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#Emilio Mercury
simatomica · 3 months
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I can think of you all night
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bitzsims · 2 years
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Desert Paradise goodies
@slythersim
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emiliomercury · 2 years
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A young lad
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rocknroll7575 · 2 months
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Silver and Bronze
Pyrrha looked at Gillian with a teary expression, "Why did he choose you?" She asked.
Gillian looked at her, her face unchanged, because she cared little for how the champion felt. "You don't know why he chose me, over you?"
Pyrrha nodded, "I-I know I left them behind, but I... I had too... I had to take the responsibility of being the Maiden-"
"You didn't," Gillian said. "You could've refused or could've come to Vacuo with them instead of leaving them behind... don't lie, you became the Maiden because you thought it was your destiny, you thought that you'd be the hero who'd save the world and get the happy ending with the man you love... but that's not how the world works," Gillian told her.
Pyrrha looked at her, "Would you have refused?" she asked.
"I did," Gillian told her. "When Theodore offered me to be the Summer Maiden, I had thought about all the things I could accomplish with that power, how I could be the hero I always wanted to be, how I could use that power to shape my ideal world... I thought that it would help me fulfill the Destiny I had for myself..."
"But?" Pyrrha asked with a raised brow.
"But then... I thought about what that power would cost me, what I'd give up to obtain it, and that's when I saw a future where there was no Jaune, no Carmine, no Emilio, no Ashara, no Nora, no Ren, and no Mercury... I saw a future without them and I didn't want that future, I didn't want to give them up, so... I said no,"
Pyrrha was baffled, "Just like that?" Pyrrha asked.
Gillian nodded, "Just like that," She told the Champion. "We both believed in destiny, but destiny has a great cost, and I didn't want my "destiny" to cost me the people I loved, so Pyrrha Nikos, the reason Jaune chose me over you, is simple... I chose him, over my Destiny... while you chose destiny, over him," Gillian told her.
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fictionkin-hell · 9 months
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Masc/Neutral names for c!Tubbo!
With nature themes, and no variations of Toby/Tobias!
- Clover
- Birch, Spruce, Oak, Pine, etc.
- Sleet
- Hail
- Tundra
- Emilio
- Cave(s)
- Root
- Juniper
- Thorn
- Wren
- Oakley
- Aster
- Arthur (or 'Art')
- Rogue
- Grey/Gray
- Forest
- Arrow
- Archer
- Knox
- Mars
- Comet
- Maximilian/Maximus
- Jasper
- Blaze
- Boots
- Zero
- Branch
- Trigger
- Beetle
- Forte
- Robin
- Finn
- August
- Archie
- Clyde
- Mercury
- Elk
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spacesuitsims · 2 years
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Ascendant Legacy Challenge  - NEW ZODIAC LEGACY CHALLENGE FOR YOU TO BE CHALLENGED BY AND HAVE FUN STORY TELLING
My Gen 1 (Virgo Rising) - The road so far...
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I am currently on Gen 2 (Libra Rising) of my astrology-based legacy challenge and since I am a Pisces moon in the 5th house and Aquarius in the 4th, I am a sucker for nostalgia, aesthetic collages and posting a million gameplay photos.
Take a walk down memory lane with me... buckle up and maybe get some tissues.
Some of these sims are from my first ever save file in the sims 4 from 2020 and after they pass I wont be bringing them back (I’m not crying..) so this is a much needed montage of the family tree.
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Aspen and Alex met on a dating app while they were both still in university and hit it off. They moved to their tiny house in Strangerville, having taken out a huge loan and barely able to cover their bills, but it was better than the dirty apartment Aspen was in and the Sigma Omega Tau frat house... 
Aspen followed her dreams of becoming a scientist and finding alien life while Alex joined a charity supporting under-privileged sims and being a part-time stay at home dad. 
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Garcia-Mahoe family with matriarch Dani and her two older boys Alex and Rafael, her eldest girl Maria. Jason married into the family ad became the kids’ father they never had when the boys were teenagers. He raised them to be caring and respectful and to always pursue their dreams. All three kids went to university and meanwhile Dani and Jason had two surprise additions to the family, Levi and Ryan.
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Rafael met Shayna who is Aspen’s coworker and they have 3 boys. Trevon and Emilio are great friends. Shayna and Aspen became best friends from being extended family - the Garcias have a way of bringing everyone together.
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We can’t forget about the side characters! They make the story and have affected the Zodics in their story so far. 
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The most important of all is RRanger, Aspen’s loyal service doggo who helped her navigate the world with her disability. Being partially deaf was never easy, but RRanger always made it better. He’s in the doggie park in the sky now getting lots of treats and head scratches 
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Of course we can’t forget about Echo and the two (not so small) puppers, Mercury and Artemis. 
The best-friends really make the game. Harper and Shayna as in and out of work besties and Bellamy, Aspen’s great childhood friend. Alex made great friends too in Micah, Martha, and an unexpected friend for both in Destinee when she used their recycler that one time and checked in on their family ever since.
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Gen 2 with Ashton, Eila and Emilio has started with Ash as my heir (Libra Rising). A new chapter and more gameplay to come
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Almost all of the adult aged sims are elders now or have died. I am actually sad-happy putting this together. I hope you enjoyed!
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How to play the Ascendant Legacy Challenge
If you want to play along to my completely customizable, re-playable and accurate astrology challenge - Ascendant Legacy Challenge - check out the rules and tag your zodiac sims and posts to #ts4 Ascendant Legacy
if you've gotten this far, consider a reblog to spread the challenge and get more of us playing! Thanks and take care!
-Spacesuitsims
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ptbf2002 · 5 months
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My Top 30 Favorite Jetix Characters
#30 Eizan Kaburagi (Shuriken School)
#29 Josh (Team Galaxy)
#28 Yoko (Team Galaxy)
#27 Brett (Team Galaxy)
#26 Chiro (Super Robot Monkey Team Hyperforce Go!)
#25 Serio (Combo Niños)
#24 Paco (Combo Niños)
#23 Azul (Combo Niños)
#22 Pilar (Combo Niños)
#21 Miss Soledad (Combo Niños)
#20 Sonic The Hedgehog (Sonic X)
#19 Will Vandom (W.I.T.C.H.)
#18 Irma Lair (W.I.T.C.H.)
#17 Taranee Cook (W.I.T.C.H.)
#16 Cornelia Hale (W.I.T.C.H.)
#15 Hay Lin (W.I.T.C.H.)
#14 Iggy Arbuckle (Iggy Arbuckle)
#13 Andy Larkin (What's With Andy)
#12 Nancy (The Kids from Room 402)
#11 Yin (Yin Yang Yo!)
#10 Yang (Yin Yang Yo!)
#9 Master Yo (Yin Yang Yo!)
#8 Timmy Turner (The Fairly OddParents!)
#7 Cosmo (The Fairly OddParents!)
#6 Wanda (The Fairly OddParents!)
#5 Hulk
#4 Peter Parker/Spider-Man (Spider-Man 1994)
#3 Bronze Medal: Pucca (Pucca)
#2 Silver Medal: Jimmy Two-Shoes (Jimmy Two-Shoes)
#1 Gold Medal: Jay (Jetix)
Shuriken School Belongs To Emilio Gallego, Jesùs Gallego, 2 Minutes Animation, Big Star Enterprise, Xilam Animation S.A. Zinkia Entertainment S.A. France 3, France Télévisions S.A. Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Paramount Global, Jetix Europe N.V. Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company
Team Galaxy Belongs To Vincent Chalvon-Demersay, David Michel, Michelle Lamoreaux, Robert Lamoreaux, Digital eMation Inc. Marathon Animation, Marathon Media Group, Zodiak Kids Studios, Banijay S.A. Image Entertainment Corporation, Mystery Animation, Quebec Productions, RAI Fiction, Une Coproduction, RAI 2, RAI S.P.A. Jetix Europe N.V. YTV Canada, Inc. Corus Entertainment Inc. France 3, France Télévisions S.A. VRAK.TV Bell Media Inc. And Bell Canada Enterprises Inc.
Super Robot Monkey Team Hyperforce Go! Belongs To Ciro Nieli, The Answer Studio, Jetix Animation Concepts, Disney Television Animation, Jetix, Toon Disney, ABC Family, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company
Combo Niños Belongs To Carlo de Boutiny, Caroline Pierce, Fabienne Gambrelle, SIP Animation, TF1, Groupe TF1 S.A. Jetix Europe N.V. Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company
Sonic X Belongs To Yuji Naka, Naoto Ohshima, Hirokazu Yasuhara, TMS Entertainment Co., Ltd. Sonic Team, SEGA Corporation, SEGA Sammy Holdings Inc. FOX Kids Europe N.V. Jetix Europe N.V. The Walt Disney Company, 4Kids Entertainment, Inc. Saban Brands, Hasbro Entertainment, Hasbro, Inc. Discotek Media, TV Tokyo, TV Tokyo Holdings Corporation, Nikkei, Inc. 4Kids TV, FOX Broadcasting Company, FOX Entertainment, And FOX Corporation
W.I.T.C.H. Belongs To Elisabetta Gnone, Alessandro Barbucci, Barbara Canepa, Claire Paoletti, Hong Ying Animation Co., Ltd. Wang Film Productions Co. Ltd. SIP Animation, France 3, France Télévisions S.A. ABC Kids, ABC, ABC Family, Jetix, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company
Iggy Arbuckle Belongs To Guy Vasilovich, Myra Fried, Steve Wright, Shelley Hoffman, Robert Pincombe, Mercury Filmworks, C.O.R.E. Toons, C.O.R.E. Digital Pictures, National Geographic Kids, National Geographic, National Geographic Global Networks, National Geographic Partners, LLC. National Geographic Society, Blueprint Entertainment, Entertainment One Ltd. Hasbro, Inc. TELETOON Original Production, TELETOON Canada Inc. Corus Entertainment Inc. Oasis International, Jetix Europe N.V. Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. The Walt Disney Company
What's With Andy Belongs To Andy Griffiths, Chile Animación, Jireh Animation, Les Dessins Animés Zoetrope, NIC Entertainment, CinéGroupe, Lionsgate Entertainment Corporation, SIP Animation, Saban Entertainment, Inc. FOX KIDS, FOX Family Worldwide Inc. TELETOON Original Production, TELETOON Canada Inc. Corus Entertainment Inc. RTL Super, RTL Deutschland GmbH, RTL Group S.A. Jetix Europe N.V. Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. The Walt Disney Company
The Kids from Room 402 Belongs To Betty Paraskevas, Michael Paraskevas, Lesa Kite, Cindy Begel, Chile Animación, New Vision International, Storyopolis, CinéGroupe, Saban Entertainment, Inc. FOX Family Channel, FOX Family Worldwide Inc. TELETOON, TELETOON Canada Inc. Corus Entertainment Inc. Jetix Europe N.V. Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. The Walt Disney Company
Yin Yang Yo! Belongs To Bob Boyle Elliott Animation Inc. Jetix Animation Concepts, Disney Television Animation, Jetix, Toon Disney, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company
The Fairly Oddparents Belongs To Butch Hartman, Yeson Entertainment, Sunwoo Entertainment, Co., Ltd. Elliott Animation Inc., Billionfold Inc. Frederator Studios, Frederator Networks, Inc. Wow Unlimited Media Inc. Nelvana Enterprises Inc. Corus Entertainment Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global
The Incredible Hulk (1996 TV series) Belongs To Stan Lee, Jack Kirby, Saerom Animation, Inc. MARVEL Films Animation, MARVEL Studios, LLC, MARVEL Entertainment, LLC, New World Animation Ltd. New World Entertainment, Saban Entertainment, Inc. FOX Kids Network, FOX Family Worldwide Inc. Jetix Europe N.V. Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. The Walt Disney Company
Spider-Man (1994 TV series) Belongs To Avi Arad, Stan Lee, Steve Ditko, TMS Entertainment Co., Ltd. SEGA Sammy Holdings Inc. MARVEL Films Animation, MARVEL Studios, LLC, MARVEL Entertainment, LLC, New World Entertainment, Saban Entertainment, Inc. FOX Kids Network, FOX Family Worldwide Inc. Jetix Europe N.V. Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. The Walt Disney Company
Pucca (TV series) Belongs To Boo Kyoung Kim, Calvin Kim, VOOZ Character System, Studio B Productions, Inc. DHX Media Vancouver, WildBrain Studios, WildBrain Ltd. MBC TV (South Korean TV channel), Munhwa Broadcasting Corporation, Toon Disney, Jetix, Jetix Europe N.V. Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company
Jimmy Two-Shoes Belongs To Sean Scott, Edward Kay, Alex Galatis, Kevin Gillis, Mark Evastaff, Mercury Filmworks, Elliott Animation Inc. TELETOON Original Production TELETOON Canada Inc. Corus Entertainment Inc. Corus Entertainment Inc. Jetix Europe N.V. Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. The Walt Disney Company
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chuckiecampbell · 2 years
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This was the crew we brought with us to NYC to play at @mercuryloungeny — very proud of this talent collective of individuals: @iamisaiah20 on drums, Mike Slomowicz on guitar; @thedrumkey on keys, Emilio Virellla on trumpet; @therealiesha and @imdavestewy on soul/rnb vocals, and myself and @maddukez on rap vocals. Big shout to @olisflophouse for making it happen and taking this picture! We’ll be back soon; we are building something special and we want you all to be a part of it! Last, I want to send a big thank you to @threechordbourbon for sponsoring the Boom Bap and Bourbon tour as we traveled the country and did what we love. This was only the beginning! #threechord #hiphop #chuckiecampbell #nyc #newyorkcityhiphop #nychiphop #buffalohiphop #buffalomusicscene #buffalomusicians #buffalony #boombap #bourbon #nationaltour (at Mercury Lounge) https://www.instagram.com/p/CdqQ9RfuJzl/?igshid=NGJjMDIxMWI=
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simatomica3 · 4 years
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Merry Christmas from the Mercury’s
@sugarcubepixels
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midnighthollowpack · 4 years
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Forgot to upload this here
@candymercury
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simatomica · 25 days
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OC Questionnaire
Ty for the tag @midnightsquartz @sertrallne <3
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Emilio Mercury
NICKNAME: Milio, Mercurio, Merc, Lobo
GENDER: Male
STAR SIGN: Scorpio
HEIGHT: 6'5
ORIENTATION: Straight
NATIONALITY/ETHNICITY: Puerto Rican
FAVORITE FRUIT: Mango, Coconut, Kiwi
FAVORITE SEASON: Summer
FAVORITE FLOWER: Flor de Maga
FAVORITE SCENT: Freshly brewed coffee
COFFEE, TEA, or HOT CHOCOLATE: Coffee, black
AVERAGE HOURS OF SLEEP: 8-10
DOGS or CATS: Dogs
DREAM TRIP: A month long trip in Alaska.
NUMBER OF BLANKETS: a single thin sheet
RANDOM FACT: Emilio hates peanut butter. He'll eat in a pb&j but there has to be a certain ratio of Jelly to PB.
I tag: @lilamausmaus @kuroashims @eslanes
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bitzsims · 2 years
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emiliomercury · 2 years
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@magical-happenings
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17 brani nuovi da ascoltare sdraiati sul divano
https://www.dlso.it/site/2020/10/06/brani-6-ottobre-2020/
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astrognossienne · 3 years
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scandalous beauty - dolores del río - an analysis
“I love my native Mexico but I love Hollywood, too. It has brought me much happiness and yet, while here I have been miserably unhappy also. But through it all I have found myself, my work and my true destiny.” - Dolores del Río
Like Lupe Vélez, Dolores del Río was a pioneering Latina actress, however del Río’s reach was longer. Far from being stigmatized as a woman of colour, she was acknowledged as the epitome of beauty in the Hollywood of the 1920s and early 1930s. While she insisted upon her ethnicity, she was nevertheless coded white by the film industry and its fans, and she appeared for more than a decade as a romantic lead opposite white actors. Returning to Mexico in the early 1940s, she brought enthusiasm and prestige to the Golden Age of Mexican cinema, becoming one of the great divas of Mexican film. With struggle and perseverance, she overcame the influence of men in both countries who hoped to dominate her, ultimately controlling her own life professionally and personally. Her sophistication, style and artistry bewitched everyone from Stella Adler to John Ford, Federico Fellini, and her great friends Frida Kahlo and Diego Rivera, who proclaimed to be “totally in love with her, just like forty million Mexicans and one hundred and twenty million Americans who couldn’t be wrong.” She was America’s first Latina superstar, and by the early 1930s, she was one of Hollywood's ten top moneymakers. Hers was a charmed life, but not even she was without problems. A child of privilege in her native Mexico, her family’s status was destroyed in the Mexican Revolution, and her desire to restore her comfortable lifestyle inspired del Río to follow a career as an actress. Discovered and promoted by American director Edwin Carewe, her obsessive protector and Svengali, as the “female Rudolph Valentino,” del Río’s aristocratic, Spanish-European background was constantly pushed to counteract Hollywood’s racism against Mexicans; indeed she was generally thought to be one of the most beautiful actresses of her era, and was the first Latin American movie star to have international appeal. She worked for over five decades and paved the way for Latin American stars in American cinema.
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Dolores del Río, according to astrotheme, was a Leo sun and Aries moon. She was born María de los Dolores Asúnsolo López-Negrete in the Mexican town of Durango; she was an only child born to parents who belonged to the wealthy Mexican aristocracy. She was the second cousin of actor Ramón Novarro and a cousin to actress Andrea Palma. They lived the high life in the company of intellectuals and artists. Dolores attended a prestigious school but soon their world was turned upside down, threatened by an insurrection led by Pancho Villa in the region. Del Río and her mother escaped Mexico City disguised as peasants, while her father crossed the border to the United States. When the family eventually reunited in 1912, they did so under the protection of Francisco I. Madero. In 1920 she married the 18-year older attorney Jaime Martinez del Río and became a socialite. Her career got off to a good start when in 1925 when the lauded American director Edwin Carewe was invited to her home and saw her perform and dance for her family and friends. He persuaded del Río and her husband to moved to the United Sates and go to Hollywood to be in his films. While in Hollywood, del Río played a variety of leading roles, from European aristocrat to "native" girl to European peasant.
Within a few years after her arrival, she was a major hit and her appeal was astonishingly broad. She quickly came to command a substantial salary and to exercise control over her choice of films, scripts, and camera angles. Despite the fact that she did not speak English when she first began and had to have the director 's instructions delivered through interpreters, she made the transition to sound films gracefully. Her accent was deemed slight, attractive, and not specific to a particular country. As socially attractive as she was, physically and personality-wise, the truth is that a major part of del Río’s seamless transition into Hollywood is down to racism and white supremacy. While her contemporary (and nemesis) Lupe Vélez was viewed as the "bad Mexican wildcat" (to be fair, her temperament didn’t help this stereotype), Dolores was viewed as the "good Spanish lady." The contrast between the two stars and their degrees of acceptance reflected society’s stereotypical dichotomy between "good" Spanish and "bad" Mexican images– which has its roots in U.S. history. While most Mexicans were perceived as racially inferior, the elite Hispanic Californianas were deemed European and superior while the mass of Mexican women were viewed as Indian and inferior. Californiana women who possessed land and intermarried with Anglo men were depicted positively; they were represented as aristocratic and virtuous and they epitomized "good" women; but this was at the price of denying their racial identity, and being treated as racially superior to Californiano males and the rest of their people. So as such, she soon divorced her Mexican husband Jaime in 1928 and two years later married MGM art director Cedric Gibbons (who happened to be Gary Cooper’s wife’s uncle).
Soon after her marriage, she was romantically linked with actor Errol Flynn, filmmaker John Farrow, writer Erich Maria Remarque, film producer Archibaldo Burns, and actor Tito Junco. However, it was her affair with Orson Welles, who considered her the love of his life, that was arguably her most high profile relationship. She and Welles met at a party hosted by director Darryl Zanuck. The couple felt a mutual attraction and began a discreet affair, which upon eventual discovery caused the divorce between Dolores and Gibbons. Their relationship lasted for 4 years; she ended it when she got word of Welles cheating on her. She decided to end her relationship with Welles through a telegram that he never answered. According to his daughter, Rebecca, until the end of his life, Welles felt for del Río a kind of obsession. Weeks later, her father died in Mexico. With these personal and professional downturns, Dolores del Río returned to Mexico in the 1940s and became a significant part of the Mexican film industry’s Golden Era. She was the muse of director Emilio Fernández and starred most notably in Las Abandonadas (1944) and La Malquerida (1949). On a national and even international level though, Dolores del Río will perhaps always be best remembered for her role in the 1946 classic María Candelaría, which is said to be the film of which she was most proud. It also marked the first tentative steps of the Mexican film industry into the world of serious cinema and was the first Latin American film to be screened at the Cannes Film Festival in 1946, where it won the Grand Prix (now known as the Palme d’Or) for Best Picture. After her triumph in her native homeland, she returned to Hollywood and played opposite Henry Fonda in The Fugitive (1947). She continued to work steadily, starring in various TV shows and films until retiring in 1978. On April 11, 1983, del Río died from liver failure at the age of 78 in Newport Beach, California.
Next week, I’ll focus on her one-time lover, an iconoclastic disruptor who took on the conventions of Hollywood and won: the amazing Taurus Orson Welles.
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Stats
birthdate: August 3, 1904
major planets:
Sun: Leo
Moon: Aries
Rising: Leo
Mercury: Virgo
Venus: Leo
Mars: Cancer
Midheaven: Taurus
Jupiter: Aries
Saturn: Aquarius
Uranus: Sagittarius
Neptune: Cancer
Pluto: Gemini
Overall personality snapshot:  She had a large, warm-hearted, extroverted personality that was always eager to embrace life, love and success – in big doses. There was something about her that assumed the divine right to live life to the full, and her intensity and impatience, along with her personal ambitions, pulled her ever onwards into new projects, fresh relationships and greater challenges. She was something of a gambler and had a daring and dramatic spirit which propelled her forward to make her mark, a sense of personal destiny which can only be exciting and noble. And she was prepared to fight for that glorious destiny if she had to, although she would rather simply steal the show and convince everyone with her intelligence, originality, courage and fabulous style. One of her most beguiling qualities is that she was totally lacking in guile and pretense. Although her own personal destiny was what interested her, paradoxically she at first looked for people she could admire and make into personal heroes. Strongly influenced by a favourite teacher, friend, poet, sports champion or movie star, she could then emulate them and learn through experience how to be great.
She loved the process of creating, as well as the applause that came at the end. Indeed, she relied on those adoring strokes and affirmative responses more than she liked to admit. Life without people would be colourless and boring for her. Social interaction was her life-blood – she could be the life of the party, a real ham and an eccentric, ready to take up the most outrageous dare. But when her extrovert escapades dry up, so did she. She may have, in fact, driven herself to exhaustion and then collapse like a child, home from an all-night rave-up. Yet despite her headlong rush into the experience of life, she was not necessarily irresponsible. Daring and highly idealistic dreams worked away inside her and made her want to improve things, to show people the way, and she may have simply taken charge – for a while. Intensely self-motivated, she did not respond well to orders from others, even though she could be quite bossy herself. There is a touch of the preacher inside her, and she approached her work with great enthusiasm and commitment. She needed space to do her own thing, to learn from her own mistakes, and to learn how to impose her own brand of self-discipline. Her innate self-dramatizing tendencies made her a natural for the theater, business, lecturing, the media – areas that involved group interaction and provided scope for her original and iconoclastic ideas.
She had great presence with a strong-featured face and a sunny glow of inner self-confidence and displayed a regal quality in her posture and carriage; was definitely well-built. She sought perfection in whatever she did and could be very critical of herself and her own efforts. In this way, she often became overly critical and pedantic, especially under stress. She was basically an honest person, and it disturbed her greatly when she had to deal with people who were not. Anyone who violated her sense of trust had a very hard time getting it back. It was very important for her to know that she had the security of a guaranteed paycheck coming in regularly. She had an artistic side to her that obviously influenced her choice of career as an actor. Once she had decided upon her career, she was able to (and most certainly did) pursue it with great determination. She had boundless enthusiasm and big ideas coupled with high expectations of succeeding. She was also self-sufficient and broad-minded. Her genuine pioneering spirit, positive outlook and large-scale personal ambitions led her right to the top. She needed to learn to think before you take on a challenge, and all risks should have been carefully considered. She needed to learn to relax and slow down. She was anxious to prove herself both to others and to herself. If anyone said that she couldn’t do something, she defied them to try and stop her. As long as she felt that she was the one in control, she had a high degree of optimism and was fun-loving, loving to play at life. 
She had an original mind and used every skill she possessed to gain control of her affairs. She found it hard to let go of the past, and it would have been good if she did so that she could grow. She was willing to tolerate austerity for as long as it was justified. She respected institutions for as long as they served her purpose. She had the ability to judge what was viable or important. She belonged to a generation with fiery enthusiasm for new and innovative ideas and concepts. Rejecting the past and its mistakes, she sought new ideals and people to believe in. As a member of this generation, she felt restless and adventurous, and was attracted towards foreign people, places and cultures. She was part of an emotionally sensitive generation that was extremely conscious of the domestic environment and the atmosphere surrounding their home place and home country. In fact, she could be quite nostalgic about her homeland, religion and traditions, often seeing them in a romantic light. She felt a degree of escapism from everyday reality, and was very sensitive to the moods of those around him. Dolores embodied all of these Cancer Neptunian ideals, when she returned to her native Mexico in 1943, a country of which she was very proud, her decision to return to her roots changed her career. As a Gemini Plutonian, she was mentally restless and willing to examine and change old doctrines, ideas and ways of thinking. As a member of this generation, she showed an enormous amount of mental vitality, originality and perception. Traditional customs and taboos were examined and rejected for newer and more original ways of doing things. As opportunities with education expanded, she questioned more and learned more.
Love/sex life: She had a heroic conception of herself as a lover. She saw herself as strong and in control, the protector of the weak and the saviour of the desperate. Unfortunately, the realities of her love life didn’t always support this notion. Often it was her tender feelings that required protection and her desperate plunges in and out of love that called for a saviour. In order to justify this discrepancy, she often had to be less than honest, both with her lover and herself. The person most likely to win her heart would have been that individual who made it appear as if  she was the champion when, in fact, she was the one crying for help. Her tendency toward self-deception often extended to a failure to admit to her very natural emotionalism and sexual passivity. Unfortunately, there always came a day of reckoning when she had to “own” her emotional susceptibility and capitulate to her sloppy feelings of dependency and her deep-seated need for affection. The good news was that surrendering everything for love wasn’t nearly as bad as she thought it was. She may have lost her dignity but what she got in return made it all worth while.
minor asteroids and points:
North Node: Virgo
Lilith: Pisces
Vertex: Sagittarius
Fortune: Taurus
East Point: Leo
These points in her chart, however minor, packed a major punch in her sex appeal as well. Her North Node in Virgo dictated that her tendency to dream and be disorganized needed to be tempered by developing more practical and down-to-earth attitudes. Her Lilith in Pisces meant that she was a woman who was a natural born mystic and cultivated her own myth. Her Part of Fortune in Taurus and Part of Spirit in Scorpio dictated that her destiny lay in attaining personal freedom through seeking material security and comfort. Happiness and good fortune came through tangible and practical results that had a solid foundation. Her soul’s purpose lay in delving fearlessly into the unknown. She felt spiritual connections and saw the spark of the divine when she could strip away the outer layers of experiences and get to the core of a situation. East Point in Leo dictated that she was more likely to identify with the need for pleasure (including the potential of liking herself) and comfort. Vertex in Sagittarius, 4th house reveals that she dreamt of the pinnacle of adventure when it came to mating. Her psyche yearned to be carried away to the ends of the earth or to be exposed to every manner of religious and/or philosophical theory known to man and then some. Her yearning was strong and really deep when it came to rarefied experiences of any sort. Encountering and wanting to join with her demanded that she always had an itinerary that will provide her with the maps to explore the roads that they have not yet traveled, to say nothing of the different worlds they have dreamed of but not yet experienced. She had a childlike orientation, in all of its manifestations, toward relationships on an internal level. That implicit dependency and impressionable nature that was instilled in her childhood persisted far into maturity. The concomitant explosions and occasional tantrums when these constructs are violated also accompany this position. She had a need for emotional security and comfort in a committed relationship, no matter how many years it has endured. She often had deep fears, typical of children, of abandonment, as well as a need for protection and universal acceptance, no matter how she acted, which she needed her partner to respect and nurture, rather than rebuke, especially in adulthood.
elemental dominance:
fire
earth
She was dynamic and passionate, with strong leadership ability. She generated enormous warmth and vibrancy. She was exciting to be around, because she was genuinely enthusiastic and usually friendly. However, she could either be harnessed into helpful energy or flame up and cause destruction. Ultimately, she chose the latter. Confident and opinionated, she was fond of declarative statements such as “I will do this” or “It’s this way.” When out of control—usually because she was bored, or hadn’t been acknowledged—she was be bossy, demanding, and even tyrannical. But at her best, her confidence and vision inspired others to conquer new territory in the world, in society, and in themselves. She was a practical, reliable man and could provide structure and protection. She was oriented toward practical experience and thought in terms of doing rather than thinking, feeling, or imagining. Could be materialistic, unimaginative, and resistant to change. But at her best, she provided the practical resources, analysis, and leadership to make dreams come true.
modality dominance:
fixed
She liked the challenge of managing existing routines with ever more efficiency, rather than starting new enterprises or finding new ways of doing things. She likely had trouble delegating duties and had a very hard time seeing other points of view; she tried to implement the human need to create stability and order in the wake of change.      
house dominants:
12th
9th
1st
She had great interest in the unconscious, and indulged in a lot of hidden and secret affairs. Her life was defined by seclusion and escapism. She had a certain mysticism and hidden sensitivity, as well as an intense need for privacy. Traveling, whether physically across the globe, on a mental plane or expanding through study was a major theme in her life. She was not only concerned with learning facts, but also wanted to understand the connections formed between them and the philosophies and concepts they stood for. Her conscience, as well as foreign travel, people and places was also of paramount importance in her life. Her personality, disposition and temperament was highlighted in her life. The manner in which she expressed herself and the way she approached other people is also highlighted. The way she approached new situations and circumstances contributed to show how she set about her life’s goals. Early childhood experiences also factored in her life as well.
planet dominants:
Mercury
Sun
Venus
She was intelligent, mentally quick, and had excellent verbal acuity. She dealt in terms of logic and reasoning. It is likely that she was left-brained. She was restless, craved movement, newness, and the bright hope of undiscovered terrains. She had vitality and creativity, as well as a strong ego and was authoritarian and powerful. She likely had strong leadership qualities, she definitely knew who she was, and she had tremendous will. She met challenges and believed in expanding her life. She was romantic, attractive and valued  beauty, had an artistic instinct, and was sociable. She had an easy ability to create close personal relationships, for better or worse, and to form business partnerships.
sign dominants:
Leo
Aries
Virgo
She loved being the center of attention and often surrounded herself with admirers. She had an innate dramatic sense, and life was definitely her stage. Her flamboyance and personal magnetism extended to every facet of her life. She wanted to succeed and make an impact in every situation. As a Leo dominant, she was, at her best, optimistic, honorable, loyal, and ambitious. She was a physically oriented individual who took pride in her body. She was bold, courageous, and resourceful. She always seemed to know what she believed, what she wanted from life, and where she was going. She could be dynamic and aggressive (sometimes, to a fault) in pursuing her goals—whatever they might be. Could be argumentative, lacked tact, and had a bad temper. On the other hand, her anger rarely lasted long, and she could be warm and loving with those she cared about. She was a discriminating, attractive, thorough, scientific, hygienic, humane, scientific woman and had the highest standards. Her attention to detail was second to none and she had a deeply penetrative and investigative mind.
Read more about her under the cut.
Dolores del Rio was the one of the first Mexican movie stars with international appeal and who had meteoric career in the 1920s/1930s Hollywood. Del Rio came from an aristocratic family in Durango. In the Mexican revolution of 1916, however, the family lost everything and emigrated to Mexico City, where Dolores became a socialite. In 1921 she married Jaime Del Río (also known as Jaime Martínez Del Río), a wealthy Mexican, and the two became friends with Hollywood producer/director Edwin Carewe, who "discovered" del Rio and invited the couple to move to Hollywood where they launched careers in the movie business (she as an actress, Jaime as a screenwriter). Eventually they divorced after Carewe cast her in her first film Joanna (1925), followed by High Steppers (1926), and Pals First (1926). She had her first leading role in Carewe's silent version of Pals First (1926) and soared to stardom in 1928 with Carewe's Ramona (1928). The film was a success and del Rio was hailed as a female Rudolph Valentino. Her career continued to rise with the arrival of sound in the drama/romance Bird of Paradise (1932) and hit musical Flying Down to Rio (1933). She later married Cedric Gibbons, the well-known art director and production designer at MGM studios. Dolores returned to Mexico in 1942. Her Hollywood career was over, and a romance with Orson Welles--who later called her "the most exciting woman I've ever met"--caused her second divorce. Mexican director Emilio Fernández offered her the lead in his film Wild Flower (1943), with a wholly unexpected result: at age 37, Dolores del Río became the most famous movie star in her country, filming in Spanish for the first time. Her association with Fernández' team (cinematographer Gabriel Figueroa, writer Mauricio Magdaleno and actor Pedro Armendáriz) was mainly responsible for creating what has been called the Golden Era of Mexican Cinema. With such pictures as Maria Candelaria (1944), The Abandoned (1945) and Bugambilia (1945), del Río became the prototypical Mexican beauty. career included film, theater and television. In her last years she received accolades because of her work for orphaned children. Her last film was The Children of Sanchez (1978). (x)
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