.
Slow, sweeping footsteps meander around the room in front of him, and Ritsu angles his gaze down from his craned back position to look at his brother. He wanders, like he so often does—seemingly aimless, but there’s something procedural about it that he’s convinced he just hasn’t figured out yet.
Shigeo’s empty eyes crawl along the hearth of the fireplace, explosions of ash sprayed out across the red brick. His head tilts up to trace his attention around the angular lines of the television, hung on the wall and screen grey with dust. He flits back and forth between the roundness of the bricked mantle and the sharp edges of the screen, like he’s taking notes.
Shigeo paws the television. Four lines of muck are cleared. The zombie blinks, paws at it again with dusty, curious fingers. Ritsu watches him make a mess of the television screen in silence, blinking tiredly.
He almost closes his eyes, but he fights against the urge and moves his fingers down his lap to reach for his bag. His middle hooks around the loop at the top and he lugs it up and into his lap, where he unzips it and peers into the shadowy contents.
Ritsu fishes out the water bottles. He finds the one with the messy R scribbled along the cap in sharpie and takes a big swig of it. It’s warm going down, constantly insulated in a bag of old, sweaty clothes. He feels like he can taste the odor in it, but it clears the grain in his throat from stomping all over dirt roads today, so he’s still grateful.
He holds out the one labeled S to Shigeo. “Thirsty?”
Shigeo looks at him from where he’s crouched down to the floor now, inspecting the soot along the hearth. Unfortunately, he sees handprints in the black already, and when his brother reaches a hand out to take it, his palm is covered in soot.
He lets him have his fun and settles his own bottle back in the mess of tangled clothes and rolls of bandages. Ritsu rakes his fingers through their stock with no real purpose—he knows exactly what’s in here, and none of it is useful.
They’d been searching all day; Ritsu doesn’t really know how far they’d walked, but it had to be a lot of miles. In and out of stores, up and down empty houses, weaving between warehouses—they didn’t really stop for a break. Not when Ritsu can hear Shigeo’s stomach from here and he himself has shaking hands. They can’t afford a break.
Nothing, though. Not a single goddamn thing worth taking. A settlement must have come through here long ago and swept the highway. They’re in the countryside, where houses are spaced out acres from each other and there’s entire cow pastures between properties. And yet every house they’d seen and entered provided nothing.
Ritsu stares into the negative space in his bag where there should be supplies. His stomach cramps and if he smells another whiff of that godawful sweaty, bloody sweatshirt he still carries, he’s going to throw up bile.
He leans away from the open pouch, eyes wandering to his brother who draws… something into the soot of the hearth. His water bottle sits on the floor, abandoned and still unscrewed. Ritsu leans forward with great effort and a grunt, leaning over his bag to grab at the top of it.
It takes him two tries to get Shigeo’s attention, and one more for an answer on where the cap is. It’s then placed in his palm, covered in soot and also saliva. Ritsu swallows down the nausea that rolls up his throat and wipes it off with his frankly already disgusting sleeve, and screws it back on.
He leans back again, succumbing to the urge to let his eyes rest, and he listens to the very subtle swipe of his brother’s hands across brick. There’s birds outside, chirping, and even though it’s still very much a common occurrence, Ritsu cannot help but feel nostalgic about it.
If he ignores the awful hum of silence, and the distinct lack of an electric thrum throughout the walls, and the fact that this is a stranger’s couch and not his, he can almost imagine normalcy. He can almost say this feels like those quiet moments after school, when he settles on the couch and scrolls through his phone in a house that only holds him and his brother because their parents simply aren’t home yet.
He can almost hear the creak of wood from Shigeo walking around his room upstairs. He can almost tap his fingers on the couch cushions to the pattern of his brother making his way down the steps. He can almost hear the fridge opening, and the sound of milk being poured into glass.
Almost. But Ritsu listens to sharp silence instead, and he tries not to think too hard.
He drifts for a while, feels himself truly sink into the couch and let the cushions claim him, and he thinks about nothings because if he doesn’t, then he’ll lose it. He carefully sifts through the nothingness of his mind, through the passing thoughts that have no bearing, and he focuses on that, on the lack of substance. His head is too full of things that have too much substance.
He misses boredom. He tells himself he misses boredom—the complete insubstantiality of it—because if he lets himself think of what he really misses, it’ll drive him insane.
The cushions move, and Ritsu peels his eyes open and lets himself get pulled from liminal mindspace. The cotton in his head recedes, and he blinks, and then he’s swiveling his head to look at his brother who sits in the cushion right next to him.
His hands and the cuffs of his hoodie are smothered in black. Shigeo sits hunched, gaze still wandering even when there’s not much decoration in this house to look at. He studies the off-white walls, the chips in the paint, the holes drilled in where there maybe used to be photos hung.
Ritsu gazes at him quietly, chest instinctively rising and falling to match his brother’s rhythm. He watches the expansion there, under his hoodie, in the subtlety of the folds and the way they warp over the movement. It’s slightly quicker than what he’s used to, but Ritsu knows his brother’s heart rate is much slower. He’s felt it before. He’s listened to it before, with his ear against a chest.
Ritsu’s attention moves to his eyes, and the heavy bags underneath them, and the paleness of his pupils and the ghostlight of him underneath that. He stares into them, looks for stray, familiar thoughts that might enter his head. Looks for old memories that might shine through in the form of recognition when he sees furniture layouts, and candy wrappers, and ads for soda.
Ritsu looks for it all the time, that glint of familiarity. And he finds it, sometimes. And really, he thinks that’s keeping him going more than food ever will.
Shigeo turns his head, and looks at him. Sometimes, when his brother looks at him, there’s not much there. No substance, no anything. And Ritsu finds it a bit evil that he craves silence in his own head, and yet noise in Shigeo’s, and often times it is the other way around.
His brother looks at him now, though, with that comforting recognition. That growth of the pupils, that softening of the hard edges of his face where unknown stressors have gotten to him. Ritsu wonders what zombies get stressed out. He figures it’s the same deal with humans, considering they’re largely alike.
Ritsu wonders if Shigeo knows he’s sick. He wishes he could ask him. He wishes for a lot of things. Silence in his own head is one of them.
Ritsu swivels his head away and stares at the ceiling, if only to force the thoughts to pause. He studies the popcorn ridges above them, traces the peaks with his gaze. It calms him, gives him something to focus on. He looks for patterns in the shadows they make.
Shigeo shifts next to him. And then he shimmies down, settles into the cushions, and plops his head right down on Ritsu’s shoulder.
Static roars in his mind and his heart stammers. Ritsu swallows the lump in his throat but that just makes it bigger, so he clamps his mouth shut and breathes carefully through his nose.
The tears cut through the grime on his face. He plops his own head down against his brother’s, and lives in the noise.
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Hey, wanna hear some unnecessary thoughts about Lemon from someone who’s watched Thomas?
Lemon mentions that the Momomon anime airs every Thursday at 9 AM after Thomas airs. But what specific Thomas show and season? I wonder. The short answer? Well, my closest guess is probably Thomas and Friends: Big World Big Adventures (aka “BWBA”) which is the 22nd - 24th seasons of Thomas. But more specifically, it may have been in its 23rd season airing in Japan during 2020.
From what I gather from the film’s adaptation of Lemon, he strikes me as someone who was a fan of the classic series of the model era (early season stuff, series 1-5) and grew up with it. The CGI era however is complex with its history and he seems more of an on-and-off watcher of it, he still appreciates the Thomas series even if he doesn’t watch the newer series as much as he did as he was younger (and BWBA doesn’t have the same caliber and direction as the previous Thomas series)
In the novel, it’s very clear that Lemon has watched up until s7 of Thomas, which was in its model era in the 2000s.
I think it tracks because even if it’s the CGI series, which is more modern and has a LOT of differences, I think Lemon would still be interested in watching it to some extent even if the newer stuff doesn’t hit as hard as the classic series he watched.
The long answer? If you’re a fuckin nerd and want to read I can indulge you.
A lot of this is just purely from my observation and my own take (and this is just silly so I really hope you know that).
Bullet Train started its production in October of 2020 - which I’m going to assume is when and where the movie takes place in because the majority was shot during that time - and incidentally, that same month Mattel had announced that Thomas was getting a brand new reboot called All Engines Go, which is a 2D animated production.
Thomas has a few distinctive mediums on television and it’s divided into the model series, CGI series and AEG, which is its own thing. Lemon obviously is shown to have grown up watching Thomas so he’s more versed in the model series and its characters.
Fun fact: In the novel, he mentions a few more characters who appear not only in early seasons but also season 7.
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A quick skim through the BBC!Ghosts tag tells me that no one has spent too much time trying to decode the Captain’s service ribbons. Lucky you, I did!
The badge on his jacket lapels say that he was in the royal artillery
1939 to 1945 Star: This is awarded to anyone who completed operational service overseas between 3 September 1939 and 8 May 1945 for at least 180 days.
France and Germany Star: Awarded for at least 1 day of operational service in France, Belgium, Luxembourg, The Netherlands or Germany between 6 June 1944 and 8 May 1945.
Defence Medal: Awarded for non-operational service (like training bases, for example) in the UK or overseas. A minimum of 3 years service in either the UK (3 Sep 1939 and 8 May 1945) or in the Home Guard (14 May 1940 and 31 Dec 1944) are required; if stationed overseas, 1 year between 3 Sep 1939 and 2 Sep 1945.
War Medal 1939 to 1945: Awarded to all full time personnel of the armed forces who served at least 28 days between 3 September 1939 and 2 September 1945, no matter where. In Europe, WWII ended in May 1945; this medal was instituted in August 1945.
He doesn’t wear any other clasp, so he didn’t fight in the Battle for Britain or the Battle of the Atlantic (makes sense, those were RAF and Navy stuff mostly). The Africa Star was awarded for a minimum of one day of operational service in North Africa, the Arctic Star was awarded for any amount of time spent fighting in that campaign, and the Pacific, Burma, and Italy Stars were awarded upon entry into an operational area. He was awarded none of these medals, which means he only fought the France and Germany campaign.
He only wears WWII medals, which means he didn’t fight in WWI (it was unlikely he would have anyway, tbh, 41 was the the maximum age to fight in WWII, which would have made him 18 in 1916). The order I’ve written them out in (from top to bottom) is the order they should go left to right. For some reason, the Captain is wearing the ribbon band upside down. That’s a very huge big no good no-no. At first I assumed if was a mistake by the costume people, but it’s been three seasons and that hasn’t been fixed yet so I have to conclude it’s intentional. It could be some kind of BBC directive (idk, “non-army personnel has to wear the uniform in a certain way or it’s an insult to the queen” or some other silly nonsense) or it could be a genuine mistake the Captain made before dying, in which case I assume he’s spent sixty years being massively bothered by this. [ @lagoonnebula6523 said that the director of series 1 and 2 hinted that the reason for this mistake would be revealed in a future series, which I think points to an in universe explanation. Thank you for the info, this is super cool to know!] [Small aside, but I remember googling why the ribbons would be worn upside down and what i found was neat but probably unrelated. Check the tags if you’re interested]
I believe he’s in a service dress, which basically means he was at some kind of event when he died. He’s not in the army equivalent of the white tie, so we’re not talking about something too fancy. Maybe some sort of minor party?
So yeah, dude died after the war ended, and considering he seems used to saying “king” instead of “queen” I feel like he died either before Elizabeth was crowned or just after, so somewhere between August 1945 and around 1953-55
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