this is a scene from opla s2, black leg gazpacho told me himself!!!

src by @op-trash-blog-of-hell

SEOKJIN @ MBC Gayo Daejejeon 2018 (181231)

y'all like Fernando Alonso cause he's a bbg darling, I love Fernando Alonso cause he is off the walls cunty crazy 2000's slutty messy bitch who has more scandals than Logan Sargeant has had birthdays.

love my chaotic 2000s popstar bby

221231 I Like You | Yeosang

pretty starbucks cups ᰔ

Had to remake miss alien she is now a goldfishie~

BRING BACK MICROPHONE, RAISE THE VOLUME

HES SO STUNNING

Exactly.

bell's hells: fearne you were cuddling with the undead captain??? thats not good

bell's hells: because now one of them thinks you're coming onto her man and shes MAD about it

bell's hells: only one way to fix this

bell's hells: we have to get them together STAT

WONYOUNG Eleven @ Music Core (220108)

I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.

The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.

So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.

So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.

Showing You Off

In which rockstar!Yeonjun just wants to show you off to everyone he knows <3 353 words, established relationship, fem!reader… not sure how I feel a out this one

“Jun, are you sure I look okay?”

You felt overdressed standing next to your boyfriend, even though he was the famous one AND he’d picked out your outfit.

“You look absolutely stunning dove, hands down the prettiest girl I’ve ever seen,” Yeonjun says it with such an affectionate grin that you can’t help but blush, loving the way he grabs onto your hand and escorts you towards the swanky after party.

“But you’re in all black, and I look like a disco ball,” you whine, still a little unsure.

“That’s because this isn’t about me. I’m just here to help you shine.” He says coolly, as if it wasn’t an after party for an award show that he’d just done a clean sweep of.

The two of you weren’t public yet, but Yeonjun was far past keeping it a secret to other celebrities.

“Just let me show you off,” he pouts, trying his best to look demanding.

“Fine,” you huff finally, letting yourself be guided into the large room by his hand on your waist.

Yeonjun keeps you glued to his side as he makes his way through the crowd, a big smile on his face everytime he gets to introduce you to another industry giant as “my beautiful girlfriend.”

In fact, he seems to enjoy a little too much the way their faces almost always drop when they find out you’re off the market.

He practically glows with pride every time he leans down to give you a kiss and sees multiple pairs of eyes staring.

You’re quick to notice the uptake in pda— “Jun why are you so touchy,” you giggle, happy even if a little confused by his newfound lack of self control around you.

“I’m just proud of you,” he says, eyes shiny as they meet yours, quickly adding “so happy I finally get to show you off.”

You let him kiss you silly even in the crowded room— if he wanted to show you off, who were you to tell him no?

I hate this man and i hate myself for not hating him harder.

so you agree you think you’re really pretty (x)