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#Craig Santos Perez
luthienne · 7 months
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Craig Santos Perez, from “Love in a Time of Climate Change”
[Text ID: I love you as one loves the most vulnerable / species: urgently, between the habitat and its loss. / I love you as one loves the last seed saved / within a vault,]
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lifeinpoetry · 11 months
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i am not between two languages—one language controls me and the other is a lost ocean
— Craig Santos Perez, from “from sourcings,” from unincorporated territory [saina]
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kafk-a · 1 year
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Craig Santos Perez
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bostonpoetryslam · 1 year
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Poetry has so many different powers, I believe—it can educate us, make us feel sympathy or empathy, empower us. It can allow us to reckon with our traumas that perhaps, you know, we’ve suppressed. It can revitalize lost languages, and suffering or oppressed cultures. It could allow us to see the world from a different perspective. And you know, the ultimate hope, especially in political poetry, is to be disturbed towards action.
Craig Santos Perez, interviewed by Bradley Trumpfheller for Divedapper
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myownprivate · 1 year
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Love in a Time of Climate Change
by Craig Santos Perez
I don’t love you as if you were rare earth metals, conflict diamonds, or reserves of crude oil that cause war. I love you as one loves the most vulnerable species: urgently, between the habitat and its loss. I love you as one loves the last seed saved within a vault, gestating the heritage of our roots, and thanks to your body, the taste that ripens from its fruit still lives sweetly on my tongue. I love you without knowing how or when this world will end. I love you organically, without pesticides. I love you like this because we’ll only survive in the nitrogen rich compost of our embrace, so close that your emissions of carbon are mine, so close that your sea rises with my heat.
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jflanotes · 2 years
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Poetry is a love letter and mahalo circle. Poetry is an archive, document(ary), and library of voices. Poetry is place-based and planetary, migratory and rooted, archipelagic and oceanic. Poetry is hybrid, polyphonic, and multispecies. Poetry is laughter and trickster. Poetry is like the ocean: it has no end, only unknown depths, contracting waves, and dilating horizons.
Imagining a More “Tender Country”: A Conversation with Craig Santos Perez
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lqb2poetry · 5 months
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Love in a Time of Climate Change
I don't love you as if you were rare earth metals, conflict diamonds, or reserves of crude oil that cause war. I love you as one loves the most vulnerable species: urgently, between the habitat and its loss. I love you as one loves the last seed saved within a vault, gestating the heritage of our roots, and thanks to your body, the taste that ripens from its fruit still lives sweetly on my tongue. I love you without knowing how or when this world will end. I love you organically, without pesticides. I love you like this because we'll only survive in the nitrogen-rich compost of our embrace, so close that your emissions of carbon are mine, so close that your sea rises with my heat. by Craig Santos Perez (recycling Pablo Neruda's "Sonnet XVII")
ht andy cahill
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nsantand · 6 months
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Craig Santos Perez — Amor em tempos de mudanças climáticas
"Amor em tempos de mudanças climáticas", um poema de Craig Santos Perez, seguido do Soneto XVII", de Pablo Neruda
Amor em tempos de mudanças climáticas reciclando o “Sonnet XVII”1 de Pablo Neruda Não te amo como se fosses metais raros da terra,diamantes de sangue ou reservas de petróleo bruto que provocama guerra. Eu te amo como amamos as espécies mais vulneráveis: urgentemente, entre o habitat e a sua perda. Eu te amo como se ama a última semente a salvodentro de um cofre, gestando a herança de nossas…
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jshoulson · 1 year
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Today’s Poem
ars pasifika --Craig Santos Perez
when the tide
of silence
rises
say “ocean”
then with the paddle
of your tongue
rearrange
the letters to form
“canoe”
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tortoisetrainer · 10 months
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long distance love
wong kar-wai // e. e. cummings // jorge damiani // rocio montoya // frida kahlo // li-young lee // evan cohen // mary oliver // holly warburton // clifton gachagua // sanna wani // anne magill // craig santos perez // jungho lee
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Honolulu, Hawai'i We host our daughter's first birthday party during the hottest April in history. Outside, my dad grills meat over charcoal; inside, my mom steams rice and roasts vegetables. They've traveled from California, where drought carves trees into tinder—"Paradise is burning." When our daughter's first fever spiked, the doctor said, "It's a sign she's fighting infection." Bloodshed surges with global temperatures, which know no borders. "If her fever doesn't break," the doctor continued, "take her to the Emergency Room." Airstrikes detonate hospitals in Yemen, Iraq, Afghanistan, South Sudan . . . "When she crowned," my wife said, "it felt like rings of fire." Volcanoes erupt along Pacific fault lines; sweltering heatwaves scorch Australia; forests in Indonesia are razed for palm oil plantations— their ashes flock, like ghost birds, to our distant rib cages. Still, I crave an unfiltered cigarette, even though I quit years ago, and my breath no longer smells like my grandpa's overflowing ashtray— his parched cough still punctures the black lungs of cancer and denial. "If she struggles to breathe," the doctor advised, "give her an asthma inhaler." But tonight we sing, "Happy Birthday," and blow out the candles together. Smoke trembles as if we all exhaled the same flammable wish.
- Rings of Fire by Craig Santos Perez (Chamoru)
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littlemagiceverywhere · 6 months
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love in a time of covid-19 craig santos perez
[june 2022]
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newcatwords · 1 year
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where is hawai'i? can you point to it on a map?
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if someone asks you to point to hawai'i on a map, where would you point?
before colonization, there was (and continues to be) an island called "hawai'i". the entire chain of islands is called "hawaii" and there is a state called "hawaii" made up of a large number of those islands.
now, because there are too many things named "hawaii," the island of hawai'i is often called "the big island", because o'ahu, the island where the city of honolulu is located, is what many people think of when they think of "hawaii". it's a mess.
on top of that, we have the "main hawaiian islands" (aka "southeastern islands" aka "windward islands") vs the "outer islands" (aka "northwestern islands" aka "leeward islands").
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most maps of "hawaii" show only the "main" islands. the map above (created by USGS) shows more of the hawaiian islands, but omits the names of two of the islands in the "main" chain: lana'i & kaho'olawe. these are not insignificant omissions. lana'i is 98% owned by larry ellison, founder & chairman of oracle corporation. kaho'olawe has been relentlessly used & abused by the west. it has been used for ranchland, military training, and most notably, as a munitions testing site, resulting in the continued contamination of the island. after many years of protests & lawsuits by native hawaiians, the island is now only accessible by native hawaiians for cultural, spiritual, & subsistence reasons.
meanwhile, this tourist mug with a creepy colonial-style map of hawaii includes both kaho'olawe & lana'i. good job, tourist mug!
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there are actually over a hundred islands in the hawaiian archipelago. the state of hawaii includes 137 of them (source). midway atoll (made up of 3 islands) is part of the archipelago, but not part of the state. it is one of america's territories: an unorganized unincorporated territory.
additionally, some of the islands "are too small to appear on maps, and others, such as Maro Reef, only appear above the water's surface during times of low tide. Others, such as Shark and Skate islands, have completely eroded away." [source: wikipedia page "list of islands of hawaii"].
in the course of writing this post, i failed to find a map that shows & names all the hawaiian islands and failed to even find a list of all of them (plus if an island only appears sometimes or has disappeared entirely, what do you even do with that?). if you find either or both of those, let me know in comments.
so where and what "hawaii" is remains a mystery.
but this has not prevented commercial & official interests from using maps of "hawaii" in all kinds of places! here on the islands, hawaii map imagery is all around.
maps are very common on tourist items:
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the hawaiian telcom logo uses dots roughly arranged in the pattern of the islands on a map:
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but i guess only five islands are worth including (i understand. branding needs come above all else!).
this souvenir cloth item is interesting because it includes all the main islands (including ni'ihau, lana'i, and kaho'olawe - which are often excluded), but smooshes them into the available space without much consideration for where they are in relation to each other:
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the postcard above has the main islands in their rough places, but squishes them all together so that they fit in the space. also the islands are made more similar in size to each other so that you can better see the little illustrations.
here's a more "official" map to show where the islands "should be" in relation to each other, and their sizes relative to each other (although both of those can change depending on what projection the map uses):
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in my mind, though, the ultimate hawaii map fantasy lives on the ubiquitous reusable walmart cloth bag (available for 50 cents at checkout to all who have forgotten to bring the right number of bags. there's a plastic shopping bag ban in hawaii.):
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in the walmart commercial universe (wcu), the only islands that exist are islands that have a walmart. the general outlines of the islands & their general orientation is preserved (along with a rough topology too!), attempting to convey a sense of adhering to a recognizable reality, but islands without a walmart have been not only omitted, but the space where they would be has been eliminated as well - as if they were never there to begin with. in the walmart version of reality, what makes something "hawaii" is whether or not it has a walmart on it.
i've had a lot of time to think about this remarkable image because i have a whole bunch of these bags. this is the bag of the people - everyone uses it for everything. the one in the above photo is in a typical state - pretty rough - because it probably came from the side of the road. you can almost always find one on the side of the road. so wherever you are, you are probably within sight of the walmart version of the islands.
so why does it matter whether or not you can point to "hawaii" on a map? well, maps are political documents, meaning that they reflect the vision of whoever has the power to put the map in front of your eyes. so if you're the one with the power to make some of the most commonly-seen maps of hawaii and you decide to remove a few islands, well that can really shape what people think "hawaii" is! we're a sea of islands - many people here have only ever been to one or two of the islands. if it wasn't on the map, you might not know that it existed at all.
hawaii is incredibly important to the united states, not just for tourism, but in terms of global strategy. it's the largest outpost of american power in the middle of the pacific. it puts america & its troops half an ocean closer to some of america's biggest competitors, most notably, china. it's a springboard to all the other island territories of the pacific (which you maybe haven't heard of because they almost never appear on maps):
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once you see a map of all of america's territories in the pacific, along with the exclusive economic zones (eez) that extend out for 200 miles around each island, you start to get a better feel for the extent of america's power in the pacific.
when a place is left off the map, it can be easy to make it (including its people!) invisible. so if you're america, with bases across the islands of the pacific, with a nightmarish history of atomic weapons testing in the pacific (rendering islands uninhabitable and leaving both land and waters too contaminated for people to use), perhaps you might not want some of these places to appear on the map.
in Foreign Policy in Focus, Khury Petersen-Smith writes:
"Many of us living in North America who are concerned about climate change, for example, have a sense that Pacific Islands are facing particularly severe impacts from rising sea levels. But that knowledge tends to be vague and limited, as actual residents of these islands are rarely invited to the table to speak for themselves.
This is not accidental. Commenting during the Nixon administration on U.S. nuclear testing in the Marshall Islands, which share the same region of the Pacific as Guam, Henry Kissinger said “there are only 90,000 people out there. Who gives a damn?”
The U.S. has long had an interest in Marshallese and other Pacific Islanders remaining “out there” in the American mind. This marginalization helps allow the U.S. to carry out military operations in the region, along with policies that further climate change and other harms, while keeping most Americans unaware of these practices’ impacts in the Pacific." [FPIF]
often hawai'i (and alaska - which is in many ways similar to hawai'i in its relation to the contiguous US) doesn't even appear on national maps of the USA.
here's a screenshot from the new york times homepage on march 21, 2020, just as the coronavirus pandemic was beginning to spread:
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there is no alaska and no hawai'i on those maps. so if you were looking for information on the most important issue that was happening at the time, and you live in or are concerned about hawai'i and/or alaska, there would just be nothing. and what does it say about the people who run the top newspaper in america that they decided it was fine to omit these two states? are they not states? do they not matter? do the readers in those states not matter? and this is not an unusual thing at all. it happens all the time.
i'd like to finish by sharing with you a poem by CHamoru poet Craig Santos Perez. CHamoru are the indigenous people of the mariana islands (which include guam, saipan, tinian, rota, and others).
in this poem, Craig Santos Perez writes about not appearing on the map...
“Off-Island CHamorus”
My family migrated to California when I was 15 years old. During the first day at my new high school, the homeroom teacher asked: “Where are you from?” “The Mariana Islands,” I answered. He replied: “I’ve never heard of that place. Prove it exists.” And when I stepped in front of the world map on the wall, it transformed into a mirror: the Pacific Ocean, like my body, was split in two and flayed to the margins. I found Australia, then the Philippines, then Japan. I pointed to an empty space between them and said: “I’m from this invisible archipelago.” Everyone laughed. And even though I descend from oceanic navigators, I felt so lost, shipwrecked
on the coast of a strange continent. “Are you a citizen?” he probed. “Yes. My island, Guam, is a U.S. territory.” We attend American schools, eat American food, listen to American music, watch American movies and television, play American sports, learn American history, dream American dreams, and die in American wars. “You speak English well,” he proclaimed, “with almost no accent.” And isn’t that what it means to be a diasporic CHamoru: to feel foreign in a domestic sense.
Over the last 50 years, CHamorus have migrated to escape the violent memories of war; to seek jobs, schools hospitals, adventure, and love; but most of all, we’ve migrated for military service, deployed and stationed to bases around the world. According to the 2010 census, 44,000 CHamorus live in California, 15,000 in Washington, 10,000 in Texas, 7,000 in Hawaii, and 70,000 more in every other state and even in Puerto Rico. We are the most “geographically dispersed” Pacific Islander population within the United States, and off-island CHamorus now outnumber our on-island kin, with generations having been born away from our ancestral homelands, including my daughters.
Some of us will be able to return home for holidays, weddings, and funerals; others won’t be able to afford the expensive plane ticket to the Western Pacific. Years and even decades might pass between trips, and each visit will feel too short. We’ll lose contact with family and friends, and the island will continue to change until it becomes unfamiliar to us. And isn’t that, too, what it means to be a diasporic CHamoru: to feel foreign in your own homeland.
Even after 25 years, there are still times I feel adrift, without itinerary or destination. When I wonder: What if we stayed? What if we return? When the undertow of these questions begins pulling you out to sea, remember: migration flows through our blood like the aerial roots of the banyan tree. Remember: our ancestors taught us how to carry our culture in the canoes of our bodies. Remember: our people, scattered like stars, form new constellations when we gather. Remember: home is not simply a house, village, or island; home is an archipelago of belonging.
–Craig Santos Perez
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thank you for reading this post! please let me know if you see any errors.
if you'd like to learn more about some important issues in the pacific, here are just a few:
july 2, 2020: "US says leaking nuclear waste dome is safe; Marshall Islands leaders don't believe it" - Los Angeles Times
may 30, 2021: "Pacific Plunder: this is who profits from the mass extraction of the region's natural resources." - The Guardian
april 5, 2021: "75 years after nuclear testing in the Pacific began, the fallout continues to wreak havoc" - The Conversation
june 4, 2021: "Guam won’t give up more land to the U.S. military without a fight" - The World (radio program)
aug. 24, 2021: "The US is building a military base in the middle of the Pacific Ocean. Micronesian residents have questions." - The World (radio program)
and if you'd like to learn more about how maps are political, here are a couple articles:
june 5, 2014: "The politics of making maps" by Amanda Ruggeri, for BBC
july 11, 2018: "Politics and Cartography: The Power of Deception through Distortion" by John Erskine, for the Carnegie Ethics Online Monthly Column
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greeds · 1 year
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natalie diaz
kai cheng thom
machi tawara
nikki giovanni
thomas king
sarah kay
sally wen mao
craig santos perez
lee ann roripaugh
emily skaja
morgan parker
phil kaye
aracelis girmay
warsan shire
ross gay
ocean vuong
hala alyan
natasha trethewey
claudia rankine
david groulx
danusha lameris
ben lerner
roque dalton
@sitaaras here u goooo
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finishinglinepress · 1 year
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FLP POETRY BOOK OF THE DAY:Too Many Seeds by Gabrielle Myers
TO ORDER GO TO: https://www.finishinglinepress.com/product/too-many-seeds-by-gabrielle-myers/
Gabrielle is a Professor of English, writer, and chef living in the Sacramento Valley of California. Gabrielle’s memoir, Hive-Mind, details her time of love, awakening, and tragic loss on an organic farm. Her poetry manuscripts have been top finalists for the Catamaran West Coast Poetry Prize(2018 & 2020) and the 42 Mile Press Poetry Award (2014). Her poetry has been published in The Adirondack Review, San Francisco Public Press, Fourteen Hills, Evergreen Review, pacificREVIEW, Connecticut River Review, and Catamaran, among other places, and is forthcoming fromBorderlands: Texas Poetry Review.
ADVANCE PRAISE FOR Too Many Seeds by Gabrielle Myers:
“Gabrielle Myers does not shy away from a kind of post-mod naturalism, where we can taste things, see things, and even – I dare say – touch their ‘opalescent crisp skin.’ Although world-stuff and social-stuff shifts and is disassembled in the scenic constructions of her poetics, she manages a lush 21st century personal pointillism. Most lovely, most alluring.”
–Juan Felipe Herrera, former U.S. Poet Laurate (for the California Writers Exchange contest, Poets and Writers, 2009)
“Throughout this book, Gabrielle Myers reflects on ecology, environmental injustice, and multi-species relations. She invites us to touch “web threads,” smell compost, grip ripe fruit, and see hummingbirds extract “the last pollen from a yielding flower.” These poems are like seeds planted in our imaginations, which will root and blossom for many years to come. Reading, then, becomes a profound act of harvest.”
–Craig Santos Perez, author of Habitat Threshold and from unincorporated territory
“These poems of deep interiority and lush attention are a pleasure to read. This poet has fully metabolized and mastered many different styles and traditions, from Hopkins to Bukowski to Apollinaire. She writes, “My speech strengthens in a leaf/ Detached from what is real,” and her simultaneous detachment from what is merely real along with her deep connection to the natural world leads us further and closer to the essential, unanswerable questions that underly everything.”
–Matthew Zapruder, author of Father’s Day and Why Poetry
“This is a promising debut volume. Myers has a keen eye for the natural world, and a particular gift for sound, especially the Anglo-Saxon alliterative dimension.”
–Alan Williamson, author of The Pattern More Complicated: New and Selected Poems (2004), Res Publica (1998), and Love and the Soul (1995).
“Feast your eyes and ears on the splendor of Gabrielle Myers’ collection: Too Many Seeds. A veritable cornucopia of richly textured language and imagery, these poems draw us deep into the fecund, visceral realms of the poet’s carefully observed terrain, and prove a tireless tribute to the natural world, places rife with thistle, grass, and vine, with bees and creeks and their “storm-heavy bends”, the “cricket chorus” and “chicken slumber”, “cabbage moth”, the “billions of bulbs” and “subterranean feelers”. Clearly, Myers can’t have too many seeds because the fruits of her thoughtfully crafted lines defy death as they generously nourish us. In her own words: the growth goes on forever…”
–Michelle Bitting, author of Broken Kingdom (Catamaran Books) The Couple Who Fell to Earth (C & R Press), and Nightmares & Miracles (Two Sylvias Press, 2022)
Please share/please repost [PROMO]#flpauthor #preorder #AwesomeCoverArt #poetry
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fatbeanbun · 1 year
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Praise Song for Oceania
Craig Santos Perez
praise your capacity for renewal
ascent into clouds and descent into rain
praise your underground aquifers
rivers and lakes, ice sheets and glaciers
praise your watersheds and hydrologic cycles
praise your capacity to endure
the violation of those who map you aqua nullius
who claim dominion over you
who pillage and divide your body
into latitudes and longitudes
who scar your middle passages
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