#I ALSO HATE HOW KING IS LITERALLY MADE UP OF BASIC SHAPES IN ORDER TO MAKE HIM EASY TO DRAW. AND HE'S STILL REALLY HARD 😭 | Explore Tumblr Posts and Blogs

arctic-comet · 3 years

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Osblaineweek2021, Day 2: Prose

I love book quotes. Looking at quotes is one of my favorite ways to to inspire myself to write more fic.

Here’s a small collection of book quotes (and recs!) of where I’ve “found” June and Nick.

This post contains spoilers for the following books/series:

- Lover Mine by JR Ward

- The Wrath and The Dawn duology by Renée Ahdieh

- A Court of Thorns and Roses series by Sarah J. Maas

Lover Mine by J.R. Ward

Summary:

John Matthew has come a long way since he was found living among humans, his vampire nature unknown to himself and to those around him. After he was taken in by the Brotherhood, no one could guess what his true history was- or his true identity. Indeed, the fallen Brother Darius has returned, but with a different face and a very different destiny. As a vicious personal vendetta takes John into the heart of the war, he will need to call up on both who he is now and who he once was in order to face off against evil incarnate. Xhex, a symphath assassin, has long steeled herself against the attraction between her and John Matthew. Having already lost one lover to madness, she will not allow the male of worth to fall prey to the darkness of her twisted life. When fate intervenes, however, the two discover that love, like destiny, is inevitable between soul mates.

It's basically a paranormal love story between two warriors. He's really young (although he's actually a reincarnation of a very old vampire warrior, but he doesn't know that), and she's like 300 years older than him. In this book, she's been raped and abused by a guy who also used to bully him. She escapes, but he saves her life. She's hungry for revenge and wants to die after achieving that goal, but of course eventually changes her mind. In the end he actually serves her rapist to her on a silver platter so that she can kill him (sound like anyone we know?). He literally holds the guy down while she kills him.

They're my ultimate favorite ship in this series, and IMO their relationship eventually develops into one of the strongest ones. This series is a bit of a hit-or-miss for most people, because the language and the writing style are pretty ridiculous in all seriousness. If you decide to read this, I recommend starting the series from the beginning because John and Xhex meet for the first time several books before this one, LOL.

Here are some of the quotes that make me think of Nick and June:

“Besides, the story of the two of them was written in the language of collision; they were ever crashing into each other and ricocheting away—only to find themselves pulled back into another impact.” ― J.R. Ward, Lover Mine

“As his ears rang and his heart broke for her, he stayed strong against the gale force she let loose. After all, there was a reason why here and hear were seperated by so little and sounded one like the other. Bearing witness to her, he heard her and was there for her because that was all you could do during a fall apart. But God, it pained him to see how she suffered.” ― J.R. Ward, Lover Mine

“...the only thing that had tethered her to the earth had been him and it was strange, but she felt welded to him on some core level now. He had seen her at her absolute worst, at her weakest and most insane, and he hadn't looked away. He hadn't judged and he hadn't been burned. It was as if in the heat of her meltdown they had melted together. This was more than emotion. It was a matter of soul.” ― J.R. Ward, Lover Mine

The Wrath and the Dawn duology by Renée Ahdieh

Summary:

One Life to One Dawn. In a land ruled by a murderous boy-king, each dawn brings heartache to a new family. Khalid, the eighteen-year-old Caliph of Khorasan, is a monster. Each night he takes a new bride only to have a silk cord wrapped around her throat come morning. When sixteen-year-old Shahrzad's dearest friend falls victim to Khalid, Shahrzad vows vengeance and volunteers to be his next bride. Shahrzad is determined not only to stay alive, but to end the caliph's reign of terror once and for all. Night after night, Shahrzad beguiles Khalid, weaving stories that enchant, ensuring her survival, though she knows each dawn could be her last. But something she never expected begins to happen: Khalid is nothing like what she'd imagined him to be. This monster is a boy with a tormented heart. Incredibly, Shahrzad finds herself falling in love. How is this possible? It's an unforgivable betrayal. Still, Shahrzad has come to understand all is not as it seems in this palace of marble and stone. She resolves to uncover whatever secrets lurk and, despite her love, be ready to take Khalid's life as retribution for the many lives he's stolen. Can their love survive this world of stories and secrets?

This is a young adult fantasy romance, and basically, Khalid is a lot like Nick. He’s made mistakes that he needs to own, but at the same time he’s forced to commit atrocities he doesn’t want to do. He hates himself and doesn’t believe himself to be worthy of love, and yet he falls in love with Shazi. He's viewed as the villain of the story by everyone aside from Shazi and a few other characters until almost the end of the 2nd book.

“I love you, a thousand times over. And I will never apologize for it.”

―Renee Ahdieh, The Wrath and the Dawn

“It’s a fitting punishment for a monster. to want something so much—to hold it in your arms — and know beyond a doubt you will never deserve it.”

― Renee Ahdieh, The Wrath and the Dawn

“When I was a boy, my mother would tell me that one of the best things in life is the knowledge that our story isn't over yet. Our story may have come to a close, but your story is still yet to be told.

Make it a story worthy of you”

― Renee Ahdieh, The Wrath and the Dawn

“In that moment of perfect balance, she understood. This peace? These worries silenced without effort? It was because they were two parts of a whole. He did not belong to her. And she did not belong to him. It was never about belonging to someone. It was about belonging together.”

― Renee Ahdieh, The Rose & the Dagger

“A boy who'd thrived in the shadows.

Now he had to live in the light.

To live . . . fiercely.

To fight for every breath.”

― Renee Ahdieh, The Rose & the Dagger

A Court of Thorns and Roses by Sarah J. Maas

Summaries:

Book 1

Feyre's survival rests upon her ability to hunt and kill – the forest where she lives is a cold, bleak place in the long winter months. So when she spots a deer in the forest being pursued by a wolf, she cannot resist fighting it for the flesh. But to do so, she must kill the predator and killing something so precious comes at a price ... Dragged to a magical kingdom for the murder of a faerie, Feyre discovers that her captor, his face obscured by a jewelled mask, is hiding far more than his piercing green eyes would suggest. Feyre's presence at the court is closely guarded, and as she begins to learn why, her feelings for him turn from hostility to passion and the faerie lands become an even more dangerous place. Feyre must fight to break an ancient curse, or she will lose him forever.

Book 2

Feyre survived Amarantha's clutches to return to the Spring Court—but at a steep cost. Though she now has the powers of the High Fae, her heart remains human, and it can't forget the terrible deeds she performed to save Tamlin's people. Nor has Feyre forgotten her bargain with Rhysand, High Lord of the feared Night Court. As Feyre navigates its dark web of politics, passion, and dazzling power, a greater evil looms—and she might be key to stopping it. But only if she can harness her harrowing gifts, heal her fractured soul, and decide how she wishes to shape her future—and the future of a world cleaved in two. With more than a million copies sold of her beloved Throne of Glass series, Sarah J. Maas's masterful storytelling brings this second book in her seductive and action-packed series to new heights.

Fantasy romance with explicit sex scenes, and book 2 is a lot better than book 1. Our main character Feyre falls for a really boring fae guy, but also meets the hottest guy she’s ever known. The first guy of course isn't the real love interest (this is a twist this author loves to do). They all end up as prisoners, and the 2nd guy saves her life when the 1st one is totally useless. He also makes her hate him as he does it because he has to. After getting out, she tries to make her old relationship work, but it doesn’t, and guess who swoops in?

I do see some Nick in Rhysand (in addition to his role in the love triangle). They’re both traumatized and prefer to keep a lot of their feelings to themselves. I also see some of the same selflessness in both of them. Rhysand wants Feyre to choose him because she loves him, but he’s willing to accept that she may not, and doesn’t tell her that they’re pretty much destined to be together (it’s a supernatural thing, and he will suffer a lot if she decides she doesn’t want him).

“Everything I love has always had a tendency to be taken from me.”

―Sarah J. Maas, A Court of Thorns and Roses

“It took me a long while to realize that Rhysand, whether he knew it or not, had effectively kept me from shattering completely.”

― Sarah J. Maas, A Court of Thorns and Roses

“Regardless of his motives or his methods, Rhysand was keeping me alive. And had done so even before I set foot Under the Mountain.”

― Sarah J. Maas, A Court of Thorns and Roses

“Because," he went on, his eyes locked with mine, "I didn't want you to fight alone. Or die alone."

― Sarah J. Maas, A Court of Thorns and Roses

“He thinks he'll be remembered as the villain in the story. But I forgot to tell him that the villain is usually the person who locks up the maiden and throws away the key. He was the one who let me out.”

― Sarah J. Maas, A Court of Mist and Fury

“And I wondered if love was too weak a word for what he felt, what he’d done for me. For what I felt for him.”

― Sarah J. Maas, A Court of Mist and Fury

“I was his and he was mine, and we were the beginning and middle and end. We were a song that had been sung from the very first ember of light in the world.”

― Sarah J. Maas, A Court of Mist and Fury

#osblaineweek2021 #osblaine #the handmaid’s tale #nick x june

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darkpoisonouslove · 3 years

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Winx Club Season 8 Thoughts Part 2

Well, this is it. Last part of the last season (that has come out) and I haven’t even watched any of it (though, I have heard things). Part 1 can be found here.

8x14:

- Why is this opening with a concert scene when literally the second to last scene in the previous episode was a musical number? At least there was that cute Stella and Brandon moment after to make up for it.

- This is actually a legitimate issue but I do not expect the show to handle the fact that Sky has clashing responsibilities on his shoulders well. They’re already implying that it’s more important for him to be a Specialist rather than a prince and that is not true. Eraklyon will suffer without a good king. Though, on the other hand... how good a king would Sky be? Maybe this is better, after all. At least someone actually interested in doing the job can take over.

- They legit made Erendor a lot thinner than he originally was? And somehow ruined his design also. As well as Diaspro’s. Ugh, why is there gonna be drama with her again????????????????? How many times?!?!?! For fuck’s sake! Just let it end!

- Seriously? They’re all blaming Stella for Bloom’s gloom? Stella has the right to talk about her own relationship as well. And when the fuck have Musa and Riven ever talked? Not to mention that now Riven is trying to communicate with her but she doesn’t even want to give him a chance!

- Valtor has become more cringe than he used to be. At least the Trix seem to have become smarter. We didn’t need him to tell us who they were, however. Also, why does he think that they will not use the star for themselves.

- His new powers literally come from stolen star energy and he just said that stars are made from the sparks that witch and fairy magic are also made of. Aka his magic should be compatible with that of Winx and the Trix as well.

- Oh, great! Now they belong to him. They really didn’t have to make season 8 Valtor a Darkar 2.0 and yet, they thought it was a good idea. I just... nggggggh!

- The Wishing Star... is a woman? And wait, what... They’re saying that Valtor is over a 1000 years old now? Yeah, ‘cause a 1000-year-old sorcerer/demon will totes lose against a bunch of high-schoolers. Makes fucking sense.

- How did Stormy summon an asteroid field?

- What... the hell just happened? Don’t tell me the Star made herself fall apart in the different colors of the color spectrum and they’ll need to gather all of them in the stupid star-shaped box!

- Twinkly is back on Lumenia? Did we really need her back? And why is the star-shaped box chasing her?

- If I were Sky, I probably would be scared to tell Bloom that it is Diaspro texting. She can have terrible reactions to just the thought of Diaspro. Though, to be fair I have no idea why Sky keeps speaking to Diaspro. He has every right to just cut her off completely after what she did in seasons 3 and 6.

- Brandon, you know very well who Diaspro is! And no, I don’t care that they are giving a really crashing crash course to the new audience. This is terrible! Also, you have to love how Sky didn’t even think about calling Erendor to ask about the mission. He just took Diaspro’s word for it. Because she is sooooo trustworthy.

- I was almost right. Instead of colors they are going to be collecting Prime Stars instead. I still got the right idea, though. It is a bit... lame.

- Enchantix looks a lot less elegant and a lot more... second-hand fabric sewn together poorly. Also, I hate the fact that they had the transformation song from the first movie and not the original. And they basically used the same sequence as the one for Sirenix but they are only popping their Enchantix on instead.

- “I didn’t think it would be so easy.” Same! Finding that Compass was the easiest thing ever and it doesn’t matter that things will get heated now that the Trix are here because the Compass didn’t pose a challenge of its own.

8x15:

- I am living for the dramatic opening of this episode.

- Why aren’t the rest of Winx covering Bloom so that she can grab the Compass? Five against the Trix should be enough for her to take it.

- Really? You can’t figure out who freed them? I love that they told Bloom to ask herself. That was great!

- I was getting excited that Valtor showed up but it was just an illusion of Darcy’s. Anyway, the question that came to me involves the Trix as well so... How come they followed Winx in the box since Winx needed to use Enchantix to miniaturize?

- So it turns out that it wouldn’t have been so easy to take the Compass even though it looked that way in the beginning.

-Tecna!!!!!!!!!!!! What Musa is hearing is the key to getting the Compass, you idiot! It is important and not something to leave for later!

- They’re just gonna chase after it without paying attention to what the voice told them? Fucking amazing! And Bloom is sending her Dragon after it? I am so glad that this is not working!

- Lmaooooo @ Layla catching Bloom in a baseball glove. XD

- Why are they so fucking dumb? The whole thing is controlled by the notes Musa heard SINCE IT’S A FUCKING MUSIC BOX, NOT LIKE THERE’S MUCH TO IT! and they just need to figure out the pattern. That’s what they were told. “Only the one who listens” Come on!!!!!!!!!!!!!!!!

- I love the spells they’re using, though. They seem to be more creative with their powers here and it is actually interesting enough to distract from their zero comprehension skills and abilities to make deductions.

- Oh, I love the balance thing in the labyrinth! And the Compass hitting Icy on the head was just priceless! But why are you so rude to Stormy, Icy? Don’t be like that.

- Yes, you will make the same mistakes because you are still not FUCKING listening goddammit!!!!!!!!!

- Oh, come on! Don’t tell me Bloom will be the one solving this!

- Good! It was actually Musa that fixed the whole thing. I still cannot make sense of the musical theme of this challenge in-verse but it wasn’t as bad as I thought it would be so I’m gonna close my eyes for that.

- Why didn’t they try to capture the Trix or something? They just let them go.

- Arken got this right in no time at all and knew it had been Valtor who had freed the Trix. Why is he the only one thinking?

- Is Valtor really going to try to pit the Trix against each other once again? God, please, tell me that they will not be falling for that this time! It is ridiculous!

- Why would Wizgiz be in a trashcan? And they just destroyed the entire classroom looking for him while I suspect he is actually truly just running late... Yep, got that right.

- Don’t tell me Bloom will see Sky with Diaspro at Red Fountain! He’s supposed to be on a mission, not at school!... Oh, good. He’s not there. But why is Bloom weeping? He is on a secret mission! It may endanger the job, him or anyone that knows anything to reveal details! Can she just not be a baby for 3 seconds?

8x16:

- HE’S ON A MISSION! HE MIGHT BE TIED UP!!!!!!! CHILL FOR A FEW MINUTES!!!

- Diaspro is actually climbing? She could just fly! But I guess they didn’t want to draw her fairy form. Don’t tell me they’re retconning her being a fairy! I will smack someone if that’s true!

- She legit threw herself off the rocks just to make sure Sky wouldn’t text Bloom? Crazy much? What if he hadn’t managed to catch you? Girl, you need some perspective! Sky is so not worth this.

- Griffin looks and sounds horrible. And why the actual hell is she exactly as tall as Faragonda?!?!?!?! She used to be half a head taller!!!!!!!!!!!!!!!!!

- Disguise? You call that disguise? You changed your goddamn hair color!!!!!!!!!!!!!! And what is worse - IT ACTUALLY FUCKING WORKED!!!!!!!!!!!!!!!!!!!!! How did Stella not recognize them? You’d think that she will when she is supposed to be such an expert on fashion and makeovers! And this didn’t even have magic involved in it! (they could have changed their hair without magic is what I’m saying)

- Wait, they actually extended the Cosmix song? Is that new or did I just not notice because I’ve been skipping the transformation sequence?

- I LOVE Griffin and Faragonda’s opening! They are both showcasing the fact that they’re opposites and also being the dramatic bitches that they are and I am so here for it! Yes, this is everything I have wanted (if only it could have been in the old art style).

- The plants won’t speak to Flora? I actually like the fact that they have to work all together AND it is not convergence! This is more like it!

- No! I don’t want the Trix fighting because of Valtor again!

- Why is Stormy playing twister? XD But I love the implication that there are different tests given to anyone who enters but they all require teamwork! That is awesome! Just, please, make something good with it!

- I just thought that Winx were really gonna beat the Trix with a lot this time but it turned out they are not paying attention to their colors! This is kinda like the finale of season 2, except it doesn’t feel as dumb for some reason. Maybe because Stella is just as useful as everyone else.

- Another game? I actually like this? There is the need for logic to be applied here.

- I wish the Trix would just stop fighting! Well, it’s just Icy and Darcy. Stormy is being calm and thinking! I honestly thought that their portal would close while they were fighting but it sucked them in instead.

- They’re gonna be having more fun with the spheres again. Just like with the Compass, I have a feeling there is a catch here.

- Wait, what did Darcy do? Weren’t they supposed to work together? How did she figure that out on her own? That didn’t make sense but okay.

- I love how Valtor is actually gonna fuck himself over because he is trying to make the Trix fight but in order to find the Prime Stars they’ll need to collaborate. This is some delicious irony!

- And Winx found it!

- If I were Diaspro, I would actually have a fake map at the very least instead of a heart of me and Sky on the parchment. If he takes one look, he’ll know she’s deceiving him!

8x17:

- They’re having a test about their biggest insecurities in the episode in which they’ll be looking for the Prime Star of Confidence? And why are these things always about Stella? The Gem of Confidence back in season 5 was also on Solaria and she was the one to get it. Also, I am not thrilled about the fact that they will be pushing each star on a single girl from now on since there are six more to get after the first one that they had to get through teamwork.

- Musa’s biggest insecurity is making mistakes? They could have done something that would speak about why she is so unwilling to get back with Riven but no. Instead Bloom’s biggest insecurity is about Sky because of course it is! God forbid she has something else on the brain!

- Why are we doing the Stella and her parents’ divorce again? And in the exact same old way we have already seen it back in seasons 1 through... about 5? Issues evolve! They could have put a new spin on it!

- How is making a dress going to solve this?

- At least Stella asked for help after she figured out she can’t do it on her own! And I always love seeing Tecna and Stella moments! Stella and Musa are good too!

- We’ve seen that dress already. Stella wore it in season 6. Come on, writers!

- Ah, I see. Stella is trying to please both her parents and is not being herself aka not being confident. Fucking fantastic.

- I think Stella and Stromy passed because they were the first ones to do so and the challenge accepted them as contenders. So now they are separated form the rest because they have to handle it on their own.

- Awww, poor Stella! I think that kids of divorced parents are not the only ones that can relate to her problems! This is so heartbreaking!

- I am getting some bad vibes from Stormy over here, though... Oh. No. She actually totally rocked this because she has confidence in herself and her sisters! That was pretty awesome!

- Woooooo, the Trix actually got the second star? And they left with it?! They are actually making this interesting????? I cannot believe it!

- I absolutely love how both Winx and Stella’s parents showed her how much they love her. And Luna and Radius are not fighting! *wipes away tear* Beautiful!

8x18:

- Bloom is so not here. And Palladium really chose her even though she is distracted after Stella would injure herself because she was so eager to do the potion? Fuck you, show!

- Well, he got what was coming for him! XD And Stella got the last word. Yes, I stan that!

- Damn! I’d completely forgotten about Twinkly. And I could have had that continuing but they had to bring her back.

- If Bloom doesn’t lose her shit over the unicorns and finally stops thinking about Sky, I will be so mad. They already gave her the unicorn obsession! They are obliged to put it to good use at the very least!

- Aaaaand cringe! They had to bring back “starsome” as well.

- Oh, god. They really retconned the fact that Diaspro is a fairy, didn’t they? Otherwise, why would they give her a gadget to fly? Also, please, don’t tell me that they’re at the same place that the Winx are.

- Well, the unicorn lumens seem to imply that they’re at the same place that Bloom and the Winx are.

- See? This is why you need an actual fake map instead of just a doodle of you and Sky! Now he found out! Love how it took him a while to grasp the fact that there is no medallion as well. And wasn’t that a pendant the first time they spoke of it?

- I honestly thought he would let the lumens handle Diaspro but he didn’t. I can’t say if I’m disappointed or impressed. Or kinda both.

- At least Winx missed Diaspro and Sky and the drama that would have started. Thank everything sacred!

- So that’s what Twinkly was for. To make sure Winx don’t have to fight the other lumens. But the Trix will probably have to so that will give Winx an advantage. Just don’t tell me this will stretch for over an episode.

- I loved the way Layla was holding Stella bridal style... right until she threw her to the ground. Dammit, Layla! Be a little more patient! You know how Stella is. And you don’t have to risk breaking all her bones!

- Well, what luck that there are exactly six unicorns. I would be a little worried about Stella’s outfit because that is what allows her to travel through space. So what if it doesn’t work when it’s damaged? But damn, they’re really trying to stretch this to take up two episodes! After they retconned Stella already being a cowgirl as we’ve seen in season 1.

- Poor Stella! She has a fear of heights and her unicorn seems to be an asshole for no reason.

- Why are Sky and Diaspro still there? At least Sky is actually not letting her get away with everything just like that this time. But Diaspro’s arguments are stupid.

- THAT’S “him”? A black uni-pegasus? It looks evil but it probably isn’t. *sigh* And why didn’t Sky just fly up when he faced that rock? It would have ended eventually and he could have passed above it!

- Oh, come on! The drama will be in the next episode and that is why they were stretching out this one? W.H.Y?????? Also, how is Sky flying in the synopsis for the next ep if he broke his flying gadget? Don’t tell me he actually gets Diaspro’s and they leave her there to sulk while they go get the star? (That might actually be the one good thing coming out of all this.)

8x19:

- Of course, Bloom would fly right into Diaspro! (Well, Diaspro was screaming for help but still).

- What happened with Sky? The black unicorn was about the blast him into oblivion at the end of the previous episode but now he somehow got away? And how did Diaspro get there as well? He left her on a much smaller rock island.

- Well, of course, the black unicorn isn’t evil even though he’s just been trying to kill two people. Didn’t I tell you so?

- Ah, so Tecna fixed Sky’s gadget. I thought that would be the other option to fix it.

- I was just gonna say that the horn of the black unicorn looked chipped. Poor guy. They actually made it understandable that he was so mad.

- And Bloom is absolutely exploding. I can understand that she would be angry Sky didn’t tell her and hid the truth from her. But that was not what she was mad about. She was mad that he even WENT on the mission which is stupid because, for all she knows, it could totally be an official mission ordered by his father.

- I knew it! I knew the black unicorn would pick Diaspro. Except, I have zero idea why the hell he would do that. Why, after being hurt? Diaspro is not the most polite person and he saw that for himself. Wtf, writers? I could understand it if Diaspro had been like she was in season 2. But this?!?!?!?! And that was just,.. there? Like, there was nothing more to it. Just a loose end. We didn’t even get to see what happened with Diaspro.

- At least Bloom and Sky are actually talking about the hiding things issue. I have to say, though, that I can’t fully support Bloom because Sky is right. She freaks out over just hearing Diaspro’s name which, again, would have been a totally reasonable reaction considering Diaspro brainwashed Sky if they hadn’t COMPLETELY IGNORED THAT FACT AND PRETENDED IT HAD NEVER HAPPENED. Bloom is not mad because of how much Diaspro has hurt them both but because she doesn’t believe Sky will keep choosing her if Diaspro is around. And this is an issue SHE has to work on.

- The Trix are still bickering. But at least they look a lot more competent in this season. But did they all really think that Stormy wouldn’t have her dramatic ass entrance? If I could summon thunderstorms, I definitely would for making my entrance. Just saying.

- Layla’s morphix bubble was so powerful! I love!

- Wait, Sky and Icy will be fighting for the Prime Star while Bloom was left looking at them disappearing after she stopped her own fall like she should be able to do instead of having to be saved despite being able to fly? Wow. This is getting interesting.

- I should have known they would fuck it up! They should have left Sky and Icy to fight it out instead of having Bloom go in there and “trust” Sky to get himself out of a cage that wasn’t even closing in on him? She could have just went after Icy and freed him after she was done. There was no immediate danger for him. There was no reason for their great trust.This scene had so much damn potential and they wasted all of it. Great going!

- Why is there a musical number when the only public is the landscape (okay, and the lumens and unicorns)? This was so unnecessary. We got it that they trust each other now. Stop driving nails in our heads.

8x20:

- Dammit! I thought that they would head to Linphea right after the unicorn realm. But they’re back at Alfea? And since when is Griselda teaching about plants? That was always Palladium’s job! Wtf?!?!?!

- You’d think they already know all of this about plants considering that Butterflix was a GODDAMN NATURE TRANSFORMATION!

- Griselda is cutting them slack because of saving the universe? Yeah, right.

- How long will Stormy keep bragging about getting the Prime Star? They act like that’s the only thing she ever did. Also, why is she so hung up on being the one to bring Valtor the Prime Star? Her test was legit about her standing up to him (which went over too easily considering Valtor is supposed to have control over them since he even put his mark on them but that did not appear in the vision for a second in order to make it actually complex or something).

- Well, Miele looks younger than she used to in season 7 but they didn’t totally reverse her back into a kid. Yet, it’s stupid that they are still having the argument of “this is too dangerous for you” after season 7 and her saving them. Besides, Flora should know damn well that Miele will follow. She always does! It’s like the writers have no idea who Miele is if they aren’t having her following secretly and proving that it is not too dangerous for her to go.

- They can’t use magic in the forest? Come again? This is such bullshit. It has never been the case on Linphea. I hate it.

- Why do they have to do ballet to open a stupid gate? But I love the fact that Darcy made illusions of them to perform the dance and let the Trix pass as well. She was using her head. And her magic in a really cool way. Plus, it would have been OOC to have the Trix dancing ballet. Can you imagine? XD

- So we’re learning to plant seeds and water flowers? Since when is this one of those shows that are for ages 0-3?

- Is that... a carnivore radish or something? And yeah, Flora, that totally doesn’t look aggressive!

- When is Flora gonna stop treating Miele like she’s three after all the times she’s proven herself (I don’t care if this is a soft reboot)? Though, Miele would have been more convincing if she hadn’t thrown a tantrum and then started crying much like toddlers do.

- Of course, Darcy will use Miele. That was so damn obvious. Love how Miele didn’t even get to transform. Honestly, at this point I am not even sure whether I want Winx or the Trix to get this Prime Star. They’re all being annoying and I don’t care enough for either side to root for their victory.

- Now you’re taking Miele with? When she can’t move? Fucking sound logic!

- Ooh, I guessed that that was actually Darcy disguised as Miele a few seconds before she revealed herself. But if I were Flora, it might have been enough to regain the advantage.

- Darcy just left Miele sleeping out there in the forest? Not that evil. She could have done something much worse.

- What, Layla? Like none of you ever got tricked?

- They are really playing it as if this was Miele’s fault? Man, this season is really starting to waste opportunities which is really annoying because they actually have interesting premises. They just need to do better during the execution.

- At least I hope that Stormy will shut up about recovering a Prime Star now that Darcy has done the same. Ironic how Icy is the only one that hasn’t managed yet. But I suppose that she will also recover one for a 3 on 4 with Winx and a final battle turned cooperation for the usage of the Prime Stars.

8x21:

- At least Griselda is back to self-defense classes. Though, why the hell is she teaching them deflection spells? They should know those already! They had that lesson in season 2! And why are Knut and Kiko assisting her? Kiko has been sidelined with Knut all season! It feels like he’s not Bloom’s bunny anymore!

- Why does this show hate Kiko so much and has him getting hurt all the time? At least Bloom caught him when he got catapulted. But poor Griselda. I have to say that this is her most OOC moment yet. And she even let them go again. She didn’t have to end the entire class, though. She could have kept going with the rest of the students but once again, the world revolves around Winx.

- You want Riven to SHOW his feelings? Which he has been doing ever since he came back so, like, ALL FUCKING SEASON?!?!?!?! WOW. Fuck you, Musa!

- Whyyyy did they think the Trix wouldn’t show up on Melody? But I am glad we skipped the obligatory Valtor scene because it is unnecessary.

- Galatea doesn’t look too much like herself.

- Bullshit. Stella made them much better outfits when they went to Magix in season 3. And there were other designs that were better than these that, frankly, look pretty bland.

- Sooooo... Musa, the fairy of music, isn’t going to be in the dance competition? Are they trying to level up things? And are you seriously telling me that the Trix are going to dance? Ugh, what the hell?!

- Awwwww, look at Riven! He really wants to try and he is even opening up to the guys about his relationship problems. I love it! Idk what Musa’s stupid problem is.

- This dance competition is so dead. You can only hear Galatea. The public isn’t cheering. But aww, at Bloom catching Stella when she got yeeted off the dance floor. That was really cute.

- I guess competitiveness can make even the Trix dance. It doesn’t change the fact that the competition is still fucking dead! And their dancing feels so arhythmical and slow. The music is fucking dull and practically non-existent.

- Ho-boe doesn’t feel like himself either. And doesn’t the house look so different as well? Also, did they ever do anything that doesn’t involve music? I know they’re a musical family but they must have done something else as well!

- Tecna is killing it! But Stormy’s abundance of energy seems to give her a big advantage here. Though, I still love how confident Tecna was! I have to say that this would have been absolutely epic if the music had been intense enough to match their moves. Why did they have to do these scenes so dirty by barely having any tune to them?! If I’m watching a dance competition, I want it to be good!

- Musa and her dad are talking about Riven? And there is a Riven and Darcy confrontation?!?!?!

- Scratch that! They fucked it up in 0.3 seconds! Are you serious? This is literally Riven and Darcy’s first meeting ever since they broke up in season 1 and THIS is how it goes?! She hypnotizes him to use against Musa?!?!?! I hate this! At least let this be the end of their stupid drama.

- Why did the synopsis of the next episode instantly spoil that Stormy will win the fifth Prime Star? You just revealed all the surprise there will be next ep! Man, they really don’t know how to advertise, do they? Also, this dance battle is really stretching over two episodes?

8x22:

- Now all I wanna do is write a fic in which Darcy gets really violent and there are heavy consequences after Riven’s fight with Musa.

- Wait! “...rough and soothing combine artfully and that perfect sound will yield the Star of Harmony”? And the harp that Ho-Boe says needs to be played by two people? That’s gonna be Musa and Riven, isn’t it? And they’ll get the star which will be the twist and that is why they spoiled Stormy wins in the teaser at the end of the last episode.

- Thank you, Musa! It took you long enough! He is so obviously spelled. Though, I kinda love how Darcy was there like “You can’t resist”. This could be so dark if it weren’t a kids show. And now I wanna write it!

- Dammit, Musa! You have your stupid Enchantix in this season! Use your goddamn fairy dust! Or any other kind of magic! And you’re really so damn surprised that it is Darcy?! It was obvious!

- That was the big idea? That Riven is “finally” proving his feelings by refusing to hurt her? Gee. And that’s how the battle between Riven and Musa and Darcy is going to go down? With some stupid formless monsters?

- Well, of course, Bloom beat Icy. But I suspect that Layla is gonna lose against Stormy so it doesn’t matter much.

- You’re now starting to get used to fighting alongside Riven even though he’s been gone a year and they were together for 4 years before that and fought together for about 5-6 years? Really? And that was the big battle with Darcy? They all had about 3 movements!

- Why is Bloom still in this? They should have given us Layla vs Stormy! We know Layla is the best at dancing (or tied with Musa).

- Why doesn’t Ho-Boe know how they met? They used to date for years before Riven left!

- When have you ever felt harmony in your relationship, Riven? Don’t start lying now! And why does he know how to play the harp? I saw this coming but it still kinda doesn’t make sense!

- Finally! The Layla vs Stormy dancing duel we deserved! And the music is more lively now! At last!

- Oh, come on! That’s how Stormy beat Layla?! By distracting her?!?!?! I wanted it to be a fair fight. And why the hell is there goo or jello or whatever falling on Layla? This is terrible. You wouldn’t catch me taking part in that dancing contest. Not to mention that they competed in vain. Although, it was a nice touch to have them misinterpret the riddle.

- Okay, but Riven is definitely not the rough part in that “rough and soothing” combo. He has been nothing but amazing all season while Musa has been pouting and whining!

- The sad thing is that the Trix would have gotten the star if Stormy hadn’t blabbed to Layla where Darcy was. But her cheating came back to bite her in the ass.

- It would have been nice if Musa had saved Riven instead of having Bloom melt him.

- Oh, Riven is a part of the band now? But seriously, will we ever see them talking? Like, actually communicating which is always where their problems lie? Of course not. Why would that be important?

- They’re really saying that Layla is more impulsive than Bloom? Yeah, fuck that big time! Also, don’t tell me that the last star will be obtained by all six Winx again and that is why they will be combining Tecna and Layla in the next ep. Or even worse - by Winx and the Trix together.

8x23:

- “An ounce more or less won’t matter”? That is so not like Layla! It is more like Stella and even Bloom! What the hell? I hate what they’re doing just to set up their stupid conflict for this episode!

- Okay, that shot with the Trix sitting all over Valtor’s throne was pretty cool! And I actually like the fact that he is not exploding at them about the fact that their last mission failed. That was a nice change of pace! Also, digging Darcy and Stormy taking over the throne and the way Valtor is collecting the Prime Stars when he doesn’t have the box. It is... symbolic.

- Be my guest, Flora, and get between Stella and her tanning!

- Reasonable question, Stella! I was also gonna ask why the hell there are corals on dry land. And the Compass is going all crazy.

- Oh, goodie! Hawaiian lumens. In case we’d forgotten about the first half of the season. Which I honestly had.

- Bloom, you really have no other choice but to split up because Tecna and Layla will kill each other otherwise. And yes, Stella sure doesn’t sound distracted now. Only panicky and possibly on the verge of becoming hysterical over the volcano.

- You mean, this isn’t Valtor creating the lava gollems? At least it’s implied that there is one for each girl so the split-up doesn’t put them at a disadvantage.

- Poor Stella, being used as bait. And they just made more of the monsters. I guess her shining personality is not going to be enough to spare the others the notice.

- Did Valtor actually say “boo”? Wow, okay.

- How is a shell the symmetry between light and shadow? It is on the land and not halfway between land and sea! This was absolute bullshit! Meanwhile, Stella and Bloom are getting overwhelmed back there at the volcano against six opponents!

- Valtor cut in just in time! I thought his presence would have been useless. But he upgraded to adapt to his “inability” to touch the Prime Stars even though the source of his magic is literally stars in this season!!!!!!!!!!!!!! I just cannot even anymore.

- Yeah, and this bullshit choice again between two things that are important. We’re using this for the third time in ten episodes! Really need to come up with something else over here.

- And we didn’t even see Bloom and Stella really do anything. This episode is put together in a horrible way. Plus, how the fuck are you getting in a volcano that is already erupting! I would have loved for Bloom to use her Dragon Fire here because at least that would have made sense instead of this bullshit we got!

- At least we got that cute Layla and Tecna hug!

8x24:

- Tecna turning into a sheep seemed OOC. And Flora choosing a tiger? Why didn’t she just stop chasing after “Stella” when she saw she was scaring the poor thing? That was unnecessary.

- Stella skipped classes to write homework? And why the hell did Wizgiz give everyone homework when it was obvious that they didn’t know about Stella’s deception?

- Icy could have played that *dramatic pause* cooler. She was being obviously panicky about going to Diamond. She’s better at pretending than this. And her keeping a crystal flower? Waaaay OOC. I don’t care if it is about her dead/lost sister which they totally pulled out of nowhere to make her “relatable”.

- Shouldn’t Sky have asked if he can come along instead of just tail them? He can help resolve things faster... or he can become the reason for their defeat.

- The architecture on Diamond looks kinda... Russian (which would make sense if they’re trying to parallel Siberia with the frozen land). But I am dying at the idea of Icy being Russian. XD

- What trees, Bloom? Where did you see trees? Everything is deep frozen!

- Don’t tell me that fox is Icy’s sister. That will be too dumb.

- Well, of course Bloom doesn’t like Icy’s home planet. How could she? That would have been too mature a notion for the writers. After all, she must hate everything icy.

- What temper? That fox has legit not done anything. Also, it has got to have something to do with Icy. Look at its eyes! And now Icy is attacking Stormy because of it?

- Aaaaand now we’re getting a flashback. You have to love how they made it look like Icy is the little sister when she’s not, And I hate how they made her younger and “untainted” self so different! Like, dammit, a tragic backstory does change you but you need to keep something from your core personality! She is being a totally different person and this totally came out of nowhere! I hate it!

- Took Sky long enough to catch up. Why is he the one saving the fox? And Icy totally went nuts here. This is more like her but still... the dissonance between season 1 and this... Why?

- I knew he was gonna fuck up this whole thing.

- Damn, the fox is looking so lovingly at Icy. It might as well be her sister. But it may just be one of those foxes we saw that isn’t aging because of the ice that appears to be magical. I still can’t decide what they’re doing here.

- Why the fuck do they need Sirenix? But I have to say that Crystal Sirenix (which they totally just made up here because that was never actually a thing and would have been nice to have been mentioned when Daphne was using elemental magic in season 6 since she is the Nymph of Sirenix) looks better than ordinary Sirenix. Except for the... capes? The animators need to consult Edna Mode!

8x25:

- Sky is actually fine? Well, in the very real danger of drowning but still fine-r than I thought he would be. Sky, think about yourself. Bloom is not the one that is this fucking close to dying!

- Aaaaand... she saved him. He wasn’t even underwater that long! Why wasn’t he waking up?! Man, the Dragon Fire healing is getting annoying.

- Yes, spend time together while putting yourself in mortal danger. Sounds like fun times! You can even be buried together!

- Sky is supposed to be a Specialist aka capable of handling himself. And how many times is Tecna gonna be fixing his gear? Though, I am at least glad that Icy’s first instinct was to damage his flying gadget.

- So the fox is her sister. Fucking great! Why are they alone and talking about leaving? Where the fuck are their parents? Also, how does that fit in with the fact that the Trix are descendants of the Ancestral Witches?

- Firing all my thoughts here at high velocity: Who the fuck is that? We don’t get a name? Fucking splendid! Why is Sapphire still transformed? Icy is super powerful at this point and if the Shaman Witch is so powerful, why the hell hasn’t she conquered any other realm? Why does she need a whole planet that is completely frozen? Where is she now? What the fuck is up with all of this? And what happened to Icy’s mother? Was Icy a witch all along? Her being so “obedient” in that flashback is so totes OOC. I hate all of this. And we didn’t need the parallel between Bloom and Icy.

- Icy saying that the Trix are “friends maybe” and the the only real sister she has is Sapphire? Worst moment of the whole season! How fucking dare you?! I never thought that they were related by blood but that didn’t mean that they weren’t sisters!

- Yes, Stormy, tell everyone else (aka Winx) where you are! Or bury all three of you in an avalanche. Such planning! Much consideration!

- Icy, stop being a wimp! Yes, this is all hard but she is not behaving like herself at all! You need to get it together if you want to help your sis, girl! And how do you plan on getting the power to save your sister without the Star to bring to Valtor?

- Why is the Star going in the box? Oh, it’s not. But I hate the implication that only “sisterly” love can get the Star. Icy has been sisters with Darcy and Stormy since season 1 and Winx are all like sisters as well! Fuck that! Also, why is it that this one could have only been earned by two blood sisters? That means that Winx didn’t have the chance to take it at all! This is really stupid!

- The Trix are free now? How did that happen? And Sapphire is back aga- Oh, wait, no! Wtf????? Do they even know what they’re doing anymore? This is becoming such a mess! And why is the finale only one episode long when we wasted two episodes on 3-4 of the Stars? This is stupid!

8x26:

- What the fuck are these things? “Brothers from the Dark Dimension”? What the absolute honest genuine fuck? Why have these things never been introduced if they have always been a part of his plan? What the fuck, writers? You just sent the whole structure of the season to hell!!!!!!!!!!!!!!!!! How was any of this a good decision?!?!?!?!

- The Trix just showed up at Alfea? And Kiko is beating them single-pawed-ly? Why? But I like the idea of the Trix at Alfea.

- Oh, it was actually Winx. This is part of the plan for beating Valtor, isn’t it? Damn, I was just getting hyped that the Trix decided to work with Winx to fix this whole mess and make sure Valtor won’t trap them again once they disobey.

- Is Icy going to give him the star? Oh, no. She wants to challenge him to get the other Stars. Goddammit! But I love how excited Darcy is about getting to explore more of her illusion powers! Also, Icy both being grateful that they’re with her but telling them to save themselves if things get rough? THAT HUG!!!!!!!!!!!!!!!!!! Stormy was so ready to cry! Ugh, that was so amazing! Almost enough to make up for the bullshit they said about them not being sisters!

- They didn’t feel it? That was like a goddamn earthquake!

- I have a question, though. Why didn’t the Trix try to take on Winx? That implies that Valtor is weaker than Winx. But at least the Winx’ plan is actually pretty good.

- Why isn’t Stella Darcy, Layla Icy and Musa Stormy? They could have covered if they needed to use their powers! Stella could have dimmed the light as if Darcy is using her darkness powers. And the other could have pretended to be Stormy and Icy as well!

- Okay, but Winx’ voices are still the same! Why can’t Valtor tell that it’s not them? He’s literally so not paying attention and they fucked up with the spell because it is incomplete!

- And now the plan went to hell because Bloom decided to crash the party! Great going! So it was all for nothing.

- Now Valtor is back in his demon form? That was a curse his mothers put on him and Bloom destroyed that form in 3x26! But at least the remake looks better than the original!

- Why would Valtor destroy the universe? Where is he gonna go after that? Also, what the fuck? You’re making this Icy’s motivation?!?!?! For helping the Winx?!?!?!?!?!?! THE TRIX LITERALLY WERE ABOUT TO DESTROY THE MAGIC UNIVERSE IN SEASON 1 AND IT WAS THEIR ORIGINAL PLAN! NOW SHE’S LIKE “I WON’T WATCH ANOTHER WORLD GET DESTROYED”???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? FUCK ALL OF THIS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

- Is it only me or does this really remind of 3x25? Because the writers were probably trying to cash in even more nostalgia?

- If they don’t bring Icy’s world back, it will be really stupid because that was why she was even doing any of all this (according to this whole season).

- They wished for a power-up? I’m sorry, a power-up driven by how noble they are? The bullshit is unreal. I cannot even.

- No one cares about all the lumens! They should have given the Trix something for their trouble after all of this bullshit and used the screen time in a better way.

- OH, COME ON!!!!!!!!!!!!!!!!!!!!!! THEY GET A CONSTELLATION NOW?!?!?!?!? THEY WOULD HAVE NEVER WON WITHOUT THE TRIX WHO WERE LEFT WITH A BIG DAMN ZERO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! (except for being freed, that is)

- In my book this is the absolute worst finale this show has ever had! It contradicted everything we know about certain characters as well as events from previous seasons, had a theme that sucked completely and had Winx make a seemingly selfless wish that actually seems super shady, gave them glory they do not deserve, introduced a new plot point at the beginning of the very last episode, fucked over the Trix (or at least Icy), did not tie up their loose ends and just completely failed to be thrilling in any way because everything was upside down! I cannot even.

This season started out so well. The first three episodes were extremely promising and had the writers kept their streak, this season could have risen to the levels of the first seasons or even surpassed them. However, things quickly started derailing. First, just lightly and then totally going off the rails. The two halves of the season felt super disconnected, the villain plan sucked, Valtor was destroyed as a character (and as a villain) and the Trix were just... what happened there? The new backstory Icy was given was dreadful because of how much it contradicted what we know about all three of the Trix and it destroyed their sense of unity by obviously placing the narrative emphasis on her not just as the leader but as the one that is most important of the three. The second half got stupider and stupider until it reached a finale that just didn’t logic in any correct way. There was so much wasted potential here that it is unreal. Season 7 had nothing going on but it did not enrage me as much as this one (and especially the last few episodes) because there wasn’t so much absolute waste of perfectly good opportunities. Season 6 retains it’s place as the worst season in my book but the end of season 8 annoyed me enough to make me feel like I could put it over season 7 for worst of the series.

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oneweekoneband · 3 years

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I’m slightly nauseous already with knowing I’m going to say this, but what does “self-awareness” even mean? In modern parlance, as a descriptive phrase, as a comment on art? I’m asking in earnest, like, I’ve been Googling lately, which for me is basically on par with doctoral study in terms of academic rigor. The self is king, anyway, tyrant, so where is the line of distinction between material that intentionally is nodding at some truth about the artist’s life and what’s just, like, all the rest of the regular navel-gazing bullshit. I mean, I’m all self, I am guilty here. I can’t get it out of my poems or even make it more quiet. This is the tenth time I’ve invoked “I” in the space of six sentences. Processing art has always necessitated a certain amount of grappling with the creator, but the busywork of it lately grows more and more tedious. Joy drains out of my body parsing marks left behind not just in stylistic tendencies and themes, but in literal, intentional tags like graffiti on a water tower. This feels an age old and moth-holed complaint, dull, and I am no historian, or really a serious thinker of any kind. I’ve now complained at some length about self-referential art, but didn’t I love how Martin Scorsese nodded to the famous Goodfellas Copacabana tracking shot with the opening frames of last year’s The Irishman? Didn’t I find that terribly fun and sort of sweet? So there’s distinctions. I’m only saying I don’t know with certainty what they even are. I’m unreliable, and someone smarter than me has likely already solved my quandary about why self-knowledge often transforms into overly precious self-reflexivity in such a way that the knowledge is diminished and obscured, leaving only cutesy Easter eggs behind. Postmodernism has birthed a moralizing culture where art exists to be termed either “self-aware Good” or “self-aware Bad”. Self-referentiality in media is so commonplace, so much the standard, that what was once credited as metatextual inventiveness often feels lazy now. In 1996, Scream was revitalizing a genre. Today, two thirds of all horror movies spend half their running time making sure that you know that they know they’re a horror movie, which is fine, I guess, except sometimes you just wanna watch someone get butchered with an axe in peace.

This is all to say that in 2020 Taylor Swift looked long and hard upon her image in the reflecting pool of her heart and has written yet another song about Gone Girl.

“mirrorball” is a very good piece of Gone Girl —feels insane to tell anyone reading a post on a blog what Gone Girl is but, you know, the extremely popular 2012 novel about a woman who pretends to have been murdered and frames her husband for it, and subsequently the 2014 film adaption where you kinda see Ben Affleck’s dick for a second—fanfiction. It would be a fine song, a good song, really, even if it weren’t that, if it were just something normal and not unhinged written by a chill person who behaves in a regular way, but we need to acknowledge the facts for what they are. When Taylor Swift watched Rosamund Pike toss her freshly self-bobbed hair out of her face and hiss, “You think you’d be happy with some nice Midwestern girl? No way, baby. I’m it!” her brain lit up like a Christmas tree, and she’s never been the same. If you Google “taylor swift gone girl” there waiting for you will be a medium sized lake’s worth of articles speculating about how Gone Girl influenced and is referenced in past Swift singles “Blank Space” and “Look What You Made Me Do”. This is not new behavior, and if anything it’s getting a bit troubling to think that it’s been this long since Taylor’s read another book. Still, while the prior offerings were a fair attempt at this particular feat of depravity, “mirrorball” has brought Taylor’s Amy Elliott Dunne deification to stunning new heights. And most importantly, Taylor has done a service to every person alive with more than six brain cells and a Internet connection by putting an end to the “Cool Girl” discourse once and for all. By the power invested in “mirrorball”, it is hereby decreed that the Cool Girl speech from Gone Girl is neither feminist or antifeminist, not ironic nor aspirational. No. It’s something much better than all that. It’s a threat. I ! Can ! Change ! Everything ! About ! Me ! To ! Fit ! In !

Gone Girl (2012) by Gillian Flynn

“mirrorball” (2020) by Taylor Swift

When the twinkly musical stylings of Jack Antonoff, a man I distinctly distrust, but for no one specific reason, whirl to life at the beginning of this song I feel instantly entranced, blurry-brained and pleasure-pickled like an infant beneath a light-up crib mobile or, I guess, myself in the old times, the outside times, three tequila sodas deep under the disco lights at The Short Stop. Under a mirrorball in my head. I know very little about music, as a craft, and I really don’t care to know more. I’m happy in a world of pure, dumb sensation. I’m not even sure what kind of instruments are making these jangly little sounds. I just like it. I am vibing. We may not ever be able to behave badly in a club again, but I can sway to my stupid Taylor Swift-and-the-brother-of-the-lady-who-makes-like-those-sweatshirts-with-little-sayings-or-like-vulvas-which-famous-white-women-wear-on-instagram-you-know-what-I-mean song, pressing up onto my tiptoes on the linoleum tile of our kitchen floor and can feel for a second or two something approaching bliss. “mirrorball” is a lush sound bath that I like a lot and then also it’s about being all things to all people, chameleoning at a second’s notice, doing Oscar worthy work on every Zoom call, performing the you who is good, performing the you who is funny, performing the you who draws a liter of your own blood and throws it around the kitchen then cleans it up badly all to get your husband sent to jail for sleeping with a college student... Too much talk about making and unmaking of the self is way too, like, 2012 Tumblr for me now, and I start hearing the word “praxis” ring threateningly in my head, but I’m not yet so evolved that I don’t feel a pull. Musings on the disorganized self—on how we are new all the time, and not just because of all the fresh skin coming up under the dead, personhood in the end so frighteningly flexible—are always going to compel me, I’m afraid, but that goes double for musings on the disorganized self which posit that Taylor Swift still thinks Amy Dunne made some points.

Because on “mirrorball” Taylor is for once not hamfistedly addressing some “hater”, in the quiet and the lack of embarrassing martyrdom it actually offers an interesting answer to the complaint that Taylor is insufficiently self-aware. This criticism emerges often in tandem with claiming to have discovered some crack in the chassis of Swift’s public self, revealing the sweetness to be insincere. My instinct is to dismiss this more or less out of hand as just a mutation of the school of thought that presumes all work by women must be autobiography. And, regardless, it is made altogether laughable by the fact that anyone actually paying attention has known since at least Speak Now, a delightful record populated by the most appalling, horrible characters imaginable, and all of them written by a twenty year old Taylor Swift, that this woman is a pure weirdo. To accuse Taylor Swift of lacking in self-awareness is a reductive misunderstanding, I think, of artifice. Being a fake bitch takes work. Which is to say, if we agree that her public self is a calculated performance—eliding the fact that all public selves are a performance to avoid getting too in the weeds yadda yadda— why, then, should it be presumed that performance is rooted in ignorance? Would it not make more sense that, in fact, someone able to contort themselves so ably into various shapes for public consumption would have a certain understanding of the basic materials they’re working with and concealing? Taylor Swift, in a decade and a half of fame, has presented herself from inside a number of distinct packages. The gangly teenager draped in long curls like climbing wisteria who wrote lyrics down her arms in glitter paint gave way to red lipstick, a Diet Coke campaign, and bad dancing at awards shows. There was the period where she was surrounded constantly by a gaggle of models, then suddenly wasn’t anymore, and that rough interlude with the bleached hair. The whole Polaroid thing. Last year she boldly revealed she’s a democrat. Now it’s the end of the world and she’s got frizzy bangs and flannels and muted little piano songs. Perhaps this endless shape-shifting contradicts or undermines, for some, the pose of tender authenticity which has remained static through each phase, but that doesn’t mean she hasn’t been doing it all on purpose the entire time. I’ve never been a natural, all I do is try, try, try...

In the Disney+ documentary—which, in order to watch, I had to grudgingly give the vile mouse seven dollars, because the login information that I’d begged off of my little sister didn’t work and I was too embarrassed to bring it up a second time—Taylor referred to “mirrorball” as the first time on the album where she explicitly addressed the pandemic, referring to the lyrics that start, “And they called off the circus, Burned the disco down,” and end with “I’m still on that tightrope, I’m still trying everything to get you laughing at me,” which actually did made me laugh, feeling sort of warmly foolish and a little fond, because it never would have occurred to me that she was trying to be literal there. I suppose we really do all contain multitudes. Hate that.

#taylor swift #folklore

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manychocolatefactories · 3 years

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CatCF Milk Chocolate: Part 2, the Wonders of Wonka

WONKA

For this Wonka, I wanted to go much more into the idea of wonders, fantasy, magic. Excentric, talkative, liking jokes and everything imaginative, very kind to children, he wanted his factory to be a world of pure imagination, a fantasy turned real. He is the kind of person that will literally want to "defy gravity".

I imagine this Wonka to basically be a sort of much more goofy and funny Walt Disney. Willy Wonka also hints throughout the story at his really large family scattered everywhere in the world - a family apparently made of other characters from Roald Dahl's stories (for exemple one of his cousin or uncle is the magician from James and the Giant Peach).

FACTORY

I imagine the Factory, from far away, to actually look like more a magical castle than a real factory. Think of Disneyland's iconic castle ; or the castle of the Mad King Ludwig, the Nuschwanstein Castle - but with a bit more chimneys and metal.

# The Candied Orchard. I think for this variation of the room, I will turn this area into more of a greenhouse type of room, but where Wonka works and study how to create hybrid of plants that will produce candies and treats instead of fruits and berries - such as candied apple trees, and other trees producing candied fruits. The Chocolate River is here as an irrigation system - in order to encourage the trees to produce candies, Wonka gives them chocolate instead of water.

This is where both Miranda Grope and Augustus Gloop meet their demises. Miranda, against Wonka's interdictions, decides to jump in the river and swim in it (just like in Dahl's original work), while Augustus actually tries to gulp down all of the river on his own ( this strange bet resulted from Marvin's mockery and insults at the "big cow being able to drink it all up" being interpreted by the Gloop family as a compliment - and the Gloop parents encourage their son to prove that he is the "biggest and the best" by drinking down all of the river). Of course, Augustus falls in the river, just like Miranda. Augustus doesn't know how to swim, and Miranda maliciously tries to drown him - but they get both sucked up by the pipes. Well... Miranda gets taken by the pipe to the candy making room, and Wonka reassures its parents that usually there's a net to catch impurities. As for Augustus, he gets stuck midway through the pipe, and the pipe ends up exploding due to how big the boy is. He falls down into the river once more - but his weight and height causes a huge wave to crash on the shores, splashing the guests with chocolate.

EDIT: To save the boy, the Loompas (and Wonka) decide to use their new invasions - the Barshmalloy! A marshmallow-buoy! Basically it looks like a regular marshmallow but when put in a great amount of liquid it turns into an enormous "buoy" like thing that will help you float (and you can eat if you need food). It was originally an invention Wonka prepared to help people strained at sea or lost in rivers.

But of course, greedy Augustus, despite drowning, hasn't lost his gluttony and seeing the marshmallow eats it. Which has the strange effect of... turning him into a giant, puffy, marshmallow-boy (think the Stay Puft Marshmallow Man from Ghostbusters). He still floats and can be saved, though the Loompas have to take him away because he can't follow the tour in such state.

# Given the disaster of the Candied Orchard, Wonka decides to stop by a much safer room (after everyone cleaned up a bit) - the Halloween Room. Kids notice that we are not Halloween yet, but Wonka brushes it aside - it is always Halloween if we want to, just like it is always Christmas or Easter.

No demise here, only a fun scene - Wonka has the kids trying one of his new product, an Hallowee candy that will temporarily turn the kid into a monster. Like that, no need to buy a fancy costume to scare your neighbours, just pop one of these treats into your mouth! And the "costume" will be perfectly adapted to who you are.

Veruca's flesh rots as she becomes a zombie. Violet skin covers in fur as she grows wolf ears and fangs, becoming a werewolf. Herpes Trout's skin becomes green and he grows tusks and a boar's snout as he becomes an orc. Clarence turn into a skeleton (though as people point out there isn't much difference to his usual self). As for Charlie I actually don't know exactly... I thought of him becoming an elf, growing long pointy ears and gaining a sort of beauty.

It doesn't last long, but it is quite fun.

# The Kitchen. It is where Wonka makes his candies, and it looks like a gigantic, fantastical kitchen. Of couse, this is where Violet Glockenberry meets her demise - when she snatches and chews on the "Three Course Gum Meal". As I said previously, no blueberry inflation in my versions - here the demise is based on the "baked potatoes" of the meal. As she chews, Violet sees brown scabs appearing on her skin. They grow and grow, covering her entire body, trapping her into a thick carapace - at the end, she becomes entirely trapped in a giant potato, with only her face being visible. Unable to move or do anything, she can just shout as she is rolled around and taken to the "Peeling Room" to be peeled.

# The hallways. It may seem strange to see them listed in the places of importance, but it is where Veruca Salt meets her demise. You see, she picked up some trash or junk that was in a bin of the Factory, probably because it looked a lot like a product that is recently advertised a lot on television - and despite Wonka's insistance that it is not said product, but merely something resembling it, she refuses to let go of it. As a result, she is taken away by the squirrels, thinking of her as trash.

Oh yes, because I decided to re-imagine the squirrels as actually the "cleaning squad" of the Factory, roaming the building getting rid of all dirt or trash not thrown into a specific bin. They then take it away to the furnace to be burned...

# The Room of HEALTH. The Room of Homeopathic and Edible Answers to Laments That are (frankly) quite Harsh. A new room Wonka recently created in answer to people complaining about the "unhealtiness" of his candies. As a result, you find in there, stored before selling (because it is a storage room, but presented like a museum and a cave, a mix of the two) products that go from licorice that whitens the teeth or cavity-filling caramels to nougat that cleans your skin of acne. This is where, obviously, Clarence Crump meets his demise.

Hearing about this wonderful chocolate that will make you super-healthy because it contains all the vitamins existing in the world, from A to Z, Clarence stuffs himself with it - not hearing Wonka's warning that it is hyper-concentrated and will make you over-wealthy. Clarence doesn't mind being "over-healthy"... until he becomes obese, chalk-white-skinned and grows bull horns. Well, he isn't really obese - it is actually an excess of vitamins, that happens to look a lot like an excess of fat in the body.

The only way to get rid of an excess of vitamins or an over-healthiness is either to ruin your health, either to do a lot of sports and exercise... and while Clarence absolutely hates doing sports, his parents will never allow him to ruin his health. So... to the gymnasium!

The demise is especially ironic because he ends up looking like a "big fat cow" as Herpes Trout points out - and before, Marvin frequently insulted the other kids for being freakish "cows" (with special mentions for Augustus, the "bloated fat cow" and Violet, "the freaky bodybuilder cow"). Hence why he turns into a fat, black-and-white boy with horns.

# The Television Room. Pretty much identical to the original one. The variation comes on the focus here - the point being rather on the difference between reality and fiction. I'll explain: Herpes Trout wants to get into the television to enter its world of hyper-violence and be "cool" like Rambo and other destructive soldier-like antiheroes. Trouble is, when locked inside, he realizes that war is actually no cool game and no joke, and is left heavily traumatized. (And, just like in the original, he gets pulled out and stretched thin in the Taffy room, making a stark opposite to his bulky and muscular original shape).

OOMPA-LOOMPA

I think in this version they will basically looke like Santa's elves. Little pointy eared lutins. I honestly don't have much more ideas for now Xp

ENDING

Charlie doesn't outright becomes the new Factory owner, but it is a promise Wonka makes to the young kid - since he is the only one able to understand the magic and fantasy of the place, he will take Wonka's place one day, when Wonka decide to "go on a great journey to where man never went" (even though, as Wonka says, he might come back one day, with new ingredients, candies and recipes from these places "man never went"). While waiting for this day, Charlie wins the incredible prize of a lifetime supply of candy as well as material and financial support - plus, he is allowed to visit the Factory any time he likes.

The Gloops returned home, Augustus still a marshmallow-boy. The Loompas and Wonka, despite all their efforts, couldn't find how to return him back to normal since no one had ever swallowed a Barshmalloy before. But the Gloops parent don't mind, because now he is "the biggest and tastiest" of the boys around, so not everything is lost.

However, Augustus hasn't been seen or heard ever since he came back to his natal country... Some say he roasted in the dry hot desert. Others claim he couldn't resist the temptation and ended up devouring himself whole. No one really knows the truth.

Violet Glockenberry, after being "peeled", was left with a very soft and sensitive skin, which prevented her from continuing her rash and violent ways. She was forced to live in a soft, conditioned, safe evironment, with only the sweetest things. Unable to do much, she took her frustration on Wonka's lifetime of candy, and now is an overweight, spoiled woman always shouting and screaming for the best quality and what will not "hurt her skin". She actually ended up growing back a tough, regular skin, but she still plays along the role of the "delicate flower" because she grew used to her being the focus of attention.

Veruca Salt, due to her time in the junk and trash of the Factory, became a new type of guinea pig - one for testing diseases and sicknesses in labs. She accumulated so many molds, parasites and other infections in Wonka's dump that she became immune to all sicknesses, basically a sort of living petri dish where sicknesses grow and diseases spread without her being really affected by it.

Clarence Crump... He left the Factory slim again, but still with his horn bulls - as a result his mother tried to hide it by putting her handbag over his head, but the wind blew it away as they left, leading to a public humiliation. Humiliated, he left the fashion industry, abandonned all fame, and became a farmer on the countryside - raising cows. Because his experience actually left him very close to cows, that he thinks as his "only friends" in this world.

As I mentionned, Herpes Trout was left traumatized by the violence he escaped from in the television, and stretched into a tall and very thin boy. Herpes left his family to join a hippie and peaceful community, now spending in time relaxing, meditating and trying to find his "harmony with nature" in places far away from human activity and human noise. He also refuses to go any new technology ever. Computer, television, radio, don't even speak to him about it.

No one knows what happened to Miranda Grope, since she wasn't seen ever again. Some say she got turned into a batch of Wonka's sweets, and others say that it was good riddance - at least now, she can be sweet to people.

#charlie and the chocolate factory #catcf #milk chocolate #augustus gloop #veruca salt #violet beauregarde #mike teavee #charlie bucket #clarence crump #miranda grope

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jackcinephile · 4 years

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L'Inferno (1911) Movie Review!

As promised, we're gonna be celebrating this Spooky Season with a Devilman Crybaby headcanon! In order to fully express my HC, I will be reviewing icons of horror cinema and literature that helped contribute to many of the themes and ideas that are prevalent in Go Nagai's original manga. So, without further ado, let us descend into the Blind World. Put all fear and cowardice aside. I will be your guide through this eternal place, where you shall hear the shrieks and see the tormented spirits who all bewail the second death.

And how appropriate? Because our first film is the 1911 adaptation of The Inferno by Dante Alighieri. I suppose it's only right to begin this saga of horror films with one of the first horror films ever made. Okay, "first horror film" is actually debatable, so keep in mind that I said "ONE of the first." In any case, it remains one of the most important landmarks in horror cinema.

"Stopped, in the middle of what we call life,

I looked up and saw no sky, but rather a dense cage of leaf and tree and twig,

For I was lost."

The film opens as the iconic poem does. Dante Alighieri is a middle-aged man who finds himself lost in a dark, gloomy forest. This opening of the story always had a way of making me feel somewhat lonely and isolated. In my interpretation, I always saw this forest as being symbolic of how Dante felt after the death of Beatrice. Allow me to explain...

For those who don't know, Dante met a young girl named Beatrice when they were both nine years old. The young boy immediately fell in love with her, even though they hardly interacted. Despite their lives continuing in separate directions, Beatrice had always and forever held a special place in Dante's heart. When he received word that she had died, Dante was absolutely devastated. He felt that she deserved to be immortalized in what he intended to be his magnum opus; The Divine Comedy.

I believe that this opening to the Inferno is actually Dante going to a journey to find Beatrice so that he could say goodbye to her. Along the way, he got lost, both literally and spiritually. That, in my opinion, is what this forest symbolizes. In many ways, this opening kind of reminds of the opening to Silent Hill 2, just from how dismal it is.

Having said all that, I think the film does a very poor job of conveying those emotions. Sadly, I just don't feel any of the despair that was present in the original poem. He just wanders around for a few seconds, then steps out into a clearing. But don't worry! As soon as Dante steps into the clearing, the film IMMEDIATELY gets better. Upon entering this clearing, Dante finds himself at the base of, what I believe to be, Mount Purgatory. I can only assume that's where he is, because the gates of Hell are at its base, and Dante seems to suggest the gates of heaven are at its summit, just like Purgatory. Unfortunately, his path is blocked by three ravenous beasts: a leopard, a lion, and a she-wolf, all representing different Earthly sins. He runs back the way he came, before being rescued by a strange apparition. It's here that the film begins to remind us all of why the original poem is regarded as a self-insert fanfic...

Upon introducing himself to the apparition, Dante learns that it is the actually the ghost of Virgil, author of the Aeneid. The significance of Virgil being in the story is that he was Dante's favorite poet of all time, and Dante always longed to meet and interact with him. It's literally a self-insert fanfic of Dante meeting and interacting with all of his inspirations. It's honestly a mystery to me why I love The Inferno so much, because it's everything I hate! It's a Catholic's fanfic about why he sees himself and his friends as morally superior and why everyone he ever disagreed with is going to Hell. Somehow, in spite of all that, I still love it.

So why did Virgil even decide to help Dante in the first place? Well, remember when I talked about Beatrice dying? It turns out, she descended from Heaven into Hell to ask him for help, because she knew how important he was to Dante. She tasked Virgil with being Dante's guide, after seeing that he has gone astray.

This is where the film's innovation starts to take shape. Beatrice has often been drawn as having a halo around her head. The problem is, how do you show that in a film made in 1911? The effect was strikingly realized with, what I assume to be, spinning rods covered in reflective material. I can only guess this is how it was done, but it appears right to me, because that's how a similar effect was created for the lightsabers in the original Star Wars. It looks like the rods were placed behind the actress, so that the rig couldn't be seen, making it appear as if the light was emanating from her head. This scene also displays an early appearance of wire work on film. In those days, that shit wasn't easy. It was even harder to hide the effect, which this film does fairly well.

So, Virgil explains to Dante that he must take him on a pilgrimage through the three different stages of the afterlife. To be perfectly honest, I never understood why. Maybe I'm just an idiot with little to no reading comprehension. It's also a factor that I haven't read parts II and III of the Divine Comedy, so maybe it's elaborated better in there. From what I gathered, since Dante is going on a journey to find the literal Stairway to Heaven (Led Zeppelin intensifies) Virgil needs to take him to Hell and Purgatory, so he can face his sins and better appreciate Paradise. And thus, Virgil's pilgrimage to lead Dante through the Afterlife begins!

"Through me, the way to the City of Woe

Through me, the way to everlasting pain

Through me, the way among the people lost

Divine Power made me

Eternal I endure

Abandon Hope, all ye who enter here"

That is the inscription above the Gates of Hell. It is here, that Dante is already planning on turning back. Virgil literally tells him to stop being a pussy, and I was satisfied. Once they enter the gates, it becomes apparent to the viewer, if it hasn't already, that this isn't just an adaptation of Dante's work. This film is actually a cinematic translation of the ICONIC illustrations by Gustave Dore that were created in the middle of the 19th century. So much care and detail was put into recreating his AMAZING artwork, that many consider to be his magnum opus. This film was basically the Zack Snyder's Watchmen of its day!

Those familiar with the story will recognize this iconic scene that is being recreated onscreen. Dante and Virgil have come to the shores of Acharon, where the souls of the damned board Charon's vessel to be taken before Judge Minos, who lives in Limbo.

Speaking of Limbo, that is the first spiral of Hell Dante visits. This is where good people who weren't Christians come to face eternity. Their punishment is meant to be the denial of Paradise, but if you ask me, it doesn't seem so bad. Apparently Dante felt the same way, because this is where he meets his other great inspirations, such as Homer and Ovid! The poets all enjoy their visit together before Virgil must take Dante on his way. This is honestly the part that makes me cringe the most. Nothing reeks of self-insert fanfic more than meeting your idols and being greatly respected by all them. This is exactly why I abandoned my Silent Hill fanfic.

Anyway, Minos's throne lies at the lower boarder of Limbo. The king himself appears as a giant naked bearded man with a snake tail. The tail is used to determine the punishment of sinners by wrapping around Minos's own neck multiple times. However many times the tail coils determines which spiral the sinner is sent to.

And here we get to my favorite scene in the whole film: Lust! This spiral perfectly displays the true innovation of special effects. In this spiral, sinners are punished by being caught in a tumultuous whirlwind. The wind symbolizes the tumultuous feelings that arise between lustful lovers. It's one of Dore's best illustrations, and it blows my mind that the filmmakers were able to recreate it so well!

Our two pilgrims move onward to the Spiral of Gluttony, where we come across Cerberus. He guards this spiral, but Virgil subdues him by throwing a clump of dirt in his face (still more respectful than Lore Olympus). Honestly, Gluttony is nothing to write home about. It's just a raining landscape with people laying in the mud. Still, I have to give credit for the meticulous recreation of Dore's art!

Down in Greed, who else do we find guarding this spiral, other than Plutus?

SIDE NOTE: I've read a very strange "translation" of his dialogue. The original line reads, "Pape Satan, Pape Satan, allepe!" Strangely, no one seems to agree on what exactly this means, so most translations are different. Particularly, in the case of Douglas Neff, he translates "Pape" to "Papa," which is strange because "Pape" means "Pope" in Itialian. Then, he changes "allepe" to "you are my king." Let's also not forget that Plutus was also occasionally used as an epithet for Hades and/or Pluto. This means Douglas Neff literally wrote Hades to say, "Daddy Satan, I worship you" (still more respectful than Lore Olympus)!

In the Spiral of Greed, the sinners are forced push heavy sacks of gold around for eternity. Once again, this scene is nothing special, but still an admirable recreation of the illustrations that inspired it.

The next scene, however, shows off more of the innovative talent that makes this film so amazing! Virgil and Dante move on to the Spiral of Anger, where the sinners are punished by being submerged in the black sludge of the River Styx. The only way across is by boat. This is where Phlegyas comes in. The two poets stand by a giant tower which they use to signal for passage to the City of Dis. Along the way, the boat is stopped by Dante's political and intellectual rival, Philipo Argenti. It's here that one realizes just how petty Dante truly was. "Oh, I disagree with you politically. Therefore, you deserve to drown in sludge for all eternity!" He sounds like people I used to know. Hell, he sounds like me in high school!

All while this is going on, we see an amazing special effect of a double exposure of Dis in the background. It's an amazing miniature of the city's outer wall, optically printed to take up the entire top half of the screen.

Finally, they make it to the other side of the river, where we actually get a cameo by Hades' and Persephone's children! No, not Zagareus, Makaria, and Melinoe. None of those people were Hades' and Persephone's children. I'm actually referring to the Erinyes (also known as, the Furies). They block Dante's entrance to the city's gates, so Virgil calls upon the aid of an Archangel to rid them of the Furies. It is here that Dante asserts the superiority of Christianity over the Hellenistic faith (still more respectful than Lore Olympus).

Within the City of Dis, Hell begins to look more like how we always imagined, with fire and brimstone. In the Spiral of Heresy, sinners are stuffed into eternally burning ovens embedded in the ground.

Beyond that is the only omitted sequence from the poem. In the original Divine Comedy, the Spiral of Violence is originally guarded by the Minotaur! Beyond that are sinners, stewed in a boiling river of blood (The Phlegethon). On the banks, we see a heard of Centaurs practicing their archery on them. These are the individuals who were violent towards other people. In order to cross the river of blood, Dante and Virgil must ride on the back of one of the centaurs. You know, having heard of centaurs' notorious reputation for being horrible rapists, it makes me concerned for the sake of our Pilgrims. Maybe they didn't include this in the film because they couldn't figure out how to make a centaur?

On the other side of the Phlegethon, Violence continues into the suicide forest (*Logan Paul reference here*). Here is where sinners, who were violent against themselves, are punished. Once judged to this spiral, they grow into trees. The symbolism being that trees are a symbol of life, of which these sinners have deprived themselves. I'm surprised this scene isn't more controversial. After all, seeing as how seriously mental health has been taken recently, it's fucking awful to tell someone they're going to Hell for committing suicide! As a peice of horrific imagery, I love this scene, but knowing that Dante actually believed this makes me despise it.

In addition to being a horrifying concept, this scene also includes one of the first instances of bloodshed in a horror film. Virgil explains to Dante that he can speak with the sinners if he breaks one of their branches. When he does, blood sprays out of the tree like a drinking fountain!

After a brief conversation with the sinners, Dante moves on to the final section of violence, where people were violent against God. Here the sinners are punished in a desert that perpetually rains fire.

Now, not every special effect in this film is good. Because when Dante rides down to the eighth spiral on Geryon's back, it is such a stiff, unnatural, badly puppeteered marrianet that they couldn't even keep stable for the shot!

"There is a place in Hell called the Malebolge..."

Now, we get to my favorite part of the whole poem: The Spiral of Fraud. Here the deceivers are punished in a myriad of ways, depending on how they lied to others.

In the first Spiral of the Malebolge, those who pander towards others are mercilessly whipped for all eternity. This marks the first appearance of the classic image of the winged demons that we all know and love.

In the second spiral, the flattererers bathe in a stagnant pond of their own feces and vomit. This symbolizes the value of the words that they spew at other people. I think this might be where the expression, "You're full of shit," came from. Think about it; you say that to people whom you think are lying to you, and this is in the Spiral of Fraud.

Incidentally, this punishment was referenced in a Turkish horror film called Baskin -- a film about a small group of off-duty police officers who crash their car and wake up in Hell. In that film, the main characters realize they're in Hell when they find demon raping someone, while shoving her face in a bowl of her own face and vomit. Baskin is not a part of this HC, so I'll have to talk about it later. For now, I'll just say it's one of the best horror films I've ever seen!

In the third spiral, those who joined the Catholic Church for their own personal gain are buried head first, with their feet sticking out in the air.

In the fourth spiral, fortune tellers have their heads turned backwards. This prevents them from looking forward, symbolizing their attempts to see into the future.

In the fifth spiral, the sinners are repeatedly dipped in boiling tar. This scene is especially interesting because it shows that the demons we see aren't actually monsters. They're just creatures doing their jobs, punishing sinners. In fact one of the demons named Malecoda assigns a group of demons to help escort Dante and Virgil through the rest of the Malebolge. That, unfortunately, doesn't work out, however, because the demons are distracted by a sinner trying to escape, so Dante and Virgil move on alone. What's also unfortunate, is that other demons, who assume that Virgil and Dante are also sinners trying to escape, chase them into the next spiral. Luckily, each demon is confined to their own spiral, so they can't keep chasing them.

In the sixth spiral, the hypocrites are forced to wear robes made of solid gold. They also find Caiaphas nailed to the ground. As someone who has Jesus Christ Superstar on his top three list of favorite albums, I was happy to see Caiaphas get referenced.

In the seventh spiral, the thieves are bound by snakes, whose venom causes them to burn to ashes. One thief in particular gets attacked by a giant lizard that makes him into a lizardman (someone tell Alex Jones).

In the eighth spiral, the false advisors are eternally engulfed in flames.

In the ninth spiral, the sowers of discord are viciously mutilated. My favorite part about this scene is that it's one of the first instances of gore in a horror movie. The prophet Muhammad has been cloven from his belly to his throat with his guts spilling out all over the place. That's right! Muhammad is depicted in the Inferno. Not only that, but Gustave Dore drew him. Damn. Dante has no chill. Hey, the founder of the most homophobic religion in the world rots in eternal Hell? I'm not complaining! This kinda makes up for the portrayal of suicide victims.

In the tenth spiral, the falsifiers are punished with enternal leprosy.

At last, we make it to the Spiral of Treachery, at the center of the earth. Here, the traitors are frozen within the Lake Cocytus.

"Lo! Dis Himself!

Emperor of the Kingdom of Woe"

Finally, at the climax of this horrific epic, we see Satan, and it's not what you're expecting! He is in the very center of the lake, frozen up to his waist in ice, and forced to eat the three greatest traitors of all. His body is covered in course fur, and he has three heads and six wings. Satan's appearance in this story is disarming and almost pathetic in a way. You'd imagine Satan to be this fearsome king, but he's just shown to be suffering like everyone else. It's kind of sad, really.

The film ends with Dante and Virgil climbing down Satan's leg fur and ending up at the base of Mount Purgatory.

L'Inferno is one of the first true masterpieces of horror! It's hard to believe that this movie is almost 110 years old! Just think of how it would have been to see it in theaters for the first time when it was new. We owe it to this film for proving the language of Cinema could be used to tell the most epic stories possibly conceived.

You can watch the film for yourself here:https://youtu.be/cMUPbPOGPdM

youtube

Now, you're probably thinking, "What the Sam Fuck does any of this have to do with Devilman Crybaby?" Well, for starters, in Go Nagai's original manga, the character Asuka Ryo implies that Dante's Divine Comedy might have been based on a true story. This is futher validated when the demon Xenon appears and bears a strong resemblance to Dante's description of Satan. But beyond the surface-level details, let's discuss some of the deeper implications of what Hell actually is. Within this headcanon, the Afterlife is an entirely separate dimension, occupying the same space as our Earth, but invisible to our eyes. There is a way, however, to see and explore this separate dimension. You see, when different dimensions intersect at certain angles, they sometimes leave gaps through which we can come through and cross over to the other dimension. It was through one of these gaps that Virgil was able to find Dante. These angles and gaps between dimensions will be further explored in a later film.

#dante's inferno #dante's divine comedy #l'inferno #devilman crybaby #devilman crybaby headcanon #Youtube

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joanofarchetype · 5 years

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A Connecticut Yankee...a kid...that's all well and good but we really don't talk enough about the werewolf in King Arthur's court

This is not a shitpost — in Le Morte D'Arthur, Sir Thomas Malory makes mention of "Sir Marrok, the good knight that was betrayed with his wyf, for she made hym seven yere a wer-wolf". Of course, Malory lifted the tale of the werewolf knight straight outta "Bisclavret," which is one of the Twelve Lais of Marie de France. And it is...wild. There's also "Melion," an anonymous Breton lai which along with "Biclarel" is believed to have evolved from the same source as "Bisclavret". In this post we're gonna refer to the protagonist as the "knight" or the "wolf-knight" and tell a somewhat composite tale.

(A note: this takes place well before commonly established werewolf lore, which crystallized thanks to Universal's The Wolf Man. Curt Siodmak wrote all that stuff about the full moon and silver bullets in 1941 so well that our common imagination accepted it as ancient fact.)

So anyway our guy is a knight who disappears for a couple nights a week and his wife is like ?????? dude ??????? where ??? do you ???? go ??????

And my dude is like "babe I love you but I can't tell you because you won't look at me the same" and she's like "I am your wIFE you better tell me right quick or otherwise have a good nose for almonds in your oatmeal" (jk she doesn't say that because if she did he might've gotten a little foreshadowing of her treachery, but alas, our man was a sucker)

So the knight tells her he's a werewolf, and on the nights he disappears he's wolfing around the countryside and his wife is like !!!!!!!!!! on the inside but makes sure her face is only 🤔 on the outside

(Mind you, Marie de France goes into how the wife is grossed out because she shared her marriage bed with a beast, which has some interesting implications but we'll get to those later)

She starts digging about his transformation until he explains how in order to return to his human shape, he *needs* to put his human clothes back on or else he'll be stuck as a wolf, at which point wifey is 👀👀👀👀

Wifey's like, "but if ur in wolf form, how do u remember where u put ur clothes lol" and the knight's like, "no no, I retain my human mind even in wolf form and besides, I always put them under this one rock outside this cave"

now bear in mind he's never been able to talk about this to anyone so he's pouring his heart out about his deepest secret which he kept even from his wife & I know we're all pretty used to medieval repression but imagine how it must have felt to share this secret at long last 😥

So to recap:

knight: 🤵🏻🛡🐾🌕🐺🤫😅😍♥️💐 wifey: 👰🏼💭🤢🤔👀🧐💡💡👔💍🔪🔪🔪

Our knight is like "yeah so I was born this way and it's just a part of who I am and whew it's kind of a relief to finally be talking about it with someone"

Wifey nods along 🤔🤔🤔 because she's had a💡moment and is 🍳 up a plan...

so the knight has unleashed (pun intended) his secret for the first time in this life and is feeling just dandy, but what he doesn't know is his wife is already plotting his downfall with her...LOVER (dun dun dunnn)

wifey & her secret lover steal the knight's clothes when he's transformed, essentially trapping him in wolf form, get him declared dead in absentia, marry each other & take over his lands

and the royal court goes for this because at this point the whole kingdom knows about the knight's habit of disappearing for days at a time (because medieval nobles are messy gossipy bitches who live for that drama) so they just assume he abandoned her

*~*ONE YEAR LATER*~* (or if you're Malory, *~*SEVEN YEARS LATER*~*)

the king & hunting party corner the wolf-knight in the woods. knight is overwhelmed at the sight of his monarch & runs up to what for all he knows might be his oblivion to kiss king's feet at which point king's like, "THAT'S NO ORDINARY WOLF. HE SHALL JOIN MY COURT IMMEDIATELY."

the wolf-knight goes to live at court where he's basically regarded as a knight (so the takeaway from this part of the lai is that a literal wild animal had a better chance of becoming a knight in ye olden days than a peasant or a woman but I digress)

anyway so there's a celebration at court and who comes to the party but the ex-wifey's new husband, now a baron. understandably, the wolf-knight does NOT react well and attacks him, and the reaction of everyone at court at this near-mauling isn't to say "whoa whoa maybe bringing a wolf to court was a bad idea" but rather "huh, this wolf has never been hostile towards a human before so obviously this guy must've personally wronged him." which is...progressive.

so the new husband/baron/co-conspirator is all "wtf keep it away from me" and the king is like "idk man, what were you wearing? maybe you smelled like royal beef jerky at the time. seems like you were asking for it"

king & the other barons take wolf-knight to the new baron's property. they just need to figure out what's going on because they're not ready to take sir wolf to his final veterinary visit, u feel? they're attached. now get ready for this next part because it's a doozy.

ex-wifey hears about the king's visit so she's waiting with gifts & cakes & shit. the wolf-knight sees her & immediately BITES OFF HER NOSE & he bites it so good her progeny can feel it & henceforth all her descendants are — I SHIT YOU NOT — born noseless. talk about losing face.

under questioning (*cough cough* torture *cough*) the wife admits to her crimes & yields the stolen clothing, which they put in front of the wolf & he just stares at them until they realize "wow yeah sorry dude our bad" and leave the room to give him privacy

when they see the wolf-knight again he's in his human form and in Marie de France's "Bisclavret" it's expressly written that the king embraces him in the bedchamber and gives him "many kisses" (hashtag heterosexual friends doing heterosexual things)

the king restores the wolf-knight's lands and ex-wifey has to live with her ex-baron in exile, forever marked for her betrayal. some real Mark of Cain shit. (obviously this lai has a lot to say about spousal dissatisfaction but that’s another day’s dissertation)

the wolf-knight (Bisclavret, or Melion, or Marrok, or Sir Wolf or whatever you fancy calling him) not only regains his good name, but also the support of a court which now knows his secret dual nature.

something to be hated or feared, only understood and accepted. no one at court shuns him once the secret's out & no one tries to change or "heal" him of his lycanthropy.

remember when I said we'd come back to the wife's reaction? in "Bisclavret" Marie de France specifically states that upon finding out his secret, the wife no longer wishes to "lie beside him." let's unpack that a bit by exploring similar themes across folklore.

the marriage bed serves as a common motif in tales of animal transformation. ex: in "Beauty and the Beast," the protagonist has to overcome her revulsion towards her suitor's ostensible monstrosity before she can accept his marriage proposal. traditionally these stories with mysterious, beastly husbands who are secretly a true catch serve as an allegory for arranged marriage, designed to help young women process their anxieties about being passed from their father's house to that of a strange new husband.

(we should differentiate these tales from those of an ostensibly appropriate groom who turns out to be a monster in disguise such as "Bluebeard," "Mr. Fox," and "The Robber-Bridegroom," as those deserve a detailed thread of their own but also provide good thematic contrast here)

more often the Beast is kind, patient & gives Beauty the time she needs to the detriment of his own freedom from the curse. once the protagonist gets over her anxiety, she ceases to perceive her groom as just a hulking hairy beast and he can take the shape of a prince at last.

circling back to wolves! in most lore both ancient and modern, werewolves represent something uncontrollable; an animalistic second nature which threatens to literally tear through our well-mannered social façade. "Bisclavret" and its various incarnations don't do that.

if you read "Bisclavret" under a queer critical lens, you can interpret the knight as bisexual; a husband has a secret duality to his nature which he is unable to express in their current social order. significantly, he is born with his lycanthropy rather than being afflicted by the sudden, violent means through which most fictional werewolves are afflicted. it's a part of who he is, and it requires no further explanation or cure.

the wolf-knight finds freedom rather than shame in his lycanthropy, and as a result maintains both honor and control while in wolf form. unlike other famous werewolves, he doesn't function as an expression of tension between the id and the superego.

considering how often wolves are used to imply sexual violence (see also: "Little Red Riding Hood" or its medieval predecessor, "The Grandmother's Tale") this would be a fairly positive portrayal of a bisexual man.

however, his wife doesn't see it that way and is repulsed at the thought of sleeping with him again, so she commits adultery and conspires against him. so really, the crimes in "Bisclavret" have a lot to do with sex, just not sexual violence.

the king's attachment to the wolf & the way he embraces the knight can easily be read as homoerotic. there's absolutely an argument to be made about the normalization of homosocial behavior & male kinship across eras but...two things can be true. either interpretation is valid.

so what we have is a werewolf protagonist — not a villain or tortured anti-hero but an honorable man who isn't made to shed his lycanthropy at the end of the tale (tail). rather, he is accepted by his contemporaries and given a place in society to live as he truly is/ROLL CREDITS

#bisclavret #marie de france #medieval literature #queer theory #queer critical theory #medieval lgbtq #werewolves #werewolf literature #i originally posted this to fb & then twitter so u can find these there #my twitter handle is also @joanofarchetype #(it's my pinned tweet)#long post #gif warning

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chaos-of-the-abyss · 5 years

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I love Tolkien too!! Who’s your favorite character?

Anon, how dare you make me choose my favorite character when there are so many beautiful characters to pick from?

In all honestly, I find that I can’t answer that question. I hope you're okay with reading a much, much longer response than you probably imagined originally. I’ll go over my top characters and why they’re so high on my personal list, because many of the reasons are different from character to character. These aren’t in any particular order.

This also isn’t even all of my top favorites, but the answer became so long that I had to limit it to a few. Basically, I wrote whole character analyses gushing about why I love the characters I mentioned - Sauron, Melkor, Manwë, and Varda. Enjoy :’)

Sauron

I loved reading about just because of how evil he is; it makes him very entertaining (and horrifying, more often than not) to read anything he’s involved in. He’s the worst. Literally the worst. I love how cunning and deceptive he is because I’ve always had a penchant for conniving characters.

“Now the Elves made many rings; but secretly Sauron made One Ring to rule all the others, and their power was bound up with it, to be subject wholly to it and to last only so long as it too should last. And much of the strength and will of Sauron passed into that One Ring; for the power of the Elven-rings was very great, and that which should govern them must be a thing of surpassing potency; and Sauron forged it in the Mountain of Fire in the Land of Shadow. And while he wore the One Ring he could perceive all the things that were done by means of the lesser rings, and he could see and govern the very thoughts of those that wore them.”

But I also find Sauron interesting because it looks like he began as an anti-hero, a Byronic hero, even someone who had good intentions but coupled them with extreme measures and moral greyness. And instead of being your stereotypical angsty brooder who eventually finds “the light”, is redeemed, and finds happiness, Sauron plunged deeper and deeper into malice, ill intentions, and a desire to dominate.

“In my story Sauron represents as near an approach to the wholly evil will as is possible. He had gone the way of all tyrants: beginning well, at least on the level that while desiring to order all things according to his own wisdom he still at first considered the (economic) well-being of other inhabitants of the Earth. But he went further than human tyrants in pride and the lust for domination, being in origin an immortal (angelic) spirit. Sauron desired to be a God-King, and was held to be this by his servants, by a triple treachery: 1. Because of his admiration of Strength he had become a follower of Morgoth and fell with him down into the depths of evil, becoming his chief agent in Middle-earth. 2. when Morgoth was defeated by the Valar finally he forsook his allegiance; but out of fear only; he did not present himself to the Valar or sue for pardon, and remained in Middle-earth. 3. When he found how greatly his knowledge was admired by all other rational creatures and how easy it was to influence them, his pride became boundless.”

Tolkien himself says that Sauron “began well”, and because of his admiration for Morgoth’s immense power, was corrupted alongside him as well. It was also the fault of his arrogance; when he discovered that other beings admired and were amazed by him due to his status as a (former) angelic being, the praise basically got to his head. While I love redemption stories, it’s refreshing to read about a character who had his chance and let it go. And Sauron’s evil is absolutely unquestionable. It’s not up for debate; he is malevolent, selfish, and duplicitous, and through his desire for order, perfection, and control, actually seems to represent what Tolkien considers a very absolute form of evil.

“The most improper job of any man, even saints, is bossing other men.”

And what I find so gripping about Sauron is that he doesn’t carry out his cruelty with professionalism and a sense of necessity; he absolutely relishes it.

“Then straightaway they brought him into the dreadful presence of Sauron; and Sauron said: ‘I hear now that thou wouldst barter with me. What is thy price?’

And Gorlim answered that he should find Eilinel again, and with her be set free; for he thought Eilinel also had been made captive. Then Sauron smiled, saying: ‘That is a small price for so great a treachery. So shall it surely be. Say on!’

Now Gorlim would have drawn back, but daunted by the eyes of Sauron he told at last all that he would know. Then Sauron laughed; and he mocked Gorlim, and revealed to him that he had only seen a phantom devised by wizardry to entrap him; for Eilinel was dead. ‘Nonetheless I will grant thy prayer,’ said Sauron; 'and thou shalt go to Eilinel, and be set free of my service.’ Then he put him cruelly to death.”

Melkor

My initial reason for liking Melkor seems very similar to my reasons for liking Sauron: He’s a stellar villain, and, like Sauron, a complete and utter monster. And he’s intense. He’s terrifying; Tolkien’s descriptions of him are great, and just reading it on a page is captivating.

“… And he descended upon Arda in power and majesty greater than any other of the Valar, as a mountain that wades in the sea and has its head above the clouds and is clad in ice and crowned with smoke and fire; and the light of the eyes of Melkor was like a flame that withers with heat and pierces with a deadly cold.”

Yet he’s also quite different from his lieutenant, in my opinion. Melkor seems to be much more motivated by personal envy than Sauron is:

‘As a shadow Melkor did not then conceive himself. For in his beginning he loves and desired light, and the form that he took was exceedingly bright; and he said in his heart: 'On such brightness as I am the Children shall hardly endure to look; therefore to know of aught else or beyond or even to strain their small minds to conceive of it would not be for their good.’ But a lesser brightness that stands before the greater becomes darkness. And Melkor was jealous, therefore, of all other brightness, and wished to take all light unto himself.’

He has a very interesting desire for light (tying into the envious aspect of his nature) that does nothing to redeem him in the slightest.

“He began with the desire of Light, but when he could not possess it for himself alone, he descended through fire and wrath into a great burning, down into Darkness. And darkness he used most in his evil works upon Arda, and filled it with fear for all living things.”

‘With Manwë dwells Varda, Lady of the Stars, who knows all the regions of Eä. Too great is her beauty to be declared in the words of Men or of Elves; for the light of Ilúvatar lives still in her face. In light is her power and her joy. Out of the deeps of Eä she came to the aid of Manwë; for Melkor she knew from before the making of the Music and rejected him, and he hated her, and feared her more than all others whom Eru made.’

A very interesting quote that has sparked a lot of discussion. Whatever this “rejection” means (I have my own thoughts in this, but I’m trying to keep this objective for this post), Melkor sought spirits of light to recruit to his side, and it seems that Varda embodies light, purity, holiness, etc. Her titles reflect this, as does this statement about the light of Ilúvatar.

Now this embodiment of light, this spirit of brilliance, rejected to join Melkor’s side, and Melkor ‘hated her’. It’s quite obvious that Melkor is, for lack of a better word, salty, that Varda, whose face shines with Eru’s light, “rejected” him. He cannot have Eru’s light (the Flame Imperishable), and Varda is perhaps the closest he can get to this. But she declines to ally herself to him, and he despises her for it. He’s not just peeved at losing a powerful ally, he loathes her on a personal level because she represents light that he can never have, no matter how much he desires it. (Take that as you will.)

Melkor is compelling, to me, because of how contradictory he seems. He’s absolutely monstrous and evil, no doubt about that, and his malice, like Sauron’s, is unquestionable. But he’s also a very convoluted character; clearly, much of his evil is borne out of personal insecurities. If you think about it, his duality makes perfect sense and is not contradictory. I like that: a character that’s undoubtedly evil embodied, yet is still layered in a natural, human way, and not one-dimensional.

Manwë

Manwë is a character I adore for entirely different reasons than the first two above. As a person, he’s probably one of the characters I adore most out of any fictional universe. I love how he’s described as majestic and kingly - and he is!

But Manwë Súlimo, highest and holiest of the Valar, sat upon the borders of the West, forsaking not in his thought the Outer Lands. For his throne was set in majesty upon the pinnacle of Taniquetil, which was the highest of the mountains of the world, standing upon the margin of the Seas. Spirits in the shape of hawks and eagles flew ever to and from his halls; and their eyes could see to the depths of the sea and could pierce the hidden caverns under the world, and their wings could bear them through the three regions of the firmament beyond the lights of heaven to the edge of Darkness. Thus they brought word to him of well nigh all that passed in Aman: yet some things were hidden even from the eyes of Manwë and the servants of Manwë, for where Melkor sat in his dark thought impenetrable shadows lay. [...] Elves and Men revere Manwë most of all the Valar, for he has no thought for his own honour, and is not jealous of his power, but ruleth all to peace. The Vanyar he loved most of all the Elves, and of him they received song and poesy. For poesy is the delight of Manwë, and the song of words is his music. Behold, the raiment of Manwë is blue, and blue is the fire of his eyes, and his sceptre is of sapphire which the Noldor wrought for him; and he is King of the world of gods and elves and men, the vicegerent of Ilúvatar, and the chief defence against the evil of Melkor.

I apologize for the sudden subjectivity, but in my eyes, you will never read a more badass description of a character. Period.

Anyway . . . despite his magnificence and power, Manwë is very well-intentioned, very noble, not at all corrupted by his authority, although he is quite literally the ruler of the entire world (Arda).

Elves and Men revere Manwë most of all the Valar, for he has no thought for his own honour, and is not jealous of his power, but ruleth all to peace.

As explicitly stated by Tolkien, Manwë is good. And personally, I think he’s one of the strongest characters in Tolkien’s universe. In power, yes - I mean, I believe he’s stated to be the second most powerful of the Ainur, right after Melkor. But in strength of character, Manwë far surpasses his brother and a good amount of the other characters. He shows it several times; for one thing, not being corrupted by the amount of power that he has is impressive in itself, but I also think this is noteworthy. It’s a decision he is often criticized for, but as Tolkien himself insinuated, Manwë choosing to release Melkor and offer him a second chance was a good thing.

“Who then can say with assurance that if Melkor had been held in bond less evil would have followed? Even in his diminishment the power of Melkor is beyond our calculation. Yet some ruinous outburst of his despair is not the worst that might have befallen. The release was according to the promise of Manwë. If Manwë had broken this promise for his own purposes, even though still intending ‘good’, he would have taken a step upon the paths of Melkor. That is a perilous step. In that hour and act he would have ceased to be the vice-regent of the One, becoming but a king who takes advantage over a rival whom he has conquered by force. Would we then have the sorrows that indeed befell; or would we have the Elder King lose his honour, and so pass, maybe, to a world rent between two proud lords striving for the throne?

Of this we may be sure, we children of small strength: any one of the Valar might have taken the paths of Melkor and become like him: one was enough.”

Rather than doing what Melkor would have done - going back on his words out of fear and refusing to extend a helping hand to a defeated enemy - Manwë chose to do what he believed was right, what was according to his morals. He didn’t waver or back away in the face of peril and stayed true to who he was. And to me, that’s the ultimate act showing strength of character.

Varda

Ah, the OG queen I stan. I always loved Varda, truthfully, but @marta-elentari ‘s metas made me love her even more.

Varda is that character that makes me scream “Yes queen” from the very start. I love the feeling of power and brilliance I get when I read descriptions of her:

‘With Manwë dwelt Varda the most beautiful, whom we Noldor name Elbereth, Queen of the Valar; she it was who wrought the Great Stars; and with them were a great host of fair spirits in great blessedness.’

My first impression of her was that she was a very intelligent woman and a very keen judge of character, considering she was the first to sense the darkness in Melkor. I also admired her for rejecting him, because Melkor coerced multiple powerful Maiar to his side, even those with good intentions (*cough* Sauron *cough*), and I don’t imagine his powers of persuasion were any less potent or any less on display when he attempted to cajole Varda to join him. Yet she declined.

But then, courtesy of @marta-elentari , I found these quotes:

‘And Manwë and Ulmo and Aulë were as Kings; but Varda was the Queen of the Valar, and the spouse of Manwë, and her beauty was high and terrible and of great reverence.’

I find this “high and terrible” description to be very interesting. Insofar I had only known Varda is this Virgin Mary-type figure, but I think that quote added some less ‘holy’ aspects to her personality. And I loved that. We see the word ‘beauty’ juxtaposed with ‘terrible’ in LOTR, when Galadriel is tempted by the Ring:

“Instead of a Dark Lord, you would have a queen, not dark but beautiful and terrible as the dawn! Tempestuous as the sea, and stronger than the foundations of the earth! All shall love me and despair!”

This quote is an external manifestation of Galadriel’s buried desire for more power, a change from the wise and kind Lady of Lothlórien that Galadriel was initially characterized as. Of course, learning more of Galadriel’s history and her younger days’ desire to come to Middle Earth and rule her own kingdom - another form of power - it makes sense and is not at all odd.

But the similarity in word choice makes me wonder if Varda was ambitious and desired power and a position of rulership, just as Galadriel did. Because I’m a sucker for ambitious female characters, I latch on to this theory, and it makes me love Varda very much: a Holy Mary figure who is mighty and pure, but also more complex than the surface level seems to indicate, and a woman who isn’t punished for her ambition.

#asks #tolkien #tolkien meta #character analysis #tolkien quotes #lotr quotes #sauron #mairon #melkor #morgoth #manwë #varda #galadriel #artanis

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gilgaemsh-a · 5 years

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IM FINALLY ABLE TO MAKE MY BNHA OCS AHHHH!!!!! part one at least lmao i’m gunna make a part 2 reallllllllly soon

the style of this picrew is similar to bnha style so it’s better for me to think up my ocs (at least the girls) this way!! (i’m very picky orz)

also i’m always up for rping if anyone is interested!!!!! dm me dude!!!!!!!!!!!!

also also! quirks aren’t like final versions?? im still tryna figure out how to make quirks more... quirk-like lol.

intros under the cut!!

@bnhappreciation @bnha-oc-collection

ankou fuwara (#1 & #2)

the ever blooming hero: chloris

ankou is my most loved oc and the by far the hardest to make for some reason. her and her quirk went through so many changes its insane but i finally settled on something perfect.

she’s currently an active hero having just graduated from u.a. she’s extremely popular and currently number 12 on the hero billboard (shes 19 btw)

ankou quirk is overgrowth aka chlorokinesis - the manipulation of plant life and pheromone generation. (she can do a lot with her quirk so shes my second most op character)

her range is pretty much the same as pixie bob’s earth flow.

ankou was actually a child star, a very popular actress/model. she quit when she graduated to focus on her hero career which is one of the reasons why she’s so popular.

when ankou was in school to was the top u.a. student along with two others (they’re boys so i wasnt able to make them but one day i will)

ankou quirk is actually a combo of her parents her mother has minimal manipulation over plants and her father could manipulate his pheromones

ankou is the older sister type. she’s super kind and caring and protective of people close to her.

she unofficially adopts izuku when she meets him

she also (surprisingly) has a good relationship with bakugou. she treats him like a younger brother and teases him a lot.

ankou is also the type to be really scary when angry

ankou had a really hard time making friends growing up because she couldn’t control her pheromones properly

alot of the times her classmates or even random people would fall in love with her just by her scent or other times end up being despised by it

both of ankou’s parents actually come from hero families. they grew up together since their families knew each other & they were both the youngest. neither of them wanted to be heroes.

ankou’s mother (ririka) is a pharmacist for one of the top hospitals in japan while her father (aizen) is an a-list actor.

side note! ankou’s father aizen took ririka’s last name.

i hardcore ship ankou and tomura. it literally started by me just thinking “oh hey lmao ankou has a life quirk and tomura has a death quirk! wait-”

so now their my otp.

oh btw the first pic is how ankou looks currently, the other is her older.

kurena kan (#3)

the healing heroine: nightingale

my child. my baby. she’s never done a single thing wrong in her entire life.

kurena is a mixed baby, half japanese & half american

she grew up with her father sekijiro kan in japan, her mother, charity brown is currently deceased.

her quirk is miracle blood - the ability to heal others and herself using her own blood. she can manipulate her blood as well. kurena has high regenerative properties as well! as long as her blood is flowing she can heal herself extremely fast.

as you know vlad king (her father) is able to manipulate blood but kurena’s mother was able to heal people with her quirk (empathic healing) which resulted in kurena’s quirk.

kurena is currently a first year at u.a. in izuku’s class.

she’s the tomboy type, tends to get into a lot of fights though she’s actually really mellow and cool.

she’s also the type that if she were to dress as a boy, she’d make a really hot one. (though as a girl she’s super hot too)

she’s recovery girl’s apprentice and helps out alot in the infirmary of the school

deku spends a lot less time there since kurena can heal him lol

i ship kurena with todoroki and bakugou. my beloved ot3

all three of them are p competitive with each other (don’t worry it’s all healthy competition)

kurena’s mother came to japan to further to abilities and apprentice under recovery girl which is how her and sekijiro met

she died helping recovery girl heal all might as a backlash of her quirk

kurena’s mother is full blown italian! and partially named kurena because it sounds like carina which means beloved

in japanese kurena the kanji for her name is crimson

oh!! aizawa is kurena’s godfather on her mother’s side! the two are very close

charity and aizawa were best friends before she died

miwa midoriya* (#4)

all in one heroine: alter ego

oof my most op oc you can fight me im not changing her.

miwa is actually the daughter of two high profile villains

she’s actually an “experiment”, the two villains had been working on a way to merge their quirks in the perfect way to make a strong villain - miwa was their current project until she escaped them

miwa doesn’t know how many others came before her or what happened to them when she asked she was told her ‘siblings’ were disposed of.

miwa’s quirk is gunna be the hardest to explain lol the short version is: miwa’s body can mimic and control different elements.

like... full on mimics elements. yknow like and elemental spirit? how it’s just a being made of fire or water or air etc etc? that’s miwa.

i’m actually on the fence about making the elements miwa shifts into to be alters (like she suffers from dissociative personality disorder.) so basically every time she shifts into a different element that element has its own personality? tho maybe it doesn’t even need to be DID it could just be the way her quirk works? SOMEONE GIVE ME INPUT PLS

her mother is a shapeshifter while her father could control elements

miwa was rescued by izuku’s father and then later adopted by him when it was quickly realized she didn’t want anyone else

she grew up with izuku and bakugou. her a bakugou are actually quite close since she’s the first person to beat him in stuff. he likes how strong she is.

miwa is also a pacifist! she had no interest in being a hero (it sounded like more trouble then it was worth) but when bakugou and izuku applied for u.a. she didn’t want to be left alone so she applied.

miwa is a soft bean. she hates violence but is willing to ATTACK when her loved ones are in danger

she’s also in the constant fear that her parents are watching her every move. she feels as if her parents gave her up to easy or staged the hero rescue for a reason. she’s constantly paranoid lol

miwa is classified as “looks like a cinnamon roll; can kill you”

nagi the tempest (#5)

real name: aoka arashi

currently my only villain but don’t worry i plan on making more!

nagi is the only daughter of as prostigious hero family.

the arashi family was known for its variety of powerful weather related quirks and continued to plan marriages based on quirks

the arashi family was also very abusive in its training and pushed nagi through limits she still has nightmares about; the training was due to how volatile nagi’s quirk is. which she was often blamed for

one day nagi snapped and destroyed the arashi family home along with everyone inside she was on the run for awhile before dabi found her

at that point i guess he was already apart of the league of villains? i’m not sure when dabi joined tho so this is just me guessing

nagi’s quirk is storm - nagi is able to create storms and manipulate them! it’s an extremely violate quirk that almost got her killed when she first manifested it. it’s the reason her training was so grueling. nagi needs moisture in order for her quirk to work

and while thunderstorms are something she can make she can’t actually control the lightning; not because it’s not apart of her quirk but because lighting is tricky to control in itself

she wields a katana that acts as a conduit for the lightning

when nagi does try to control the lightning more often than not it backlashes onto herself creating wounds/scars on her body in the shape of lightning bolts

dabi thinks they’re really pretty

nagi is the silent type. she very rarely talks and no one in the league of villains has ever heard the sound of her voice

dabi brags about being the only person nagi talks too

the name nagi was given to her by dabi it means the calm before the storm

though dabi gave her the nickname he often calls her aoka when they’re alone

despite her blonde hair and blue eyes nagi is 100% japanese!

her and dabi are hardly ever seen apart and if you haven’t guessed it i ship them lol

hinata enma (#6)

the beguiling heroine: enchanter

my trans baby girl!!!!!!!!

a 5th generation geisha currently a maiko of course

her quirk is heartbreaker - a succubus quirk! besides her supernatural beauty and over all supernatural condition (strength, speed all that good stuff) hinata’s real quirk is her voice; her voice has the power to control others and even alter reality.

you know allison hargreeves from the umbrella academy? that’s hinata

i’m still not sure how i want hinata to be able to trigger that power like how allison as to say “i heard a rumor” to use her power?? idk what i want hina to say

a hinoenma is a japanese yokai extremely similar to succubi which is where i got hina’s name

as i mentioned, hina is a geisha! not a prostitue

growing up hina was taught art, dancing and singing she excels at all three uwu

hina’s mother, yuuhi, is close friends with masaru bakugou. masaru usually goes to her for help with traditional japanese fashion

because of this bakugou and hina grew up together

the two are best friends even though they go to separate schools katsuki is the only one hina doesn’t use her power on

katsuki is also the one to encourage hina to become a hero though the two don’t go to u.a together instead hina attends shiketsu high

the two of them video call each other daily

hina is very mischievous!! she likes playing harmless pranks and teasing others

when she was in elementary and middle school she was often picked on for her quirk being a ‘villain’ quirk

she’s never used her quirk in malicious ways

the most malicious way she’d use is to help play a prank

she trains with bakugou when she can

#bnha #bnha oc #mha #mha oc #boku no hero oc #boku no hero academia #my hero academy oc #my hero academia #my hero academia oc #mine #my ocs #ocs

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camillemontespan · 5 years

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mind over matter [interview with drake walker]

I am rolling about laughing at my attempt to make a magazine cover for Drake. God bless Hugh Jackman as a body claim. Bahahaha.

On a serious note, this covers mental health. I’m not sure how many of my followers suffer from anxiety, depression and everything in between, but I was thinking about writing something different about Drake and it occurred to me that yeah, maybe he could have suffered from depression at some stage in his life.

This piece is inspired by a time when I was with my male friends, we had been drinking and they all got really emotional and started talking about how they were actually feeling and Jesus Christ I didn’t realise how sad they all were. Because they don’t talk about it normally. It took alcohol to get them to open up. So, this has shaped this ‘interview’ with Drake. Just something a bit different. This is part serious, part fluff.

@pug-bitch @jovialyouthmusic @moonlightgem7 @sirbeepsalot @drakesensworld @iplaydrake @dcbbw @fromthedeskofpaisleybleakmore @ifyouseekheart @carabeth @notoriouscs

******************************************************************************************

I am sat outside overlooking the mountains of Valtoria, waiting patiently for the Duke of Valtoria to arrive. I've managed to secure an interview with the notoriously private Drake Walker and honestly, I have no idea what to expect. He often looks serious in paparazzi pictures. He's been known to grumble and not exactly offer a winning smile. I've heard he is fiercely protective of his wife and their daughter and I have also heard that he hates the press. Great news for me.

'Hey there!'

I look around and see the man himself coming out onto the terrace holding two glasses of water. He hands me one and settles down opposite me. 'Sorry for the delay, I was trying to settle Lily down to watch a Disney film.'

He looks.. happy. Smiley. He has a kind face which is a complete contrast to the paparazzi shots that everyone is used to. Drake Walker is wearing jeans, a red Henley shirt and brown boots. Broad shouldered, with a wide chest span and veins that stick out of his arms, he is rugged and handsome, which I think is the reason why so many nobles and commoners alike were laughing when he was named the new Duke of Valtoria. He doesn’t look like a typical Duke but I get the feeling that suits him just fine.

I'm here interviewing him today because he has launched a campaign to promote men's mental heath, which has been named Mind Over Matter. When he first announced the campaign, which centers around men in Cordonia meeting up - Drake included - to go trekking up mountains, kayaking, abseiling, it was dismissed as just an excuse for men to get outdoors and away from family life - Cordonia is very traditional and some might say stuck in the past with emphasis on family and structure, but with King Liam and the Duke of Valtoria at the helm, its becoming thoroughly more modern. That includes encouraging men with depression, anxiety and all mental health issues in between, to get together.

'It's a safe space for men to open up while still enjoying themselves. It's not like therapy where you're stuck in a room talking for 60 minutes about feelings. This is different. While we are trekking up mountains, we talk openly. You forget that it's therapy. It's very freeing. Anyone can sign up and it pushes you to confront your emotions. When you abseil down a cliff side, you feel such adrenaline, like you can do anything. You have to place your initial fears in a box, unpack it then jump off the edge. It’s a symbol and also literally what we do. It's mind over matter.'

The press have wondered what Drake actually knows about mental health. He sighs, clearly used to this question. 'I had depression when I was younger,' he says. 'My dad had died, my sister left, my mother abandoned me and I was left in the palace with no actual role or identity. I was only known as the prince's friend and honestly I felt I had lost who I was. I had no family and I felt very, very alone. I built up these walls and never let anyone in. I tried to protect myself in the worst way.'

I ask how he got out of it. He smiles sadly. 'I still have my dark days,' he admits. 'days where I think I don't deserve this life, this role, this family. I used to rely on whiskey, I used it as a crutch. I still drink whiskey but definitley not at the rate I was drinking it two years ago. Anytime I felt a hint of doubt or anxiety, I would block it out with drink. It was a dark period. I'm better now but I do still struggle. I try my best to pull myself back from that, you know? I have to. I have to for my girls.'

His girls are his wife, Duchess Camille, and their four year old daughter Lily. He married Camille, a New Yorker, four years ago and their daughter followed soon after. The Duke and Duchess have proven to be a breath of fresh air for Valtoria, in that they host an Open House every month for their citizens to meet them to discuss issues. They are young and eager to make a difference, which is in stark contrast to other dukes and duchesses who don't seem to do much for their duchies.

I ask if Camille has helped him with his mental health. 'Definitely,' he answers instantly. 'It's weird, on paper, we shouldn't work as a couple. I can be grumpy, pessimistic, sometimes even rude. A dark cloud on the horizon. But she is all sunshine and positivity. God, the amount of times she's been talking to her girlfriends who are having a crisis and she's like, 'Right come to mine, I’ll get the bottle of wine and we'll just unpack everything you're feeling and talk.' Everyone needs a person like Camille in their corner. I'm lucky I have the genuine article.'

Does she encourage you to talk? 'All the time. She broke down my walls and if she sees me going to a dark place, she tells me she is there and I end up just telling her everything. She's really supportive.'

Has family life changed him? 'Definitely,' he answers, blushing. 'I didn't realise how overprotective I can be. I never visualised myself ever sat down with a child - my own child - watching Peppa Pig but hey, it happened. I know all the kids TV shows now, I know the theme songs. Baby Shark literally plays in my head when I’m trying to get to sleep, its so annoying.. '

Drake is notorious for being overprotective. He went to court to ask for a restraining order against the press when Camille was pregnant, as they kept hounding her. He has ensured that paparazzi are not allowed within 8 feet of his daughter, after photographs emerged of Lily playing in the playground. 'That was a complete violation of her privacy,' he says quietly. 'I was sick to my stomach when those pictures were published. We're trying to bring Lily up as normally as possible and when she sees herself on the front of newspapers, she does get confused because she isn't aware of how well known she is.' He sued the newspaper who printed the images and now if the family are photographed in public, pixels are placed over Lily's face.

Basically, you don't mess with family man Drake Walker.

'I like to think most fathers in my position would do that,' he tells me. 'There's nothing I wouldn't do to protect my family.'

We are interrupted by a small, dark haired girl with big brown eyes. It's Lily. She is wearing a pretty red summer dress embroidered with flowers. 'Daddy, I miss you,' she says quietly.

Drake chuckles. 'Do you mind?' he asks me. I smile and watch as Drake lifts her up onto his lap, wrapping his arms around her and resting his chin on the top of her head.

I bring the conversation back to his campaign. 'The King is involved, as is his brother. Leo loves outdoor things, he's been travelling everywhere. Give him a mountain to climb and he'll happily do it.' Drake is grinning now, his eyes lit up. Lily snuggles into her father and looks at me warily with those big eyes. She is very delicate and pretty, I must say.

I ask if he has raised money for the campaign so far. He nods enthusiastically. 'So far, 2000 euro and the campaign was only announced last week. Many people have donated and the money is going to be split and given to Cordonian charities who advocate mental health support. You can donate when you see what events we have planned. We’re planning to vlog the things we do, not everything, but say if we’re going to go kayaking, we’ll vlog it on the official website and people can watch and donate. It's a big deal.'

I suggest he creates his own charity. Drake smiles. 'Maybe in the future - ow, Lily, did you just bite me?'

He looks down at Lily who is smirking. She actually has his smirk. Drake holds out his thumb to me. 'My daughter bit me for no reason!'

He nudges her playfully then says seriously, 'What have I told you before?'

Lily sighs. 'Biting is bad..'

'Thank you. Let's remember that from now on, shall we?'

He still pulls her in close and gives her a hug. It's obvious he is wrapped around her little finger.

'Who's the bad cop and good cop between you and Camille?' I ask him, gesturing to Lily. Drake laughs. 'Camille is 100% bad cop. Poor woman. She's so lovely but she always adopts the bad cop role. She complains about why she always ends up as the bad cop and I tell her, ‘Babe, you actively put yourself into that role!’ I'm the good cop. I'm a cool fun dad, huh Lily?'

Lily giggles. Drake winks at me. 'She definitely agrees.' I melt.

'I do tell her off though,' Drake continues. 'I don't want her to be a brat. No, if she does something wrong, I will pull her up on it. It's just Camille is the one who tends to take away Peppa Pig privileges.'

'How do you maintain a normal family life when you've got this world of titles and nobility?'

Drake considers the question. 'You just have to stay grounded and remember where you came from. I think everyone assumed that as soon as Camille and I were made Duke and Duchess, we would become tyrants! No way in hell was that gonna happen,' he chuckles. 'Honestly, we're pretty chill. We have a small household of staff and we have assistants to help with our diaries, but really, we do try our best to just be Drake and Camille. We treat it like a working day. So from 9-5, we're noble, we’re the Duke and Duchess of Valtora. From 5pm onwards, we are ourselves. Camille gets changed out of her usual Duchess outfits and into jeans and an oversized sweater. If the cook has made dinner, she leaves it in the kitchen for us to help ourselves. We are very self sufficient though, I hate the fact we actually have a cook but sometimes it gets so hectic, you need that sort of privilege. In the evening, Camille and I sit out on our balcony, me with a glass of whiskey, Camille with a glass of sauvignon blanc, and we just laugh and talk.'

Do you do normal couple things, I ask. He stares at me, dumbfounded. ‘Well, yeah. We’re a normal couple, of course we do!’

I can’t visualise them on date nights or watching box sets. Drake laughs, a deep hearty laugh that is so unexpected. ‘Oh god, we love a box set. We’re re-watching Stranger Things at the moment before the new series starts again.’

‘You watch Stranger Things!’ I exclaim and Drake nods. ‘Yeah! We love that show! Camille adores Will, he’s like her TV baby.. ‘ I try to imagine the two of them sat on the sofa watching the show. It’s hard to see. Drake continues. ‘It’s hard to watch anything during the day though, Lily commands the TV when she’s home from nursery. She’s obsessed with The Greatest Showman right now, constantly sings the songs and has the album on repeat. She wants to have her own circus.’

He looks down at Lily and his face softens. 'We want to be normal parents for Lily. We don't have nannies, we are not going to send her to a boarding school when she's older and she was not born with a silver spoon in her mouth. Yeah, she was born into privilege but I really want her to grow up aware of the world. You see so many kids who think chauffeur driven cars and fancy houses are the norm. I want her to be a child first, daughter of a Duke and Duchess second.'

Drake is originally from Texas while Camille is New York born and bred. Do the family visit the States often? Drake nods. 'We've got a brownstone in New York and we see my mom every summer. Texas is really important to us.'

Drake and Camille got married at the Walker ranch in Texas and although the press wasn't allowed, a photograph was released, with Drake and Camille's permission. It showed the newlyweds at their first dance and Drake has dipped Camille down near the floor and kissing her. It's a candid, beautiful moment that was caught on camera forever and published on the front page of The Valtorian Herald. 'We allowed that photo to be released because we wanted our duchy to see us as actual humans, not these stuffy nobles. It was kind of like an introduction to us.'

It is clear that Drake isn't comfortable with being a Duke. Not that he doesn't like the role, he stresses, 'with my position, I can use my platform to reach out to people about things that matter and they will listen,' but the fancy title and the trappings that come with that don't seem to sit right with him. I've interviewed many dukes in the past who show me their yachts and horses, keen to show a life that I could only dream of. Drake doesn't do that. ' I'm not materialistic in the slightest,' he admits. 'I would be happy living in a cabin in the woods with my wife and daughter if given the chance. Hell, maybe one day..'

His wishful thinking could come across as ungrateful, except the way his eyes light up when he talks about living in cabins and being outdoors actually makes you smile. He may be a Duke by name but underneath, he is still Drake Walker.

I ask him where Camille is today. He smiles proudly at the mention of her name. 'She's visiting the children's hospital this morning. She adores children, honestly.'

I joke that maybe she is planning to add to their small family. Drake smiles bashfully and holds Lily a little closer. 'She wants a whole brood,' he says. 'Maybe soon, who knows..'

He looks like he's gone into a daydream so I clear my throat to bring him back to earth. He turns red and runs a hand through his hair. 'Sorry!'

Lily clambers off his lap, repeating the word 'cookie...' Drake stops her. 'Have you finished your breakfast?'

She nods. Drake raises an eyebrow before saying, 'Fine.' Lily beams and runs back into the manor. I ask Drake if the King will be climbing mountains for the mental health campaign. Drake nods, amused.

‘All the guys I know are getting involved. I've even got the Beaumont brothers taking part. Maxwell has told me he's packing every kind of snack he can fit into his rucksack and Bertrand.. Oh god, Bertrand.. I imagine he will be like an army captain shouting orders and telling us we've had enough rest. Or, he will be a baby and crawl up the mountain. There will be no in between with Betrand. Leo and I have a bet on to see how long he lasts.' He chuckles, showing he's just teasing the Duke of Ramsford.

They are a close knit group. Many paparazzi shots have been taken of Camille and her friend Hana Lee walking down the street grabbing coffee to go. Maxwell Beaumont has an Instagram account which boasts 1 million followers, which shows images of his everyday life - Drake and Camille are rarely in his photos as the couple are so private, but Maxwell does occasionally post photos of Drake and Camille when they are attending royal events, captioning them with descriptions such as 'I LOVE Camille's dress here!' or, the photo that went viral a year ago showing Camille talking to the King and Drake was just looking at her with a dopey smile on his face. Maxwell captioned it, 'THE FEEEEEEELS!!' and the photo was posted everywhere. Drake groans. 'It trended on Twitter. It became a meme. Memes saying: Find a guy who looks at you like Drake looks at Camille.' Camille was laughing so much, she thought it was sweet.'

I assume Drake doesn't like to show off his tender side. He stiffens and bites his lip. 'I only really show that side of myself to my wife. That's what I need to work on and try keep my walls down. That's why I need this mental health campaign too, to show me its also okay to be open and it's okay to talk about feelings. Men are taught that they have to be macho all the time and it's unhealthy. It needs to change and men need to talk about how they feel otherwise they will feel alone and that's why suicide rates in young men are so high at the moment. I hope I can change this and also learn from it myself.’

We are interrupted by the appearance of Lily again. She comes out onto the terrace holding out three cookies. She hands me one shyly then gives one to Drake, before climbing back onto his lap. Drake grins at me.

‘See, my daughter may bite people but at least she’s got manners and gifts you cookies.’

He brings her into a bear hug and I decide to wrap up the interview there. He stands up to give me a hug and I try my best not to inhale his woody, masculine smell. He walks me back to my car. ‘Thank you for interviewing me,’ he says. ‘I don’t usually have interviews but since Mind Over Matter was launched, I want to get it out there. So thanks.’ He shoots me a bashful smile and waves me off as I pull away from the drive.

As this issue goes to print, Drake has raised a further 4000 euro and the group of men signed up to the campaign has doubled in size. Maxwell Beaumont videos the group as they hike up mountains, kayak down rivers, abseil and build campfires. Drake is in the middle of it all, getting stuck in and talking about his mental health. He looks at peace and you can tell he is in his element. This is the Duke of Valtoria but more importantly, this is Drake Walker.

#drake walker #the royal romance

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aspoonofsugar · 5 years

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Nen and Characters: Menthuthuyoupi

In Pouf and Pito’s meta I underlined how the two characters are used to explore the concept of empathy which is fundamental in the CAA.

Youpi too, as a character, is used in the same way.

However, while Pouf and Pito’s relevance to the theme of empathy is linked to their ability and inability to relate and understand a person they care about, Youpi develops empathy through the interactions with his enemies.

When it comes to this, he has an arc which is somehow similar to Meruem’s since both characters grow thanks to their interactions with humans rather than to their relationships with members of the same species.

In the end, however, Meruem chooses to be human:

Whereas Youpi chooses to be an ant:

This meta will try to show why.

A BEAST MEETING SOCIETY: YOUPI AND KNUCKLE

Youpi’s primary ability is the ability to change his shape as he wants. It is an ability which is physical and which may be connected to Youpi’s heritage as a magical beast.

As a matter of fact among the three Royal Guards Youpi is the only one who was created from a magical beast instead of a human. This has influenced his personality making him less prone to being individualistic:

And individualism is what the narrative potrays as the major attribute that makes humans different from the Chimera Ants:

In short, among the three Royal Guards and probably among all the Ants, Youpi is the most beast-like and the one with the simplest personality and the weakest sense of self.

Now, when it comes to the hunters’s side, there is a character who is introduced as a beast hunter, is highly empathetic and willing to help all living beings and wants to try to communicate with the Ants:

Knuckle is a character who contrasts Youpi on many levels. As a matter of fact, while Youpi represents the wilderness of nature, Knuckle represents society which tries to tame nature.

This seems to be supported by not only Knuckle’s job as beast hunter, but also by his nen power:

Potclean is basically a metaphor for how a bank works and a bank is something which is deeply rooted in how human societies work.

Youpi’s power on the other hand is something extremely simple, but incredibly powerful and it might represent the force of nature humans can never fully control, but still try to bend:

The fact the whole battle between Youpi and the hunters consists in the hunters trying to incapacitate Youpi by having him binded by Potclean is symbolic of the attempts of human society to modify and restrict nature. This is a central theme of the whole arc since the CAA is about asking the question if humans can survive an incredibly powerful force of nature.

And humans are able to slowly provoke a change in Youpi, not as they expected through their strength and powers, but thanks to their interactions with him.

Fighting with the hunters has a role in making so that Youpi’s inner world becomes deeper:

This transformation becomes obvious the moment Youpi chooses not to kill Morau and to let him and Knuckle go. He does so because fighting with them made him appreciate their tenacity and valour and Knuckle’s willingness to trust Youpi’s word in order to save Morau leads the royal guard to display honour and pride as well.

In short, Youpi managed to create a relationship with his foes thanks to him fighting them. However, this relationship turns out to be extremely frail:

Through meeting Knuckle and the other hunters Youpi experiences a part of society he likes, but the Rose shows him that there are other sides of humanity which are less beautiful and admirable.

Let us also underline how Youpi displays honour in his interactions with Morau and Knuckle and how it is obvious he learnt it thanks to them. However, the Rose is something which is definately not honourable:

In short, Youpi learns humans can be interesting, but by then he lacks the knowledge about how terrible they can be. The moment he gains said knowledge he refuses what he had just learnt instead of integrating it with the new information he is given and starts hating humanity again.

All in all, Youpi’s arc and his dynamic with Knuckle especially show the limits of empathy. The two of them start to develop a positive relationship, but the moment the conflict between their two species becomes more serious they are both forced to realize how communicating with each other is difficult:

As a matter of fact, not only Youpi, but Knuckle too has to give up his hope that the conflict could be settled in a pacific way the moment he meets Pouf’s copy and sees his reaction to the Rose.

In short, Youpi’s story is the story of a beast who meets humanity. He discovers the best of it thanks to his interactions with Knuckle, Morau and Killua and he discovers the worst of it thanks to him seeing the effects of the Rose. His inability to accept it afterwards is what makes so that he isn’t able to maintain a positive development and regresses.

YOUPI’S JOURNEY TOWARDS HUMANITY: YOUPI’S RAGE

Youpi’s power is initially presented as a purely physical ability. However, it becomes obvious almost immediately that it is actually a power which mirrors Youpi’s interiority and so it becomes deeper as Youpi’s emotions become more complex.

When it comes to this, Youpi’s ability can be read in two ways.

a) Youpi’s physical transformations mirror Youpi’s journey towards humanity and its abrupt interruption.

b) Youpi’s powers underline his character flaw and his attempt to overcome it which in the end fails.

a) Youpi appears with three distinctive appearances.

This is his default appearance and it represents his starting point. It is somehow humanoid, but it maintains bestial attributes. Moreover, this appearance has been modified several times making Youpi look more monster-like.

This is the form Youpi obtains when he learns to control his powers better. The fact that he appears like a centaur is interesting in itself. As a matter of fact centaurs are creatures who are half-human and half-animals. In short, it is perfect to symbolize the fact Youpi is half-way in his trasformation into a human. Moreover, centaurs, according to the Greek myth, are said to have both human virtues (like wisdom) and human flaws (like lust and violence), but they are both extreme. This fits both Youpi who has been shown to be able of astonishing growth and honor, but also of ruthless violence and Youpi’s experience of humanity. As mentioned above Youpi is a witness of both the best and the worst of humanity and fails to reconcile these two opposites.

In short, Youpi’s centaur-like form embodies how, at that point, Youpi is caught up in the contradictions of his own double nature and is approaching a crossroad where he will have to choose who he wants to be.

Youpi’s final form represents Youpi’s final choice and ultimate regression. Let us underline that, before he assumes it by feeding the King with his cells, he had already left his centaur-form behind:

Here, Youpi is regretting his previous choice of not killing Knuckle, Meleoron and Morau and is refusing what he had previously learnt about humanity. He is choosing to be an ant and the fact that, by the end, he has basically become the size of an insect and a smaller version of his initial form underlines it.

Youpi’s character flaw is rage and it is embodied by his power . As a matter of fact in his battle with the hunters he ends up caught up in his own anger and since his physical transformation mirrors his interiority he literally explodes in rage:

These explosions represent metaphorically a way of dealing with anger which is not healthy and which can end up being counter-productive for Youpi. This is underlined both by the fact that, despite feeling pleasure when exploding, Youpi feels desperate and empty immediately after:

And by the fact that, while swelling up, Youpi is left vulnerable to enemies’ attacks.

Once again Youpi’s physical strength and psychological well-being are linked and to be more precise Youpi’s emotions directly influence his physical manifestations.

While fighting, Youpi evolves and becomes able to better control his emotions:

Until he develops a new power:

The name of this power is literally Rage Incarnate and it refers to the fact that Youpi has gained it by trying to accumulate rage in order to then release it against a specific object and not indiscriminately.

This is an evolution when it comes to Youpi’s approach at dealing with rage and it lets Youpi become calmer and start thinking about things in a way which embraces complexity:

However, as stated above, Youpi himself is not sure this represents an evolution or a regression. The answer to this question depends on the final choice between humanity and being an ant. If Youpi were to choose humanity, then him being able to start thinking on his own (so him basically developing an individuality) would have been an evolution. However, in the end Youpi chooses to be an ant until the end and so he comes to see his previous development as a mistake.

Interestingly, when it happens, Youpi interrupts his attempt to figure out the object of his rage and simply gives in to it:

In short, Youpi in the end fails to overcome his character flaw and this is linked to his final choice of being an ant. As a matter of fact the concept of “rage” in the arc is used as symbolic of a loss of humanity and it is used against the concept of “empathy”. The next section will try to underline it by contrasting Youpi with Meruem.

YOUPI AND MERUEM: RAGE AND EMPATHY

As it has been stated above, Youpi and Meruem parallel each other in several ways.

Both are introduced like the most beast-like among the ants (to see why I say so about Meruem, check this meta), both manage to develop respect for humans thanks to a relationship with one of them, but both regress because of the Rose (which is symbolically the worst of humanity). However, by the end they make opposite choices.

Why?

Two reasons can be given.

a) Let us consider the two powers Meruem gains after his “rebirth”.

One is Pouf’s Spiritual Message.

The other is Youpi’s Rage Blast.

They are two powers which represent respectively empathy and anger. These two qualities are two qualities linked to both humanity and the ants and to be more precise they represent the two sides of humanity. They also go in each other’s way. Rage doesn’t let the characters empathize, whereas empathy lets characters overcome their rage.

This is something which happens with several characters: Gon, Youpi, Palm and Knuckle all have moments where they have to either choose to give in to their anger or to try to empathize. When anger wins like in Gon and Youpi’s case, then empathy is discarded, while when the character manages to empathize they usually overcome their rage.

This is what metaphorically happens to Palm both in her fight against Killua and in her confrontation with Meurem, for example. In her battle with Killua she is covered with an armor born from her anger, but she manages to connect with Killua and she releases her armor. Similarly, she overcomes her rage against Meruem and activates her Wink Blue which, as I stated here, is nothing more than a metaphor for empathy itself.

Now, Meruem having both powers is symbolic of him having reached a point where he, like humans, has within itself both positive and negative attributes. He has now to choose which one he wants to cultivate and who he wants to be. If he chooses rage and its brute force he chooses to be an ant, while if he chooses empathy and its subtlety he chooses to be human.

Youpi chooses rage and to be an ant.

Meruem in the end chooses empathy and this is shown also by the fact that between the two powers he ends up using Shaiapouf’s much more often than Youpi’s. Moreover, when he uses Youpi’s Rage Blast, this ability has no effect:

The fact that physical attacks have no effect on Potclean has thematic resonance. As a matter of fact, as explained above, Potclean (and basically all of the hunters’ powers really) represents society. Rage Blast failing to eliminate it is then symbolic of how brute force is useless against society and how in order to tear society and humanity apart more creative solutions are needed. Because of this, maybe it is not a coincidence that Potclean keeps being dispelled thanks to powers symbolic of empathy, like Spiritual Message, which lets Meruem find Knuckle, or thanks to meaningful interactions between characters:

In short, rage and empathy are symbolic of the best and the worst of humanity and of human and animal nature of both ants and humans. Youpi and Meruem's different conclusions mirror their respective choice when it comes to these two attributes.

2) Meruem and Youpi go through similar experiences, but why does Meruem’s relationship with Komugi manage to overcome the Rose, while Youpi’s one with the hunters doesn’t?

Several answers can be given, but the one I am mostly interested in is that Youpi and the hunters’ relationship was a rivalry born while fighting each other in a war, whereas Meruem and Komugi was a rivalry born in a context where violence was absent.

It is true that for Meruem and Komugi Gungi was an extremely important game and basically a war in and for itself and that Komugi especially was betting her own life, but as time passes it becomes more than just that and they start genuinely enjoying fighting each other on a chessboard.

Now, a similar thing could have happened to Youpi and the hunters as well, but the conflict between their two species went in the way. The Rose which represents the ugliness of society and its short-comings ended up destroying a relationship which was just being formed.

War and violence go in the way of relationships. This is why Meruem and Komugi’s relationship which is not a relationship born between enemies doesn’t resent of the larger conflict, whereas Youpi and the hunters’ one which is born at the heart of the conflict does.

In conclusion, Youpi and the other two Royal Guards explore what empathy is about. Pito explores what empathy is, Pouf what it is not and Youpi the limits of empathy. He starts developing one, but at the same time the ugliness of the conflict strips it away from him before it can be rooted enough in his character.

Thank you for reading!

If you are interested in other analysys of HxH characters through their nen abilities here is a list of the ones I wrote up until now:

-Nanika

-Kurapika and Chrollo

-Killua and Illumi

-Gon and Hisoka

-Meruem and Komugi

-Palm Siberia

-Neon Nostrade

-Neferpitou and Shaiapouf

-Kachou and Fugetsu

#hxh #hxh meta #youpi #meruem #knuckle bine #royal guards #menthuthuyoupi #caa #chimera ant arc #nen and characters #my meta

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dear-wormwoods · 6 years

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i know that eddie's first encounter with It and the way It manifests itself as his fear is very telling of him being gay, but what do you think the encounters It had with the other members of the loser's club (like mike with the bird, stan with the dead boys, etc) are indicative of?

Okay Let’s Talk About the Losers’ Fears!

The interesting thing about IT is that, for most kids, the fears IT manifests as are pretty basic. Movie monsters, comic book monsters, vampires, mummies, etc. So not all the Losers have super deep meanings behind their fears, the way Eddie and Beverly do, and I think it definitely reflects the level of contentment they experience in their every day life. Obviously Eddie’s IT experiences are symbolic of his fear of his sexuality and the self-loathing that comes along with that, disguised as a ‘diseases are gross!’ sort of thing because that’s easier to process for a little kid (and because IT needs something physical to take the shape of). We don’t need to rehash that. But as for the others…

Beverly is not afraid of blood, her fear is much deeper than that, blood is just the easiest physical representation for what she really does fear, which is her own womanhood. In one of MANY parallels between Eddie and Bev, both of their fears are based on gender and sexuality, and both fears exist, at least in part, because of their abusive home lives. Bev’s fear takes on the disguise of ‘blood is gross!’ but really it’s about puberty and menstruation, and what that change will mean for her sexually - because her dad never stops talking about how boys look at her, and what her role will be as a woman re: having sex with boys. And this isn’t the first time King has used blood symbolism for a girl’s fear of the sexual unknown - he did it in Carrie too (and lbr if Eddie and Beverly were fused together into one character, it would be Carrie and if Sonia and Alvin were fused into one character, it would be Carrie’s crazy fucking mother).

Next we have Bill, whose fear is pretty self-explanatory. IT always manifests as something Georgie-related for him, but what Bill fears most is not literally Georgie’s corpse, it’s Georgie BLAMING him for his death. Bill feels incredible guilt for what happened to Georgie, and feels responsible because he helped make the paper boat and because he was too sick to go out with Georgie that day and therefore could not protect him (this comes up again and again re: his insistence that Eddie not leave his line of sight like, ever, because he’s projecting his Georgie guilt). Bill actually comes the closest to ‘losing’ to IT because his fear is the most emotional - he almost gives in to the apparition of Georgie basically accusing him of murder, and would have, were it not for the other Losers (particularly Eddie) screeching that it isn’t really Georgie.

Richie’s fears are all based around movie monsters, but they’re a little more symbolic than that because of one small addition: Richie’s name being used repeatedly as a label FOR IT’s manifestations. IT also seems to talk to Richie more, because taunting him is more effective than just existing as a visual. On top of that, IT takes multiple forms for Richie, which is unusual. So we have three (unless I’m forgetting one) - the Crawling Eye, the Werewolf, and Paul Bunyan. The Crawling Eye is a movie monster that really freaked Richie out as a kid to the point where he’d have nightmares about it and wet the bed, and he has a lot of eye-related body horror dreams and it’s pretty gross… dreaming about eyes can symbolize needing to (or refusing to) look inward, and dreaming about something being in/hurting your eyes can symbolize being unable to (or refusing to) confront certain truths, or avoiding emotional intimacy. All of this can easily be applied to Richie, the King of Avoidance, and it’s particularly interesting that the Eddie is the one who injures the Eye, and encourages Richie to fight it too, and that Eddie is mentioned by IT later on in relation to the Eye (the SHOES THING also ties into the Eye whenever it comes up!). So there’s THAT. The Crawling Eye, imo, stands for Richie’s denial and emotional stagnation.

The Werewolf is also a movie monster, and Richie was very effected by the plight of the teenage werewolf when he watched that movie - so it’s telling that when IT manifests as the werewolf, it is wearing a jacket with Richie’s name stitched into it. I know this has been said over and over, but Richie relates to the werewolf on some level because the werewolf is seen by its peers as a horrible monster, but it’s something it cannot help, and while it presents as ‘normal’ most of the time, when the ‘monster comes out’, it’s instantly ostracized from society. Richie sees himself as a ‘monster’ because he’s consistently treated as annoying, or ‘too much’, or borderline-suicidal to the point where he scares a lot of people off from wanting to get to know him. He feels guilty about being a burden on his parents, he hates that he constantly gets himself into trouble for things he can’t seem to control (undiagnosed and untreated ADHD, most likely), and on top of all that, he’s also hyper-aware of the dangers of ‘looking queer’ in public if he’s caught being affectionate with his male friends. There is a lot going on in Richie’s head that all point to him being very aware that he’s not ‘like everyone else’, but he can’t help it, so Richie sees himself reflected in the Teenage Werewolf… and IT knows that, and tries to use that to ITs advantage.

FINALLY, there’s the Paul Bunyan statue, which involves a little more reaching to figure out, so bear with me if this sounds insane… Paul Bunyan, in a way, represents Richie as well. Richie is well aware that the statue is an attention-grabber, but it’s also kitschy and stupid looking - he himself describes it as having a ‘cheerful vulgarity’. It’s big and loud, but people hate it and think it’s lame. Richie wants attention, but he’s afraid of being Paul Bunyan - he wants to be GOOD at something, and get attention because of his skill and his humor, not just because he’s loud and ridiculous. He doesn’t want to be talked about as “horrible, garish, and unbelievably gauche”, the way Derry townsfolk talk about Paul. As an adult, Paul turns into the clown and has a literal, casual conversation with Richie, and then eventually turns into Buddy Holly - a musician Richie admired and related to, who died tragically young - only Buddy’s glasses weren’t his usual glasses - they were Richie’s glasses, mended with adhesive tape. So even then, he’s sort of seeing parts of HIMSELF in what IT appears as. SOOO LONG STORY SHORT, Richie is his own worst fear.

Stan’s encounter with IT, I think, was meant to push the boundaries of what his mind would accept as ‘real’. Stan’s whole worldview was based on order and a certain expectation of reality being… reality. So IT created a visual as ridiculous as possible, while still maintaining some level of offensive realism (by using corpses of real kids who drowned in the Standpipe) and creating a multi-sensory onslaught that Stan couldn’t deny - music, smells, visuals, etc. ITs goal wasn’t to scare Stan so much as break him, but Stan was able to ground himself in reality with his bird book well enough to escape. But what he takes away from the experience in the end is being offended by what happened. He doesn’t give a shit about being scared, he’s just plain OFFENDED by what he saw. So I think Stan’s kids-in-the-Standpipe experience was meant to just…. totally insult the way he sees the world around him. It’s also one of the coolest visuals in the novel and I will be forever angry that the movie changed his IT experience so completely.

Ben’s IT encounters are SUPER typical… movie monsters, Halloween costume type of shit, like most of the other Derry kids who became ITs victims. The clown with the balloons floating against the wind, the mummy, the vampire… but unlike Richie, I don’t think there is much deeper meaning to it than just being your run of the mill scary shit, because unlike Richie, Ben doesn’t hate himself. Ben is pretty damn content with his life. He loves his mom, they have a close relationship, he doesn’t have any friends before the Losers but he wasn’t bent out of shape about it… he was fine with being alone, and just being a good student, a quiet bookish kid, and he liked buying candy and eating it in front of the TV with his little bathrobe on. Like, Ben was chill. He was confident in what he liked and what he knew how to do, he was a real ‘you do you’ kid. He wasn’t even THAT upset about being fat until other kids made fun of him for it. So Ben’s just going through life, more comfortable than the other Losers. He’s content with his gender and sexuality, he’s content with his skill set and his interests, he doesn’t care about how others perceive him, he’s adaptable, and he’s not plagued with guilt. So IT doesn’t really have a TON to work with, lmao. Movie monsters are all IT has at ITs disposal when it comes to Ben, and that’s all there is to it. And in general, Ben is one of the least affected by IT… he really doesn’t even seem that afraid of IT, on the whole, but he reacts most strongly to the things that sort of go against the laws of physics (the balloons moving against the wind, the Neibolt House seeming to change shape and size)… but even then, the only real symbolism there is that Ben loves physics and architecture.

Lastly, Mike’s experience with IT is… interesting. I’ve talked about this a lot with @mikehanlonstan and we can’t really come up with good symbolism for the bird aside from the simple ‘he was attacked by a bird as a baby’ explanation from the novel. Which would be fine, if it weren’t for the fact that Mike’s dad… saw the same bird?? Like, what is it with the Hanlons and this weird bird? Who knows, I sure don’t. I was looking for racism symbolism but like… I feel like ‘It’s a bird… like a crow, get it?? Like Jim Crow??” is too lazy even for Stephen King. Also it wasn’t a crow, anyway… it was something that doesn’t exist in the real world, otherwise Stan wouldn’t have been able to get it to go away with his bird facts later on. If anything it just establishes a stronger connection between him and his father, and the long-term connection they both have to IT.

#asks #stephen king's it #it novel #eddie kaspbrak #richie tozier #beverly marsh #ben hanscom #bill denbrough #stanley uris #mike hanlon #it meta #my meta #anonymous #meta #losers club

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6, 18 and 42

6. Something they instantly liked about the place?

The landscapes and architecture. Shortly followed by the fact that all the knightly traits were still alive in that place. You know, honor, chivalry, selflessness, bravery… Especially in men, that was very attractive to her. And made her feel even more like a complete trash. xD

18. How are their tactician abilities discovered?

It was Chrom’s doing. Besides Sharena who’s universally friendly, Chrom was Reuska’s first friend in the FE realms. While the Order (mainly Anna and Alfonse) perceived her as a complete disappointment and a joke of a Summoner, Chrom’s first impression of her was completely different. He was Reuska’s first summon and he eavesdropped on her as she was arguing with Geir (seemingly with herself). She was refusing to perform the summoning on a country’s ruler, that was strongly against her morals. But Chrom was in a difficult stage of his life, three years after the war, feeling like a prisoner in a golden cage and mourning for his lost wife. The more Reuska tried to talk him out of going, the more he wanted to rebel and do just that. But he saw that she was putting his country’s interest before her own and that earned his respect. Besides, something about her demeanor reminded him of Skara and it felt intriguing and refreshing to him. That’s their dynamics in a nutshell.

Well, and during the first stage of her stay, Reuska spent her time by just slacking around, feeling like a miserable piece of trash, only summoning when possible. No one wanted more from her, no one expected she would be capable of more. She was already framed as a useless human being. Well, not at summoning, she made an impression by bringing Chrom so early, but that was pretty much all.

At some point she got a short introduction to basic strategy, just so she would not mess up and go in someone’s way. I’m not yet sure who would teach her, maybe even Alfonse, out of obligation, but certainly someone else with him.

Since the strategy is not decided by just one person in my HC, but a war council consisting of important royals and commanders, Chrom one day suggests they should invite Reuska as well because she is crucial for the whole thing. It doesn’t exactly meet with an excitement on neither side but the invitation is made and as much as Reuska doesn’t want to go (she always tries to avoid any exposure of her uselessness), she would feel even worse to refuse. She feels really bad at the meeting, trying to stay back, out of sight, only imagining what a bother she must be for everyone. It gets worse when Anna starts to present her strategy plan because Reuska just can’t see any sense in it. As she is listening to Anna’s presentation, she’s making faces: frowning, raising eyebrows, raising her lips… and Chrom notices. Skara used to do exactly the same thing when she didn’t agree with something which makes him ask Reuska what’s wrong. As happy as she can be, Reuska has to admit that even though she has been introduced to the strategy basics, she still fails to understand the positioning in Anna’s plan. That sparks some interest in the council and Reuska is asked, by Anna herself, to explain.

Well, and Reuska burns down the whole plan. One by one, she points out gaps in the troop positioning, unconsidered scenarios,… and she’s completely oblivious. She’s seriously convinced she’s just exposing her lack of knowledge, making herself look like an even bigger idiot.

I don’t have to add she made an impression that day… ;D

42. How will their story end?

That’s a long and detailed story, get ready xD

Nearly at the very end of the Feh story, whatever the final battle will be, Reuska makes an attempt to summon Skara - to make Chrom happy, as a thank you for everything he has done for her. She almost suffocates in the process but she actually manages to bring Skara back from the void (in a really bad shape, skinny, almost bald) which sparks a negative reaction among most of the Heroes as they fear that bringing back Skara brought Grima back as well. Alfonse is not part of the opposition, he freshly discovered the true nature of his feelings for Reuska so he tends to make excuses for her, besides, he’s worried about her as she has been unconscious ever since the summoning. The final battle draws near and neither Reuska, nor Skara have awoken yet so the Order has to leave them behind in a base camp. When Reuska finally wakes up, Skara is already conscious and the two talk. It turns out, to Reuska’s horror, that Skara is still Grima as well. Even though the Fell Dragon is under Skara’s control now, she has changed, becoming more “grima-ish” (more selfish, little caring about the greater good, she only cares about her closest ones). However, upon talking with Reuska who’s strikingly honest in her terror, Skara takes a liking of her and decides to join her cause. She summons the dragon and the two women fly on its back to the battlefield where they side with the Order and kick the final villain’s ass.

There is this moment of happiness when Reuska hugs with Alfonse and he whispers to her that she did it, she won the war. But since the war is really over, Geir’s curse is finally lifted and the original summoner finally materializes in front of them. It’s not a happy meeting, though, as he immediately informs them that together with the curse, his unique ability to open a portal to Earth is vanishing as well and they have literal seconds to send Reuska back. He opens the portal and Reuska has to choose. She’s still paralyzed by the sudden turn of events so she looks at Alfonse and he, just as paralyzed, says “Go!”. So she leaves. The portal closes and it’s over.

This pretty much breaks Alfonse. We all know how badly he took Bruno’s disappearance and he had already developed a tighter bond with Reuska during the years of war. And that doesn’t even take his romantic feelings in account. And worst of all, he can’t handle the guilt that he chased her away himself (as he sees it). (It’s not hard to guess why he did it, in the limited time he had, he thought more of her than of himself and he didn’t want Reuska to miss the chance to get back home.) He drops his Order membership, stops his daily sword training and locks himself away from the world in a library and his study and rarely comes outside. He begins to study magic which he always had a decent affinity for but never liked. Generally he gives up all the things he loved and takes on things he hated - to punish himself and keep twisting the dagger in the wound. He doesn’t really care much about his appearance, he lets his hair grow, that’s why my older Alfonse has a ponytail.

This takes two years. In that time, while Alfonse is emo in his quarters, Geir is actually working hard to find a way to Earth to fix things (this all is ultimately his fault, it all goes back to his failure hundreds years ago). After two years he is finally successful and approaches emo Alfonse with his findings which kicks up the emo boy (well, emo man now) back into a hopeful mood. They need both Askran and Emblan royal blood so they are joined by Veronica and together travel to Reuska’s home city. Luckily, Geir knows the place a bit thanks to the years of him “living” in Reuska’s mind so they manage to find her and she, overjoyed, accomodates them at her place. What was two years in Zenith was only four months on Earth but it was still very painful for her. And Alfonse, similar to Reuska after entering the FE realms, experiences a heavy case of suddenly lowered self-esteem. He loves the place, all the technology, science, knowledge - but it also means a painful realization that his own world is stuck with its development and has been stuck for centuries. Suddenly he’s certain that they all must have seemed like savages to Reuska which kind of complicates his initial plan to confess, grab her and live happily ever after. He is certain she would never willingly leave that wonderful place and go back with him. And Reuska never considered the option that Al could actually love her back, so she thinks they just came for a visit to properly say good bye and will leave soon. So the two dance around each other in a denser and denser atmosphere, they actually even have a fight because of all those unspoken things. And then they finally have a proper, honest talk, confess and after a round of getting parent’s consent (it’s an honor issue for Al) they leave for Askr and marry. Yaaayy.

They have three children, Geir, Zacharias and Alice. After Zacharias is born, Alfonse becomes the king (this version counts with either of his parents being alive at the time - might change) because there is a tradition of handing over the rule once the successor successfully fathers at least two of his own successors xD Geir (named after “uncle Geir”) is an impudent pacifistic healer and that kind of person you really, REALLY don’t want to get into an argument with because he won’t stop. But he’s a direct, just man and a good king material. Zacharias is a technical mind and the family black sheep. All he thinks about is Earth (they occasionally visit their granparents) and he doesn’t care about his Askran heritage, training and studies. He would probably be a green mage but… he studies physics texbooks from Earth instead. And once Alice profiles as an another ideal, responsible royal child, he makes a scene that he’s moving to Earth and eventually gets an unhappy consent from both his parents (Al is especially salty because that’s what he would do as well if he could) and leaves for Earth where he becomes a mechanical engineer (with the support of Reuska’s parents).

After Geir marries and has his own two children, Alfonse gives him the crown and that’s when Reuska can finally tell him that they are moving to Earth as well. She knew Alfonse never stopped loving that place, no matter what she told him, and that he dreamed of living and studying there. She waited for Geir to start his family because she didn’t want Al to be impatient with his son and giving up the rule. Alfonse is thrilled and SOOO happy when he’s finally told about the plan :). So the two finally go back to Earth. Alfonse gets his degree in astrophysics and becomes a professor. He might give it a try as a local politician too, I’m not yet sure. They travel a lot and stay in touch with Zacharias and his family. Interesting note: they are about the same age with Reuska’s parents when they leave Askr (the time difference).

Phew.

#i am extra thankful for this set of questions ♥#i hope you survived the length xd #reuska #summoner reuska #fire emblem heroes #feh headcanon #questions and answers

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