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thatbanditqueen · 10 months

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Basic Training Ch 3

A response to the prompt: "You're staring." Thanks to my harem cohort @vintageshanny @missmaywemeetagain @ellie-24 @from-memphis-with-love @be-my-ally @powerofelvis and @whositmcwhatsit

Summary: Bess heads to the dance the Morale, Welfare and Recreation Committee for the 37th armored tank division is throwing, and manages to avoid dancing with the most notorious soldier on post, who cannot seem to take his eyes off her.

Warnings: None! Wait, kissing. Swear words. This may be the slowest burn yet. Probably typos, I wrote about 1K words over the last three days and then the rest in a fever dream. So.... may not make sense. Also I am pretty sure the first phase of basic training would not have them in tanks yet, but....I am playing fast and loose with Army life in this one.

Word Count: 5. 3 K

This is my newest WIP, please like, comment, reblog and tag and let me know what you think. Thank you for reading.

You can catch up on the previous chapters here

Basic Training Chapter 3: Just Kiss Me

Saturday, April 5, 1958

7:30 p.m.

The Schwartz Residence, Killeen

Just as her shoe hit the bottom stair, Bess realized she had left her lipstick in her room and was turning back around to grab it when she saw Kay sitting in the living room, dressed in a pink cocktail dress. Her puffy crinoline skirt was gathered in a heap around her as she shifted in place, adjusting her pearl necklace.

“Um, where do you think you are going?”

Kay looked up, tucking her brown hair behind her ear as she eyed the tight, fitted sheath dress Bess was wearing. She smiled at how the white sequins and embroidered red flowers glowed iridescent in the dim light and whistled low.

“Who are you dressing up for? The guy who you snuck in last weekend?”

“What makes you think there’s a guy, Katherine, honestly. I don’t sneak men into our house.”

“Uh huh, so you’re all gussied up in your favorite dress just for a bunch of enlisted soldiers?”

Kay grabbed her purse and followed her sister to the door.

“Why are you being weird Bess, I always come with you? You’ve been going to army dances since you were sixteen. I’m about to graduate, plus, I told Dickey I’d meet him there.”

Bess sighed, thinking of Kay’s latest boyfriend. She supposed that she should be happy because he seemed like a harmless nerd, and, according to the files she had pulled on him, was not married, inbred or bankrupt.

“I just - we - I didn’t invite you to this dance because it’s an enlisted platoon. I didn’t think you were coming.”

“Wow, you must really like who ever it is, if you don’t want me to see you with him. Too bad. Dori called earlier and told me to come. She’s been trying to reach you all day, by the way.”

Bess locked the door, and they got into her car.

“Can you believe her date?”

“Mmmhmmm.”

“Of course, then it all made sense why you guys would be messing around with an enlisted tank unit. How did Dori even get involved with their MWR Committee.”

Bess rolled up her skirt so she could comfortably drive, and shifted into reverse, arching her eye bow at her younger sister as she did.

“How do you think? She asked to be reassigned to it two weeks ago.”

“Man oh man, she really is lucky. I wonder if we’ll all get to dance with Elvis?”

“Look, Kay, they sent out a memo to everyone, do NOT make a spectacle over Private Presley. Just act like he’s any other solider”

“Of course Bessie bushka. I’m on my best behavior.”

Bess looked Kay in the eyes as they pulled through the base gate.

“I am just going because I told Dori I would, I don’t wanna stay too late. So maybe Dickey Rooney can drive you home if you wanna swing all night?”

“Yeah, sure, ja volt. You don’t have to be ein klafte, Elisabet.”

**************************************************************

The tight cloth of her dress didn’t have much give, and Bess regretted her choice as she tried to keep up and hold on as she danced

“Look, this is tactical move that requires delicate maneuvers—”

“I’m not spiking the punch, Jim.”

Bess huffed and got into her rhythm as they kept up with the band’s rendition of “Tutti Fruity.” If she let her self relax and swing into each step, it was almost like old times when she, Jim and Ben used to go out dancing in Austin or Killeen and she’d take turns dancing with her fiancee and his best friend all night. They had been the three musketeers. But that was last year, when she had a fiancee. And a different future peering back at her from her crystal ball.

The music brought her out of her silent reverie, and Bess looked to her where the band was performing on stage. The lead singer’s voice reverberated through the building, echoing up into the tin ceiling and back down again, making the room buzz with energy. There were six people in the all-Black Flapjacks: drums, guitar, bass, trumpet and then a male and female vocalist. The men wore matching silver dinner jackets and black bow ties, and the beautiful, Black woman had on a gorgeous silver dress with tulle flowers at the bust.

Bess took a deep breath, her attention shifted back to Jim, whose hands were always steady, but never needy. She was grateful he had agreed to come when she called last night and asked. A year ago they had spent almost all their free time together. Stalwart, an honorable prankster, Jim wasn’t shipping out to the Army Intelligence station in Heidelberg for another two months and Bess wondered if their friendship would end. If Ben’s new German wife would win him over and, like his friend before him, Jim would forget all about the last three years of shared adventures and promises of a lifelong friendship. Men mean it in the moment, Bess thought, I suppose women do to. Forever. What a meaningless word. How can we plan forever when we cannot know the future? The song ended and Jim escorted her off to the side. She looked for her sister, and found her swaying with her beau towards the back, hands clasped together between the lock-eyed look of first love.

“I forgot how good a dancer you are, Schwartz. And in that dress, whoowee! You’re a knock out tonight.”

“You can cut the flattery, Jameson, still not spiking the punch.”

“S’not flattery, how dare you insinuate that I would be disingenuous? You look good all dolled up, s'nice to see you this way. It’s almost like fun Bess is back, though a year ago she wudda helped me spike the punch.”

He took out his large, dark leather flask and handed it to her after taking a nip. Bess’ face scrunched up in distaste as the vodka burned down her throat, but she greedily held on and took another long drink.

“A year ago I didn’t work here, I was just hanging out with some of the reprobates from the German language division. Now it would be bad form for a Front Office secretary to spike the punch.”

“Look around, Bessie, this crowd needs to relax. They’re alllllll keyed up waiting for that Hound Dog.”

Jim was right, a heightened sense of anticipation pervaded the warehouse, even the strings of colorful paper lanterns seemed to sway with anxious excitement above them. Bess looked over at the big bowl of punch, next to the trays of deviled eggs, brisket sliders, the lime jello mold filled with seafood salad, pineapple upside down cake and more. She was sizing up the punch and checking her breath as they waited for the next song when she heard a wave of hushed murmurs ripple through the large room and turned to see Elvis, Dori and a few other soldiers in dress uniform enter the dance together. Bess’ eyes narrowed as Elvis’ looked at her.

Jim followed her gaze, then met Bess’ eyes.

“There he is, as handsome as he looks in the movies.”

Bess’ grimace could have cut through glass as she turned to her friend and elbowed him.

“Not you too?”

“What, art thou so high above us mere mortals that you don’t find Elvis Presley attractive, Schwartz? To gouache for a scholar like you?”

“It’s Private Presley now. And I’m not made of marble, Captain. Of course I recognize his attractive features. He just isn’t my type.”

She sniffed, and grabbed the flask from inside Jim’s uniform, the breath coming out of her nose forcefully as she drank a long draught.

“I’ve met him, actually, already. I was there.” Bess took another drink, tipping the flask back again and noticing that the liquid didn’t burn so much this time. “When he asked Dori out. I’m happy for her.”

Elvis and Dori began walking toward them, and Jim noticed how Bess’ stance changed as she crossed her arms and pursed her lips, suggesting that she what felt was the opposite of 'happy for Dori.'

“Well, I was at the press conference his first day here, at least four reporters asked if he has a girlfriend. Said he was playing the field so many times, sounded like a broken record.”

Bess straightened as she watched Elvis’ hand tighten around Dori’s waist and push under her bust while the blonde leaned into it and introduced Elvis to some of the eager MWR committee members who had stopped them.

“Yeah, that would be the alternate version of Hound Dog, it’s on the B side.”

Jim chuckled at Bess’ joke, but she didn’t notice, she was busy watching the Hound Dog himself, and caught Elvis glance over at her and give a little nod before his lips bent into a smirk. She realized she was frowning and plastered a big smile on her face. Jim watched this exchange with interest as Bess turned back when he spoke.

“Yeah, I see what you mean. Definitely not your type.”

Bess scowled and whispered for him to stop as Elvis, Dori and another soldier approached them.

“Why Captain Daniels, how nice to see ya over at this little ol’ dance for the 37th, are you Bess’ date ta night? Or sneaking in to try and meet you-know-who?”

Dori giggled and playfully tapped Elvis’ chest. In case, you know, they didn’t get whom she was referencing.

Jim nodded and shook his hand to stop Elvis and the other soldier from saluting him.

“Oh, neither, actually, I’m just here to make sure Schwartz doesn’t spike the punch.”

“Don’t believe a word the Captain here says. This is a great introduction, by the way. Captain Daniels, meet Private Presley, you know Doreen of course, and then, well, I cannot say we’re acquainted.”

The liquor had loosened Bess up and she giddily put out her hand to the other soldier, as Elvis fiddled with the blue dress uniform cap under his right arm and took charge of the conversation.

“This is Rexadus, I mean, uh, Private Mansfield, he’s in the 37th wit me, another Mephisss boy, we were inducted ta gather, actually." Now Elvis was turning his hat over and examining it, speaking with confidence, almost as if from a script he had rehearsed in his head. "He’s a solid, solid, guy. He really is. Guess I’m lucky, since he’s spending all his time stuck in a metal box with my ass - I mean stuck with my behind.”

Rex her shook their hands with tight, swift grip and a warm smile. Jim raised his eyebrows at Bess.

“And how do you find the Army, so far, Privates?”

“Well, it was easy ta find, just follow all the tanks.” Elvis smiled and looked down. “Nah, well, speaking’ jus for me, I mean, I was real honored when President Eisenhower sent me an invitation to this here costume party, and all the boys are real nice."

There was that scripted voice again, Bess mused. She had seen under the hood and Elvis' attitude toward being drafted had not struck her as honored and grateful.

"It’s not easy, golly, I tell you, it’s really whooping my - uh - caboose. But I never felt I earned my supper so well, that’s the God’s honest truth.”

Dori giggled like Elvis was the wittiest man in the world, but he barely noticed, his eyes were focused on Bess and she coughed, uncomfortably. It was hard not stare back. She almost forgot to breathe, and exhaled deeply as she forced herself to look over at the band.

Her eyes trailed over to the food, and she looked back at Elvis with concern, knowing he rarely actually went to the mess hall. He had been meeting her at her back stairwell every evening at 5:15, opening her car door and getting in without even asking. As if it were his own car and sliding across her seat was the most normal thing in the world. It actually did seem normal now, and had become part of her daily routine these last three days. They sat there in their own private enclave, and every time, as he laid his head between her thighs and rubbed her waist, she told him that they were just friends hanging out. Yesterday they’d talked past dinner hours and she’d ask him if he didn’t want to go to get food, prompting Elvis to share how someone had yelled out in line at him Monday, asking if he missed his teddy bears, and he hadn’t gone back since. Sergeant Norwood’s wife, apparently, was providing him with a loaf’s worth of peanut butter sandwiches every night. But that wouldn’t have happened this evening and Bess thoughtfully looked over at the food table.

“You must be hungry. All of you, I mean.” Bess stuttered, trying not to stare at Elvis, which, for some reason, backfired, because consciously trying not to made her think about him even more and she failed horribly at being able to stray from his blue eyes for very long. “Because you just got here. Of course.”

Dori smiled and took this as her cue to play hostess and lead Elvis away to the refreshments.

“Yes, of course, of course, y’all must be hungry, doing those tank exercises all day. I made the seafood dip over there in the jello mold, it’s a recipe from Ladies’ Home Journal, you simply must try it and tell me what you think.”

“Aw, darlin’, I don’t, don’t eat seafood.”

“The brisket is pretty good.” Bess chimed in.

Dori smiled even deeper.

“Hmm, well, I suppose it’s probably ok for a Yankee like ya self, Bess honey.”

She pulled her arm tighter around Elvis, leading him to to the brisket as Bess heard her say, “Personally, I find Millie’s brisket a little bland and dried out, but come on, you’re a growin’ boy, need to refresh ya energy.”

Dori’s giggle trilled back as she walked him away and Bess frowned again when Elvis turned back over his shoulder, clearly grinning deeper as he took in Bess’ eyes following him.

She made small talk with Rex, mentioning how the last time she had heard this band, The Flapjack’s, they had played all of Elvis’ big hits and there had been none tonight.

“He bribed them.”

Rex whispered, looking over at where Elvis and Dori stood, as she fed him a deviled egg and then a brisket slider, sticking her finger in his mouth to lick the barbecue sauce off. Her high laugh echoed all throughout he warehouse, prompting Bess to roll her eyes.

“Bribed them?”

“Yeah,” Rex continued. “Not to play ‘Hound Dog,’ not to play any of ‘em. And he bought cases of cigarettes for all the guys in our unit. He wants to make sure tonight is nice, smooth, and normal. As it can be for him, I suppose.”

Before she had the opportunity to inquire further Bess was distracted by the band as they started up a new song, a rendition of Johnny Mathis’ “Chances Are,” and she watched Dori squeal that she loved this song.

Bess smiled at Rex.

“Well Private, want to cut a rug?”

He hesitated. “Uh, I think -" he looked over at Elvis, who was making his way to the corner of the dance floor. “Probably better if I don’t, gonna go check out the chow.”

“C’mon, you little Yankee, I’ll dance with you, even if you have no taste in brisket.” Jim took her hand and raised his eyebrow. “By the way, Elvis Presley is in love with you Bess.”

“Stop it, Jameson.”

“Did you see how his buddy hardly touched you?”

“How would he know? These boys don’t talk about their crushes in their bunks at night. ‘Sides,he is here with a date.”

“Oh fooey! Elvis doesn’t have to tell him anything, all Rexadus, or anyone need do, is clock how that boy looks at you and, man, that’s all she wrote. You don’t dance with another soldier’s girl, it’s the code. Dori doesn’t stand a chance, honey, he’s just too polite to turn her down. I bet his mama is just like her. Which is probably why he likes you.”

Bess gave him a stare.

“Ok, maybe not exactly like Dori. I cannot see the good Mrs. Presley making you go all the way to Dallas so she can dress shop at the boutiques. They were share croppers, right?”

Bess nodded at Jim as she swayed with him, attempting very hard not to look over at where Elvis and Dori slowly danced.

“Something like that. Very very poor. But Jim, you dance with me, and I was your friend’s girl for two years.”

“That’s different Bess, I hate most women.” Jim looked back over at Rex and his voice trailed off. "Most people, actually. You are saving me from all the eager beavers here looking to snag an officer as a husband.”

“Well, looking around, some of them would probably settle for snagging just a night with an officer.”

They laughed and Jim led her around the dance floor in perhaps the most chaste slow grip of any of any officer or gentleman that danced a slow dance that evening.

The song ended, and the band kept going with their version of Sam Cooke’s hit “You Send Me.”

Bess could not help herself, and found her eyes move to watch Dori press her cheek to Elvis’ and it made Bess’ stomach clench inadvertently. Elvis’ eyes locked on hers while he pulled Dori tighter to him, tilting his head with a smirk. Something in his eyes told Bess he could tell how much she envied her girlfriend, a fact she refused to even concede to herself as she looked away, scanning the room for her sister. To her dismay, Kay was now kissing her dweeby young lieutenant toward the back of the warehouse, not so much dancing as staggering back and forth in place.

Hitting someone’s shoulder, Bess turned to apologize until she saw Elvis had moved Dori right behind them. She stepped hard on Elvis’ foot, then apologized loudly and profusely. That didn’t get him to scout off and they remained dancing next to each other as Jim ignored Bess’s pinches at his wrists clearly signaling for him to lead her away.

“Why hello there, Moo Moo, fancy bumping into you here?”

Dori smiled big and pushed her hands further up around Elvis neck as she swayed to the rhythm.

“Moo Moo? Y’all are gonna havta tell me bout that” Dori giggled. “And look at you Bessie, honey, I just LOVE your dress.” Her eyes moved to Jim. “Y’all having fun?”

Bess stepped closer to Jim, nodding and avoiding the coy irreverence in Elvis’ dark blue eyes as she slyly tried to navigate her partner away from them. She kicked Jim’s shin to let him know that if he did not politely guide her away this very instant she would begin to kick harder.

*******************************************************

Leaning against the wall during a ballad, Bess found herself making a mental note that Elvis’ seemed to avoid dancing to the faster songs. During this one, he had gone off to get some punch and then started walking in her direction only to be assaulted by a troop of MWR committee members, offering him samples of the desserts they had baked as a pretext to come and talk to him. Bess smiled as one asked him to dance, then turned at Mabel’s voice, observing the rosy glow of the other secretary’s cheeks.

“Mhmmm, the punch is good tonight.”

Bess smiled, then leaned in to smell Mabel’s glass.

“How many of these have you had, Mabel?”

The older woman replied without missing a beat. “Five.”

“I’m cutting you off, I think it’s been spiked.”

“Of course it has. By me.” Mabel took her glass back, gulping the rest down with a wink. “Someone needed to liven up this funeral. Hold this for me, won’t you?” She asked, and Bess’ jaw dropped a bit as she watched Mabel cut in on Dori.

Bess wondered if Mabel still preferred Burt Lancaster to the movie star she currently leaned her head against, happily watching her colleague cozily nuzzle into Elvis tall frame. He was a good sport, joking and swaying with Mabel for a second dance, then stepping to the side and chatting with another swarm of woman who tried to contain their eagerness as they brought him another tribute of dessert platters.

Bess danced to The Flapjacks performance of “Jambalaya,” but quit as the music turned toward more and more ballads while the night went on. It was late, the people on the dance floor seemed to have coupled up and the decorum had slowly fallen to the wayside as the senior personnel disappeared. The air fell thick with a heady, hazy lust provoked by the swell of sweet, slow rhythm and blues and the release dancing provided from the stress of barracks life. Jim had ducked out, and Bess wished she had given Kay her keys and gone with him. She managed to stay as far away from Elvis as she could through he evening, which wasn’t hard. If Dori was not monopolizing him, he only made it a few feet before another woman tapped on his shoulder. During this time, Dori had cornered her and begun drilling Bess for information, asking why she didn’t pick up her phone anymore, and what the deal was with Elvis.

“Moo Moo? Is that a nick name? Are you sure y’all are just friends? Honey, say the word, and I will be on my way. I do not throw myself at men.”

Thinking of their double date last week, Bess restrained herself from explaining that this seemed to be Dori’s primary hobby.

“I promise, it’s a silly nick name, Moo Moo is what he called his childhood cow named, get this, Bess. I’m telling you, Doreen, we’ve just accidentally stumbled into a very casual friendship.” She rubbed her friend’s shoulder, and looked out at Elvis laughing with his dance partner.

“He's lonely, and just jives more with women. You saw him with Mabel in the office. I’m not saying I see wedding bells in your future either. But then again, Dori, you don’t want to get romantically involved with Elvis Presley, do you? I can only imagine the havoc he is going to wreak on the girls in this town once he gets his bearing and into phase two. That boy is a fast operator, so fast you don’t even know what happened and boom, you’re asking him out.”

Dori narrowed her eyes. “Mmmhmm. Well, honestly I don’t want to marry him, Bessie Boo. I just want to experience him. He is so soft, Bess. That jaw! And those eyes. Ufffff. And when he kisses you, oh, it’s like having lightening strike your cheek. I’m fixin’ to get more before the night is over, hopefully with my mouth.”

She winked as the song ended, and strode off to get him back. Bess had to giggle at the glare Dori shot a younger girl from the switchboard office who looked like she was about to ask Elvis to dance.

Lonely, awkward, and ready to be done, Bess rolled off the wall and told Kay she was ready to leave. Her sister politely told her to get bent, promising Dickey would drive her home. So Bess subtlety slipped out of the side door next to the stage and made her way towards her car, ambling slowly in the cool evening air. Bess found it a sweet respite from the crowded, stuffy ware house stuffy. Out here, it was peaceful, and she savored the darkness as she looked up into the black sky. The stars and moon were hidden by some clouds, and Bess tried to get lost in the murky shadows as she wandered away from the sounds of the dance. She begged the wind to tamp down the anxious buzzing in her head. It was then, when she paused in the passage way between two tall buildings, that she heard the sound of footsteps following her, and turned to see a tall, dark figure striding toward her with purposeful, swift steps. His shoulders were back and his hands were out and he slowed when he heard Bess speak.

“All dressed up and marching in a hurry, huh? Loose your parade, Tupelo?”

Elvis’ gait turned into a wide swagger and Bess stumbled into the building backing away from the force of Elvis’ magnetism. It was not a smart escape strategy because he followed in step, his hands on his waist as he looked her over.

“Al - al - always, the smart ass, huh?”

“I’ve been a smart ass my whole life, Tupelo. Try to keep up.”

Elvis shook his head, chuckling low.

“You’re staring. Stop it.”

“Honey, if you didn’t want me to stare at you, shoulda worn a different dress.”

She gasped, and Elvis stepped closer, his right arm up against the wall while his left moved over her waist and he whispered into her forehead, his voice was low, teasing, almost babyish.

“Be honest, Moo Moo, did you come out here cuz you wanted me to chase you?”

Bess looked at the eaves of the building above her, she could hear the faint sound of the band back at the dance playing “The Girl Can’t Help It” and Elvis hips swayed very slowly at half time with the beat.

“Nope, I, I was leaving, actually.”

“How could you leave without dancing with me, baby. Not even once. An ya hardly even talked to me all night. Every other girl in there is ready and rearin' ta pounce on me, but you make me come chase after you?”

“I’m - I’m not like very other girl, Elvis. I’m not trying - trying to ….”

The way his thumb trailed up her arm made Bess shudder and she lost her train of thought.

“Hmmm. Not tryin’ to what, Moo, huh?”

He leaned into her ear as he spoke, and the skin on her bare shoulder prickled as his thumb rubbed over it while he whispered softly.

His voice was warm on her neck, and it reminded her of the first summer Mama drove her and Kay down to Galveston spontaneously for a week. They had stayed in a cheap motel across from the beach and enjoyed the warm Gulf water while eating fried shrimp and hush puppies and getting sunburnt. There, in the golden sun of the Texas Gulf, Bess had forgotten how uncomfortable it was to move through the world. No, standing where the sun met the surf had set her free, and she had become a wild animal dancing in the water and screaming into the waves while the sand crabs tickled her feet.

Elvis’ breath on her neck had the same effect. She felt wild, relaxed, totally at the whim of her body as she bit her bottom lip and looked up at his half-lidded eyes. She wanted to pull him close and scream into his mouth, howl at the untamed force of nature that rippled beneath his cheeks. He tightened his hand at her waist and kissed her neck, but then stepped back at her shudder.

“Ya scared not scared of me, Moo Moo, are you?”

She shook her head, but trembled as Elvis fingers feathered lightly down her arm.

“You don’t never have to be scared of me, baby, I won’t ever hurt you.”

“Elvis, I -”

He kissed her neck again, murmuring into her skin. The top of his cap rubbed into her hair. “Wanna get out of here? Go somewhere we can jus… Talk?””

Just as Bess began to answer, she felt a light sprinkle of water on her nose and looked up as it started to drizzle down on them. The rain brought her wits back to her and she gently pushed Elvis away, feeling the water increase and her hair slip down over her face. She leaned up and kissed him on the cheek.

“You are here on a date with someone else, and I have to go home.” Squeezing him in a tight hug, she kissed his cheek one last time as he nodded, before removing her heels and sprinting off through the puddles to find her car.

**************************************************

Bess had managed to wash her face and get her dress off before she succumbed to the extreme need for a pot of hot tea. Now she stood in her kitchen, towel drying her hair and shivering as she waited for the kettle to boil. Hearing a knock at the door, she yelled out hurrying to the front of the house.

“Kay, the door is open! Or is numbnuts a catching disorder - shit.”

There was Elvis, hat in hand, on her front doorstep.

“Numbnuts?”

She swayed to the side, watching the back of a white Studebaker whirl around the corner. A white Studebaker very much like the one Mabel owned.

“My sister’s boyfriend is not the sharpest shooter in his platoon.” She held her robe closed as she looked down at her thin, white silk night gown. The thin matching robe didn’t do much, but she felt more decorous pulling it over herself.

“Did Mabel sneak you off post?”

Elvis grinned mischievously and strode past her into the house

“Hello to you too, Bessie, whatcha cookin, good lookin'?”

Closing the door, she shoved him as he walked backwards down the hallway.

“Don’t you hello me, what are you doing here?”

Elvis unbuttoned his jacket, and draped it around her shivering body.

“Still cold honey?” He drew her in, rubbing her shoulders. “Let me see if I can warm ya up.”

His jacket was still cozy with the heat of his body as he drew Bess into him. Breathless, she let him enclose her in his embrace, folding her arms into his chest as she lifted her chin up to gaze into his eyes.

“There she is, there’s a good lil Moo Moo.”

Elvis leaned down to bundle her further into him, his hands moving inside her open robe to caress the sides of her body, his nose stroking hers as she closed her eyes and whispered into his jaw.

“Elvis, you shouldn’t be here.”

“I know honey.” He pulled her closer, kissing her cheek at the fold of her earlobe as Bess crushed into his.

Her mind was racing, racing the with knowledge that at any moment her 17 year old sister would come home and probably know how to work the door knob. Racing with the knowledge that her father and mother were flying back to Waco tomorrow and she needed to be rested and alert when she drove to pick them up. Racing with the knowledge that Elvis Presley was the absolutely worst choice for a romantic entanglement or fling, not just because he was famous, handsome, rich and probably already dating any number of women in Los Angeles, Memphis and God knows where else. And therefore, an unimaginable person to be seen with publicly or explain to her family.

But it was worse than that, she could already tell, from the way her mind bent towards him all through the day when he wasn’t around, and directed itself to him with an intense, buzzing focus when he was. For these reasons, she knew he would be the worst kind of all-consuming distraction that she could possible let herself get involved with right now.

Her mouth had other plans. Namely, how could it find his mouth?

“Elvis.” She mumbled as her lips brushed the nape of his neck and her hands wrapped around his body.

“Yes Bess?”

He looked down at her as she tried to find the words she wanted to say.

“I - I - I”

“I know honey, you don’t date soldiers.”

She smiled a lazy, goofy half smile.

“Mmmhmmm.”

He gripped her tighter, pinching the flesh at her sides.

“Honey, dating is not the word on my mind right now. I am not interested in asking you on a date.”

He kissed her forehead.

“I do not have no intention of driving up to your house in my pink Cadillac.”

He kissed her nose.

“I don’ wanna have to come meet ya mama and shake your daddy’s hand.”

He kissed her cupid’s bow.

“And I definitely ain’t about to take you out to fancy restaurant and buy you dinner.”

He kissed her lightly on the top of her mouth, his teeth grating over her lip.

“I do not want to date you, Bess.”

“Good, because I don’t want to date you either.”

“So don’t date me, baby. Jus kiss me.”

**********************************************************

Click here to read Chapter Four: Dance

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buzzdixonwriter · 3 years

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The Purple Monster Strikes

Recently in an online discussion of 1950s sci-fi films, the old Republic serial The Purple Monster Strikes came up.

Why is came up I’ll mention later, but first let’s note it:

was made in 1945

was the last 15 chapter Republic serial

is awful

Not eyeball gouging / brain melting / soul scorching awful the way The Lost City or Gene Autry And The Phantom Empire or Captain Video are awful, but awful enough…

…yet at the same time, worthy of comment (as we’ll soon note).

1945 is a crucial year. Despite the Nazis last ditch Battle of the Bulge, WWII is clearly winding down to an Allied victory in both Europe and the Pacific.

American audiences feel tired of the war wand want something else in their entertainment, even low brow / low rent entertainment like movie serials.

Republic produced three serials that year: Federal Operator 99 proved surprisingly good, Manhunt Of Mystery Island (their next to last 15 chapter serial) tried some new ideas that while interesting didn’t prove interesting enough to be tried again, and The Purple Monster Strikes brought interplanetary thrills back to the theaters, only this time instead of visiting Mars, Mars (at least two of ‘em) came to Earth.

As noted in my overview of Federal Operator 99, Republic serials of that year looked…inexpensive.*

This is especially true of The Purple Monster Strikes which really needed a bigger budget, a better script, and adequate production time for the type of story it was trying to tell.

That story?

In a nutshell: The Purple Monster is a one-Martian invasion come to steal the secret of the “jet plane” (the script uses the term interchangeably with “rocketship”) from Earth and take it to Mars where it can be mass produced and used to attack our world (Why? WTF knows or cares?). To achieve this The Purple Monster bumps off the scientist in charge of the project, physically possesses his corpse by turning into a ghost-like entity, and tries to kill a nosy investigator and the late scientist’s niece. In the end The Purple Monster tries to escape Earth only to get blowed up real good (Did I mention this is silly, stooped, and trite? I did? Good).

So why am I interested in The Purple Monster Strikes? Well, for two reasons, the second and more important one we’ll save for the end, the first is that when watched with fully informed eyes, it’s a testament to the single greatest contribution the serials made to filmmaking: The production board.

Lemme ‘splain what that is.

In the old days of movie making it was a folder with slots for narrow strips of colored cardboard to be slid in. The strips were color coded for interior or exterior scenes, night or day, specific locations, second unit or special effects, etc.

These strips were grouped together on the production board so all the exterior day shots at one location could be filmed back-to-back, followed by all the night shots there before moving on to a new location.

The colored carboard strips were further broken down to match production numbers in the shooting script (“Scene 37: The bandits take the town”), key props and costumes, stunt work, but most importantly actors / characters in the scene.

You want all your most important / expensive / difficult stuff grouped together…but you also need to figure out what you didn’t need so you could pare down your budget.

For example, if you need someone to play a policeman in Scene 1 and in Scene 12 but those scenes are shot two seeks apart, maybe it’s cheaper to have two different actors playing two different policemen for one day each than keep one actor on call for two weeks.

Likewise, if you’ve got an actor in a key supporting role, put all his scenes together.

This necessitates shooting out of sequence, but shooting out of sequence is now pretty much the industry norm for any filmed or taped production.

The serials invented the production board and the rest of the industry speedily glommed onto it.

Once you know what to look for in The Purple Monster Strikes, you can pretty much break down which scenes were shot when.

Case in point: Masked heroes and villains aside, serial characters rarely change costume except to match stock footage from earlier productions. It’s not especially notable for male characters but females typically wear The Same Damn Dress in Every Damn Scene.

So when heroine Linda Sterling gets dunked in a water tank midway through The Purple Monster Strikes, you can bet that was her last day of filming since they were no longer worried about ruining her costume.

Likewise when a female reinforcement from Mars arrives, the exact same location right down to the same car parked in the same spot are used even though the female Martian doesn’t arrive until 2/3rds of the way into the story.

You wouldn’t notice this week to week in a movie theater, but they’re painfully obvious when bingewatching.

Case in point: There are never more than four characters onscreen at any time; this was all the production could afford on any given day. If a fifth character showed up, one of the others needed to be knocked unconscious (if they were lucky) shot and fall off camera (if they were unlucky), or disintegrated (if they were really unlucky).

For example, the hero and heroine could be talking to a scientist (day 1 / shot 1) when three baddies show up at the door (day 2 / shot 1). The first baddie shoots the scientist, who falls off camera then enters the frame and knocks out the heroine, who conveniently falls behind a counter (day 1 / shot 2). The other two baddies enter and a huge brawl erupts (day 2 / shot 2). The heroine revives (day 1 / shot 3) and shouts a warning at the hero. The hero blasts a minor baddie who falls off camera as the other two baddies flee the scene (day 2 / shot 3), then the heroine rejoins the hero (day 1 / shot 4).

Binge watching also reveals a lot of sets and props reused again and again. The same footstool is used as a weapon more than once, a prop valve in one chapter serves an entirely different function in another, and while serials frequently reused stock special effects shots, The Purple Monster Strikes doesn’t just use the same exploding car shot twice in the same serial, not just twice in the same chapter, but twice in the same car chase!

(Speaking of which, whenever they get in Linda Sterling’s car you know the odds are 50-50 it’s going off a cliff in a big flaming fireball. The Purple Monster Strikes has her going through so many identical make automobiles you’d think she owned stock in a car dealership.)

Anybody familiar with Republic serials is going to find a lot of reused sets and props here. Having seen Manhunt Of Mystery Island recently, I immediately recognized their ubiquitous warehouse set, the Republic Studios loading dock doubles as two different factory exteriors, and having lived in Chatsworth several years I can practically name each and every rock in the exterior scenes.**

On the plus side, bonus points for some impressive looking props, including a rocket test engine that provides the explosive cliffhanger for the first chapter, a double-barrel disintegrator that looks like a giant set of binoculars (I wonder if it was originally a military surplus training aid), and a spaceship seen under construction for most of the serial that proves to be the most striking design the redoubtable Lydecker brothers ever created (a pity it’s glimpsed only briefly before being blown up in the last chapter; Republic should have reused it for their later sci-fi serials instead of the dull unimaginative designs they went with).

Fun factoid: Mi amigo Donald F. Glut, filmmaker / NYTimes bestselling author / film historian, knew The Purple Monster hizzownsef, Roy Barcroft, and reports Barcroft had the wardrobe department sew a secret pocket in his costume for his cigarettes!

Speaking of Barcroft, he’s the best thing in this serial and he ain’t that good. A perennial bad guy in serials and B-Westerns, he normally turned in a satisfying performance, but the script for The Purple Monster Strikes gives him nothing to work with.

I mentioned previously how Federal Operator 99’s script works more often than not and gives its characters something the actors can work with, but The Purple Monster Strikes? Nada.

Every line is a clunky flat declarative sentence exposition dump of the “I’ll take this strange medallion we discovered to Harvey the metallurgist to analyze” variety.

Even Linda Sterling can’t do anything with this though she tries to find an appropriate facial expression for whatever scene she’s thrown in.

As for nominal star Dennis Moore, I won’t say he’s wooden but in one of the innumerable fight scenes Barcroft hurls a coatrack at him and for that brief moment the coatrack delivers a far more memorable performance.

Sidebar on the fight scenes: They are choreographed expertly, among some of the best Republic ever staged, but directors Spencer Gordon Bennet and Fred C. Brannon -- both serial veterans who could do much, much better -- really dropped the ball in shooting them. They’re shot almost entirely in wide angle longshots using slightly sped up photography instead of intercutting to keep the pacing fast.

The rest of the cast consists mostly of stuntmen carefully enunciating their one line before the fists start flying, or older male actors who deliver surprisingly good performances compared to everyone else.

But that script -- oh, lordie, that script! This was made in 1945 and they’ve got a damn organ grinder in it! Organ grinders vanished from the public sphere with the damn of movies; by the 1940s they were found only in comic books and animated cartoons; in other words, kid stuff.***

It’s clear the writers on The Purple Monster Strikes (Royal Cole, Albert DeMond, Basil Dickey, Lynn Perkins, Joseph Poland, and Barney Sarecky) considered this mere juvenile pablum, not worthy of even the smattering of sophistication they sprinkled on Federal Operator 99.

An adult can watch Federal Operator 99 and at least feel the story makes some kind of sense and the characters, however imperfectly enacted, at least offer adult motives and behaviors, but The Purple Monster Strikes is just insulting to the intelligence (I mean, they call the female Martian invader Marsha. Seriously?).

Okay, so why do I think this is worth writing about?

Because The Purple Monster Strikes is the bridge between WWII and the Cold War.

Most of the major tropes of 1950s sci-fi are reactions to Cold War anxieties, and those anxieties are transplanted WWII anxieties.

Before WWII, American moneyed interests waged a relentless PR campaign against communism, socialism, and labor unions (sound familiar?).

Forced to make peace with the Soviets during WWII, these moneyed interests -- now heavily invested in what Dwight D. Eisenhower called the military-industrial complex -- bit their lips as US pop culture portrayed the Russians as gallant allies against fascism (and they were; credit where credit is due).

As soon as the war ended, however, and in fact, even a little before the end (see The Best Years Of Our Lives; great movie), they were already recasting the Russians as treacherous authoritarian atheists out to conquer the world.

As noted earlier, American audiences felt weary of a relentless diet of war related entertainment and in the waning days of the war turned eagerly to non-war related stories.

Likewise studios, not wanting to get caught with rapidly dating WWII related material nobody wanted to see began actively developing different kinds of stories.

After four years of intense anxiety, the country needed to come down but couldn’t go cold turkey. Science fiction (and hardboiled mysteries and spy thrillers) provided safe decompression.

1945 marks a significant sea change in Republic serial production. Sci-fi would become a more predominant theme, infiltrating other genres such as the ever popular masked mastermind (viz. The Crimson Ghost).

Federal Operator 99 would be the last highwater mark for more plausible serial stories, but crime and undercover espionage remained serial staples to the bitter end.

Only Manhunt Of Mystery Island seemed a misfire and even in that case it only meant the masked mastermind returned to more traditional origins instead of the inventive backstory created for Captain Mephisto.

What The Purple Monster Strikes did was take a very familiar set of WWII cliches and stereotypes then recast them in a (relatively) safe science fictional context.

The closest prototype to The Purple Monster Strikes is Republic’s G-Men Vs. The Black Dragon, as racially offensive as you could hope to imagine, and turn the inscrutable “yellow” villains into malevolent purple ones (later green when colorization was added).

By making the literally other worldly alien the “other”, 1950s sci-fi sidestepped the worst implications of their own themes:

Invasion

Subversion

Fifth columns

Loss of soul / identity / individuality (personified in bodily possession by alien intellects)

Paranoia

The Purple Monster Strikes lacks the wit and wherewithal to fully exploit these ideas, but it sure could hold them up for everyone to get a quick glimpse.

As childish and as inane as the plot may be, by the end when hero and heroine realize there is literally no one they can trust, The Purple Monster Strikes dropped a depth charge into preteen psyches fated to go off six years later with the arrival of The Thing From Another World and countless other sci-fi films and TV episodes afterwards.

Did The Purple Monster Strikes create this trend? No, of course not – but as Stephen King pointed out in Danse Macabre regarding the incredibly inane The Horror Of Party Beach’s selection of nuclear waste dumping as their raison d'être for their monsters:

“I’m sure it was one of the least important points in their preproduction discussions and for that reason it becomes very important.”

King’s point is by not giving the matter much thought, The Horror Of Party Beach’s producers simply tapped into a subconscious gestalt already running through the culture and said, “Yeah, nuclear waste, wuddup widdat?”

Likewise, The Purple Monster Strikes’ producers / directors / writers didn’t sit themselves down to analyze Orwell’s Nineteen Eighty-Four but rather picked up on the forever war current already moving through the American body politic.

War without end, war without ceasing.

And if we can’t define an enemy by name or place, so much the better! The war on crime, the war on poverty, the war on drugs…

The war on terror.

The forever war thrives on the faceless unknowable enemy with the unknown but clearly malevolent anti-American agenda.

“Them”…against…U.S.

As an artistic achievement, The Purple Monster Strikes is sadly lacking in nearly all aspects, but as a cultural artifact, it’s still a clear warning.

Only not about “them” but about…us.

* read “cheap”

** Republic’s low budget backed them into an overlapping series of sci-fi serials, loosely referred to as the Rocket Man / Martian invasion serials by fans. The Purple Monster Strikes’ costume was reused for Flying Disc Man From Mars (which featured a semi-circular flying wing already featured in Spy Smasher and King Of The Mounties) and again for Zombies Of The Stratosphere, but between those two serials the wholly unrelated King Of The Rocket Men was released. Zombies… is a sequel to both Flying Disc Man… and King Of The Rocket Men but Radar Men From The Moon introduces a new character -- Commando Cody -- who wears the same rocket pack as the heroes of King… and Zombies… but faces a lunar, not Martian menace then he spins off to become Commando Cody: Sky Marshall Of The Universe in a quasi-serial (i.e., no cliff-hangers, each chapter a complete adventure) fighting a third alien invasion!

*** Or the works of Bertolt Brecht, but that ain’t what Republic’s going for here.

#Roy Barcroft #The Purple Monster Strikes #serial #sci-fi movies #1950s science fiction movies #Cold War

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