#ART TAIPEI 2014 | Explore Tumblr Posts and Blogs

nzomix · 7 months

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【展示告知】

小林望美個展「サナギュトリウム」

会期：2023年11月21日（火）〜12月3日（日）

11時〜19時※最終日17時まで

会場：MEDEL GALLERY SHU 愛でるギャラリー祝

〒100-0011 千代田区内幸町1-1-1帝国ホテルプラザ2F

入場無料

2023年の集大成となる個展です。どうぞよろしくお願いします🎨

＜展示ステイトメント＞

サナギュトリウム：さまざまな出来事を要因にサナギ化した人々が、ぶじ羽化する時を待つ場所（造語）

「自他の表裏一体性や親和性」を画題にモザイク画を制作する小林望美。その作風は石や、ガラス、貝殻などの小片を寄せ合わせてつくる装飾美術技法ではなく、写真のメディウム転写に始まり、ブロックノイズや低解像度の画像などから着想を得て変遷してきました。

2016年以降は木製パネルへ描いたモザイク画を彫刻刀で彫り、溝へ金属色を流し込むといった独自のスタイルを確立し、手掛ける作品は現在も進化変容を遂げています。小林のモザイク画は、現代社会とその中に存在する個人を細かなモザイク粒子とその集合体によって暗喩した作品が多く、彫る行為は個を明確に区分し存在を刻み込む意図で用いられてきました。

SNSを利用した広域での交流が容易となった現代社会において、各自が保有する当事者性から起こる主張や保護を巡る衝突は顕著になり、さまざまなキャンセルカルチャーやヘイトクライムがより盛んに巻き起こった2023年。現代を生きる作家として、本個展では彫る行為をいったん休め、調和や、安全な繭・サナギの中で新しい時代へ羽化する時を待つ人々を細かな粒子で表現しようと試みた新作を発表します。

＜プロフィール＞

小林望美 Nozomi KOBAYASHI

2014 群馬大学教育学部美術専攻卒業

2016 彫るモザイク画での活動を開始

以降、都内ギャラリーや百貨店でのグループ展を中心に活動を展開中

<個展>

2022「ユーフォトルビア404」MEDEL GALLERY SHU（東京）

2021「roll swipe connect」MEDEL GALLERY SHU（東京）

2019「ジェネリックラブ」八犬堂（東京）.

2018「夜底の惑星で、」Art Mall（東京）

2017「心辺に座礁」Art Mall（東京）

<受賞歴>

2017 第2回星乃珈琲絵画コンテスト佐藤俊介審査員優秀賞

2016 KENZAN2016 LOWER AKIHABARA賞

<メディア>

2022 月刊アートコレクターズ 12月号「日常、再発見」（新作グラビア掲載）

Cocco 25周年12thアルバム「プロム」ジャケットアートワーク担当

2022 雑誌「SWITCH」Vol.40 No.4 特集 Eve 廻人奇譚（「プロム」関連インタビュー掲載）

2021 歌集『変奏曲を編む』辻桂子 / 鷹志かれん著・編、求龍堂刊行（描き下ろし作品掲載）

2020 アートビジネスマガジン「ARTFULL」インタビュー掲載

2019 月刊美術6月号（「藝術集団 ARTpro」のエッジィな個性派×7 頁にて掲載販売）

2018 BSフジ「ブレイク前夜〜次世代の芸術家たち〜」第107回出演

2017 美術の窓6月号（「新人大図鑑2017」Art Mall推薦作家として掲載）

＜参加アートフェア＞

2023

「Study:関西大阪国際芸術祭 2023」MEDEL GALLERY SHU

2022

「ART TAIPEI」MEDEL GALLERY SHU

2019

「ART FAIR ASIA FUKUOKA」八犬堂

「Infinity Japan Contemporary Art Show」八犬堂

「ART EXPO MALAYSIA」八犬堂

2018

「ART FAIR TOKYO」八犬堂

＜近年参加グループ展＞

2023

「アートまみれ Vol.2 Part.1」Artglorieux of TOKYO GINZA SIX（東京）

「once more Jonathan Hadipranata & Nozomi Kobayashi」MEDEL GALLERY SHU（東京）

「大宴会的美術展 KENZAN2023」東京芸術劇 Gallery1

2022

「KOWAII展 Vol.XII」銀座新井画廊（東京）

「NEW SURFACE -新しい絵肌への挑戦-」大丸東京店（東京）

「EYES-portrait show-」MEDEL GALLERY SHU（東京）

「八犬堂京橋移展」八犬堂ギャラリー（東京）

「Artist! Artist! Artist! Matusya Contemporary Art Selection」松屋銀座（東京）

「art art arヤングアーティスト旋風2022」松坂屋名古屋店（愛知）

「変奏曲を編む刊行記念展」MARUZENギャラリー（丸善・丸の内本店、丸善京都本店、ジュンク堂書店福岡店他、巡回）

開通60周年記念「芸術作品に見る首都高展」Ｏ美術館（東京）

2021

「NEW SURFACE -新しい絵肌への挑戦-」大丸東京店（東京）、松坂屋名古屋店（愛知）

「家入一真コレクション展 “表現へのシナジー” 」awabar kyoto（京都）

「名作 REBORN展」松坂屋上野店（東京）

2020

「アートのチカラ」伊勢丹新宿店（東京）

「阪急×アートコレクターズニュースター達の美術展」阪急うめだ本店（大阪）

「ニュースターアートコレクション」松坂屋名古屋店（愛知）

「Artglorieux Selection」GINZA SIX（東京）

「名作 REBORN展」松坂屋上野店（東京）、松坂屋名古屋店（愛知）

「KENZAN2020」一般社団法人Jian主催 WEB展示会

「たんざく展」銀座新井画廊（東京）、阿部敬四郎ギャラリー(宮城)

「納涼妖画展」丸善・丸の内本店（東京）

「ほころびとざんぞう」MEDEL GALLERY SHU（東京）

「フレンチチーズウォーク in 中目黒」MDP GALLERY、ビストロ13区

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jcmarchi · 5 months

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Artistic Devotion – A Journey Through Horror And Success With Red Candle Games

New Post has been published on https://thedigitalinsider.com/artistic-devotion-a-journey-through-horror-and-success-with-red-candle-games/

Artistic Devotion – A Journey Through Horror And Success With Red Candle Games

Scaring players has helped put the small team at Red Candle Games on the map. Its first two titles, Detention and Devotion, impressed and terrified fans with frighteningly strong horror chops, but the team is leaving that behind to tackle something completely different in Nine Sols. This side-scrolling action platformer blends sci-fi with Chinese mythology and is Red Candle’s most ambitious project yet. This significant step forward affords an opportunity to look back on the studio’s young history, so we spoke with co-founder Vincent Yang to learn about how a small band of gamers in Taiwan formed one of the industry’s most promising – and, at one time, controversial – indie studios.

Red Candle Games began in 2014 when designer Coffee Yao was developing a prototype for Detention. The side-scrolling horror game features two students exploring a haunted high school in 1960s Taiwan, incorporating local cultural references rarely seen in games. These elements drew the attention of Henry and Light Wang during an indie developer meetup in Taipei. According to Yang, Detention impressed the Wangs enough for them to join the project. As the game grew in scope, the three recruited help from mutual friends – Doy Chiang, Hans Chen, and Yang himself – bumping the yet-to-be-named team to six members by late 2015. After working remotely on Detention for a period, the group decided a physical office was necessary, which led to the official formation of Red Candle Games.

Detention was released on Steam in January 2017 and was well-received by critics and players. The game has since been ported to multiple platforms and even adapted into a live-action film in 2019 (it premiered in the U.S. in 2021). Additionally, Netflix and Taiwan’s Public Television Service released a Detention TV show in 2020 – though with a different story from the movie.

Devotion

Red Candle followed this success with Devotion, an atmospheric first-person horror game set within a haunted apartment. Moving from 2D to 3D development is a big design shift, but Yang believes regularly changing gears like this is necessary to maintain fan interest.

“Because in this ever-changing and competitive gaming market, we often find it difficult to impress the players by applying the same techniques repeatedly, which pushes us to keep delivering new and innovative ideas,” Yang says. “This, in turn, changes the way we make games.”

After over two years of work, Devotion arrived on Steam in February 2019 to heaps of praise from the lucky players who managed to get their hands on it. But only two days after its launch, the game riled up controversy among Chinese players thanks to a piece of in-game art mocking China’s president, Xi Jinping, by calling him Winnie the Pooh, referencing an internet meme that unfavorably compares the leader’s appearance to the character. China and Taiwan have a tense relationship, so the resulting backlash from the country’s players and the government was severe enough to force Red Candle to pull Devotion from sale. The game’s Chinese publisher even lost its business license.

Red Candle Games’ founders, (left to right): Doy Chiang, Hans Chen, Coffee Yao, Vincent Yang, Henry Wang, and Light Wang

To the dismay of horror enthusiasts, Devotion remained delisted for over two years. Inklings of hope would occasionally arise, such as PC storefront GOG announcing plans to re-sell the game before it immediately back-peddled due to vaguely defined player complaints. Fortunately, Red Candle finally began re-selling Devotion directly through its website in March 2021, bringing its tumultuous journey to an end. Red Candle could move forward. “As a team, we felt relieved, as if a heavy weight was lifted from our shoulders,” says Yang.

Moving forward meant stepping away from horror to do something different. Enter Nine Sols, which Red Candle started working on a few months before Devotion’s original launch. Yang says the game originates from a concept he envisioned years prior based on the story of Hou Yi. In Chinese mythology, Hou Yi is a legendary archer who used his bow to rescue the country from plagues and saved the moon during an eclipse, among other supernatural feats. Yang proposed reworking this story into a science fiction tale, an idea that intrigued his teammates.

Nine Sols unfolds in the realm of New Kunlun, a sanctuary for humans created by nine god-like rulers. However, the population is unaware of New Kunlun’s sinister true purpose. That changes when a child awakens Yi, a cat-like hero that history has forgotten. Yi embarks on a quest to slay the nine rulers and free New Kunlun. The adventure sports a manga-inspired hand-drawn art direction blending cyberpunk/sci-fi with Chinese fantasy and Taoism. Gameplaywise, Nine Sols is a fast-paced 2D Metroidvania with Souls-like combat, as players hack apart enemies using Yi’s sword and parry attacks in a manner directly influenced by Sekiro: Shadows Die Twice.

The project is a gamble, as the team leaves its comfort zone to make its first action platformer. Yang says with its art assets, gameplay mechanics, levels, animations, and 12-15 hour length, Nine Sols is the studio’s biggest title yet. But the team needed to do something different to avoid feeling burned out on horror while also taking advantage of the flexibility its team size affords.

Red Candle Games’ upcoming Nine Sols pays homage to the Chinese myth of Hou Yi, and features a manga-inspired art style

“Being an indie developer, in a way, makes us more versatile and gives us more room to be creative, meaning we have the privilege to experiment on different topics and gameplay,” Yang says. “It’s then reasonable that we want to leverage that versatility and explore other possibilities wherever we have the chance.”

Nine Sols is Red Candle’s first action game, but it’s leveraging its narrative chops to craft what Yang hopes will be a compelling story filled with rich lore to create what he describes as “a new kind of action platformer” – one with equal emphasis on engaging gameplay and storytelling.

Detention

Nine Sols also marks the team’s most serious attempt at penetrating the Western market. Detention and Devotion, despite their success, still appeal to relatively niche audiences. On the other hand, Nine Sols combines two very popular subgenres, and Yang hopes that results in the game making the biggest splash possible overseas and putting the studio on more people’s radars.

Nine Sols is currently slated to launch in Q1 2024, but curious players can play a free Steam demo. Depending on its success, the title could be a launch pad for other experiences that don’t focus exclusively on frightening players.

“If given the opportunity, I think we’d love to explore other genres in the future,” says Yang. “Deep down, we are simply a group of game creators who love all kinds of games. So as long as we ensure the product we produce will have guaranteed quality and doesn’t disappoint our current and future supporters, I find no reasons for us to be locked into the horror genre.”

As for Red Candle’s future, Yang believes maintaining its small size has its benefits. Since Devotion’s launch, only three new employees have joined, while one has left, meaning the studio has grown from 11 to 13 full-time staff members. While he’s happy with the advantages of running a small team – smoother communication and more room to experiment – he’s not opposed to expanding the studio’s size if needed. “I envision us as a resilient team that can embrace and adapts to any possible changes regardless of our size,” Yang says.

Nine Sols is the biggest test yet for the studio, eschewing almost everything that brought it success in an attempt to broaden its appeal by tackling a competitive genre. But Red Candle Games has proven its ability, resiliency, and versatility over its relatively young existence. We’re excited to see how it continues to delight – or terrify – its fans going forward.

This article originally appeared in Issue 356 of Game Informer

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rabbitcruiser · 10 months

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Skyscraper Appreciation Day

Take a trip to the grandest skyscraper in your area and appreciate the architectural marvel, or appreciate an entire skyline from just outside a city.

Climb to the highest of man-made heights in observance and celebration of Skyscraper Appreciation Day!

History of Skyscraper Appreciation Day

Skyscraper Appreciation Day was initiated and founded by Dr. Tom Stevens. Interestingly, it was created so that the general public could admire the structural and architectural brilliance of skyscrapers. Furthermore, it also celebrates the triumph of reason, as well as man’s ability to construct industrial masterpieces that go far beyond expectations.

This important day is situated on the anniversary of the birth of one of architecture’s most important and famous names, William Van Alen. Back in 1883, this native of Brooklyn, New York was born and, after studying in Paris, Van Alen would eventually go on to design the famous, art-deco style Chrysler Building, which is one of New York City’s most iconic and well-known landmarks.

In today’s world, skyscrapers continue to push the limits of architecture, offering a wide range of features. For instance, Taipei 101, is the world’s tallest and largest green and sustainable building, while The Shard in London has a unique layout of a “vertical city”, where a person could theoretically live and never leave!

Skyscraper Appreciation Day offers a wide range of opportunities to learn more, join in on events, and generally have a soaring celebration in honor of these architectural feats!

How to Celebrate Skyscraper Appreciation Day

It might be a whole lot of fun to celebrate Skyscraper Appreciation Day by undertaking one or more of the following activities:

Visit a Skyscraper

In honor of Skyscraper Appreciation Day, an interesting activity would be to venture to a skyscraper, whether close to where you live or far away, and marvel at its architectural beauty. Cities all over the world can be visited in celebration of the day, giving a nod of appreciation to these feats of architectural mastery. Consider visiting one of these famous skyscrapers from around the globe:

Burj Khalifa, Dubai, United Arab Emirates. Built in 2010, this one will stand as the tallest building in the world for more than a decade, at 2722 feet, holding at least 19 records.

One World Trade Center, New York City, USA. Officially the tallest building in the western hemisphere, this one was built in 2014 and stands at 1776 feet, as a nod to the year that the US gained her independence.

The Petronas Tower, Kuala Lumpur, Malaysia. Not just a single, but a double, this one holds the record for the tallest twin tower in the world, joined by a skybridge at the 41st and 42nd floors.

Gran Torre Santiago, Santiago, Chile. The tallest building in South America was opened in 2013 and offers a postmodern style for its 62 floors.

Host a Skyscraper Themed Party

Have a skyscraper themed day where friends, family members or coworkers are encouraged to dress up as famous skyscrapers from around the world. This type of event is likely to get off the ground more for those who work at an architectural firm or with building contractors, but people with regular jobs can certainly try it out as well!

Learn Fun Facts About Skyscrapers

A super way to pay honor and respect on Skyscraper Appreciation Day would be to learn some fun facts to share in raising awareness for the day. Kids and adults alike will be interested in these bits of trivia about skyscrapers:

The world’s first skyscraper is considered to be the Home Insurance Building in Chicago, built in 1885.

The world’s fastest skyscraper elevator is located in the Shanghai Tower in China.

Certain skyscrapers can actually affect the weather, creating wind tunnels when multiple skyscrapers are built near each other.

Create a Skyscraper Themed Photo Collection

Folks who are avid travelers to cities, or who are photographers, might want to take this opportunity to sort through all of those favorite skyscraper photos and add them to the “Photos” section of the Skyscraper Appreciation Day Facebook page.

Source

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dogandcatcomics · 1 year

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#repost @yiri.arts . Attribution: Chen Yu-Erh aka 陳佑而個 (Taipei, Taiwan, 1986-). First image is Leopard, 2014, 140 x 50 x 120 cm, dry paint kanshitsu 乾漆 (lacquer). Second image is Blackie, 2019, 142 x 27 x 57 cm, dry point kanshitsu. Third image is Jaguar, 2014, 30 x 36 x 35 cm, dry point kanshitsu. These are drawn from Chen's solo show in 2021, A Fleeting Eternity, at Yiri Arts in Taipei. The artist centers her practice on animal protection, and I especially appreciate these instances of feline representation.

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waste-it-on-something-useful · 1 year

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“If you consider film as an art form, a film is like a classic. It’s value is not determined by the audience. It’s determined by time. Not of the moment, but over the long term. It’s there. Waiting for you to mature.”

Tsai Ming-liang in Flowers of Taipei: Taiwan New Cinema (Chinlin Hsieh, 2014)

#tsai ming-liang #Flowers of Tapei #Taiwan New Cinema #Chinlih Hsieh #documentary #film #classic #cinemetography #art

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ayanosudo · 28 days

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Ayano Sudo (14th October 1986–) was a Japanese contemporary artist and photographer known for her disguised self- portraits, and photographic works of various kinds.

She graduated from Kyoto City University of Arts and Music with M.A. in 2011.

Profiles

She was born in Osaka pref., Japan in 1986, and spent her middle and high school days in Ashiya city, Hyogo pref., Osaka’s neighboring city with population of more or less 100,000.

She graduated from Akashi Prefectural High School art class in 2005.

In 2009 she went to France to study painting and conceptual art in the exchange student program at Ecole des Beaux-Arts (School of Fine Arts), Paris.

After the study in France, she came back to Japan, and finished the conceptual design course to graduate from Kyoto City University of Art and Music with M.A. in 2011.

At present she lives in Tokyo.

She captures the desire for transformation and ideal images that transcend the gender of the subject in photographs, and presents flat works that appear to be between the color manuscripts of shojo manga (少女漫画) or girls’ comics ( Japanese comics) and photographs. One of the features of the work is that the actual work is printed on photographic paper with its own texture, decorated with rhinestones and glitter, etc., thus making her finished works uniquely glitter under lights.

While in Kyoto City Art University, she was awarded Yasumasa Morimura （森村泰昌, a Japanese appropriation artist）Award in MIO Photo Encouragement Award 2010 in Osaka, Japan.

Since then, she energetically presented her works overseas and held her first solo exhibition at 1839 Modern Art Gallery (1839當代藝廊) in Taipei, Taiwan in October of the same year.

2014, she received the Grand Prize of Canon New Cosmos of Photography Contest （写真新世紀Shashin Shinseiki; a photo contest sponsored by Canon Company, one of the two big photo contests in Japan open public for young future photographers）for the series “幻想（Illusion） Gespenster” featuring herself dressed to missing girls who had really existed. A collection of works with the same title has been published by HOLOHOLO BOOKS in France.

As an artist she has energetically been working on exhibiting her works in various exhibitions and art fairs in Japan and overseas. Also, her varieties of photographic works have been appeared in books and magazines in Japanese and overseas markets as well.

Her works are stored in the George Eastman House International Museum of Photography, New York, USA and the Tokyo Photographic Art Museum (東京都写真美術館, Tokyo-to Shashin Bijutsukan ), Tokyo.

Major solo exhibitions include “Omokage (面影)-Autoscopy” (at Hillside Forum, Tokyo, 2015) and “Ayano Sudo Photo Exhibition Anima / Animus -featuring to introduce Kuniyoshi Kaneko’s Room-” (at Ginza Mitsukoshi 7th Floor Gallery, Tokyo, 2018).

Major group exhibitions include “ I know something about love; About Love Asian Contemporary” (at Tokyo Photographic Art Museum (TOP), 2018), “Photo City Exhibition” (21_21 DESIGN SIGHT, Tokyo City Photographic Exhibition held at TOP, Tokyo, Japan, 2018), “Internet of (No) Thing: Ubiquitous Networking and Artistic Intervention” (at Jogjakarta National Museum, 2018), “SELF / OTHERS”, a dual photo exhibition, (at Canon Gallery S, Tokyo, 2018), etc.

Her main works include “Metamorphose” (2011-), which depicts herself and her friends disguised as an ideal figure regardless of gender, and “Gespenster (幻影、illusion)”, a self-portrait taken as a real missing girl. 2013-14), “Omokage(面影), Autoscopy” (2015) with the motif of such phenomenon as oneselves looking like totally different persons (2015), and among others .

Since 2020, Ayano Sudo has released the art magazine “The peppermint magazine (薄荷) ”, which is created by collaborating with other artists in each issue.

Episodes behind the works

■　In an interview, Sudo told that she finds beauty in beings that sway in all boundaries born in society, such as gender, generation, and races, and also does she find beauty in danger that even life and death are sometimes vague, and Sudo shoots a series of works that do not exist in this world. She says that the feeling of strangeness that she feels in reality is regarded as an " uncanny valley " and she has a desire to overcome it .

■　One of Sudo’s distinctive works is a work that uses a self-portrait technique. Sudo, who strongly believed that she had been a boy since the childhood, and got dressed like a boy. However, when he became a junior high school student, he began to wear Lolita fashion, which was popular among young girls at the time. One of the reasons for this was her strong desire that she wanted to be liked by the admirable ideal senior boy student she had met in her school.

Due to this discomfort with gender from an early age, Sudo’s desire to transform has sprung up, and she has taken a self-portrait in a costume and made it into a work. Sudo says that the series of early works (2011, 2013, 2018) was an act of searching for her own sexual identity, she told in the interview.

In her subsequent productions, Illusion or Gespenster ((幻影)、2013-2014) and MY POSTMORTEM (2018), Sudo pursues the relationship between her body and her identity.

“Illusion（幻影）/Gespenster” “Illusion” (2013-2014) is a self-portrait book of photography created in her twenties from her experience to come across with a notice put on the wall of a railroad station about missing girls whose whereabout unknown for more than twenty years and that’s why and how she began to get dressed like the girls on the poster.

It consists of 21 self-portraits and a few snapshots. Sudo says that, with respect to the series of this work, she couldn’t think of anything else but a self-portrait which could be realized by superimposing the emotions of herself over the emotion of the missing girls that those girls might have at that time.

The production process begins, at first, with making a list of missing girls

and doing in-depth research of every each of the girls’ profiles. Then, she searches for second-hand apparel shops to find similar clothes the girls in the poster wore at the time of missing, and then shoots in the place nearby her house.

When the print is completed, the finished printing paper further is sprinkled

with glitter like lame, and other glittering objects.

She feels an unspeakable sense of fear toward the girls who have gone to a mysterious world, and at the same time, another thought struck her. That is, they may now live in a land they don’t know, or they may have become corpses somewhere they don’t know. However, the girls on the list will be separated from the timeline of the world when they disappeared, will not grow old, and will remain intact for ever.

Sudo has a longing and strong consciousness for “being a girl” in her body and spirit, which is moving away from the girl every moment, and feels a certain kind of “sacredness” in them, and their existence again. With the above event in mind, she began trying to confirm the missing girls’ existence once again and present it in front of people .

In an interview with the New York Times , Sudo said the title of the photobook Gespenster, meaning illusion or ghost in German, was inspired by the novel “Sasameyuki.” or “Makioka Sisters” written by Junichiro Tanizaki, a famous Japanese novelist.

■　“Teriha no Ibara/照葉野茨 ( a memorial rose)”

“Teriha no ibara” is a new series of her self-portrait photographic work, the motif of which came from “Makioka sisters” appearing in the novel “Sasame Yuki/細雪 (Light snow falls)”, one of Junichiro Tanizaki’s masterpieces.

In the series of the work, photos of the house of Ashiya (an old house resided by Saika Tomita, a well-known Japanese poet) and Tanizaki’s beloved furniture also are included. Also, she appears wearing her grand-mother’s Kimono and various accessories.

Sudo’s grand-mother was a traditional Japanese teahouse owner succeeding the business in 1945 from her father, a founder of the teahouse under the name of Ogawaya founded in 1910.

She reopened the teahouse together with her mother which was destroyed by an air bombing in the last war to become officially the owner of the teahouse in 1945, and opened a geisha house of Ogawaya at Shinmachi, Osaka.

Since 1950’s, the geisha house had been made use of by many Kansai celebrities for entertaining their guests, such as well-known Rakugo tellers like Beicho Ktasura and Kobeicho Katsura, famous comedians Kon Omura and Itoshi &Koishi Yumeji, and Kabuki players, such as Ganjiro Nakamura, Tojuro Sakata, etc.

This Geisha house now is deemed the last and only traditional house available in Semba and Shinmachi districts, Osaka.

Ayano Sudo has made her own experiences vitalized in creating her original artistic and photographic works, learning from the Tanaizaki’s novel “Makioka Sisters”, and getting motif from the women of modern time, i.e. the women of the time when Hanshin Modernism was born and grown in Osaka and Kobe areas in Taisho and early Showa Eras.

She has always been making which ever happens to her be the subjects for her own photography.

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lifefind-blog · 2 months

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自己紹介－4

2011 Photo LA, 2011 USA 2010 The Photography Biennale, Skotia Gallery Santa Fe USA 1993 AOI Gallery Santa Fe USA 1993 Kirin contemporary award, Osaka & Yokohama Japan 1990 EXPO'90 Photo museum, Osaka Japan 1985 Taiwan international print biennale, Taipei fine arts museum R.O.C. 1983 Taiwan international print biennale, Taipei fine arts museum R.O.C.

Collections of Kyoto national museum ZEIT-FOTO SALON Polaroid international Polaroid Japan Graduate School of Science, Osaka University Japan Consulate-General, RIGA, Latvia

FUKE’s web page of Wix http://p3ksi4.wix.com/fukep

Art Blog of FUKE http://fuke.tumblr.com/

FUKE interviews

2015 From Taiwan English version https://rinse.io/articles/AU7j0Gg7CoGENWkSiOGi

2014 From France http://quidamlhebdo.fr/galerie-gajac-limpressionisme-japonaise/

2013 From Greece http://www.ltcollector.com/project/fuke-takes-beauty-of-ordinary-every-day-scenes-to-a-new-level-read-the-story-of-this-amazing-artist-from-japan/

2013 From USA http://fineart.about.com/od/Artists/a/Interview-With-Artist-FUKE-On-How-To-Establish-Your-Artist-Career.htm?utm_source=pinterest_ip&utm_medium=sm&utm_campaign=shareurlbuttons

Web pages about FUKE art works

FUKE 経歴 1957 香川県出身 1980 筑波大学芸術専門学群卒業　絵画コース版画専攻 1981 アメリカに旅行　NY、ボストン、LA、SFなどの美術館を巡る 1983 我孫子市でグループ展　スクウォッターズハウスギャラリー中華民国国際版画ビエンナーレ　中華民国台北市立美術館 1985 中華民国国際版画ビエンナーレ　中華民国台北市立美術館版画の空間構成を応用したコラージュ的静物写真作品の制作を始める 1987 写真作品を多数制作。平行してオートマチズム的なドローイングを多数制作 1988 東京で初個展「OFFERINGS」　ツァイト・フォト・サロン大阪で個展　写真展＋インスタレーション　「WEATHERINGS」　フォト・インターフォーム写真のもとになる素材を画廊内に設置し移動するライティングを覗き箱のように見せる初の試みアサヒカメラ、フォトテクニック、WAVE(フォト新世紀)等の雑誌で作品が取り上げられる 1989 人体を記号化した「POSSESIONS」の巨大な絵画、立体作品、ポラロイド作品を多数制作する 1990 大阪でグループ展　「ポラロイド・スーパーイメージの世界」　花の万博写真美術館　 1991 東京で写真展　「SUNLESS　FLAGS」　ツァイト・フォト・サロン週刊現代、デジャ・ヴュ、NHKBS東京発エンターテインメントニュースなどで取り上げられる 1992 コンセプチュアルアートに傾倒する。立体作品、プロジェクトを多数案出、数点の作品を制作する 1993 「NICAF」に写真作品を出品（パシフィコ横浜）「キリン・コンテンポラリーアワード」　奨励賞受賞　キリンプラザ大阪と横浜で展示サンタフェでグループ展　AOI Gallery 1994 丸亀市で個展「風景化」あーとらんどギャラリー 1994 ニューヨークで作品展示　AOI Gallery 1995 温泉撮影ツアーを開始する。以後10年にわたり継続、1000箇所以上を撮影（未発表）単独車中泊旅行のノウハウを追及する 2003 デジタル写真に転向、カラー写真の新たな可能性を探求する 2006 東北、北海道に冬季撮影旅行（以後毎年）、雪の写真に自分のカラー写真の新しい方向性を発見する 2008 夕方と夜の水田を多数撮影する兵庫県生野町で15年ぶりの個展　「水の沈静」　井筒屋 2009 岡山県奈義町で個展　「雪の沈静」　奈義町現代美術館 2010 年末��ら2011年1月にかけて東欧を旅行し撮影する。サンタフェでグループ展　「The Photography Biennale」　Skotia Gallery 徳島県阿南市で個展　「雪の沈静」　このぶGallery 2011 ロサンゼルスでグループイベント　Photo LA, USA ローマでグループイベント　Lungotevere Vittorio Gassman Rome　curated by Francesca Pietracci ニューヨークでグループイベント　Water-Aid, Cooper Union The Great Hall New York USA

2012 台北でグループ展　Howard salon Taipei Taiwan ドイツでグループ展　Brisky galerie Stuttagrt Esslingen Germany curated by Mickey McCooper ローマでグループイベント　Rising Love Rome Italy　curated by Francesca Pietracci ローマでグループ展　La Notte 900 lab Rome Italy curated by Viviana Guadagno パリでグループ展　Space Artintheflat Paris curated by Samuel Raharison 神戸市でグループ展　「風景の夢」　Landscape dreams Kobe curated by Hitoshi Yamazaki

2013 ラトビアのリガで個展　Art Gallery MAYDAY 高知市で個展　Graffiti

2014 ラトビア、イマンタ文化センターで個展南フランスのヴィルヌーヴ・シュル・ロットでカードプロジェクトを含むFUKE世界個展ツアー第一回展

2015 ヴィルヌーヴ・シュル・ロットでFUKE世界個展ツアー第２回展（総展示替えで、第一回と合わせ合計6か月余り開催）茨城県つくば美術館でグループ展示1000人の顔 2016 さぬき市で個展 SAKKIES トークショー（ゲスト建畠哲氏）さぬき市で個展 NIKE ギャルリーヴィヴァン寥修平と日本の15人の弟子達展ツァイト・フォト・サロン石原悦郎追悼展 “ Le bal ” Part3 - adagio cantabile

2015 ヴィルヌーヴ・シュル・ロットでFUKE世界個展ツアー第２回展（総展示替えで、第一回と合わせ合計6か月余り開催）

茨城県つくば美術館でグループ展示1000人の顔

2016 さぬき市で個展 SAKKIES トークショー（ゲスト建畠哲氏）

さぬき市で個展 NIKE

ギャルリーヴィヴァン寥修平と日本の15人の弟子達展

ツァイト・フォト・サロン石原悦郎追悼展 “ Le bal ” Part3 - adagio cantabile

2017 2月23日手を握ったまま母を看取る医療、教育、食品、安全などに関する情報調査を続行、多数の発見を行う

4月30日自宅の倉庫で再び出産した縞猫の親子全5匹を保護する。4匹の子猫は里子に

2018 FUKE作品を購入したコレクターが作品納入2カ月後に大抜擢され、大きな仕事を任される

北海道での巨大地震に心を痛め、北海道の雪のシリーズを多数仕上げ、北海道の魅力を伝える

地震、気象、健康、医療など多方面の情報収集と独自の調査を継続し、深めていく

2019 花とアート展　西脇市岡之山美術館ゴーネス・フォトビエンナーレ　ベルギー　Musées Héritage de Goesnes - 5353 Belgique

2020 5月「裸の王様の肖像 Face of a naked king」シリーズを完成させる

2021 「暗闇の中の虹色　Rainbow color in the darkness」シリーズを制作する

2022 2月28日、ロシアの特殊軍事作戦開始の4日後に目の前の事故で愛猫を失う。外猫のキジは腕の中で息を引き取り、キジの意思を尊重して外に出したことを後悔する。自由意思を尊重することと、今の社会の仕組みの中で安全に生きていくことの天秤の扱いを誤ってはいけないと考えるようになる。

10月、カラーホールシリーズを完成させる。人生の中で大きな絶望に見舞われたり、愛する誰かを失ったりしたときに、祈りを捧げたり、心を預けたりする場所が今の社会には無いため、その受け皿になる架空の場所としての作品を作りあげた。

2023 古着をリメイクして、絵画的なデザインの服をたくさん作るようになる。　

作品コレクション

京都国立近代美術館、ツァイト・フォト・サロン、ポラロイドインターナショナル、日本ポラロイド、大阪大学大学院理学研究科、ラトビア・日本総領事館

#FUKE #自己紹介

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runnersnz · 4 months

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“I am Amber, a 29 years old Taiwanese girl. I started my running journey since 2014 and Triathlon for 7 Years. I am a scuba dive instructor, love the ocean and mountain, love sharing, and always outside.

The story of how I came to start running, back in 2015, I was still hustling through college, stressing over that transfer exam. One day a mate asked if I'd be down to join this chill running team. They promised good company, cool running spots, and interesting chats. I was curious and thought WHY NOT?

We were rocking the Nike+ app back then, and the organiser was this GPS Picasso, creating awesome shapes on our running routes. So, for my first-ever run, picture this: I'm in a Superman cloak, wearing Nike Air Force kicks (not the best for running), and throwing on some short jeans. We hit the streets of Taipei, everyone vibing high and having a blast. Crazy thing is, I smashed 11km that night!

The next day my legs were screaming, but I couldn't wait for the next run. It was crazy - I never thought I could pull off running that far. It blew my mind how positive vibes could turn things around. The combo of good company, positive energy, and the thrill of running... Life-changing! It's not just about the distance, it's the feeling of accomplishment, those endorphins kicking in, and connecting with awesome humans. And the organiser's GPS art just added a whole new level of fun. And let's talk about my outfit choice – Superman cloak, Air Force kicks, and short jeans – total madness, right? But it added this fun vibe to the whole adventure. Running with a crew in a supportive setting does wonders for your body and mind.

During my study days, I was heavily into dancing, but the demands of the college transfer exam forced me to step away from the dance group because practice sessions often ran late into the night. That's when I discovered running - a more manageable time commitment and a fantastic way to connect with some genuinely cool people always up for an adventure.

Joining the running community opened up a whole new world for me. The folks I met were not only fantastic running buddies but also amazing individuals from whom I learned a lot. Every run became an opportunity to enjoy the moment and soak in the positive vibes. It was a refreshing change, and I appreciated the flexibility it offered in my schedule.

So, from being a dancer to hitting the pavement, I found a new passion that not only kept me fit but also introduced me to an incredible group of people who shared my love for running and adventure.

After running with this group for two years, completing numerous 10k and 21k races, and even conquering the full marathon with them, I had built a network of amazing people. Then, one day, someone in the group came up with the idea of signing up for a triathlon. My immediate thought again was, "Why not? Sounds like a blast. I’m in!" There was just one hiccup - I wasn't exactly a swimmer, especially in deep water. So, I opted for the easier version of the race that allowed me to use a swimming buoy. Once the decision was made I just signed up for the swim course, diving headfirst into my first-ever triathlon training. I was so pumped that I didn't end up using the swimming buoy, and even registered for a 10k run the day after the triathlon race. And you know what? I got hooked. It was mind-blowing to witness all the hard work pay off. I discovered a version of myself I hadn't really met before and realised I was stronger and more capable than I ever gave myself credit for.

One of my highlights has been Cairns IM 70.3 in 2023. All the hard work paid off. 1.9km Swim, 90km Bike, 21km RUN. Swim 40 mins, Bike 3:03, Run 1:56 - 5:47, A massive PB and pure happiness. My past triathlon before this was six years ago, and I finished it in 6 hours and 33 minutes. Back then, my run never went sub-2 hours. Fast forward to now, I achieved a running personal best in the 70.3 distance after seven years of doing triathlons. It hit me – I've never really pushed myself hard and put in the effort like I did this time. Legs were hurting, but my brain was stoked. After navigating through numerous heartbreaks in life and taking a hiatus from training when I first started travelling, I can proudly reclaim the title of Triathlete. Grateful that I'm still capable of stepping onto the course and shining once again.

Queenstown Half Marathon 2023 was another highlight. My first Half Marathon in New Zealand with a PB 1:50h! Got the transfer slot 2 weeks before race, wasn’t really training for it but just keeping fit. The weather was mint as but the run course was beyond my expectations! Thought it would be a flat road but it turned out to be rolling hills and most of them were trails. Most of my time during race was in pain and not very enjoyable. But this race has amazing scenery and reminds me that I have to be stronger!!

Now I am running for myself – not only to meet people but to stay fit, happy, and healthy. I find it nice when I can dominate my time, be dedicated, and disciplined. It's also fantastic to explore a new place through running and give myself a break from the noise in my brain caused by all the realities of life. I've found that keeping up with running is the only emotional outlet to keep my brain fresh and my mind healthy.

Since I've been away from home for years, travelling can sometimes be a bit stressful for me due to the unstable life and loneliness. People around me come and go, and most of the time, I'm always on the move. I have to relocate to a new city and change jobs every few months because of visa limitations, adapt to a new work environment, and face different challenges in each new place. So I enjoy meeting people in a different kind of way - running.

Meeting people through running, runners from around the world all share a similar vibe – they're happy, strong, brave, and have a solid mindset. Regardless of why they run or their fitness level, I respect anyone willing to break their comfort zone, embrace discipline, and I'm genuinely happy to get to know these amazing individuals.

Staying fit makes me mentally stronger during my days wandering around the world, and it makes me feel better and happier when I feel LOST while chasing dreams. I won't stop running, and I aspire to grow stronger, both physically and mentally, continually exploring my limits.”

Amber (Tsai Huei Yu) @ambeeryu (Te Anau/Fox Glacier) – Portraits of Runners + their stories @runnersnz

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elcinerevelado · 5 months

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03 de marzo. 18.30h. Entrada gratuita

Things Said Once - Esperanza Collado

Performance y conversación posterior

Lectura coreografiada que involucra el uso de libros, rollos de películas, plantas, diapositivas de 35 milímetros y un proyector de películas de 16 mm. El texto representa una oda al cine como experiencia e incorpora varias citas de pensadores y cineastas a partir de la investigación de la propia Collado sobre formas de paracinema. Según la autora “Things Said Once es una declaración de arte y un elogio para el cine en reconocimiento a su historia y nuestra responsabilidad en el presente”. Escrito como un poema, el texto se construye en torno a una comprensión del cine como experiencia en sus dimensiones espacial, temporal y comunitaria. A nivel formal se presenta como una performance, una lectura en un entorno elaborado que incluye gestos, acciones corporales y objetos a través de los cuales se revela el propio texto.

Esta performance, en diferentes versiones, se ha representado y ha ido evolucionando desde 2015 en espacios de arte como Taipei Contemporary Art Centre (Taiwán), Lajevardi Foundation de Teherán (Irán), Centro Cultural de España en Montevideo (Uruguay), Centro de Cultura Montehermoso (Vitoria), la Cinematek de Bruselas (Bélgica), Galeria Microscope de Nueva York o el CCCB de Barcelona y en festivales como Oberhausen (Alemania), Bristol Experimental and Expanded Film (Gran Bretaña) o Punto de Vista (Pamplona).

El 9 de febrero del 2014, Esperanza Collado inauguró la primera edición de El Cine Rev[b]elado con la performance Ensayos de la evaporación (We only guarantee the dinosaurs) 10 años después regresa a este ciclo, cerrándolo en una suerte de bucle, y compartiendo una nueva performance que continua su práctica e investigación dentro del cine-expandido y de quienes forman parte de ello.

Se repartirá a todes las asistentes un fanzine; Things Said Once, dibujado por Paula Guerrero con textos de Esperanza Collado y diseñado por Jaime Narváez. Al finalizar la performance, los comisarios mantendrán un encuentro con la artista, 10 años después de…

#el cine revelado #ca2m #2024 #playtime audiovisuales #things said once #Esperanza Collado

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shujung · 6 months

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« In Transit / 旅行人 » 2012 ~ 18

(series of projects)

https://shujung.tumblr.com/20128intransit

(ARTE Video Night 2014) https://vimeo.com/190983654

(Taiwan’s Emerging Artists) https://vimeo.com/265709732

(Extract Video) https://vimeo.com/51123714

..........................

HD New Media video 4’ 41” in loop 16/9, color, sound projection

Rain Sculpture (dimension variable)

2018 « Femi-Flow : Creating Female Subjectivity in Art »,National Taiwan Craft Research and Development Institute, Taiwan

https://www.ntcri.gov.tw/

2018 « Metamorphis » Exhibition, Tainan, Taiwan

2014 The 6th edition of « ARTE Video Night » with ARTE, the french and german TV channel, broadcast on ARTE during the FIAC, and Palais de Tokyo in Paris

2013 Collection by ArtBank, Ministry of Culture, Taiwan

2013 « Art Tainan 2013 » Group Exhibition, Tainan, Taiwan

2013 « Sculpting in Time », Contemporary Arts International, Inc., Boston, USA.

2013 « Entre Les Deux », U Space Gallery, Taipei, Taiwan

2013 « Alone », Rainbow is Coming, Tainan, Taiwan

2012 « Reverse/Ramble », Shin Leh Yuan Art Space, Taipei, Taiwan

...........................

« In Transit »

In this piece « In Transit », CHAO Shu-Jung first collects and records poems, essays and songs about rain and water from different countries. Afterwards, she transcribes them onto strips of paper, which in darkness, rain and mist slowly fall into a pile in time with the rhythms of the songs and the cadences of the recited poems. To the artist, the rain and water represent philosophical, literary and aesthetic viewpoints, which exhibit a labyrinthine visual metonymy in space and time, like the sense of distance and vacancy between people.

In this piece, she tries to guide the viewer on journey of experience through varied sounds and sights amid unfamiliar words and languages, arousing a deeply layered sense of alienation and giving the viewer’s conscience the chance to interact with the exterior world, producing a continually expanding shock and reverberation.

........................

我收集了十幾種代表不同國家有關「雨/水」的詩、散文或是歌曲。並且根據國家的出處及語言的對應錄製了十幾種附有「詩意」的聲音。 (中文、意大利語、臺語、西班牙語、英語、俄語、日語、阿拉伯語、德語、法語)

在日常生活中, 雨和水不但和我們息息相關, 並且又代表了許多哲學. 文學和美學的觀點。雨和水在時間和空間上，不但有著如迷宮般的多重呈現與視覺上的轉喻，並且又加強了人與人之間的疏離感和空虛感。

這件作品就像是帶觀者去經歷一場旅行。一場每個人內心中的旅行。藉由不同的聲音語言及多重層次的觀感，種種內心的奇異感接踵而來地慢慢浮現了，時間空間彷彿煞那間靜止了，就有如到了一塊重不曾到過的領域，自我抽離的距離感和時間感不斷的被加深。內心的探索不斷地和外在世界經驗的結合，並產生了共鳴和迴盪，喚起了許多深層的想法：旅行、游離、異國、多種文化…

一種自我存在感及私密感不斷地被增大… 一種無限感覺的經驗遊走在自我意識和世界之間…

.........................

Je collectionne une dizaines de poèmes, de citations et de chansons de différents pays, qui ont tous trait au même thème « la pluie / l’eau » et correspondent à des enregistrements de voix, de chuchotements dans la langues d’origine.

Selon le cinéaste taïwanais, Tsai Ming-liang, la pluie et l’eau sont le fil conducteur pendant tout le film. Il pousse à l’extrême le cinéma moderne de l’incommunicabilité et de la vacuité, exploitant le thème de l’eau qui coule associée à la vie qui va. La pluie et l’eau évoquent les aspects aquatique, poétique et délirant. Il s’agit de plusieurs spatio-temps. La distanciation (la nostalgie et le dépaysement…) se rend comme étranger à soi.

Ce projet « In transit » qui s’agit d’une promenade telle une déambulation à l’intérieur (de soi), un aller-retour entre les sons doublé d’une zone poly-sensorielle ; un territoire ni d’ici, ni d’ailleurs, une distanciation évoquée et une suspension du temps. Un voyage exploratoir à l’intérieur (de soi) revoie et renforce le mouvement du déplacement. Une façon de confronter aussi les divers modes de déplacement principaux que sont le tourisme, l’exotisme et le multiculturalisme…

Le sentiment de l’existence finit par être immensément augmenté…

On finit par avoir à la fin du visionnage un sentiment infini de la conscience de soi et du monde…

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kenghaokang · 6 months

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耿晧剛展歷

Keng Hao-Kang Exhibitions

耿晧剛1969年生於台灣，自東海大學美術系畢業後，赴義大利米蘭布雷拉國立美術學院（Accademia di belle arti di Brera）就讀，跟隨Diego Esposito教授主修繪畫與裝置藝術，開啟了觀念藝術的思考。返台後曾於時尚流行品牌Hugo Boss任職數年，並於2008年起任教於銘傳大學商業設計系與東海大學美術學系，獨特的成長背景與留義經驗，讓耿晧剛成為不自限的創作者，不斷地翻新創作樣貌，從生活的體驗與敏銳的感知出發，反映於多元的作品中。耿晧剛作品曾展出於��阪藝術博覽會、台北當代藝術博覽會，並且為國美館、高雄市立美術館、台南市美術館及其他私人收藏單位所典藏。耿晧剛現生活與創作於台北。

主要學歷

2002 米蘭布雷拉國立美術學院碩士義大利

1993 東海大學美術學系台灣

主要個展

2024 「在那之後,」，臻品藝術中心，台中，台灣

2019 「快樂進行曲-耿晧剛創作展」，銘傳大學商設藝廊，桃園，台灣

2017 「第三自然」，月臨畫廊，台中，台灣

2016 「長乘以寬耿晧剛作品展1998-2015」，大趨勢畫廊，台北，台灣

2016 「三月・小甜心－耿晧剛個展」，恆畫廊，台北，台灣

2015 「清晨・奧爾維耶托－耿晧剛個展」，小畫廊，高雄，台灣

2015 「遠在咫尺」，臻品藝術中心，台中，台灣

2013 「差異之間耿晧剛個展」，新苑藝術，台北，台灣

2013 「布里歐日常」，彌留實驗藝廊，台中，台灣

2012 「未來‧進行式耿晧剛個展」，貝瑪畫廊，台北，台灣

2011 「耿晧剛近作與繪畫展」，新苑藝術，台北，台灣

2011 「雙重衝擊」，新苑藝術，新北市板橋區，台灣

2010 「Why so Serious? 2010」，雲林科技大學藝文中心，雲林，台灣

2009 「Why so Serious?」，中國科技大學藝文中心，台北，台灣

1999 「一幅畫」，代比流士藏書畫廊，米蘭，義大利

1998 「納歐詩」，布雷拉第四教室，米蘭，義大利

主要聯展

2022 「非常態亞洲國際美展會員展」，大新美術館台南，台灣

2021 「2021台北國際藝術博覽會」，形而上畫廊台北，台灣

2021 「藝流系譜學院之道」大墩文化中心，台中，台灣

2021 「第29屆亞洲國際美展」，九州，日本

2021 「如果有一天」形而上畫廊，台北，台灣

2020 「禽獸不如─ 2020台灣美術雙年展」，國立臺灣美術館，台中，台灣

2020 「老耿與他的藝術家朋友們」，臻品藝術中心，台中，台灣

2019 「有機體臺藝東海-創作交流展」，國立臺灣藝術大學，台北，台灣

2018 「抽象九人聯展」，耘非凡美術館，台南，台灣

2018 「春花望露」，形而上畫廊，台北，台灣

2018 「以色為名」，東海大學藝術中心，台中，台灣

2017 「第十二夜」，形而上畫廊，台北，台灣

2016 「當代台灣抽象精選展」，耘非凡美術館，台南，台灣

2016 「在天空仰望玫瑰」，形而上畫廊，台北，台灣

2016 「內在幻覺與現實符號」，東海大學藝術中心，台中，台灣

2015 「現代台灣的藝象」，銀座幸伸藝廊，東京，日本

2014 「伊通26週年慶‧一本初衷手稿展」，伊通生活空間，台北，台灣

2014 「萬花嬉春」，臻品藝術中心，台中，台灣

2013 「高雄藝術博覽會」，新苑藝術，高雄，台灣

2013 「天秤座」，臻品藝術中心，台中，台灣

2013 「加減乘除」，形而上畫廊，台北，台灣

2013 「台北國際當代藝術博覽會」，新苑藝術，台北，台灣

2013 「瞬間永恆,抽象繪畫的可能性」，臻品藝術中心，台中，台灣

2013 「台南藝術博覽會」新苑藝術，台南，台灣

2013 「從零開始,無限大的小」，形而上畫廊，台北，台灣

2012 「大阪藝博會」，新苑藝術，大阪，日本

2012 「台中畫廊藝術博覽會」，新苑藝術，台中，台灣

2012 「台北國際當代藝術博覽會」，新苑藝術，台北，台灣

2012 「府城藝術博覽會」新苑藝術，台南，台灣

2011 「台北攝影與數位影像藝術博覽會」，新苑藝術，台北，台灣

2011 「大阪藝博會」，新苑藝術，大阪，日本

2011 「台北國際當代藝術博覽會」，新苑藝術，台北，台灣

2011 「台中畫廊藝術博覽會」，新苑藝術，台中，台灣

2011 「「異」「想」軌跡」，新苑藝術，台北，台灣

2010 「在世代之間」，蓽蘿藝術活動中心，台北，台灣

2010 「寄寓&溯源」，藝星藝術中心，台北，台灣

2008 「六人聯展」，天使美術館，台北，台灣

2006 「第19屆亞洲國際美展」，新加坡

2001 「華」阿投泰卡畫廊，米蘭，義大利

2001 「現代藝術的符號與象徵性」，現代展館，科摩，義大利

2000 「弩各」，皇室舊醫院，扣投扭，義大利

1998 「視覺的波浪」，救世特區，米蘭，義大利

1998 「國際池」，普其艾蕾放特空間，奧斯納構，米蘭，義大利

1997 「沙龍特展」，二十號畫廊，米蘭，義大利

1997 「與對角線的對話」，雷切市，義大利

典藏紀錄

國立台灣美術館

台中市立美術館

高雄市立美術館

台南市美術館

國內外私人收藏

KENG HAO KANG

Keng Hao-Kang was born in 1969 in Taiwan. After graduated from Department of Fine Arts in Tunghai University, he studied under Professor Diego Esposito at Accademia di belle arti di Brera, Italy, majoring in painting and installation art. The life and the study in Italy inspired his thoughts and development toward conceptual art. Keng worked for Hugo Boss afterward, and has been teaching in Ming Chuan University and Tunghai University since 2008. The unique background of growth and study along with the work experience have influenced his diverse creative styles. Keng’s work has been showcased widely at Art Osaka, Young Art Taipei and collected by National Taiwan Museum of Fine Art, Kaohsiung Museum of Fine Art, and other important private collections. Keng currently lives and works in Taipei.

Education

2002 Accademia di Belle Arti di Brera, Milan, Italy

1993 Tunghai University, Dep. Fine Arts, Taichung, Taiwan

Selected Solo Exhibitions

2024 “after that, ” Galerie Pierre, Taichung , Taiwan

2019“Nothing but happy” MCU Department of Commercial Design Gallery, Taoyuan , Taiwan

2017 “The Third Nature-Daily Pattern” Moon Gallery, Taichung , Taiwan

2016 “Geometric Composition 1998-2015” Main Trend Gallery, Taipei , Taiwan

2016 “Pinup・March” Galleria H., Taipei, Taiwan

2015 “Orvieto Morning” Show Gallery, Kaohsiung, Taiwan

2015 “So Far So Close” Galerie Pierre, Taichung , Taiwan

2013 “The Difference Between” Galerie Grand Siècle, Taipei , Taiwan

2013 “Brioche-Daily” Me:Liu experimental Gallery, Taichung, Taiwan

2012 “Future-Progress KENG HAO KANG” Pema Lamo Gallery, Taipei, Taiwan

2011 “KENG HAO KANG - ” Galerie Grand Siècle, Taipei , Taiwan

2011 “Double Impact - ” Galerie Grand Siècle, Banqiao Dist.,New Taipei City , Taiwan

2010 “ Why so Serious? 2010 ” Yutech ,Art Center , Yunlin , Taiwan

2009 “ Why so Serious? ” CUTE , Art Center , Taipei ,Taiwan

1999 “Un Dipinto” Derbylius Libreria Gallery, Milan, Italy

1998 “NAOS” n.4 Aula of Brera, Milan, Italy

Selected Group Exhibitions

2022 “Abnormal AIAE by Taiwan Committee Members”Da Xin Art Gallery,Tainan,Taiwan

2021 “Art Taipei 2021” Metaphysical Art Gallery, Taipei, Taiwan

2021 “The 29th Asian International Art Exhibition “, Japan

2021 “One day in the future” Metaphysical Art Gallery, Taipei, Taiwan

2020 “Subzoology: 2020 Taiwan Biennial” National Taiwan Museum of Fine Arts,Taichung , Taiwan

2020 “Mr.Keng and his Artist Friends” Galerie Pierre, Taichung , Taiwan

2019 “ORGANISM” National Taiwan University of Art, Taipei, Taiwan

2018 “Minimalism-Cold Abstraction in Taiwan” Remarkable Cultivation Art Museum, Tainan , Taiwan

2018 “Dream Blossom” Metaphysical Art Gallery, Taipei, Taiwan

2018 “The name of Color” Tunghai University Art Center, Taichung, Taiwan

2017 “What You Will” Metaphysical Art Gallery, Taipei, Taiwan

2016 “Contemporary Taiwan” Remarkable Cultivation Art Museum, Tainan , Taiwan

2016 “Look up Rose from the Sky” Metaphysical Art Gallery, Taipei, Taiwan

2016 “Internal hallucinations & Reality symbols” Tunghai University Art Center, Taichung, Taiwan

2015 “Art Contemporaneity Taiwan” Ginza Kousin Gallery, Tokyo , Japan

2014 “Celebrating 26 years of IT park” IT ArtHouse,Taipei , Taiwan

2014 “Bloom with Multicolored” Galerie Pierre, Taichung , Taiwan

2013 “Art Kaohsiung ” Galerie Grand Siècle, Kaohsiung , Taiwan

2013 “Libra” Galerie Pierre, Taichung , Taiwan

2013 “+-x÷” Metaphysical Art Gallery, Taipei, Tawan

2013 “Young Art Taipei” Galerie Grand Siècle, Taipei , Taiwan

2013 “Moments of Eternity – the possibilities of abstract painting” Galerie Pierre, Taichung , Taiwan

2013 “Art Tainan ” Galerie Grand Siècle, Tainan , Taiwan

2013 “Start from Zero. small with infinitely large” Metaphysical Art Gallery, Taipei, Tawan

2012 “Art Osaka” Galerie Grand Siècle, Osaka , Japan

2012 “T-Art in Taichung ” Galerie Grand Siècle, Taichung , Taiwan

2012 “Young Art Taipei” Galerie Grand Siècle, Taipei , Taiwan

2012 “Art Tainan ” Galerie Grand Siècle, Tainan , Taiwan

2011 “Photo Taipei 2011” Galerie Grand Siècle, Taipei , Taiwan

2011 “Art Osaka” Galerie Grand Siècle, Osaka , Japan

2011 “Young Art Taipei” Galerie Grand Siècle, Taipei , Taiwan

2011 “T-Art in Taichung ” Galerie Grand Siècle, Taichung , Taiwan

2011 “Traces of Wandering Thoughts ” Galerie Grand Siècle, Taipei , Taiwan

2010 “Between the Generations ”Artpillar Gallery, Taipei , Taiwan

2010 “Dwelling Abroad . Dwelling on Home” Star Crystal Gallery, Taipei

2008 “Six 6” Angel Art Gallery, Taipei , Taiwan

2006 “ The 19th Asian International Art Exhibition“, Singapore

2001 “HUA” Gallery Artoteca, Milan, Italy

2001 “Simboli e Simbolismi nell’arte contemporanea: En Blanc et Noir” Space Shed Como, Italy

2000 “N.U.N.C.” Vecchio Ospedale Soave, Italy

1998 “Visual Wave” Space Societa Umaitaria, Milan, Italy

1998 “Water International” Spazio Pucinoelefante, Osnago,Milan, Italy

1997 “Salon Primo” Studio Venticinque, Milan, Italy

1997 “Linguaggio in Diagonale” Lecce Comune, Italy

Collection

National Taiwan Museum of Fine Arts, Taichung

Taichung Museum of Art

Kaohsiung Museum of Fine Arts, Kaohsiung

Tainan Art Museum,Tainan

Domestic and foreign private collection

#art

0 notes

nzomixaw · 6 months

Text

【展示告知】

小林望美個展「サナギュトリウム」

会期：2023年11月21日（火）〜12月3日（日）

11時〜19時※最終日17時まで

会場：MEDEL GALLERY SHU 愛でるギャラリー祝

〒100-0011 千代田区内幸町1-1-1帝国ホテルプラザ2F

入場無料

在廊予定：21(火)11:00-17:00まで、23(木祝) 、25(土) 、26(日) 、12/2(土) 、3(日)13:00-17:00まで。

＜展示ステイトメント＞

サナギュトリウム：さまざまな出来事を要因にサナギ化した人々が、ぶじ羽化する時を待つ場所（造語）

2016年以降は木製パネルへ描いたモザイク画を彫刻刀で彫り、溝へ金属色を流し込むといった独自のスタイルを確立し、手掛ける作品は現在も進化変容を遂げています。

小林のモザイク画は、現代社会とその中に存在する個人を細かなモザイク粒子とその集合体によって暗喩した作品が多く、彫る行為は個を明確に区分し存在を刻み込む意図で用いられてきました。

＜プロフィール＞

小林望美 Nozomi KOBAYASHI

2014 群馬大学教育学部美術専攻卒業

2016 彫るモザイク画での活動を開始

以降、都内ギャラリーや百貨店でのグループ展を中心に活動を展開中

<個展>

2022「ユーフォトルビア404」MEDEL GALLERY SHU（東京）

2021「roll swipe connect」MEDEL GALLERY SHU（東京）

2019「ジェネリックラブ」八犬堂（東京）.

2018「夜底の惑星で、」Art Mall（東京）

2017「心辺に座礁」Art Mall（東京）

<受賞歴>

2017 第2回星乃珈琲絵画コンテスト佐藤俊介審査員優秀賞

2016 KENZAN2016 LOWER AKIHABARA賞

<メディア>

2022 月刊アートコレクターズ 12月号「日常、再発見」（新作グラビア掲載）

Cocco 25周年12thアルバム「プロム」ジャケットアートワーク担当

2022 雑誌「SWITCH」Vol.40 No.4 特集 Eve 廻人奇譚（「プロム」関連インタビュー掲載）

2021 歌集『変奏曲を編む』辻桂子 / 鷹志かれん著・編、求龍堂刊行（描き下ろし作品掲載）

2020 アートビジネスマガジン「ARTFULL」インタビュー掲載

2019 月刊美術6月号（「藝術集団 ARTpro」のエッジィな個性派×7 頁にて掲載販売）

2018 BSフジ「ブレイク前夜〜次世代の芸術家たち〜」第107回出演

2017 美術の窓6月号（「新人大図鑑2017」Art Mall推薦作家として掲載）

＜参加アートフェア＞

2023

「Study:関西大阪国際芸術祭 2023」MEDEL GALLERY SHU

2022

「ART TAIPEI」MEDEL GALLERY SHU

2019

「ART FAIR ASIA FUKUOKA」八犬堂

「Infinity Japan Contemporary Art Show」八犬堂

「ART EXPO MALAYSIA」八犬堂

2018

「ART FAIR TOKYO」八犬堂

＜近年参加グループ展＞

2023

「アートまみれ Vol.2 Part.1」Artglorieux of TOKYO GINZA SIX（東京）

「once more Jonathan Hadipranata & Nozomi Kobayashi」MEDEL GALLERY SHU（東京）

「大宴会的美術展 KENZAN2023」東京芸術劇 Gallery1

2022

「KOWAII展 Vol.XII」銀座新井画廊（東京）

「NEW SURFACE -新しい絵肌への挑戦-」大丸東京店（東京）

「EYES-portrait show-」MEDEL GALLERY SHU（東京）

「八犬堂京橋移展」八犬堂ギャラリー（東京）

「Artist! Artist! Artist! Matusya Contemporary Art Selection」松屋銀座（東京）

「art art arヤングアーティスト旋風2022」松坂屋名古屋店（愛知）

「変奏曲を編む刊行記念展」MARUZENギャラリー（丸善・丸の内本店、丸善京都本店、ジュンク堂書店福岡店他、巡回）

開通60周年記念「芸術作品に見る首都高展」Ｏ美術館（東京）

2021

「NEW SURFACE -新しい絵肌への挑戦-」大丸東京店（東京）、松坂屋名古屋店（愛知）

「家入一真コレクション展 “表現へのシナジー” 」awabar kyoto（京都）

「名作 REBORN展」松坂屋上野店（東京）

2020

「アートのチカラ」伊勢丹新宿店（東京）

「阪急×アートコレクターズニュースター達の美術展」阪急うめだ本店（大阪）

「ニュースターアートコレクション」松坂屋名古屋店（愛知）

「Artglorieux Selection」GINZA SIX（東京）

「名作 REBORN展」松坂屋上野店（東京）、松坂屋名古屋店（愛知）

「KENZAN2020」一般社団法人Jian主催 WEB展示会

「たんざく展」銀座新井画廊（東京）、阿部敬四郎ギャラリー(宮城)

「納涼妖画展」丸善・丸の内本店（東京）

「ほころびとざんぞう」MEDEL GALLERY SHU（東京）

「フレンチチーズウォーク in 中目黒」MDP GALLERY、ビストロ13区（東京）

1 note · View note

saikokashiwada · 47 years

Text

略歴/Biography

柏田彩子 1977 福岡県出身 2001 多摩美術大学絵画科油画専攻卒業 2003 多摩美術大学大学院絵画専攻修了無所属個展 2024 柏田彩子展大川市立清力美術館（福岡） 2022 柏田彩子展銀座K's Gallery（東京）とおい音 GALLERY BROCKEN（東京） 2021 柏田彩子展銀座 K's Gallery-an（東京） 2020 とおくへ SAN-AI GALLERY（東京） 2019 昨日の空 SAN-AI GALLERY（東京）明日の化石 f.e.i Art Gallery（神奈川） 2018 べつの話 SAN-AI GALLERY（東京） tableau & paperworks リベストギャラリー創（東京） 2016 unbound words The Art Complexcenter Tokyo（東京） 2017 short stories The Art Complexcenter Tokyo（東京） 2014 彼方に吹く風 Cafe&Bar NABE（東京） 2013 向こう側への旅 Shonandai MY Gallery（東京） 2012 いつかどこかで SAN-AI GALLERY（東京） S氏の日記 Shonandai MY Gallery（東京） 2011 空箱 SAN-AI GALLERY（東京）此処より何処かへ Shonandai MY Gallery（東京） 2010 柏田彩子展 SAN-AI GALLERY（東京）ぐるっと回って Shonandai MY Gallery（東京） 2009 浜辺のとき SAN-AI GALLERY（東京） 2008 しあわせな孤独 GALLERY Olive eye（東京） 2007 ある日の断片 GALLERY Olive eye（東京） 2006 柏田彩子展 SAN-AI GALLERY（東京）柏田彩子展ギャラリー代々木（東京） 2005 柏田彩子展ギャラリー代々木（東京）アートフェア、アーティストインレジデンス No Boundaries International Art Colony 2019（ノースカロライナ/アメリカ） BAMA(Busan Alternative Market of Art) 2012（釜山/韓国） ART KYOTO 2012（京都） Young Art Taipei 2011（台北/台湾）グループ展 2022 おしゃべりなアート展 vol.15 Message Art Exhibition アートスペース羅針盤（東京） Resonance vol.3 Cafe NABE(東京） 2021 おしゃべりなアート展vol.14 Message Art Exhibition アートスペース羅針盤（東京）なつのてがみ free art space PoRtoLibRE de novo（東京） Resonance vol.2 リベストギャラリー創（東京） 2020 おしゃべりなアート展vol.13 Message Art Exhibition. アートスペース羅針盤（東京） Resonance vol.1 銀座K's Gallery（東京） 2019 No Boundaries International Art Colony Wilma W. Daniels Gallery （ノースカロライナ/ アメリカ) おしゃべりなアート展vol.12 Message Art Exhibition. 銀座煉瓦画廊(東京) 2018 寄り添うかたち‘18 ギャラリー水・土・木（東京) 2017 小さき夢みしー神は細部に宿り給ふー free art space PoRtoLibRE（東京） 2016 ラストワルツ free art space PoRtoLibRE（東京） 2015 柏田彩子・高柳麻美子二人展 it’s all good! free art space PoRtoLibRE（東京）箱の中の小さな宇宙 free art space PoRtoLibRE（東京） 2014 柏田彩子・松宮真理子二人展「旅の途中」（free art space PoRtoLibRE（東京）

ＭＹＷＡＹ Shonandai MY Gallery（東京） 2013 ふたり展遠くまで SAN-AIギャラリー（東京） 2012 史水展三十年の歩み展銀座アートホール（東京） 2009 第28回選抜奨励賞展損保ジャパン東郷青児美術館（東京） M+A ART FAIR TURNER GALLERY（東京) MY Harmonious Exhibit 2009 Shonandai MY Gallery（東京） 2008 花鳥風月 -折々の- 展 SAN-AIギャラリー（東京） Drawing - 径と景 - SAN-AIギャラリー（東京） 2007 Drawing -素材・筆触-展 SAN-AIギャラリー（東京） 2006 new yearning展 SAN-AIギャラリー（東京）六人展vol.3 みなとみらいギャラリー（神奈川）「時の流れ」展ギャラリー・アートポイント（東京） 2005 preference展 SAN-AIギャラリー（東京）六人展vol.2 みなとみらいギャラリー（神奈川） 2004 第１３回ＳＰＲＯＵＴ展ギャラリー福山（東京）六人展みなとみらいギャラリー（神奈川） 2003 「コレクターの見る視点」展もみの木画廊（東京）美楽舎主催第12回マイ・コレクション展ギャラリーしらみず美術（東京）多摩美大学院修了５人展みなとみらいギャラリー（神奈川） 2002 史水展 Gallery風（東京) 2001 史水展 Gallery神宮苑（東京）977

#biography

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emrobinson03 · 1 year

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Edith Amituanai

Edith Amituanai was born in 1980 in Auckland, New Zealand. In 2005 she completed a Bachelor of Design (majoring in photography) at Unitec Institute of Technology, before completing a Master of Fine Arts from Elam School of Fine Arts at the University of Auckland in 2009. In 2007, Amituanai was the first recipient of the Art Foundation’s Marti Friendlander Photographic Award. The following year she was nominated for the Walters Prize at Auckland Art Gallery Toi o Tāmaki. Amituanai undertook the Taipei Artist Village Residencyin 2014 and was the inaugural artist-in-residence at the Hastings City Art Gallery in 2017. She has exhibited extensively in galleries and museums across Aotearoa and internationally in Australia, Austria, Taiwan, Germany and France. Her artwork is held in national collections including Auckland Art Gallery Toi o Tāmaki, Museum of New Zealand Te Papa Tongarewa and Govett-Brewster Art Gallery. Amituanai is represented by Anna Miles Gallery, Auckland.

Edith Amituanai: Double Takeis the first exhibition to survey artist Edith Amituanai’s practice in its entirety. Presenting over 60 photographs, it provides insights into the various bodies of work she has produced since 2003 which draw attention to the experiences of Pacific people as well as other diasporic communities both within New Zealand and further afield. Imaging people and domestic spaces in her immediate neighbourhood of Ranui in West Auckland and extending to Samoa, the USA and beyond, she provides a lens on what she describes as a ‘third-wave migration’ driven by diverse economic and social forces that propel the movement of Pacific Island communities from their homelands. Double Take invites us to reconsider these works for the critical insights they reveal of the artist’s use of and belief in the photographic medium. Suspended in place and time we see the inner and outer worlds of those pictured and, for a moment, envisage ourselves there.

Edith Amituanai is an artist I worked closely with in year 12 and 13. their passion for photographing her community made me drawn to photographing mine. she is such a nice person and has so many creative ideas when it come to telling stories through a lense. I honestly love the way she captures people around her especially this photo on top. i think its so cool because they arent posing they are in the moment and you can see the joy and expressions on their face.

this is an example of the images edith produced while at our school I made similar masks for my art sculpture board she worked with the year 10s and they were all photographed with their masks they had made.

this mask here was one I made while I was in the hospital in year 13 my art is a lot better now

0 notes

cobhconnect · 1 year

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Patricia Piccinini

Patricia Piccinini was born in Sierra Leone and lives in Australia. Her work encompasses sculpture, photography, video and drawing and her practice examines the increasingly nebulous boundary between the artificial and the natural as it appears in contemporary culture and ideas. Her surreal drawings, hybrid animals and vehicular creatures question the way that contemporary technology and culture changes our understanding of what it means to be human and wonders at our relationships with – and responsibilities towards – that which we create. While ethics are central, her approach is ambiguous and questioning rather than moralistic and didactic.

“My practice is focused on bodies and relationships; the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural. I am particularly interested in the way that the everyday realities of the world around us change these relations. Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology. My work aims to shift the way that people look at the world around them and question their assumptions about the relationships they have with the world.”

Patricia Piccinini

In 2003 her exhibition We Are Family represented Australia at the 50th Venice Biennale before touring to the Hara Museum, Tokyo (JPN) and the Bendigo Art Gallery, (AUS). Her solo museum survey exhibitions ComCiência at CCBB toured to São Paulo, Brasília, Rio De Janeiro and Belo Horizonte in Brazil and was named the most popular contemporary art exhibition in 2016 by The Art Newspaper. Other solo museum exhibitions include Curious Affection at QAGOMA in Brisbane, En Kaerlig Verden at Arken in Copenhagen, Relativity at the Galway International Art Festival, Hold Me Close To Your Heart at Arter Space For Art, Istanbul, Once Upon a Time, Art Gallery of South Australia, Relativity at the Art Gallery of Western Australia, Evolution at the Tasmanian Museum and Art Gallery, (tiernas) Criaturas/(tender) Creatures at Artium, Vitoria-Gasteiz (Spain), Hug: Recent Works by Patricia Piccinini at the Frye Museum, Seattle, and Des Moines Art Centre, Des Moines (USA), In Another Life at the Wellington City Gallery, Wellington (NZ), Call of the Wild at MCA, Sydney and Retrospectology at ACCA, Melbourne. Since The Shadows Calling at Detached (Hobart) in 2015, Patricia has installed a number of major exhibitions in non-traditional spaces including Curious Imaginings at the Patricia Hotel in Vancouver and A Miracle Constantly Repeated in the Flinders Street Station Ballroom in Melbourne on 2021. Patricia was also represented in the 2nd Asian Art Biennale (Taipei 2009), Bienal de La Habana (Cuba 2003), Sydney Biennale (Australia 2002), Liverpool Biennale (UK 2002), Berlin Biennale (Germany 2001) and Gwangju Biennale (Korea 2000). Her work has been included in included in The Coming World at Garage MCA, Moscow (Russia 2019), XXII Triennale di Milano, Broken Nature, Milan, (Italy 2019), Melbourne Now at the NGV, Melbourne (Australia 2013), Medicine and Art and Future and the Arts at Mori Art Museum, Tokyo (Japan 2009), Wonderland at KadE Amersfoot (Netherlands, 2009), Global Feminisms at the Brooklyn Museum, New York (USA 2007), Uneasy Nature at the Weatherspoon Art Museum, Greensboro (USA 2006), Becoming Animal at MASS MoCA, North Adams (USA 2005) and Face Up at the Hamburger Bahnhof, Berlin (Germany 2003). In 2013 she was commissioned by the Centenary of Canberra to create The Skywhale, which was joined in 2020 by Skywhalepapa.

Patricia Piccinini received a BFA from the Victorian College of the Arts, Melbourne in 1991. In 1994 she initiated The Basement Project Gallery in Melbourne, which she coordinated until 1996. She is represented by Tolarno Galleries, Melbourne, Roslyn Oxley9 Gallery, Sydney. In 2014 she was awarded the Melbourne Art Foundation Visual Arts Award. In 2016 she was awarded a Doctor of Visual and Performing Arts (Honora Causa) from the Victorian College of the Arts and appointed as Enterprise Professor at the Victorian College of the Arts, University of Melbourne. Her studio and home are on Wurundjeri country in Naarm (Melbourne), Australia.

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