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#'for I’m putting my own ruin ‘til the end to lure o’er the deed' this one's a tough cookie i also hear 'open moon'
whiteshipnightjar · 1 year
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The Air Again
by Joanna Newsom
June of ‘78 who are you, so arrayed on the banks of Lake Adair. Pale lacuna agape and like the moon in the lake you are not there, my poor canary.
At uncertain behest Maggie blown to the west in a shimmering dust of gold with her pale yellow hair they would call her ‘canary’. And I loved my Maggie so, and that is all you need to know.
But women here ain’t ever glad, not even Emma Nevada, coming back to share her wedding cake. Women here ain’t ever free (and Emma never left) we never leave, we never last we never ask we never stake a claim or complain or take.
Not till I made a play for a parcel that lay on the Amador county line. Had a notion that I’d find employ by-and-by at the Lonesome Willow Mine but they don’t enlist my kind. In the meantime, set to prospecting where I was able and laying my Maggie a table. And when it was warm we would pan, when it stormed play Fan-Tan, and when it was cold they’d come sniffin’ with gold in their hands. 
On and on and again on and on and again, you do what you can.
Take an eighth of an ounce in allowance for the dance, only a dance, if you’re alone and abandoned and cast aside. You know, the pastor tried in vain to ask her hand, even him, everybody did.
And I had a plan but I had to sign away my mine and the deed left us free to scrape and bleed and go to seed and never marry not canary canary canary canary canary canary canary canary canary canary.
In the spring of that year when the tinker was here, gals would hire him to mend their tin. I heard ‘em swarm from afar like a storm in a jar, like a choir of cherubim, singing *him, hymn, hymns.
Whispering, ‘Maggie had gone must’ve skipped with someone’, sounded wrong though it did seem fair.
April turned into May and I looked every day for you, Maggie, ‘til I heard they found a whore with the golden hair on the shores of Lake Adair. On the sluice she was spread loose and languid and dead from the kindness that she had shown. Still she told me her tale lifting veil after veil to expose a grin a-honed, my yellow rose in the lode a-blown.
And though I long to believe as I muddied my sleeve, and I studied the wiccan hap, and I want to revive, she was never alive. But by the grace and the whim, and the wheel, and again, and the wickedness of men.
But what to do then? I hauled myself up from the shore and I called at the door of the foreman. I told him and he laughed.
So, alas, there was savagery there. Left a hole in his heart you could roll a cabbage in ‘A cabbage?!‘ “Oh, no no, just a little one, Maggie, just a little one.”
On and on and again ‘til they saw what I am and I am never done, I am never done.
Went inside for the light, got a paper and a pen, where to begin? Do you sue for the rights? Root* for the strike? Through the alluvium to where it heeds *for I’m putting my own ruin ‘til the end to lure o’er the deed. A noose on a live oak tree bent toward the saloon tent and meant for me and Maggie.
And though it wasn’t him, it could’ve been him, or anyone who had done what I know so many men intended when they came to win. 
So arrogant, arrogant, arrogant, arrogant, arrogant, arrogant, arrogant, arrogant, arrogant, arrogant. 
Held a cloth to my hands taking stock of my plans, well, there was something I had to make right. I took his old buggy whip and I lowered a skip in the glow of the sodium lights with a load of dynamite.
Maggie said, “I am here.” And with a touch on the ear, “After thirty years down in the mine, help me lead out the mules help me free the poor fools, let them see for the very first time they were blind, blind, blind.”
Then we rode through the rift and we beckoned to moon reflectin’ and she opened her neck like a stream. I saw the Father appear, heard her sob in my ear like a mob of cherubim, howling “him, him. It was him. It was him.”
So I threw a charge down the shaft in the cart with the pastor who spat and evangelized. He was the last and the worst — canary always goes first — to sing where the waters rise, hear her sing – go on now, Maggie –
On and on, on and on, on and on, and again and on and on on and on and again on and on and again.
Then a knock on the wall and a knock and we all fall in and down and in, and down and in and we pass away. But we pass only the baton man to man, and so they return. Pull the pumps, fill the sumps, for they’re takin’ something; they will never learn, they will never learn. And even if the churn drill and the stamp mill and the Pelton wheel, and the smoking furnace all a-burning, overturning, learning she will never breathe the air again air again air again air again air again air again air again air again air.
Like a screech of a flare, or like they’re reaching for air beneath the smothering eiderdown. Veins of gold, still outstretched in a silent arrest for miles and miles abound.
And if I’m underground let me join in that line, let me toil in that mine, let me find what is hiding there, let me dig where I durst, let me drink when I thirst and let me breathe the peril air.
And breathe for my canary, and breathe. Let me breathe. Let me breathe for my canary, breathe for my canary canary canary, breathe for my — canary always goes first — breathe for my canary canary canary canary, breathe for my — canary always goes first — breathe for my canary canary canary canary canary canary, breathe for my — canary always goes first — breathe for my canary canary canary canary canary canary canary canary.
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