How would you rank the sdr2 girls from worst to best written?

That’s pretty hard considering there are like...different kinds of bad writing, from functional bad to offensive bad. But, then again, there’s both of that in sdr2. Also all but one of the girls who die only die in like... Chapters 2-3, the first half of the game, which come to think of it, is extremely fucking weird. Shouldn’t it be more spaced out...?

There’s also just that there are certain things that annoy me more than others, and I’ll maybe try to make note of that? Idk how solid this list is, but... Well, whatever.

Note: I’m only taking sdr2 proper into account.

Decent All Things Considered Tier

Mahiru - Probably the least amount of sexism in her character, with pretty defined flaws that contributed in her dying (her short temper and narrow-mindedness). Guess you could call them...fatal flaws. Hahahaaaa. Ah. Anyway, she was also fairly involved with story events before her death and her personality was pretty consistent. While there are still some issues and inherent sexism in her personality, at least she...still has...one? A nuanced one, at that? She’s not a shallow character, at least. Still, her “be a man shit” is annoying but I’ll take that over the other crap we have in this game.

Sonia - Generally involved and usually palpable in terms of handling. The sexist shit is more Souda’s fault than hers, so I don’t feel like knocking off points for it. The only issue is that she’s lacks big character moments and is overall a static character. She does get more fed up with Souda’s harassment though, which is something, even if nothing comes from it. Bah. Also the romantic subplot with Gundam is fine. It’s probably the most fine a romantic anything has ever been in this franchise. But because she lacks anything super profound, I can’t put her above Koizumi despite liking her more and her...surviving to the end.

There’s At Least Something Here But URGHHHHHHHH Tier

Mikan - Y’know I was pretty resistant to the idea of putting her at third because of her...everything. But, like, even so... I wouldn’t call her inconsistent, I wouldn’t call her shallow, and I think she’s fleshed out a decent amount. It’s just her...everything. Anyway, I’ve gone on length as to why I love Mikan’s writing on paper, supremely tacky and gross execution of her character aside. She’s probably the best example of a deconstruction in sdr2, being a ugu doormat with like, AAAAAAAALL the actual baggage and shittiness that kind of person would have. Mikan’s personality of being emotionally manipulative with a huge victim complex while also being incredibly resentful of those around her (for good reason) is still SUPER fascinating. There’s layers to how she even exploits herself for sympathy points as well as attention. But...y’know... Still inherently pretty gross and not handled deftly by someone who truly understands what a fucked up mentality that is. She’s definitely not palpable...but I guess the actual nuances of her personality make up for it in terms of...whether or not I think she’s at least well-written. Would have less qualms putting her this high if the characters actually learned shit from her.

Hiyoko - WE COULD’VE HAD IT AAAAAAAAAAALL. I love Hiyoko. She’s my other favorite sdr2 girl with Sonia. Bully girls often get a bad rap, but they can be interesting, and Hiyoko’s a particularly stand-out example. She’s not manipulative. She’s in fact, really soft-hearted and sensitive, and she hates those aspects of her, so she targets people specifically for having those traits. She’s insecure! And it makes her shitty! I stan! That she cares for Koizumi for actually reaching out to her is super important. She could’ve been one of the best if not the best...but then Kodaka had her killed for bullshit reasons and had to throw in a dumbass quirk about her not being able to dress herself to justify her bullshit death down the line, so any profound development she could’ve had is just...unceremoniously thrown out the window. It’s really so tragic. Hiyoko deserved so much better.

Peko - What’s worse, a terrible trope that’s fleshed out or a good trope that’s grossly wasted? Tough call, and this is what I ended up with. Still not sure if I made the right decision. Anyway, Peko’s entire character is based on the incredibly sexist trope of Girl Exists For Dude. Thankfully, she makes her own decisions and she’s presented as very woefully unaware of how Kuzuryuu actually feels. Her existing for Kuzuryuu’s sake to the point of happily sacrificing herself is, y’know, a flaw. That gets her killed. So I can pretend that Kodaka is saying it’s a bad thing that she’s like this. He’s probably not, given how Peko’s never really given a reason to live outside of Kuzuryuu, bUT I CAN PRETEND. Although I will say that as annoying as her canonically having romantic feelings for Kuzuryuu is, it’s still incredibly fucking funny seeing Hinata get crushed and rejected.

Just Not Good Tier

Ibuki - I sincerely had no idea where to put her at first. Ibuki’s writing is...fickle, due to primarily being comic relief so more often than not her dialogue and writing is more...jokes...than facets of a personality. And what personality is showcased has little variety. She definitely has those layers but they’re few and far between in the main storyline. And there’s stuff in her FTEs (her strong belief in individuality) that I don’t think comes up. Not to mention there’s completely untapped stuff such as how lonely she must be due to her band splitting, and... Really, she’s just the most wasted of the characters in term of how little she contributes beyond jokes. And sdr2′s sense of humor is pretty fucking shit, so I’m not a fan of a lot of the jokes, either. Ibuki is pretty...ahem, pardon the pun. Pretty one-note. The most offensive part of her character is probably from her attraction to women being portrayed really creepily, which I definitely super hate, but it’s only like...a few lines of dialogue and...I know for a fact how much worse it could’ve been. It could’ve been so, so, so much worse.

Chiaki - Could she have gone above Ibuki? Probably. I mean, her writing *is* more consistent and varied (even if she only has like, two more facets of a personality) buuuuuut. Kodaka literally said she’s his ideal girlfriend. And that grossness *does* seep into her writing to the point where it’s pungent. The fact that she’s idealized and that even her potentially off-putting traits are either meant to be endearing or desirable is... Ew. Pretty ew. But, with all that, she’s bland in what the narrative allows her to offer. Having her be the most moralistic of the cast also makes her pretty annoying when she starts preaching about trust, doubt, hope, killing is wrong, and then she makes excuses as to why she can’t be bothered to be involved with the plot a la Chapter 3 where she doesn’t do shit about the sick kids. She’s seriously more of a mouthpiece than a character and those can be fine...but maybe not so much in sdr2, and definitely not at the expense of other characters developing through learning this shit themselves instead of her having to tell them. The inherent gross sexism that she’s supposed to be Kodaka’s Ultimate Girlfriend sure doesn’t help.

Akane - I honestly feel kinda bad putting her at the bottom but...jeez, the more I think about it, the more Akane’s character really sucks ass. Like, she’s really shallow and uninspired. Even her damn “talent pose” is derivative of Sakura’s just with less ferocity and a panty shot. And as offensive as Nanami’s concept is, at least it can go unnoticed by the player. Akane being Boobs and Food girl is constantly shoved in your face. And the fact she has a history of sexual abuse really, REALLY makes it worse. At least with Mikan, there’s layers. With Akane, there ain’t. She’s just portrayed as too dumb to know any better. Urghhhhh. But what about her personality? Shallow. What about her arc? Frustratingly non-existent. She doesn’t learn a fucking thing despite her flaws actually making her a damn liability. Her...backstory? Well, abuse aside, it’s...weird. Her backstory is about struggling to survive. When...in the main story she's too stupid to live despite being a survivor. So, I don’t think it clicks, much less informs/fleshes out her character beyond giving us a reason for why she’s so sexualized and obsessed with food and...yeah, no thanks. Akane’s writing is the worst, both on the outset and in what little nuance we have.