[Hanfu · 漢服]Chinese Warring States period(475–221 BC) Chu (state) Hanfu Based On Chu (state) lacquer figure
【Historical Artifact Reference】:
Lacquered wood figurines unearthed from Chu State Tomb in Shayang Tumbun Chu Tombs/沙洋塌冢楚墓出土漆俑
Collar cloth and robe unearthed from china Mashan Chu Tomb N19
【Histoty Note】Warring States Period·Chu (state) Noble Women Fashion
Many people may wonder why this set of clothing and hairstyles are so similar to Japan, but the fact is this kind of clothing and hairstyle existed in China at least 1,000 years earlier than Japan.
During the China Warring States Period, it was popular for aristocratic men and women to wear robes.
Lacquered wood figurines and robe with similar images have been unearthed from the Shayang Tumbun Chu Tombs and the Chu Tombs at Mashan, many of which adopted the "three-dimensional structure" technique.
For example, a roughly rectangular piece is caulked at the intersection of the robe's sides, skirt sides and sleeve armpits. At the same time, the lower edge line of the top and the upper edge line of the lower skirt are incrementally extended, and then sewn into one body. It is called "Ming three-dimensional structure".
Its ingenuity is that while the outer contour of the garment remains unchanged, it effectively expands the inner space of the garment body, making it convenient for people to wrap the garment from the front to the back when wearing it, without damaging the original collar and garment forms.
The attire of aristocratic women from the Chu state in this set was restored based on the lacquered wooden figurines of the Chu tomb in Shayang. Their foreheads and temples hair are fluffy, and they have a hanging bun at the back of their heads. They wear robes that are connected up and down, and are decorated with brocade inlays at the seams.
The wearing method is the "layering method", two robes are stacked together in advance and then worn as a whole. This allows the collar edge of the lining to be show parallel to the collar edge of the outer garment, and a section of the lining to be show behind the lapel.The brocade edge is decorated with a wide belt and fixed with double belt hooks.
This "layered" wearing method shows the layers and details of Chu people's clothing, and can also show the graceful beauty of the body.
In addition, many creative clothing styles and fabric patterns emerged during the Spring and Autumn Period and the Warring States Period, bringing with them the unique atmosphere, mysterious imagination and ultimate romance of that era, becoming our inexhaustible source of art.
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Recreation Work by : @裝束复原
Weibo 🔗:https://weibo.com/1656910125/NhBx1oi5n
Prompt: Minimalist Song dynasty cby Alessandro Gottardo,Dream of Red Mansions,Heian period, Zen, dark orange and light beige style, enigmatic figures, elegant cityscape, historical painting, super fine detail, monumental mural,Fine brushwork style, new Chinese style, aesthetic conception, Eastern aesthetics, landscape painting --ar 3:4 --stylize 250 --v 6
Wish everyone good luck in the year of the dragon and happy holiday!!
This is my first time to draw such big dragon, I kinda worried but surprisingly it's okay(ˊᗜˋ*)
2024 is the year of the Green Dragon(青龍) and also the year of the Wood Dragon.
※青 originally meant blue in ancient times, but in painting colors, if blue is mixed with a small amount of green, it is called cyan (one of the three subtractive primary colors), and it has multiple levels.So the dragon I drew is closer to blue><
【Historical Artifacts Reference 】:
Princess Xincheng新城公主 of the Tang Dynasty (634-663)
Princess Xincheng新城公主 was the youngest daughter of Emperor Taizong of the Tang Dynasty in China and was born to the eldest Zhangsun Empress.
Various Hairpin were Unearthed from the Tang Dynasty Tomb of Princess Yang of Wu