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sepublic · 4 months

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Jokes aside, I’d argue Belos isn't openly homophobic because there's no point to it; There's no point in trying to 'redeem' witches and demons by changing their lifestyles if he's convinced himself they're all going to Hell anyway, so the only thing he needs to do is kill them. "Why bother teaching them anything if you can just wipe them out?"

Belos only changes aspects of witches' lives that are directly necessary to his plans; In this case, applying sigils by justifying the lack of them as 'wild magic', and then keeping magic divided with different covens so they can't easily rebel against the system that's applying sigils, thereby allowing it to keep doing that and marking as many targets as possible for the draining spell. It's really quite simple. That's why he'll refuse to replenish the Palistrom forests but then promote women like Hettie and Terra to coven heads; Because Hettie and Terra will be killed by the draining spell anyway, but Palismen won't be.

And let's be real... He's a Puritan white guy. He absolutely believes that queerness is inherently a threat to society not just on a spiritual level but a biological one, because it discourages people from making babies because they're more focused on partners of the same sex they can't reproduce with. He probably thought Boiling Isles queerness was contributing to an inevitable decline that he merely hastened and that's why he allowed it. And Belos can't be openly bigoted because people wouldn't listen to him that way.

He's also definitely racist. Belos making an 'exception' for Luz is totally meaningless because white racists make exceptions for brown and gay folk all the time, while still clinging to their beliefs. Luz just happened to be the only human around since centuries, and that's better than no humans because the lowliest one is still above the greatest demon. And he still tried to murder Luz when she didn't flatter his white savior complex, and didn't adhere to his idea of what a proper human should be.

Even if Belos didn't try to kill Luz... Genocide isn't just murdering people. It's also erasing a culture, such as when white people assimilated Native American children, forcing them to convert to Christianity and dress like white people and speak only English, under the claim that they were 'civilizing' them. So even if they were alive, it was still genocide and it was still racism in the form of the White Man's Burden.

He was a white boy raised in a colony, everyone would've taught him that the indigenous people were 'savages' and Philip not only devoted his life to exterminating an entire culture he deemed evil and demonic, but actively enjoyed it too. Why would he stop at brown humans, unlike Caleb who already unlearned one major prejudice of his. If he never learned of the Boiling Isles, he'd have gone after women in Gravesfield (which would've been misogynistic in practice regardless of Philip's intentions), and probably Native Americans too because his witch hunting games are no different than Cowboys VS Indians.

Like I dunno man these white racists do have fellow white people they care about, and are willing to make exceptions and humor brown women too. But they're still racist and will refuse to listen to those people when called out over their bigotry, and ultimately choose that. Any argument that Belos wouldn't be guilty of other human prejudices is purely wishful thinking, and fairly contradictory to his characterization and whole narrative.

And we can wax poetic about why Belos doesn't openly disparage Luz for being brown, queer, and/or a girl, but we know the real reason why; It's because Disney censors would throw a conniption over portrayals of bigotry, and the show was already shortened for 'not fitting the brand'. Look at how Texas banned critical race theory. They think discussing racism is inherently racist, kinda like Twitter users. But with the added difference that they know it's a callout of the people running corporations and the government and investors (AKA themselves) and they hate that.

This kinda gets me back to an earlier point I made; I think the fundamental disconnect fans have with the show over Belos is that Belos stans (not necessarily fans) recognize their character's backstory and motives are something gross that can't be romanticized, and that's why they work so hard to reframe the focus towards Philip's dynamic with his brother Caleb, emphasizing codependency, and religious suppression and guilt. Because they can romanticize that, but not the intentionally pathetic core of Belos' character (itself a satire of certain subgroups).

They're seething over the reminder that their sexy aesthetic will always be second-banana to a 4channer complex, and salty that the crew chose to discuss something topical instead of making a sexyman villain, because their complaints can be boiled down to tastes and preferences, not actual objective critique. That's also why they claim the finale 'retconned' Belos and stripped him of nuance, because all the show really did was just frame and acknowledge his desire to be right as cowardly and selfish, instead of flattering him with tortured abandonment angst over a brother he never cared enough for. As if we didn’t have the ghosts in the previous episode for that purpose.

#the owl house #emperor belos #philip wittebane #racism #homophobia #misogyny

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sirenjose · 4 months

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Analysis of Ganji Gupta

Ganji was born in India during a time when Britain still ruled over it.

Britain came to India after a sea route connecting Europe to India was found, and Britain initially came due to the economic prospects of trade, but eventually this turned into the desire to acquire territory.

The British presence in India began with the establishment of the British East India Company (the British government having no authority over them at this time). Initially, the focus was trade and acquiring goods such as silk, cotton, spices, and more. Trading posts were established and British communities developed, but eventually they started to meddle in Indian politics and transformed from a trading company to a ruling one. It was at this point that the British attitude towards Indians degenerated (a sense of superiority vs inferiority formed, biased views regarding non-western cultures arose, British disdain increased, and so on). Racism, frustration from the British forcing their own way of doing things (including the English language) on them, policies benefiting the British, and so on contributed to the Indian Rebellion of 1857 (aka Revolt of 1857, First War of Independence, or Sepoy Mutiny).

As a result of this rebellion, the British East India Company was replaced by the British Raj, which was when the British Government took direct control from the East India Company, with Queen Victoria later proclaimed Empress of India. Britain continued to focus on profit and change beneficial to themselves, which led to subjugation and exploitation, and their views of Indians did not improve (still viewed themselves as superior, believed in stereotypes as well as believed Indians were in need of British guidance and governance to civilize them and bring them modernity).

This background is important for Ganji as it is clear this is what he experienced, especially due to Ganji’s 1st letter.

Ganji we know grew up with a talent for cricket, which was the “British national sport”.

His 2nd deduction implies he was a “prodigy”, with many people who knew him recommending him to participate in the regions “open tournament”. We know from Ganji’s trailer that he received “Love, Happiness, Hope and Pride” from playing cricket, showing how much he enjoyed the sport and how much it meant to him.

According to this same deduction, combined with Ganji’s backstory, we knew he was a “kind, obedient, and friendly” person, “mild-mannered” (aka gentle and not given to extremes of emotion, which is curious considering later on in Ganji’s story), quiet, and well-behaved. One of Ganji’s backstories states this event (where he was recommended to participate in the Open) took place when he was 16 years old.

During this competition, we know he was skilled enough to earn 12 consecutive wins. The next game after those 12 was a semi-final with the British Royal team. It does not say if Ganji won or lost that match, nor if he won the competition in general, but we do know he was skilled enough to receive an invitation from the Royal team to join them and an offer to help him train. As the deduction uses the word “exception” and applauds him for his performance, I’m assuming he did manage to at least defeat the British team and could’ve won the competition too, but it’s impossible to say for sure right now.

We do know that Ganji saw this invitation as a “good chance” and he “looked forward to a better future”. As a result, he left India with the British Royal team, where he stayed at the Queen’s Guard’s manor. Unfortunately for Ganji, it isn’t until he has arrived that he realizes the truth: “he discovered that no one here cared about him at all, and that he was just a toy that was called away for entertainment when the Guard had a little fun. No one knew where he came from, and no one had seen his family. He was struggling alone in this strange place”.

This was echoed in Ganji’s trailer, which says: “Yet when I was brought here I finally realized, These gentlemen simply needed a proper toy to play with. The funny thing is they were far from gentlemanly themselves. All they longed for were our submission and servitude”.

The terms “submission and servitude” tell us how Ganji was treated while in Britain at the Queen’s Guard’s manor. This is further emphasized by Ganji’s deduction 5, which states Ganji was only given 1 day to train, while 2 others (Oliver and Willie) were given 3 days to train. As that deduction says, despite how Ganji hoped for a better future from this opportunity, the “other sided” ended up only being a “mirage”.

Considering Ganji’s earlier invitation and how he is now being treated combined with only being given 1 training day, it seems the British didn’t want Ganji to be outstanding, which potentially could relate to the feelings of superiority discussed earlier. They didn’t want to feel inferior to someone like Ganji, and thus could further explain why they didn’t give him much training time. In the trailer, we see him picking up balls, and if this was all he was allowed to do, that’d further hurt his ability to train and improve. Lastly, Ganji was only allowed to train on Sundays, and back then, this was seen in Britain as a day of rest, when people didn’t work. This could’ve included cricket as well (there are instances of people being prosecuted for playing cricket on Sunday), which shows how much the Royal team tried to hinder Ganji’s ability to train, meaning he likely wasn’t being trained very professionally.

(If the room we see Ganji in before the fire in his trailer is the one he was given upon arriving at the manor, the state of the room could further show how the Royal Team felt about Ganji. The only identifiable items in the room are the cricket ball, as cricket is what he enjoys, and a blurry picture that we can see Ganji in, which could potentially have been of his home and thus ties to his desire to return to it.)

This fits with Ganji’s design notes which say “his social status and the agenda of politicians did not allow him to have obvious extraordinary talent”. It is because of this the design notes say Ganji’s gentle personality was forced to change into “a personality that takes strong measures to fight against fate”. (It is also right after this that it mentions Ganji being “manic”.)

Going to Ganji’s 1st letter, it further reveals how people thought and felt about Ganji and others like him. The part where the author says they need to “take the lead so that the rest of us may get the chance to educate the foolish” fits with how we earlier discussed the British felt they had to govern and civilize the people of India for their own good. This is emphasized with how later the letter says “If it weren't for your insight, he would have spent his life in the mud without ever being touched by the empire's light” and Ganji getting “the chance to lead a civilized life”.

This letter describes Ganji as a “gift” with his “only desirable qualities” being his “average cricket skills and humble personality”. Their sense of superiority is clear hear considering they call Ganji’s skills “average”, yet we know he was talented considering he at least managed to receive 12 consecutive wins in the competition, while the comment about Ganji being “humble” could tie in to how Ganji in his trailer says they just wanted “our submission and servitude”.

Despite how badly Ganji was treated, the one exception was the son of the owner of the Queen’s Guard’s manor. We know he was friendly to Ganji based on Ganji’s deduction 6, which is title “relieved” and shows that the kid thought Ganji was “brilliant” and asked Ganji to play with him. It is possible Ganji is the one who feels “relieved”, and that could be due to actually finding someone friendly in this place. In the JP and CN versions, it potentially has the kid use the term “big brother” for Ganji, so altogether, the kid was likely being honest about his feeling regarding Ganji’s skills and honestly just wanting a real playmate (rather than a toy like the others saw Ganji as).

In this same deduction, it mentions a “well-made board” that has Ganji’s name carved in it. As this is the deduction that involves the son of the manor owner of the Queen’s Guard, it is possible this board was a gift from that kid, and that board may have actually been a bat for cricket.

Going back to Ganji’s 1st letter, it mentions a “Duke Elgin” and a “Viscount”. Based on the mention of “the Viscount’s prominent father” and how this Viscount “demanded” Ganji to “take classes with him instead of just playing cricket with him”, it’s possible the “Viscount” could be the son of the owner of the Queen’s Guard’s manor. We know this boy asked Ganji to play cricket with him due to how cool and talented he thought Ganji was, so it could also fit he might also ask Ganji to take classes and spend other time with him. I’d like to imagine Ganji enjoyed spending time with the boy, as taking classes and playing cricket with him was likely much better than being treated as a toy by the others or languishing along in his poor room.

Ganji continues to play cricket, despite his anger, though he does form a relationship with this boy. If Ganji was 16 during the Open when he was invited to join the Royal Team, and Ganji is at least 21 in game (as he can drink Demi’s dovlin), he was likely subjected to the mistreatment of the Royal Team and owner of the Queen’s Guard’s manor for a fair number of years at least. As we know, he was never able to meet his family while he was at that manor and he was forced to “struggle alone in this strange place”. The “last straw” came one day when he received news “bad news” about his hometown, with his deduction 7 saying he’d received a letter saying “Go home and save them!”

It is soon after this that a fire breaks out and burns down the manor of the Queen’s Guard. The only survivor was the owner’s son and Ganji.

This is also the same time that in his backstory trailer it says “Stop being nice to everyone. I need a new identity. I want to go home. Perhaps that is the only place where there's still hope”.

This matches with Ganji’s last deduction, which is “a letter to home” that he wrote to his mother, saying that “everything’s fine with me. I’m coming home soon”.

Right after the fire starts in one of his backstories, it says Ganji became a “manic patient, often falling into uncontrollable irritability”, so it seems the fire and around this time is when he is first said to be manic. His deduction 9 has a diagnosis saying “Mania, easily irritated. Avoid looking at fire. Suggest locking all windows and doors and staying at home alone”. It is because of his worsening mania that is says people stayed away from him and called him a “thug”, but Ganji only cared about going home.

Once again returning to Ganji’s 1st letter, the end of it talks about getting info on Ganji’s “hometown and the extraordinary spice extraction”. The mention of spices fits our earlier discussion on Britain’s interest in India in part for its spices. This info about Ganji’s home and spice extraction is apparently helpful to whoever this “sir” is and an “upcoming mission” he will be going on. This same “sir” is apparently someone responsible for the idea to bring Ganji to England (though for now I’m thinking he isn’t the Queen’s Guard’s manor owner, who I think is the Viscount’s father).

Considering the talk about Ganji’s hometown and the obvious interest in its “spice extraction”, this could mean this “sir” is someone behind whatever “bad news” came from Ganji’s hometown, and likely the “bad news” and “upcoming mission” had to do with their clear interest in its spices. And if they wanted info on Ganji’s hometown, that could mean one of the few reasons they invited Ganji over was for that info so they could exploit his hometown for the “spice extraction”.

(One side note about Ganji’s 1st letter, but in the CN and JP versions, it says this “Sir” is someone who is recovering their health in “Delhi”, which further shows it’s not the owner of the Queen’s Guard’s manor, who we know was in Britain. It’s possible, if this is someone capable of going on missions and is mentioned regarding “we need… people like you to take the lead” that this “sir” is someone higher up in the government regarding rule of India, who could order a mission to Ganji’s home for it’s “spice extraction”).

Next is Ganji’s 2nd letter, which unlike his 1st (which happens before the fire) his 2nd happens after the fire. We hear he tried to board a freighter. Likely he was attempting to stowaway to return home, but he was caught and taken away by someone working for Duke Elgin. Ganji was placed in a detention center, where he was examined. They mention a “strange scar on his forehead”, which potentially came from the fire that burned down the Queen’s Guard’s manor. We do see Ganji with the owner’s son while the fire burns the manor, so if he had to go in to rescue him, that could have been when.

Considering how they say Ganji, besides his scar, seems “as strong as ever” to me kind of feels like they’re still talking about him like an object or one of their possessions.

After this, the letter mentions how Ganji would be “quiet during the day” but would go “mad” at night, with him “either holding his head between his hands while slamming it against the wall with a pained expression plastered across his face or attempted to snatch the candles used by the guards to keep the place lit up. He only settled down once we locked him in the darkness of the dungeon. But once the next day arrived, he was back to normal again”. It was due to this behavior that the author states he went to purchase “strong sedatives” (to be used on Ganji if he went out of control). During this time while the author was away, Ganji was able to escape despite the guards around him. Despite this, the author believes Ganji will return as they still had several of his possessions, including “medical records, an invitation, and that "treasure" of his.

It says the part with the signature had been “burned off”. If Ganji was messing with candle fire while in the detention center, it’s possible he did something similar to this letter if he got ahold of it (unless it’s nothing important).

The mentioned “treasure” is likely the note from home that reads “Come home, child”. Considering it says “child”, there’s a chance this could’ve been written by his mother. We know Ganji’s written to her himself before, so him receiving correspondence from her would make sense.

Another treasure we know Ganji owns is his accessory Cozy Fleece, which is a sheep toy “given to Ganji when he was young” and said to be “one of the several treasures in his luggage”. This was likely another item given to Ganji by his mother, when he was still home, and thus why he treasures it. Another potential treasure could be Ganji’s bansuri accessory, which has the description that mentions its music helps to recall his hometown.

As for the medical records, it says that the patient is suffering “severe homesickness” and displays “impulsive behavior during times of extreme depression or anxiety”. This means that Ganji’s “mania” is caused by his “severe homesickness” in moments when he’s suffering from “extreme depression or anxiety”. That could mean, with Ganji already being homesick for years before the day the fire started, Ganji’s “last straw” when he received bad news about his hometown now makes sense why the fire likely started then. That “bad news” triggered his anxiety and severe homesickness, depressed him when he realized he was stuck at this manor with no quick way home, before then making him impulsive and “manic” in his desire to go home as soon as possible. Whether or not it was on purpose or an accident, it is possible one of his “impulses” resulted in the fire starting, or a confrontation that triggered his irritation causes it to accidentally begin. Maybe a bit of sanity returned to him afterwards, and that could be when he rescued the boy as we see him with the boy during the fire in Ganji’s trailer. But for now, information is scant on the specifics of this event.

Potentially after escaping detainment could be when we see him living by himself like in his other backstories. It’s possible he was in hiding from those that had captured him. We don’t know for sure whether he returned to them for his treasure (it’s possible with how important his note from his mom likely was). We know from Ganji’s backstory that it says he “lived in a cold room with little furniture for years” and “seldom stepped outside during the year”. He had no friends, always looked solemn, and people found it “difficult to get to know him”. Ganji is described as “peculiar and lonely”, and someone his neighbors “loved to gossip about”.

His backstory mentions “random loud noises coming from his room”, which could tie to the behavior he displayed at night in the detention center, when he’d hit his head against a wall.

Regarding Ganji hiding in his room all the time, this connects back to his deduction 9, the diagnosis that suggested “locking all windows and doors and staying at home alone”.

The part about “avoid looking at fire” implies, whether or not he did it and whether it was on purpose or accident, it implies he’d been deeply affected by the fire that burned down the manor. Maybe because of all the feelings (and irritation) he had from how long he spent there, being mistreated and never being allowed to train. Maybe because of the boy he’d formed a relationship too and how this fire took away his home and family, just like Ganji was without his home and family. Maybe any conflict he had if he was somewhat responsible, whether accidentally or on purpose, as his trailer does mention wanting those “gentlemen to repent for their sins” but also because this was a place he’d had such high hopes for regarding his future and now it’s turning to ashes, as well as was a place he’d suffered alone, away from his family, for a long time, but more conflict because Ganji was deep down still a “kind” person (and maybe regretted not saving more people, or regretted if he had a fit of anger and its consequences that day that causes all these events). Just another boy, like the son of the owner of the Queen’s Guard crying at the sight of his home on fire, that was crying out for his family and home as it was threatened or attacked but Ganji unable to do anything about it.

The backstory continues by saying he kept his appearance “hidden” whenever he went out, which could relate to if he was in hiding from the people who’ve been trying to capture him in his letters, or to the mistreatment he potentially receives if people knew where he was from, or to hide the scars on his face from people if he knew how they’d react upon seeing it (as they did describe his face as “horrifying”). It also fits with how his trailer said he needed a “new identity”.

Despite how they treated him, Ganji was said to give “softly spoken words of appreciation to the neighbors’ trivial kindness”, which seems to connect to Ganji’s original personality (as he was described as kind, friendly, and mild-mannered before he came to Britain).

Others debated the reason for Ganji’s behavior, suggesting “regret” (tied to the fire that ended his training with the Royal Team, as other people wouldn’t know the full truth about his feelings towards the Royal Team) or “cautiousness” (from living in a foreign country). Unfortunately for Ganji, everyone decided that Ganji had “a lot of secrets” and “might bring trouble to the town and decided to stay away from him”.

The last thing we hear about Ganji is he still dreamt of returning home, and eventually received an invitation from the manor, offering a “huge reward”, enough for Ganji to use to go home, and he “decided to take the risk”.

Side note regarding Duke Elgin.

I couldn’t find any “Duke” Elgin, but I did find an “Earl” of Elgin. The 9th Earl of Elgin, Victor Bruce, was the Viceroy of India.

I don’t think this is the exact same “Duke Elgin” but it could be a basis for the character (for Netease when designing this).

These were individuals appointed by the British monarch. They represented the British government in India and exercised authority over British India on behalf of the British crown. Victor Bruce served as Viceroy during 1894-1899m which was a particularly troubled period in Indi’s history, and his tenure was not seen as a successful one. During his administration, there was economic and social unrest, a famine, bubonic plague, and the Tirah campaign (Afridi Frontier Rising). This campaign took place in Northwest India and involved the British seeking to restore control over the area after an uprising occurred (with 1 of the challenges they faced being the mountainous terrain).

I don’t think this is exactly where Ganji is from, but this event, as well as all the other issues occurring at the time, could relate to or be a sort of basis (to Netease) for whatever did actually happen to Ganji’s hometown.

Apparently the “bansuri” is a flute connected to north Indian music (with the venu being connected to the south), which could mean (with how the Tirah Campaign happened in the Northwest) Ganji could be from somewhere in the North part of India.

#idv #identity v #ganji gupta #batter #idv ganji #identity v ganji #idv batter #identity v batter #sirenjose analyses and theories

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aimeedaisies · 6 months

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The Princess Royal’s Official Engagements in October 2023

02/10 As President of the Riding for the Disabled Association visited Avon Riding Centre, to mark its 40th Anniversary. 🐴🥳

03/10 Held two Investiture ceremonies at Windsor Castle. 🎖️

With Sir Tim As Patron of the Minchinhampton Centre for the Elderly, visited Horsfall House, Minchinhampton. 👵🏻👴🏻

04/10 In Cornwall Princess Anne visited;

Origin Coffee in Porthleven. ☕️

Camborne School of Mines at the Penryn Campus of University of Exeter, in Penryn. 🔨

St Ewe Free Range Eggs Packing Centre in Truro. 🥚

05/10 As Colonel of The Blues and Royals (Royal Horse Guards and 1st Dragoons), attended a Household Cavalry Medal Parade at Powle Lines, Picton Barracks in Wiltshire. 🫡

07/10 With Sir Tim Attended the Scotland vs Ireland Rugby World Cup match at the Stade de France in Paris. 🏴󠁧󠁢󠁳󠁣󠁴󠁿🇮🇪🇫🇷🏉

09/10 As Patron of Livability, visited Livability Millie College in Poole. 🏫

As Patron of UK Youth, visited Avon Tyrrell Outdoor Activity Centre in Bransgore. 🧗‍♀️

10/10 Attended a Future of UK Food Systems Seminar held by Crops for the Future at the National Institute of Agricultural Botany in Cambridge. 🚜

As Commandant-in-Chief (Youth) of St. John Ambulance, opened the new Ambulance Hub in Castle Donington. 🚑

11/10 Held two investiture ceremonies at Windsor Castle. 🎖️

Unofficial, Sir Tim attended the opening of the New Zealand Liberation Museum, Te Arawhata, in Le Quesnoy, France. 🇫🇷🇳🇿

As Patron of Scots in London Group attended a Reception at St Columba’s Church of Scotland. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Attended a Blue Seal Club Dinner at the Cavalry and Guards Club in Piccadilly, London. 🤵‍♂️

12/10 As Patron of the Campaign for Gordonstoun, chaired a Cabinet Meeting at the Lansdowne Club, London. 🏫

As Patron of English Rural Housing Association, attended a Parish Council Rural Housing Conference at Eversholt Hall, Bedfordshire. 🏡

Visited the Aircraft Research Association in Bedford. ✈️

As Grand Master of the Royal Victorian Order, attended Evensong and a Reception at The King’s Chapel of the Savoy, London. 🎶

14/10 Sir Tim represented Princess Anne, Patron of the Wiltshire Horn Society, at a dinner on the occasion of their centenary. 🐑

15/10 As Member of the International Olympic Committee, and Chairman of the International Olympic Committee Members Election Commission, attended the first day of the 141st International Olympic Committee Session in Mumbai, India. 🇮🇳

16/10 As Member of the International Olympic Committee, and Chairman of the International Olympic Committee Members Election Commission, attended the second day of the 141st International Olympic Committee Session in Mumbai, India. 🇮🇳

Attended an IOC Reception at Jio World Centre. 🌏

17/10 As Member of the International Olympic Committee, and Chairman of the International Olympic Committee Members Election Commission, attended the third day of the 141st International Olympic Committee Session in Mumbai, India. 🇮🇳

Visited the Commonwealth War Graves Commission Bombay 1914-1918 Memorial at the Indian Sailors’ Home, in Mumbai. 🪖

Attended a reception at the residence of His Majesty’s Trade Commissioner for South Asia and Deputy High Commissioner for Western India in Mumbai. 🌏

Unofficial Sir Tim attended a memorial service for Lord Lawson (former Chancellor of the Exchequer) at St. Margaret’s church in Westminster ⛪️

19/10 Hosted a Reception with the King, Queen and the Duchess of Edinburgh at Buckingham Palace to thank those who contributed to and were involved with the State Funeral of The late Queen Elizabeth II and with the Coronation of Their Majesties. 🥂

With Sir Tim, As Colonel-in-Chief of the Royal Army Veterinary Corps attended the launch of the Corps History Book at the National Army Museum in London. 📚

With Sir Tim, As Patron of the Royal Navy and Royal Marines Charity, attended the Trafalgar Night Dinner at the Old Royal Naval College in Greenwich, London. 🤵‍♀️🤵‍♂️

20/10 Opened Cutbush and Corrall Charity almshouse accommodation in Maidstone.

Opened the Royal British Legion Industries Centenary Village, Greenwich House, in Aylesford, Kent.

As Patron of the Butler Trust, visited HM Prison Elmley.

24/10 Held an Investiture at Windsor Castle. 🎖️

As President of the English-Speaking Union of the Commonwealth, delivered the Evelyn Wrench Lecture at Dartmouth House in London. 🏴󠁧󠁢󠁥󠁮󠁧󠁿

25/10 In Scotland Princess Anne visited;

The International Society for Optics and Photonics Photonex Exhibition at Scottish Event Campus in Glasgow. 🔍

As President of Victim Support Scotland, visited the National Office-West in Glasgow. 🫂

Peter Equi and Sons Limited Ice Cream Manufacturer. 🍦

26/10 Opened the National Honey Show at Sandown Park Racecourse in Esher, Surrey. 🍯 🐝

As Royal Patron of the Security Institute, this afternoon attended the Annual Conference at the Royal Society of Medicine in London. ⛓️

With Sir Tim As President of the Royal Yachting Association, attended a 50th Anniversary of the Yachtmaster Scheme Dinner at Trinity House, London. 🛥️🍽️

27/10 Held an Investiture at Buckingham Palace. 🎖️

31/10 In Scotland;

As Patron of the Moredun Foundation, attended a Conference at Moredun Research Institute, Pentlands Science Park, in Penicuik. 🧬

As Royal Patron of the Leuchie Forever Fund, attended a Reception to launch Leuchie House’s new strategy in Edinburgh. 🏡

As Chancellor of the University of Edinburgh, held a Chancellor’s Dinner at the Palace of Holyroodhouse. 👩‍🎓

Total official engagements for Anne in October: 47

2023 total so far: 400

Total official engagements accompanied by Tim in October: 6

2023 total so far: 81

#a busy bee #princess anne #princess royal #tim laurence #timothy laurence #unofficial engagement count 2023 #october 2023

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hellofeternity · 8 months

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ORV transcends language | how ORV is kind to readers (1.1k words)

the difficulties in analyzing text are already numerous without a language barrier, the way one word can mean 5 things and when you put it in a sentence suddenly it can mean 50 things and put that sentence in a paragraph? go further and put that paragraph in a page? construct a whole world around it, weave it into the fabric, and suddenly you are painting with words.

ORV is a daunting text, it calls and references so many mythos world wide, greek, roman, indian, chinese, japanese, it plays with meaning and intent and uses gaps in our knowledge like weapons, making us extrapolate our own meaning between the sentences, it is a tome of knowledge when it comes to histories and philosophies it feels at times like I will never understand all these things inside it.

One of the difficulties of reading a translated text is that when we analyze a text the authorial intent weighs very heavily in our minds, sure we can immerse ourselves in the world but once we start picking apart at the threads we hit a wall pretty soon when we start asking ourselves "what did the author mean by this?" however in a translated text there is an obvious gap, a game of telephone, did the translator actually capture the authors intent? or are we just reading the translators perception? sadly I don't know korean, and I cant say I have the drive to learn it, as such I know there will forever be a side of ORV that I will never be privy to - however I am bilingual and had the pleasure of reading two translated versions of ORV, an English translation and an Arabic translation, I didn't finish reading the said Arabic translation but a couple things stood out to me when I briefly did ORV is very kind to readers, following along in other stories can seem confusing at times, the pacing might be too fast and you might miss some details in a characters actions, the wording might be too vague and ah damn 20 pages later you realize you don't actually know why the characters are doing what they are doing. A big writing adage that you will see a lot is "show dont tell" and it holds merit, but ORV doesn't subscribe to it, because ORV shows AND tells. ORV built a world around readers and reading, and it makes sure that there is clarity every step of the way on what is happening, first by starting out as a homage to the isekai genre, and not deviating too much at the start, making the readers feel at home in a worldview they are familiar with, systems, leveling, videos games etc, and when it starts deviating it explains things with clarity that no matter how bad the translation is you understand the general intent, and secondly by being VERY blatant about the names of things and having a built in "story" system that is built on common story tropes and names the themes for you! take for example "unbroken faith" and "Blade of faith" both of these are two translated versions of dokja's sword. I will never know which one is closer to the original authorial intent, but I can tell you something, dokja's sword is symbolism to the faith he is wielding. (CH386 vague spoilers) or the entirety of "the great war of saints and demons" being about the concept of good and evil fighting and how kimcom aren't just above being good and evil, they are both. By using story tropes that we are familiar with to explain the complexity of situations in a simple forms you no longer have to worry about losing you readers understandings through language barriers. Every story in the world in every language knows what good vs evil is, every language has the words to explain them. and therein lies the beauty of ORV. But of course this isn't to say translations don't matter, it does speak to the strength of an original texts clarity when it accounts for the big things by making them simplified, but when we get down to the nitty gritty it starts to lose form take for example

"Tell me, you fool. If I continue to regress, will I ever get to meet you again?"

this person here has a great write up explaining the translators thoughts behind this specific line

but it has spawned a lot of debate in the English speaking fandom, as to the strength of its translation, I remember when I first saw someone claiming that its a mistranslation and "you fool" isn't part of the original, my first thought was "and so?" I do not mean to be dismissive to the original text, but I do not exist in a space where I can appreciate it in the original korean, I do not exist in a worldview where I can understand the historical implications of a lot of the characters, and even when I try to research it in English sadly the resources do not exist yet and its even more laughable to think of finding these things in Arabic. (Goryeos first sword doesn't have an English wikipedia page as a clear example) a lot of people have issues with the most popular English fantranslation of ORV - and I can understand why, being bilingual I have a lot of opinions on how a lot of things SHOULD be translated most of the time, and have done my own translation work but as I sit and think about this popular translation I cant help but just feel love for it, it might be lacking to some, it might be inaccurate at times to others, but its just enough for me to paint the gaps in the text with my perceptions, the words used are tied to my affections the Arabic translation of ORV is clunky, it is messy, it doesn't have as much grace as the English translation of ORV does, the words barely string together cohesively, but it has enough clarity, enough intent, and enough love for its readers, to catch their hearts, their attention and their energy

and so I want this to be the first post on this blog because, the author is dead here, not because I buried them, but because the tower of babel fell down a long time ago, and all we have is rubble and each other. a lot of the analysis on this blog will try to be respectful to the korean original wherever it can, however my words will be coming from an anglosphere perspective, and build on other English reader's perceptions of a text translation that a decent amount of people don't think is adequate, but just like ORV is kind to us, we can be kind back, I will quote the most popular version because its what connects us together, and while the authors intent might be lost, we can share our own meanings with each other, and build our own intent from the rubble.

#orv meta #orv #orv analysis #r1864 #a big wall of text for me to go lol orv is queer and yjh is trans coded #but this is tumblr so everyone knows that already #also I still don't actually know what naming convention is correct I've seen many discussions about this #I just go with what is most popular for ease of understanding and ease of reading #also i find the naming thing very funny in english and latin letters because there isnt nearly this much drama about it in the arabic scrip #I just assume its like any other language that doesnt use latin and we are just trying to break english to sound out letters they dont have #i do like how dokjas name sounds like its splitting in the middle in the correct pronunciation 'dok-ja' adds to his duality #and i am sad that gets lost in the latin script sounding

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blue-and-gilt · 7 months

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Dutch m1813 No.1 light cavalry troopers sabre.

While initially supplied with English made 1796 Pattern light cavalry sabres in the late months of 1813, the Dutch Army procured a further 3,800 sabres from different Solingen manufacturers between 1814 and 1819.

The m1813 No. had a long service life, being issued to the Light Dragoons, Hussars, Lancers and the East Indian Cavalry. Even when it was replaced in 1829 with the No.3 light cavalry sabre, many were re-issued to the 'Jagers te Paard' and second line units.

They likely remained in service until the late 1830s early '40s when the remaining stocks were inspected and put into storage at the Artillery depot in Brielle. In 1880 hundreds of out of service swords were transferred to the Rijksmuseum and put on display in the Waterloo hall.

While there are visual differences between the Prussian m1811 Blucher sabre, itself a copy of the 1796 Pattern, the Solingen produced m1813 No.1's are visually identical to British made sabres, and can only be identified by their Dutch control stamps and the absence of British ones.

This sabre was one of the swords re-issued to the Jagers te Paard (hunters on horse) as can be seen by the serial number on the quillon which appears to have over-stamped an earlier mark. The blade is dated 1833 on the ricasso and the spine has an *L inspectors stamp, probably belonging to P. Libert who, from 1831 was the controller edged weapons, until retirement in 1840.

This 1833 date likely means that the sabre was given a replacement blade supplied by an arms maker from Liege.

The Crown over V stamp belonged to A van Deventer, who was seconded in Solingen 1837-1839 then stationed at the Inspection HQ in Delft 1843-1845

The Crown over JP stamp is believed to have belonged to the Controller Jean Joseph.

The last two photos show the m1813 No.1 next to a 1796 Pattern LC made by Thomas Gill between 1796 and 1800. The Gill sword was likely a private contract for a Yeomanry troop since there are no ordnance board proof stamps on the blade.

The tip of the m1813 No.1 is noticeably broader than the 1796 Pattern LC. This results in the sword having a 21 cm point of balance vs 16.5 cm on the 1796.

If you look closely at the edge of the 1796, you can see that it is slightly concave. This is evidence of damage in service that has been repaired. The chips that are also visible and commonly seen on other blades are more likely to have been caused by careless owners after they were sold out of service.

#Dutch Army #Cavalry #Light cavalry #m1813 No.1 Sabre #Sword #Sabre #Antique #Military Antiques #napoleonic wars #10 Day War #1796 Pattern Light Cavalry Sword

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kaiasky · 29 days

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i think a lot of the notes on that "stemlords are nazis" post (not the post itself, but like the notes going 'yeah, the engineers at my school are weird and robots and scary') are tinged with an undercurrent of like... barely suppressed anti-indian/chinese racism too lol like. "oh they can barely form coherent sentences that's why they're using chatgpt" i mean like yeah I don't think writing a paper with cgpt is a good idea, but how sure are we that it's because they're soulless engineers vs not speaking English as a first language and chatgpt is a pretty good translation tool?

But more broadly than that it's like. "what makes a moral complete human? well it's fluency in English, exposure to the western classics in high school, believing sociology results from colonial Britain, and having grown up watching the colbert report like i did"

#kaia.mypost #discourse #like wow yeah did somebody speak mandarin in earshot of you that sounds really scary....#the HUMANITIES are about HUMANITY <- oddly uncritical thing for a humanities major to say while criticizing STEM for being uncritical

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k4tisblog · 5 months

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10 MEDIA DIARY: MLP:FiM & YAKYAKISTAN.

Hello! Hi! This post may be a bit of a ramble. I have watched all 9 seasons of My Little Pony: Friendship is Magic. It’s a comfort show, and has been very dear to me since I was a kid. While I love it to death, I want to point out its portrayal of race.

From the "Buffalo tribe" being analogous to Indigenous Americans (S1), to Rarity gentrifying an Indian Pony restaurant (S6), one could probably write an entire thesis about it. However, for everyone's sake, I'll focus on the episode "She's all Yak." (Season 9 Episode 7). Spoilers ahead, of course.

Introducing MLP:FiM A quick summary of the show thus far- Twilight Sparkle was a unicorn who earned the title of Princess of Friendship (and also wings). She couldn't have done it without her friends Fluttershy, Pinkie Pie, Applejack, Rainbow Dash, and last but not least, Rarity! The Mane 6 (that's a pun) have a reputation for saving the world (too many times to keep track). At the premiere of season 8, Twilight starts the very first School of Friendship! The point: to invite everypony everycreature to come and learn friendship. (There are implications here- but that's another discussion in and of itself.) The school's credibility is questionable, but they get through the trials and tribulations of the education system with the power of friendship!

Yakyakistan Let's just say things can go a bit off the rails when you invite different species into the My Little Pony cinematic universe. It didn't have to be bad. It really didn't.

Alas, the Yaks. They're from Yakyakistan. Speak "broken" English when no other species does. Being destructive is "crucial to their culture". Need I say more? It is not necessary to create this association to real-world regions using the suffix "-stan", for them to have "caveman-like” speech, for their "traditions" to be destructive tendencies. They are prideful and nationalistic to an unrational extent as well. Refusing cooperation with others, instead choosing to eat and sleep on snow comes to mind.

"However, despite Pinkie and the yaks' efforts, there is too much snow for them to dig through, and their forceful digging only causes more snow to fall from the mountain. Pinkie Pie offers to return to Ponyville and get help from her friends, but the proud Rutherford and his subjects refuse to accept help from ponies. Rutherford suggests simply waiting for the snow to melt, and he and his subjects resort to eating and sleeping on snow to survive. " (S7 Ep 11, MLP:FiM Wiki)

YONA: SHE'S ALL YAK As much as the Yaks were in poor taste (AT BEST), it was easy to avoid; they typically only existed in their own standalone episodes. Unfortunately, they keep appearing; Yona is chosen by Yakyakistan's Prince Rutherford to attend the School of Friendship. The main thing with the Yaks as characters is that their main "problems" in their episodes are the clash of their “savage” cultural norms vs. the “civilised” ponies.

Considering once again a clear association to real-life ethnic groups and these "cultural norms" enforcing real-world prejudice… Yeah, I do flinch every time a Yak plot is introduced. "She's All Yak" is an episode that I watched all the way through. I have things to say. Yona is asked by her (pony) friend Sandbar to join the Amity Ball and partake in the Pony Pals contest with him. Since the dance is traditionally pony-centric, she responds "But Yona yak. Yona not pony." Sandbar assures her that that doesn't matter and she accepts.

Now filled with a want to be the best Pony Pal, Yona sees Rarity stressing about Ball dresses and feels she has a lot to learn before the event. She turns to Rarity for guidance on what to wear, and how to act.

Rarity teaches Yona how to talk - shoving Brussels sprouts in her mouth to help annunciation.

Rarity: [elocuting] The weather is quite agreeable today. Yona: [muffled] The weather is quite agreeable today. [chews, gulps, belches loudly] Yona like Brussels sprouts! Rarity: Let's move on.

While Rarity looks through different dress options, Yona tells her she likes brown. Rarity expresses disgust at "earth tones," sticking her tongue out and calling them "earthy." She says not to worry; she'll find a dress to make Yona stand out! Yona says she doesn't want to stand out, but rather to fit in… Cue the musical number. "Once you learn the pony way you'll start to fit right in." Rarity sings while Yona gets transformation montage.

Yona's struggle in integrating into pony norms is turned comedic. It's exaggerated to the point of being downright unflattering. She's highlighted as dirty, clumsy, unfashionable, and, of course, destructive.

After a long while of Yona getting everything wrong, she manages to get things right! (She dances without causing earthquakes and speaks like a posh pony now.)

Yona’s ready to rumble.

THE AMITY BALL

Gallus: I'm just glad I'm here with you guys. Least I'm not the only non-pony in the crowd. Sandbar: You're not still worried about that, are you? Like Headmare Twilight said, this is a dance for everycreature. There's no pony pressure.

Yona's friends giggle at the contrast between Sandbars' statement and the sight of ridiculously-overponified-Yona.

They are all taken aback, and Sandbar looks concerned. He plays along with it; she did all this for him after all. The dances begin! Yona is excited, inviting Sandbar to dance. She dances well until she trips on her dress and takes a tumble. Regaining her composure, they move on to the Pony Prance. Yona’s wig temporarily obscures her vision and she freaks out. Stampeding through the Ball, she ends up hurting everyone and destroying everything in her path. Inconsolable, Yona runs off in tears.

"Yona disappoint Sandbar. Yona not make very good pony." Sandbar finds Yona and they have a heart to heart.

Yona: Yona just want to do all the right pony things and fit in at dance! Then maybe Sandbar and Yona win best pony pals contest. Instead, Yona win worst pony ever.[crunch] Sandbar: That's not true. (...) Sandbar: Yona, it doesn't really matter if you're a great pony or a horrible pony. You're the best Yona I know. That's why I asked you to the dance.

I don't have an issue with the message this episode is trying to convey. It's an obvious trajectory towards being yourself; you don't have to change for anyone - I appreciate the representation of this in Sandbar and Yona's relationship.

We get a sincere apology from the Mane 6, admitting that it was no fault of Yona's but rather their fault for unknowingly forcing her to be something she was not. Yona and Sandbar are given the winning trophy for the Pony Pal competition!

Spike then exclaims that "everypony wants to learn that crazy dance [Yona] did." She teaches them all the "Yakyakistan Stomp." They all start to dance as the camera shakes and the credits roll.

How do you feel about the use of the word “crazy”? CONCLUSIONS As much as I understand the intent, I can't ignore the root of Yona's character. From her personality traits to her place of origin... There are too many implications. I've scavenged for online articles, forums, etc. for opinions on My Little Pony’s Yaks, but it's proving to be a bit of a niche topic. Only in conversation have I heard of people who share my concerns or even acknowledge them. A friend of my girlfriend's posted about this on Reddit once, as I have come to learn, but was shot down by negative responses and disagreements. I suspect the difference in the main fanbases for MLP are a factor.

(I might go into this more in a future blog post - let’s just say that humanified fanart now is more diverse compared to a decade ago.) These comments I found while scrolling through the MLP:FiM wiki piqued my interest. While a fine assessment of the episode at large - the descriptions of Yak culture further prove my point. Just choosing to describe Yakyakistan culture with the word "simple" says a lot.

User Angel Emfrbl's "not that bad" feels like we're settling for "it could be worse. It all makes sense with the current characterizations." I want more people to want to dig deeper into what it all represents. There is a lack of acknowledgment of the root of the Yaks’ existence - their designs, plots, and worldviews.

The unflattering portrayal of Yaks being destructive and completely un-ponylike feels dehumanizing (deponifying?). There ARE ponies that are portrayed as Indian and East Asian. Even the Kirin species closely resemble ponies (just sporting different manes, horns, and tails.) If I'd even go out on a limb and hypothetically say the Dragons are implied to be Europeans (since they based on traditional European dragons), who could be hurt by being compared to a dragon? It certainly gets complicated to explore not only racial implications between ponies, but entire different species. Nonetheless, there is a heavy responsibility to check in with those who experience real-world discrimination before using it as plot points. At the end of the day - Personal biases must be checked, especially when writing for children's media. Hm. Thoughts?

Comments? Concerns?

Otherwise, have a good evening!

#digital diary #word vomit #mlp:fim #my little pony #yakyakistan #yona mlp #opinion #essay #criticism #mlp

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lilithism1848 · 7 months

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Atrocities US committed against WOMEN

In 2022, the US supreme court overturned Roe V Wade, ending a constitutional guarantee to the right to have an abortion, in place for over 50 years. In response, 26 US states are expected to ban abortion in their state. Women who become pregnant in red states, will now have to drive an increased average of over 200 miles to an abortion clinic. Protests erupted in hundreds of US cities, decrying the decision.

US police officers routinely commit sexual assault and rapes: most go unreported, but over 1200 incidents, including over 400 rapes were committed over a 9 year period from 2005-2013.

In the period following WWII, the US capitalist-controlled media, advertising, and consumer products industries propagandized and glorified the ideal of the housewife-consumer, in order to sell products, make labor space for returning soldiers, take advantage of women’s unpaid labor in the home, and to help build a new workforce and potential army to combat the soviet union. This sparked an era of regression with respect to the feminist victories of the previous 50 years, and caused psychological damage and demoralization to an uncountable number of women. Women who remained in the labor force were primarily only allowed in subordinate positions such as secretaries, cleaning women, elementary school teachers, saleswomen, waitresses, and nurses. This is chronicled in the Feminine Mystique.

In September 2020, it was revealed that ICE had performed mass hysterectomies on immigrant women in several detention centers, reminiscent of the long-standing US policy of sterilization of black and brown women.

From the 1880s onward, many US states (27 + Puerto Rico in 1956) operated a system of forced sterilization of women, rooted in white supremacy. The principle targets were the mentally ill, Native Americans, and blacks. For example, in Sunflower County Mississippi, 60% of black women living there were sterilized without their permission. An estimated 3,406 Indian women were sterilized. California eugenicists in 1933 began sending their literature overseas to german scientists and medical workers, sparking the beginnings of Nazi Eugenics. In the end, over 65,000 individuals were sterilized in 33 states, in all likelihood without the perspectives of ethnic minorities. The US enacted a system of forced sterilization in Puerto Rico since its takeover by the US in 1989: a 1965 survey of of Puerto Rican residents found that about one-third of all Puerto Rican mothers, ages 20-49, were sterilized. 148 female prisoners in two California institutions were sterilized between 2006 and 2010 in a supposedly voluntary program, but it was determined that the prisoners did not give consent to the procedures. In Madrigal vs. Quilligan, many unsuspecting women were coerced to sign paperwork to perform sterilization, while others were told that the process could be reversed. None of the women were fluent in English. 10 latina women were sterilized, and the doctor was found innocent.

US elites in the 18th and 19th centuries pushed a narrative of domestic purity, or the cult of true womanhood, for women as a way of pacifying her with a doctrine of “separate but equal”-giving her work equally as important as the man’s, but separate and different. Inside that “equality” there was the fact that the woman did not choose her mate, and once her marriage took place, her life was determined. One girl wrote in 1791: “The die is about to be cast which will probably determine the future happiness or misery of my life…. I have always anticipated the event with a degree of solemnity almost equal to that which will terminate my present existence.” Marriage enchained, and children doubled the chains. One woman, writing in 1813: “The idea of soon giving birth to my third child and the consequent duties I shall he called to discharge distresses me so I feel as if I should sink.”

In 2019, it was discovered that US Border patrol had been protecting rapes and abuse of its own members since the 1990s. In one instance, a trainee was forced to give oral sex to 5 officers, and then raped while she was unconcious. At least 35 instances of rape by officers was found.

In May, 2019, Alabama lawmakers banned abortion in the state, providing no exceptions for victims of rape or incest. Those caught performing abortions will face up to 99 years in prison. The bill is part of a larger effort to overturn Roe vs Wade, a long-standing supreme court decision affirming a woman’s right to choose. Alabaman women seeking abortions are now forced to travel across state lines, and hide everything about the procedure from friends and family, in order to avoid legal repercussions from their home state. The American Civil Liberties Union has filed a federal suit against the state.

On November 25, 2017, Yang Song died after falling from a 4th floor balcony during a targeted police raid. Her personal messages revealed that in 2016, she was raped at gunpoint by an undercover police officer, and was subsequently harrassed, threatened with deportation, and then likely murdered by the NYPD.

In the 1830s, The Lowell Mill Girls were female workers who came to work in industrial factories in Lowell, Massachusetts, during the Industrial Revolution, and who despite living in cramped boarding houses and working from 5am-7pm every day, developed a culture of defiance against the factory owners, and created reform associations, and began strikes in 1834 and 1836.

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kkginfo · 2 years

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India vs West Indies 2nd ODI: The Indian team watched Pakistan's great record.. Did you know? | KKG INFO

India vs West Indies 2nd ODI: The Indian team watched Pakistan’s great record.. Did you know? | KKG INFO

India won the first match against West Indies by 3 runs. With this, the Indian team took a 1-0 lead in the three-match ODI series. The second match of the series between the two teams will be played on Sunday. All matches of the series will be played at Queen’s Park Oval in Port of Spain. India vs West Indies Series: The Indian team, which is currently touring the West Indies, started with a win…

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fanaticsnail · 6 months

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If you ever need visuals/inspiration for the dancing prompts I am HERE.

Mihawk (tango):

You obviously are familiar with Mr & Mrs Smith and the ICONIC Morticia and Gomez dances. However, may I suggest;

"Cell Block Tango" - you know I had to include it.

"Shall we dance?" (2004) - so sensual and intimate. Poetry in motionm

"Take the Lead" - there's a tango in a detention centre with two people (which is what I was thinking of), but there's also a lovely sandwich tango (iykwim)

And my personal fave: the introducing the tango scene from the story of Vernon and Irene castle - and old movie, black and white, but my GOD the CHEMISTRY. The CUNT. The FLUIDITY. The subtle but adoring smiles and glances.

Luffy:

Ok the Bachata for Luffy is perfect and I don't want to change it but I would like to offer up for your viewing/imagining pleasure: La Cucaracha. Simple, sweet. Folk dance. Gives young love. Lots of Luffy vibes. Just imagining them dancing in a town square.

Otherwise, no notes. The song is amazing I can't wait.

Buggy (swing):

Songs wise:

Tangled up - Caro Emerald (specifically the Lokee remix)

Dancing with the devil - Elle & the pocket Belle's

And idk how swing they are necessarily but; I don't have a name for it by Steam Powered Giraffes, Gentlemen by OR3O (or even All eyes on me by OR3O, but that's less of a love song and more angsty), vending machine of love by the stupendium

Zoro (Capoeira):

I love this. When I heard(read) "dance series" I immediately knew a dance fight style would KILL. I never knew Capoeira before this so I have to thank you for introducing me because *chefs kiss* muah.

I couldn't find many Capoeira scenes in movies or shows, but from what I did see there's a lot of break-dance-esque leg action. So I gotta suggest the Eggsy vs Gazelle fight from Kingsmen. (Side note: the kingsmen movies are actually so camp).

If you don't know, Gazelle is an antagonist with prosthetic legs that are basically spears and she fights with a lot of slashes. The scene is beautiful. Lots of legs swinging, lots of fists flying, very lethal. Lots of physics defying and frankly reality bending moments that fit into the drama of anime fighting, specifically one piece.

Now idk where it would fit but I would kill myself if I didn't mention the Naacho Naacho dance scene (essentially a dance battle) in the movie RRR (seriously good movie, it is v long tho). It's an Indian movie set during the war of the English colonisation. One of the main characters has a crush on a white girl who invites him to a party, and his friend tags along for moral support. They use the power of friendship and dance to defeat a racist white guy who thinks that they're not sophisticated bc they don't even know how to dance any of his fancy dances (which aren't even english dances, by the way) by dancing a dance that gets everyone to join bc it's so fun, and they manage to continue dancing as everyone falls around them bc of the pace and stamina needed. If you watch none of the scenes I've suggested, please watch this one.

Honourable mentions;

Zendayas dance off in dancing with the stars (https://youtu.be/2Iw951fviP4?si=_Bj4Wav5pcpYyLIZ)

And it's not necessarily a romance song and the context is icky but the tempo and the cunt in 'Papi' by Todrick Hall and Nicole Scherzinger from 'Straight Outta Oz' (musical) is unmatched, and there's a music video with some dancing.

Oh my gosh, yes 😫. I love all of these things.

For the Mihawk Tango/Pasadoble; immediately my mind went:

-Zorro & Elena from The Mask of Zorro: Soooo enemies to lovers

-Mr & Mrs Smith, the drama and disaster: I love it

-AND!!!!! El Tango de Roxanne from Moulin Rogue: Need I say more? The DRAMA, The EMOTION, AHH.

-TAKE THE LEAD is where my brain went YES!!!!!! The dominant gentleman lead, the DRAMA I LOVE.

For the Luffy Bachata its a bit more tricky for me to find an appropriate reference for it because he's so PLAYFUL and less sensual than the way it.

-Mr & Mrs Smith has the Mondo Bongo scene that I think about quite regularly for references.

-I also am on the dance side of TikTok currently, these vids keep popping up and I adore them.

Now, for the Buggy Solo I'm having some conflicting thoughts. He deserves a soft little dancey dance, but I could also see it getting VERY ANGSTY very quickly.

My song choices are as follows:

-Sway by Mr Bubes himself.

-Express Burlesque by Christina Aguilera just screams Buggy to me.

-The improv style that Emeline brings to this dance off is just MENTAL, I love it. Like, soooo playful my brain can't process it.

ZORO is REALLY TRICKY.

However, my inner teenager went immediately here, to Aang and Katara's dance in the caves.

I will need to check out RRR again, it has been a hot minute.

Shanks as a Jig is superb: @sordidmusings has me in a chokehold with this suggestion and as a former Irish Dancer myself, I simply can't imagine anything more FUN than THIS. Like, as a violinist, this is going to be so much fun to write.

Hobbits dancing on a table, The Jolly Roving Tar is just immediately speaking to me. I could also see the circular jig from Disney's Tangled being incorporated with the entire crew.

The Buggy x Mihawk Sandwich is just writing itself at this stage, my brain rot is simply drawn to the dynamic and I can't even process it.

Masterlist Link for when they drop!

#opla #dance series #opla dance series #buggy #mihawk #shanks #zoro #luffy #reader insert #fic writing

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