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#住まいづくり
tsunagudesign · 1 year
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/あなたらしい暮らしづくり。. . . . 来月のスケジュールが出来ました。. . 4月も平日に相談会を開催します。. 土日では時間が取れない方もこの機会にご相談ください。. . なお、現場や現在進行中のプロジェクトの対応で、予定が変更になることもございます。. その際はストーリーズでご案内しますので、見逃さないようにお気をつけください。. . 【くらしの相談室】. 4月5日(水)10:00〜17:00. . . 【建築よろず相談会】. 4月21日(金)10:00〜17:00. . . どちらも1コマ60〜90分ほどとなります。. 図面や資料等をご用意して頂くと、打ち合わせがスムーズに進みますので、ぜひ、事前にご用意ください。. . さて、現在、初回面談からプラン提案まで、3週間ほどのお時間を頂戴しております。. . 18歳未満のお子さまがいらっしゃる子育て世代の方、40歳未満の方からのご相談は、優先させて頂きます。. . また、リノベーションに対しては補助金が受けられる可能性があります。. お住まいを何とかしたいと検討されていらっしゃる方は是非一度ご相談くださいませ。. . 過去の実例はプロフィールのHPからご覧ください。 👇👇👇 @tsunagu_design_office . . . ◾️建築相談. ◾️空き家の利活用のご相談. ◾️注文住宅設計. . #設計事務所 #数世代先の子どもたちへ出来ること #建築 #住宅デザイン #店舗デザイン #飲食店デザイン #空き家 #インテリア #インテリアデザイン #自由設計 #住まいづくり #家づくり ----------------------------------- 🌿つなぐデザインオフィス 📍千葉県松戸市常盤平3-4-7-101 📞047-707-2902 🖥https://tsunagu-design.com ----------------------------------- (Matsudo) https://www.instagram.com/p/CqXiJilPUMq/?igshid=NGJjMDIxMWI=
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shioriya-archi · 14 days
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完成見学会のご案内
これまでの経験の中で一番キツい工程でしたが、やっとのことで完成見学会にこぎつけることが出来ました‼️ お世話になった職人の皆様には本当に感謝感謝です‼️!!
それでは、ご案内です。 開催日:令和6年3月15(金)・16(土)・17(日)・ 23(土)・24(日) 時 間:10時~16時 完全予約制 開催場所:金ヶ崎町 見学申込方法:弊社HPのお問いわせ または 下記電話より        ★tel. 0198-41-5615        ★mobile. 090-3755-0155   (申込受付後に詳しい場所をお知らせさせていただきます)
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⭐︎『ベースボールハウス』のご紹介 野球が大好きなファミリーが伸び伸び暮らせる家が出来ました。 緑の山々に映える切妻屋根の板貼りの家は、どこか野球(ホームベース)を連想するような外観です。 外装の板材は岩手県産材の杉、内装に使われている床と階段材は岩手県産材の赤松、天井の羽目板は杉と何処にいても木の香りとぬくもりを感じられるお家となりました✨ LDKにはお子さまの背比べを刻んでいく桧の柱が立っています。木の経年変化と共にお子様の成長を暖かく見守ってくれるお家です☺️ 野球少年のお子さまとお父さんが広い庭でキャッチボールをする姿が今から楽しみです‼️😊
UA値0.22W/㎡K Q1.0住宅Level-3 許容応力度計算による耐震等級3 BELS⭐︎5評価取得
#栞家建築舎 #Ume-ie建築設計事務所 #しおりや  @tettsu1972 #岩手県産材 #いわて木づかい住宅普及促進事業 #いわて森の棟梁 #いわて木づかいサポーターが作る住宅  #95%が岩手県産材 #板張り外装 #杉板張り #岩手県産赤松フロアー #新住協 #200ミリ断熱の家 #許容応力度計算による耐震等級3 #手仕事  #木の住処 #家づくりは住まいづくり #衣食住を丁寧に #心地よい家 #暖かい家 #エコな暮らし #本と栞と綴り #田舎暮らし  #自然素材の家づくり #オガファーザースモール #細部に心を込める大事さ #想いは細部に宿る #中村好文好き  #伊礼智好き
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aa-labo · 1 year
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おはようございます。 木賀の家|愛知県江南市 吹抜けのリビングに対してダイニングは天井を設けて空間の落ち着きを。 ダイニングテーブルは北の住まい設計社のシェーカー。 #ダイニング #吹抜けリビング #シェーカーテーブル #北の住まい設計社 @mojaoki #青木昌則建築研究所 #マイホーム #新築一戸建て #注文住宅 #新築 #家づくり #建築家 #建築家と建てる家#建築士とつ��る家 #設計事務所 #設計事務所愛知 #設計事務所岐阜 #設計事務所三重 #建築士 #建築 #設計 #住宅設計 #木の家 #シンプルモダン #無垢材 #自然素材 #丁寧な暮らし https://www.instagram.com/p/Cnu_aKqSQ4O/?igshid=NGJjMDIxMWI=
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alds-news · 1 year
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キンとした冬の日。あたたかい住まいの現場がはじまりました。 三上の家/上山市/inprogress #家づくり #建築家とつくる家 #住まい #マイホーム #住宅 #高断熱高気密 #やまがた健康住宅 #山形 #アーキテクチュアランドスケープ https://www.instagram.com/p/CmbVZwPLfCA/?igshid=NGJjMDIxMWI=
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kojitakada · 1 year
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#西仲自治会 ・厚木市・厚木警察・各地域団体合同パトロールを!(^o^)丿 #自治会 #産学官民 #まちづくり #厚木人 #熱気人 #あつぎんちゅ #niceatsugi #厚木市 #本厚木 #niceatsugi2022フォトコン #あつぎのしゃしん50th #あつぎいろ #住みたい街 #厚木 #住み続けたい街 #すべてはこどもたちのために #不動産ソムリエ #こども食堂 #よろず相談所 #セカンドオピニオン (西仲自治会:神奈川県厚木市) https://www.instagram.com/p/ClFmO0uyvkB/?igshid=NGJjMDIxMWI=
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kenchikuya-daitoku · 2 years
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〈セミナー開催のお知らせ〉 #カーボンニュートラルに向けて #知っておいてほしいこと #これからの家づくり #サステナプル #住まい心地 @kenchikuya_daitoku https://www.instagram.com/p/Cikej4dvnfT/?igshid=NGJjMDIxMWI=
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katojyuken · 2 years
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《オリジナル洗面台》 カッコいい洗面台を 実際お使いになられてる事例✨ Repost @design_source_kamakura with @make_repost ・・・ : ほどよく自然体でかっこよく暮らす家 #BROOKLYN_HOUSE ®︎ : カウンターワイド1600㎜の大きなタイルの洗面台☻ : #住みたい家に住もう #brooklynhouse #designsource #規格住宅 #企画住宅 : @design_source_kamakura __________ #スクエアファニチャー #ブルックリンハウス #デザインソース #マイホーム計画 #マイホーム #住まい #家づくり #暮らし #スキップフロア #日々の暮らし #男前インテリア #インテリア #こだわりの家 #ブルックリンスタイル #おしゃれな家 #デザイン工務店 #規格住宅でもお洒落な家 #diy女子 #diy好きな人と繋がりたい #diy好き #各務原工務店 #かっこいい家 #新築 #住宅 ----------------------------------------- MORE PHOTOS…👉 @katojyukenfactory ----------------------------------------- . VR画像 でオープンハウス開催中‼️ @kj_contact から『VR希望』と ご予約ください🙇‍♀️ . これから、お家を建てられる方 ご興味のある方は お気軽にお声掛けください☺️✨✨ . 💻オンライン相談会 も対応してます🙇‍♀️ . ⚒施工・diy【 @ksfactory_gifu 】 LINE公式アカウント【 @ks_style_house 】 📩お問い合わせ 【 @kj_contact 】 wrapshomeの情報は【 @wrapshome_gifu_east 】 https://www.instagram.com/p/CdkiumUra18/?igshid=NGJjMDIxMWI=
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pikahlua · 4 months
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MHA Chapter 407 spoilers translations
This week’s initial tentative super rough/literal translations under the cut.
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1 その娼婦は一年程前から病に罹っていた そのしょうふはいちねんほどまえからやまいにかかっていた sono shoufu wa ichinen hodo mae kara yamai ni kakatte ita That prostitute had been ill since about a year prior.
2 硬質の疣贅が左腕に生えていた こうしつのいぼがひだりうでにはえていた koushitsu no ibo ga hidari ude ni haete ita A hard wart had been growing on her left arm.
tagline 1 "個性"が起こるよりも昔… "こせい"がおこるよりもむかし… "kosei" ga okoru yori mo mukashi... Long before quirks arose...
tagline 2 No.407 超常遺児 堀越耕平 ナンバー407 ちょうじょういじ ほりこしこうへい NANBAA 407  choujou iji   Horikoshi Kouhei No. 407 Paranormal Orphan  Kouhei Horikoshi
3 彼女が自身の懐妊に八か月もの間気付かなかったのは かのじょがじしんのかいにんにはちかげつものあいだきづかなかったのは kanojo ga jishin no kainin ni hachikagetsu mono aida kidzukanakatta no wa The reason she didn't realize she was pregnant for eight months
4 浮浪生活だけが原因ではなかった ふろうせいかつだけがげんいんではなかった furou seikatsu dake ga gen'in de wa nakatta was not only because of her vagrant lifestyle.
5 全く身に覚えがなかったからだ まったくみにおぼえがなかったからだ mattaku mi ni oboe ga nakatta kara da It was because she didn't remember it at all.
6 ソレらはいつの間にか彼女の胎に住みつき ソレらはいつのまにかかのじょのはらにすみつき SOREra wa itsu no ma ni ka kanojo no hara ni sumitsuki Before she knew it, they settled in her womb
7 彼女の生きる力を吸い取っていた かのじょのいきるちからをすいとっていた kanojo no ikiru chikara wo suitotte ita and were draining away her life force.
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1 川のほとりで双子を産み落とした女性は かわのほとりでふたごをうみおとしたじょせいは kawa no hotori de futago wo umiotoshita josei wa The woman, who gave birth to twins by the river,
2 そのまま死亡した そのまましぼうした sono mama shibou shita died just like that.
3 彼女の疣贅はなぜか かのじょのいぼはなぜか kanojo no ibo wa naze ka For some reason, her wart
4 きれいさっぱりなくなっていた kirei sappari nakunatte ita disappeared without a trace.
5 赤児達は あかごたちは akago-tachi wa As for the babies,
6 二人きりだった ふたりきりだった futarikiri datta they were alone, [just the two of them].
7 ねずみがやって来て遺体と赤児をかじり始めた頃 ねずみがやってきていたいとあかごをかじりはじめたころ nezumi ga yatte kite itai to akago wo kajiri hajimeta koro Just as the rats came and started to gnaw on the corpse and the babies,
8 増水した川が ぞうすいしたかわが zousui shita kawa ga the rising river
9 双子をさらっていった ふたごをさらっていった futago wo saratte itta swept the twins away.
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1 一年後 いちねんご ichinengo One year later,
2 "発光する赤児"を皮切りに世界各国で"異能"の報告が相次ぐ "はっこうするあかご"をかわきりにせかいかっこくで"いのう"のほうこくがあいつぐ "hakkou suru akago" wo kawakiri ni sekai kakkoku de "inou" no houkoku ga aitsugu starting with "the luminous baby," reports of "meta abilities" emerged one after the other from all over the world.
3 "異能"は先天性のもうだけではなく "いのう"はせんてんせいのもうだけではなく "inou" wa sentensei no mou dake de wa naku Meta abilities were not just congenital.
4 二次性徴前後の青少���にも後天的に発現した にじせいちょうぜんごのせいしょうねんにもこうてんてきにはつげんした nijiseichou zengo no seishounen ni mo koutenteki ni hatsugen shita Around when they developed secondary sex characteristics, adolescents also expressed them as acquired [traits]. (Note: "Secondary sex characteristics" means puberty basically.)
5 未知の病として調べていた研究グループは みちのやまいとしてしらべていたけんきゅうグループは michi no yamai to shite shirabete ita kenkyuu GURUUPU wa A research group investigating them as an unknown disease
6-7 "異能"を「ヒトから枝わかれした新たなる遺伝子」と発表した "いのう"を「ヒトからえだわかれしたあらたなるいでんし」とはっぴょうした "inou" wo 「HITO kara edawakareshita aratanaru idenshi」 to happyou shita announced that meta abilities were "a new gene branched off from humans."
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1 それはあまりに無神経で早計だった それはあまりにむしんけいでそうけいだった sore wa amari ni mushinkei de soukei datta That was too callous and rash.
2 群生性命を隔つその発表は ぐんせいせいめいをへだつそのはっぴょうは gunseisei mei wo hedatsu sono happyou wa That announcement that subdivided gregarious life* (*Note: "Gregarious life" may be a bit too literal to be comprehensible. I think the best way to think of this phrase would be something like "social species.")
3 混沌を加速させた こんとんをかそくさせた konton wo kasoku saseta accelerated the chaos.
4 コンビナート方面で"異能"の連中が結集し始めたそうだ コンビナートほうめんで"いのう"のれんちゅうがけっしゅうしはじめたそうだ KONBINAATO houmen de "inou" no renchuu ga kesshuu shi hajimeta sou da "It seems that the meta abilities gangs have begun to gather around the industrial complex."
5 昨夜デモ隊が衝突した奴等だな…… さくやデモたいがしょうとつしたやつらだな…… sakuya DEMO tai ga shoutotsu shita yatsura da na...... "They're the ones the demonstrators clashed with last night......"
6 連中が決起する前に叩くぞ れんちゅうがけっきするまえにたたくぞ renchuu ga kekki suru mae ni tataku zo "Let's hit them before they rise up."
7 なんだ? nanda? "What's that?"
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1 超常遺児か ちょうじょういじか choujou iji ka "A paranormal orphan, huh?"
2 可哀想だが放っとけ!遺児は保菌者の可能性が高い かわいそうだがほっとけ!いじはキャリアのかのうせいがたかい kawaisou da ga hottoke! iji wa KYARIA (kanji hokinsha) no kanousei ga takai "I feel bad for him, but leave him be! The possibility for an orphan to be a carrier is high."
3 ん n "Right."
4 何の音だ なんのおとだ nan no oto da "What's that sound?"
5 ん? n? "Hm?"
6 え e "Huh?"
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1 それは母親から「奪った」異能 それはははおやから「うばった」いのう sore wa hahaoya kara 「ubatta」 inou That was the meta ability he "stole" from his mother.
2 その赤児は生まれながらに不遜だった そのあかごはうまれながらにふそんだった sono akago wa umare nagara ni fuson datta That baby was born conceited.
3 身の回り全てが自身の所有物であり みのまわりすべてがじしんのしょゆうぶつであり mi no mawari subete ga jishin no shoyuubutsu de ari Everything around him was his own property.
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1 泣けど喚けど自身を見ない なけどわめけどじしんをみない nakedo wamekedo jishin wo minai He cried and screamed, but he didn't see himself.
2 何も与えない者が なにもあたえないものが nani mo ataenai mono ga Those who gave him nothing
3 ただただ tada tada were simply
4 疑問だった ぎもんだった gimon datta problems*. (*Note: The word here means "problem, doubt, question." I think the description is saying that the baby would look at others and see them as the same as everything else in the world: something that existed as his property. Therefore those that gave him nothing were confusing, were question marks, and he harbored doubts and suspicions about them as a result.)
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1 ダメ DAME "Don't."
2 イタイの ITAI no "That hurts [them]."
3 母親から与えられる筈の栄養を ははおやからあたえられるはずのえいようを hahaoya kara ataerareru hazu no eiyou wo The nutrition his mother should have given to him
4 ダメ DAME "Don't."
5 ほとんど兄に奪われたので ほとんどあににうばわれたので hotondo ani ni ubawareta node was largely stolen by his older brother, so
6 弟はとても小さく脆弱だった おとうとはとてもちいさくぜいじゃくだった otouto wa totemo chiisaku zeijaku datta the younger brother was very small and frail.
7 自身に何も与えない存在だったが手に持っていた所有物なので じしんになにもあたえないそんざいだったがてにもっていたものなので jishin ni nani mo ataenai sonzai datta ga te ni motte ita mono nanode [The younger brother's] existence gave nothing to [the older brother], but [the younger brother's existence] was a possession [the older brother] held in his hands, so
8 兄は弟を決して手放そうとしなかった あにはおとうとをけっしててばなそうとしなかった ani wa otouto wo kesshite tebanasou to shinakatta the older brother tried to never let go of the younger brother.
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1 ーー溝が深まる一方で"発光する赤児"が自ら先頭に立ち ーーみぞがふかまるいっぽうで"はっこうするあかご"がみずからせんとうにたち --mizo ga fukamaru ippou de "hakkou suru akago" ga mizukara sentou ni tachi "--While the gap* intensified, the "luminous baby" has taken the lead" (*Note: The "gap" is referring to the rift between humans with meta abilities versus those without.)
2 平和と安全を訴えています賛同者は日増しに増加しておりーー へいわとあんぜんをうったえていますさんどうしゃはひましにぞうかしておりーー heiwa to anzen wo uttaete imasu sandousha wa hima shi ni zouka shite ori-- "to call for peace and security, with the number of supporters increasing day by day--"
3 僕に黙って何を読んでる? ぼくにだまってなにをよんでる? boku ni damatte nani wo yonderu? "What are you reading without telling me?"
4 まだ文字の勉強中で難しい本は読めないんだけど… まだもじのべんきょうちゅうでむずかしいほんはよめないんだけど… mada moji no benkyouchuu de muzukashii hon wa yomenainda kedo... "I'm still learning letters so I can't read difficult books, but..."
5 すごいよこのコミックって本 すごいよこのコミックってほん sugoi yo KOMIKKU tte hon "this comic book is amazing!"
6 絵で読めるんだ えでよめるんだ e de yomerunda "I can read it by the pictures."
7 描いた人の願いが絵で伝わってくる かいたひとのねがいがえでつたわってくる kaita hito no negai ga e de tsutawatte kuru "The wishes of the person who drew it are conveyed through the pictures."
8 ヒーロー… HIIROO... "Hero..."
9-10 僕もいつかこんな風になりたいな… ぼくもいつかこんなふうになりたいな… boku mo itsu ka konna fuu ni naritai na... "I want to be like this someday too..."
11 弟はまだ兄を諦めきれなかった おとうとはまだあにをあきらめきれなかった otouto wa mada ani wo akirame kirenakatta The younger brother couldn't give up on the older brother yet.
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1-2 かすかに憶えているあの手を兄の優しさだと信じたかった かすかにおぼえているあのてをあにのやさしさだとしんじたかった kasuka ni oboete iru ano te wo ani no yasashisa da to shinjitakatta He wanted to believe that hand he faintly remembers was his older brother's kindness.
3 三年後 さんねんご sannengo Three years later
4 例の"発光する赤児"さぁ…あいつのシンパがとうとう1000万人を超えたんだってさ れいの"はっこうするあかご"さぁ…あいつのシンパがとうとう1000まんにんをこえたんだってさ rei no "hakkou suru akago" saa...aitsu no SHINPA ga toutou 1000mannin wo koetanda tte sa "Well, for example, that 'luminous baby'...they say that guy's sympathizers finally surpassed 10 million people."
5 兄さん… にいさん… niisan... "Brother..."
6 おかしいよなだってあれは戸籍登録が一番早かったってだけで おかしいよなだってあれはこせきとうろくがいちばんはやかったってだけで okashii yo na datte are wa koseki touroku ga ichiban hayakatta tte dake de "That's strange, isn't it? Since it's just because his family registration was the fastest."
7-8 インドなんかじゃその二周間前には50人は異能が産まれてたって話だぜ インドなんかじゃそのにしゅうかんまえには50にんはいのうがうまれてたってはなしだぜ INDO nanka ja sono nishuukan mae ni wa 50nin wa inou ga umareteta tte hanashi da ze "They say that, in India, 50 people with meta abilities were born two weeks before that."
9 その姿は そのすがたは sono sugata wa "That appearance..." (Note: Yoichi is reacting with surprise at how AFO looks like he's been in a fight or something.)
10 おかしな話だよそんなので人を集められるなんてさ おかしなはなしだよそんなのでひとをあつめられるなんてさ okashina hanashi da yo sonna node hito wo atsumerareru nante sa "It's such a strange story, that he could gather people together like that."
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1 だから殺して「奪って」やった だからころして「うばって」やった dakara koroshite 「ubatte」 yatta "That's why I killed him and 'stole' [his meta ability.]"
2 ……なんで… ......nande... "......Why..."
3 だって datte "Because"
4 あのコミックに描かれていたろ あのコミックにかかれていたろ ano KOMIKKU ni kakarete ita ro "it was depicted in that comic."
5 ONE FOR ALL… ワン フォー オール… WAN FOO OORU... "One For All..."
6 ALL FOR ONE良い言葉だよな オール フォー ワンいいことばだよな OORU FOO WAN ii kotoba da yo na "All For One, they're excellent words."
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1 ヒーローは正体を隠して孤独に戦っていたけれど ヒーローはしょうたいをかくしてこどくにたたかっていたけれど HIIROO wa shoutai wo kakushite kodoku ni tatakatte ita keredo "The hero was hiding his true identity as he fought alone, but"
2 悪の魔王は皆が恐怖して全てを差し出すんだ あくのまおうはみんながきょうふしてすべてをさしだすんだ aku no maou wa minna ga kyoufu shite subete wo sashidasunda "everyone feared and offered up everything to the evil Demon King."
3 おまえがそうであるように…皆が僕の為だけに存在する世界 おまえがそうであるように…みんながぼくのためだけにそんざいするせかい omae ga sou de aru you ni...minna ga boku no tame dake ni sonzai suru sekai "A world where everyone exists just for my sake...just like you do."
4 僕にも夢ができた! ぼくにもゆめができた! boku ni mo yume ga dekita! "I was also able [to come up with] a dream!"
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1 待て何故行ってしまうんだ まてなぜいってしまうんだ mate naze itte shimaunda Wait, why are you leaving?
2 "力"を与えてやったじゃないか! "ちから"をあたえてやったじゃないか! "chikara" wo ataete yatta ja nai ka! Didn't I give you power?!
3 なんだおまえは!離れろ! なんだおまえは!はなれろ! nanda omae wa! hanarero! What are you? Get away [from him]!
4 僕のだ僕を見ていろ! ぼくのだぼくをみていろ! boku no da boku wo mite iro! [That's] mine, look at me!
5-6 僕のものにならないなら ぼくのものにならないなら boku no mono ni naranai nara If you won't become mine,
7 もうーー mou-- then--
tagline その手はー… そのてはー… sono te wa-... That hand is-...
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wwwwwwwwwwww123 · 6 months
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4 名前:名無しさん@0新周年@\(^o^)/[sage] 投稿日:2014/07/24(木) 07:39:37.47 ID:zjmQo3cJ0 (有名コピペ改変)  ▼パレスチナ人の立場に日本人を当てはめると、これぐらい悲惨。(もしも歴史で) 日本は太平洋戦争に負けて欧米諸国に占領されてしまいました。 欧米諸国も戦争でお金を使いすぎて貧乏でした。 一方、世界に散らばる中華系のお金持ち一族、『華僑』は自分達が安心して暮らせる国を探していました。 中国政府は華僑の財産を没収する恐れがあるので、華僑達は出身国には住みたくありません。 それで華僑は新しい国を作って住みたいと思いました。 それを聞いた欧米諸国は占領している日本を「華僑に売ってあげるよ!」と言い出しました。 欧米諸国は自分たちの貧乏を「日本列島を売ること」で解決しようとしたのです。 日本列島は中国大陸のすぐ横なので華僑たちは大喜び。 すぐに華僑は大金を欧米諸国に支払って日本列島を購入しました。 国連も欧米諸国の味方なので、日本列島を華僑の国として認めてしまいました。 新しい日本列島は華僑の国、椅子羅江流(いすらえる)と名づけられました。 日本列島に住んでいた日本人達は邪魔なので、四国と北海道に強制移住させられてしまいます。 本州と九州と沖縄は完全に華僑だけが住む土地になってしまいました。(続く) 6 名前:名無しさん@0新周年@\(^o^)/[sage] 投稿日:2014/07/24(木) 07:40:49.93 ID:zjmQo3cJ0 (4の続き) 国際的には四国と北海道も華僑の持ち物なのですが、ここは日本人がなんとか自治区として確保しました。 四国と北海道の自治区を合わせて晴洲治名(ぱれすちな)といいます。 その中でも日本人がぎゅうぎゅう詰めで暮らす場所は我差(がざ)と呼ばれました。 しかし華僑は四国や北海道も自分たちの土地なので、日本人に「出て行け」と攻撃します。 その状況に日本人達は我慢がなりません。 そこでテロやゲリラ戦で本州の華僑を攻撃することにしました。 その日本人レジスタンス集団は浜巣(はます)と名づけられました。 浜巣はさっそく本州の華僑の街へロケット弾を打ちました。 でもロケット弾はアイアンドームに打ち落とされてしまいました。 逆に華僑の軍隊の爆撃機が飛んできて日本人の街を破壊しました。 何人もの沢山の日本人が死にました。(子供含む) さらに華僑は瀬戸内海や津軽海峡を超えて進軍してきました。 「テロ攻撃をやめないと日本人街を消し去るぞ!」と爆撃してきます。 日本人は「せめて四国と北海道だけでも日本国として認めて!」と世界に訴えますが、 世界の中心である欧米諸国が華僑に日本列島をお金で売った建前があるので、 「日本���島は華僑の国。日本人自治区の独立なんて認めない」と聞く耳を持ってくれません。 そうしてる間にも殺された人々の映像が流れ、その映像や写真が>>32になります。 世界はいまだにこの問題を「見ているだけ」なのです・・・。
パレスチナ人の立場に日本人を当てはめると、これぐらい悲惨。(もしも歴史で) : 2chコピペ保存道場
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notfreetoday · 5 months
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MPW Ep 6 Subtitle Corrections
Masterlist: EP 1 || EP 2 || EP 3 || EP 4 || EP 5 ||
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Y: 正直言って 怖い 近づく度に 心臓が跳ねるから 何なら近寄らないで欲しい 住む世界が違うから 好かれたいとかは思わない ただ。。。 嫌われてしまったら死んでしまうかもしれない 想像するだけで 胃液がせり上がった Y: To be honest, I was scared. Because whenever he came close to me, my heart leapt and skipped a beat. I wished that, if possible, he wouldn't come near me because we lived in different worlds. 'I want him to like me' - I never had a thought like that. It was just... If he ended up hating me then I felt like I might die. Just thinking about it made my stomach turn.
We've seen for awhile that Yoh's fear that Segasaki will one day come to disdain him is what keeps him from voicing his thoughts out loud - but it is in Ep 6 that we truly learn the intensity with which Yoh feels, and come to understand why that fear overwhelms him to the point that he is incapable of hearing Segasaki's love for him.
Or, Yoh sees Segasaki for the first time and literally starts spouting poetry in the way only a visual artist can. Get ready for a lot of interaction breakdowns - this episode tells us quite a lot about these two! Same translation disclaimer applies, Ep 6, let's go!
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S: 相変わらず 歩くの遅ぇな S: As usual, he walks so slowly
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Y: あのさ 実は Y: 出てくるときにケンカしちゃって M: え?どうしたの Y: お前の仕事なんてどうでもいいって言われた M: 瀬ケ崎さんが?そんなこと言ったの? Y: どうでもいいって なんだよ Y: 人が一所懸命やってることに対して* Y: 最低だよ あいつ* Y: You know... actually Y: When I was leaving we got into an argument M: Huh? What happened? Y: I was told "I don't care at all about something like your work" M: By Segasaki-san? He said something like that? Y: "I don't care at all"... what's with that! Y: To say that about something that someone is giving their all for...* Y: He's the worst, that guy** **Yoh uses あいつ (aitsu) to refer to Segasaki as "that guy". This is again considered rude, though is often used amongst male friends as well (like calling someone an asshole/bastard). He tends to use this word to refer to Segasaki in his head, especially when he's annoyed with him.
*Just like at the end of Ep 5, where Yoh emphasizes that he will become someone who can earn more as opposed to just earning more, here Yoh specifies that he is upset with Segasaki's response to his work, rather than being upset with the response being directed at himself, as the original subs imply. It's a small difference but I think it's important because it fits with his entire character. He has consistently only been triggered by comments about his work, not about him as a person. Yoh is self-conscious and sensitive about his work, because he sees competence as a measure of worth. It's precisely because he ties his self-worth to his work that he falls into such a deep depression in Ep 5, and it is the same reason why Yoh does not understand what good Segasaki could possibly see in him - after all, there is no merit in just being who he is, only in the work that he can do.
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Y: いや それは都合よく受け取り過ぎだよ Atsuya: ダヨ君 言葉って受け取り方が9割だからさ A: 同じ言葉でも その時の気持ちやコンディションによって A: 違った意味に捻じ曲げちゃうものなんだよ A: ダヨ君が元気な時だったら     もっと甘~く聞こえたんじゃない? Y: No, that's just over-interpreting it in my favor Atsuya (Man-san's husband): Dayo-kun, they say that about 90% of the meaning words convey comes down to the way we interpret them, so A: Depending on the way we feel, or our condition in that moment, that meaning can end up distorted and warped, even if the same words are used, you know? A: If Dayo-kun you, had been in a happier mood, might it not have sounded a lot sweeter to you?
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Y: ん。。。いや、違うんです Y: 俺とあの人って そういう感じじゃないんで Y: Mm... No, it's not like that Y: That person and I, well... that's not what it's like (between us), you see
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Y: あの人を初めて見たとき この星の生き物じゃないかもしれないって思った   少なくとも地球上で見たものの造形の中で 一番きれいだとおもった 耳の形 鼻筋  下顎角のライン 唇の膨らみ きっと見えない眼球の形状まで きれいなんだろうなって
Y: When I first saw that person I thought that he might not be a living thing from this planet At the very least, out of all the forms that I had ever seen on this Earth I thought he had the most beautiful one. The shape of his ears, the ridge of his nose, The line of the angle of his jaw, the full contour of his lips Even the structure of what could not be seen - the globe of his eyes - I thought for sure that too must be beautiful.
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Y: 趣味で漫画は描いてたけど 現実の人間を描くのは初めてだった それに  男を描きたいと思ったのも初めてだった 今 目に焼き付けて 描きつけておきたい衝動に駆られた たぶん あの美貌と同じ空間にいた そのせいで 俺は おかしくなっていた Y: I had drawn manga as a hobby but It was my first time drawing a real live person. And, It was also the first time that I thought "I want to draw a man" In that moment, driven by impulse, I wanted to burn his image into my eyes, to capture his likeness down on paper. Probably, it was because I was in the same space as that beauty. It was because of that, that I began to go crazy.
At 06:44, when Segasaki's green shirt classmate comes in calling his name, you can see that Yoh mouth’s "Mizuki" after he hears it.
(Btw Green Shirt later wears a Red Jacket, and is played by Nishimoto Maiki, the leader of the group Acchan is in - GENIC. Cute shot of the 3 of them here)
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S: 直接何かしてくるわけではないし 別にいいと思うけど S: Well it's not like he's doing anything to us directly... I think it's fine actually
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Y: 女の子が相手なら  一目惚れだとはっきり思ったかもしれない でも ただただきれいな男だったんで 自分の脳が そこまで処理しきれなかった Y: If it was a girl Then maybe I would have clearly understood that this was love at first sight But it was just very simply, a beautiful man so My brain couldn't handle processing more than that
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Most of this is not subtitled, and it’s a little muffled, but as the group walks over you can hear that Segasaki is the center of their conversation here, though he's not actually participating in it much. It speaks to the group dynamics, so I'm including it here (Segasaki is bolded):
Girl: ええ? S: ちがうよ Red Jacket: 瑞貴じゃん、ね、今ね? Girl どうせモテるじゃん S: いやモテない Red:モテるよ瑞貴が Girl: 告白されてるよ どうせ Red: されてる されてる Girl: あれ!ぼっちくん*じゃん Red: うわっ マジだ ぼっちくんじゃん Boy: いつも俺たちのことチラチラ見てる Girl: ちょっと来なよ おしゃべりしたげるからさ** Girl: Whaat? S: It wasn't Red Jacket: It was (said to) Mizuki wasn't it, right? Just now? Girl: I mean you're popular anyway! S: No, I'm not Red: Mizuki's popular Girl: Whatever it is, that was a confession (you received) Red: It was, it was Girl: Oh hey! Why, isn't it Little Loner*? Red: Oh snap, you're right! It is Little Loner! Boy: The one who always sneaks looks at us Girl: Come here a bit, we'll talk to you, ok?** *ぼっちくん (Bocchi-kun) - Bocchi is slang for loner, and by adding the suffix "-kun" to it, they've turned this into a diminutive, like a nickname. It sounds cute and friendly, but is clearly meant as a casual sort of insult, so I've translated it as "Little" here. **This is an interesting line to discuss. She tells Yoh to come over, using the phrase 来なよ (kina yo) - this is the same "na" that Segasaki uses in Ep 4 actually, when he tells a drunk Yoh to go sleep in the room. It's the exact same word form, but where it was tender when Segasaki said it, it's highly insulting here - and the reason is because of the context and their (non-existant) relationship. She may be Yoh's senior, but this is the first time they're meeting, and they are nowhere near close enough that this phrasing would ever be seen as appropriate. She then tells him "we'll talk to you", using the colloquial form of "~したあげる (shita ageru)" aka "to do for you" - in other words, she's framing the action of them talking to him as if it were a gift from them to him (this word form also implies they are above him in the hierarchy). She also adds the polite prefix "O" to the word for "talk", which in this context is meant to make her appear sweet and ladylike. In other words, with just one line, she has insulted Yoh not only by talking down to him as if he were a small child or a pet, but also by insinuating that she's a sweet, lovely person who has been so kind as to deign to speak to him.
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Y: あの。。。俺* 買ってきます Y: 絡まれてるより100億倍マシだわ Y: Um... I*... will go and buy it. Y: That's definitely 100 million times better than getting harassed by them *Yoh still uses the masculine pronoun 俺 (ore) for "I" here (the same one he's used in every episode) which is remarkable for the fact that he doesn't switch to the more polite form 僕 (boku). Nowadays, it isn't really expected per se that a junior make this switch - especially since "ore" is usually the go-to pronoun for most male university students - but the switch wouldn't be surprising either, given that they are his seniors. Yoh does acknowledge their seniority when he uses the formal -masu form of the word "to buy" - but in the context of them bullying him, the choice to stick with the more masculine pronoun "ore" suggests that he isn't intimidated by them.
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Red: セルフパシリって すごくね? Girl: やばいよ Red: He automatically offered to be an errand boy! Isn’t that crazy? Girl: It’s nuts!
パシリ(pashiri) - to be made to run errands - is slang, and it is used specifically to refer to cases where someone with more social power orders another around. It’s almost always linked to bullying or misuse of social power – so by using this word, these guys - they know exactly what they are doing.
Y: クソだよ あいつら* Y: Those bastards*… they’re trash *Yoh uses the same word あいつ (aitsu) to refer to the gang that he did at the beginning of this episode to refer to Segasaki - once again it is the context that changes the meaning of this word. With Segasaki, it is proof that they share a close relationship. With these upper classmen that he's just met - it's definitely rude.
This is a very common form of bullying in school, and evidently, Yoh recognizes it immediately. The fact that he jumps so quickly to cooperating with it tells us sadly that this is something he's familiar with - he's likely been bullied before. This is unfortunately, unsurprising, because Yoh doesn't adhere to social norms very much. He eats alone, he stares at people, he doesn't greet his seniors properly (that slight bow is not enough, there should at least be a verbal greeting of some sort).
In my post on amae, I talked about how the interdependent self-construal means that one's ability to assimilate is seen as a value. In the same vein, people who do not fit in with the group, or who do not conform, are not looked upon favorably in Japan, because it is often assumed that they simply do not want to. It is not that they are unable to assimilate, it is that they are refusing to make an effort to be part of the group, and thus the fault and blame lies with them. Ostracization of those different therefore, is the expected consequence and punishment that the group metes out. All of us have to do our part to adhere to the rules of the group - what makes you so special that you can do your own thing? If you just did your job of fitting in like the rest of us have, well, then you wouldn't be in this position in the first place, now would you? - This sort of justification is the reason why bullying in Japan can become very, very extreme, and why despite efforts, has been so difficult to eradicate.
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S: そんなに 一人で持てないだろうと思って S: 貸して Y: ありがとうございます* S: 行こう S: I thought all of that was probably going to be too much for one person to carry S: Pass it over Y: Thank you very much* S: Let's go
*Yoh uses the full, polite version of "thank you" here, and he will, for the most part, continue to use desu/masu forms with Segasaki, and answer him politely, in recognition of their senior/junior relationship. Similarly, Segasaki uses informal forms with Yoh, though he maintains a friendly demeanor and does not drop to rude forms at all, because they aren't that close yet. Note how he says 行こう (ikou) for "let's go" here - different from his present day "we're going", which leaves no room for argument.
(Also, he took the heavier bag of drinks (´ ▽`).。o♡)
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S: 結構歩くのゆっくりなんだね Y: よく 言われます S: 君 名前は? Y: あ 葉って言います あの。。。葉っぱの S: ふーん 葉くんか Y: はい S: 俺は  Y: 瑞貴...さん S: なんで知ってんの? Y: あ そう呼ばれていたので S: よく 聞いてんな Y: はあ まあ。。。
Let's break this down to look at some social cues and nuances:
S: You walk quite leisurely, don't you? Y: I've... been told that a lot
This is more than just a callback to the beginning of the episode (or a chance to contrast how much more polite and sweet Segasaki sounds here 😂) - This is another way in which we see Yoh does not fit in. Segasaki is his senior, who has gone out of his way to come help him (never mind that Yoh's being bullied), and he should at the very least, be trying to match Segasaki's pace, not making him wait like Yoh does here. Segasaki's comment should be taken as much as an expression of surprise, as it should a cue to catch up - Yoh glances briefly at Segasaki after this line (which seems to amuse the latter) but he doesn't actually apologize outright or walk any faster. He does admit that he's been told this often - which sometimes can work as a concession, because you sort of validate what the other person is saying, but at the same time you aren't quite agreeing either. That said, it can backfire, because it means you've been made aware of your habit and yet have done nothing to change it. Segasaki doesn't seem to mind though, and actually matches Yoh's pace here.
Speaking of "pace" - "マイペース" or "my pace" is a loan word from English, and is a term used to describe someone who tends to do things, well, at their own pace, or in their own way, and who isn't bother by the people or goings-on around them. Usually meant as a benign, sometimes affectionate comment on someone's personality, it often brings to mind the image of someone who appears to drift during conversations, who might be a little "slow" in social interactions, or who physically lags behind the group. It can have negative connotations, because it means the group needs to make concessions for this person (like looking for them when they've wondered off). Yoh is the epitome of someone who is "my pace", and I'm very sure that the emphasis on his slow walking is not just a peculiar quirk of his character, it's an intentional part of the character design to show how Yoh is different.
S: *You... what's your name? Y: Ah, I'm called Yoh. Um... written with the character for "leaf" S: Hmm~ Yoh-kun huh.. Y: Yes
*Segasaki uses the polite pronoun 君 (kimi) to refer to Yoh here, as opposed to the rougher お前 (omae) that he now uses in the present day.
That little action Yoh does whilst saying "leaf" is him drawing out the kanji character for his name. It's quite common to tell someone which character is used to write your name, because the characters usually mean something, and it helps others to remember. Strictly speaking, Yoh really should be introducing his full name here, but judging by how he's been fiddling with the plastic bag, he's probably just too nervous to realize.
S: I'm Y: Mizuki...san S: Why do you know that? Y: Ah... that's what.. you were called (by them) so... S: You listen closely don't you Y: Ahh.. yea...
Nice save 😂First of all, it's extremely unusual to jump straight to using someone's first name instead of their family name (unless you're still a kid), let alone doing it to an upper classman, though Yoh does manage to tack on the polite suffix "-san" at the back. It's the verbal equivalent of stepping right into someone's personal space and touching their bag or something and then being all "er there was something there...". It's just weird and borderline inappropriate 😂 The fact that Segasaki doesn't scold him for taking such a liberty, or show any sign that he appears weirded out by it (in fact, he actually goes along with it!) tells us that Segasaki is a very kind (yasashii would be the right term here, the same term that appears at the end of this episode) or at least a very tolerant individual though I'd also like to think he just finds Yoh's strange ways a little cute too.
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S: いま 楽しい? Y: え?あ いえ S: 絡まれて パシらされてさ Y: ああ。。 S: どう? Y: いや たのしくないです Y: 瑞貴さんは? S: 俺? Y: はい S: 全然楽しくない S: 内緒ね Y: はい
Continuing with the breakdown:
S: Is it fun? Y: Huh? Ah no-
Segasaki's tone changes here to a more serious one - all he does is stress the final syllables of the word "fun" to indicate he's asking a question, instead of adding any end particles that might give more context, or that might soften the tone. The topic switch is a little sudden, which is why Yoh seems a bit confused. It doesn't help that the words are a little ambiguous - it literally translates to "now, fun?" - except the Japanese word for "now" is often used to mean "just now" as well, because the Japanese concept of time is not quite as linear as it is in West. "Now" doesn't just refer to "this current exact second we are in", it extends from whenever the "current activity" began right up to "this current exact second" - the key is figuring out what the current activity is 😅. Because Segasaki jumps into this topic so suddenly, and without much contextual cues, Yoh can't quite tell whether he means now, as in them walking together, or now, as in, the whole being sent on an errand thing, which is why Segasaki clarifies in the next sentence:
S: Being hassled, and sent on errands? Y: Oh... S: So? Y: No, it... isn't fun.
Segasaki watches Yoh closely whilst he waits for the answer to his question. This is Segasaki checking that Yoh knows he's being bullied, and it's also permission to talk about the topic. Once he confirms that Yoh does know what's happening, he looks away again.
The exchange tells us a lot about Segasaki's character, because often, the reason why bullying goes on for so long is that no one is willing to talk about it. Everyone knows what's going on, but no one acknowledges it. The fact that Segasaki jumps straight into it hints to Yoh that he doesn't agree with what his "friends" are doing (whether Yoh catches that hint or not is a different story). It also tells us, the audience, that he isn't afraid to speak up about things he disagrees with (similar to how he spoke up for Yoh when Yoh was sketching in the cafeteria) - but not to the extent that he'll do something which threatens the harmony of the group outright. This is tatemae/honne, which I talked about briefly in the amae post as well, and linked to this street interview video for real life examples. In short, tatemae is your ability to avoid conflict and smooth over group interactions, and is seen as an essential and positive trait. Segasaki is very good at this, even at this stage in his life, which is part of why he is so well-liked.
Y: What about Mizuki-san? S: Me? Y: Yes S: I'm not having fun at all S: It's a secret, yea? Y: Yes
This is cute, and tells us about Yoh's character too. Firstly, he's still persisting in his use of "Mizuki-san", though he's being really tentative about it, like he's testing whether or not it's okay. Secondly, he's actually asking Segasaki directly to confirm his stand on what his "friends" are doing. Is this Yoh being daring, or just his slightly awkward, somewhat tactless self? I couldn't tell you 🤣 It's likely a bit of both.
In response, you can hear the surprise in Segasaki's voice, but he doesn't hesitate to detach himself from the actions of the group. The way he invites Yoh into his group here, by acting as if he's let Yoh in on a secret, is very charming obviously, and reminds me somewhat of how in Ep 4, he suddenly drops to "Kanami-san" when talking to Man-san too. This again fits with how his "public mode" has been consistently portrayed thus far - nice, charming, polite, good-looking, and obviously popular (Ep 3, the girls in the cafe at the back, Ep 4, the way he talks to Man-san, this Ep, where he's even been proposed to).
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Guy: 俺の水がきたかな?  Red: あいつ覚えてるかな Guy: 確かに 待たせたな S: ごめん 葉くんお腹痛いんだって だから連れて帰るわ はい Girl: 瑞貴まで帰らなくてもいいんじゃん S: しんどいのに 一人すんのかわいそうでしょ* S: じゃあ またね また  S: 行こう Red: 優しいな** 瑞貴 Girl: でも 帰っちゃったよ Guy: Is my water coming? Red: Will that guy remember? Guy: Good point, he's really made us wait S: Sorry! Yoh says he's got a stomachache, so I'm gonna take him home. Here! Girl: Huh? But it's not like Mizuki you have to go too right? S: Leaving him all by himself right when he's having a hard time - wouldn't you feel bad for him?* S: So, see you guys later, 'kay! Bye! S: Let's go Red: Mizuki's really kind** isn't he? Girl: But, he's leaving you know!
*Segasaki does a very small switch up to the polite form here, as he takes the moral high ground by reminding the girl that as Yoh's senior, they have an obligation to take care of him when he's unwell. He's still friendly about it though. **優しい (yasashii) - kind. This word pops up a lot to describe Segasaki, we'll talk about it at the end of this episode.
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Y: あの いいんですか? S: あそこ戻りたかった? Y: いえ Y: Um... is this okay? S: You wanted to go back there? Y: No
Y: いつも 友達に囲まれてるこの人が なんでこうして 俺と一緒に歩いてるのかわからなくて 不思議だった Y: This person, whose friends were always surrounding him... I just couldn't understand why he'd walk together with me like this It was a mystery to me.
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Y: あの顔が 信じられないほど近くにあった 耳元に届いた声の響きまで 良いものであることに 気づいてしまった Y: That face was... so close to me I could scarcely believe it And it dawned on me then How wonderfully pleasing Even the notes of his voice drifting pass my ears sounded
The scene in the library I've included right at the top, but I'm going to add the conversation that happens during Yoh's monologue, since the subs have them sort of mixed in.
S: 葉 S: 何してんの? Y: え?えと、あの、本を探せて... S: この本面白いよ Y: え? Y: ありがとうございます S: また感想教えて Y: はい S: Yoh S: What're you doing? Y: Eh! Um, ah.. I'm looking for a book... (inaudible) S: This book is interesting Y: Eh? Y: Thank you very much S: Tell me your thoughts on it next time Y: Yes
Segasaki's already dropped the polite suffix "-kun" behind Yoh's name here, and doesn't actually bother to let Yoh finish saying thank you before he tells him to report back about the book. Yoh on the other hand, is still using the full, formal and polite version of thank you, and answers him properly. Segasaki's taken the initiative to get closer to Yoh - he's already speaking to him like how he does in the present day (just, not roughly), but Yoh hasn't gotten comfortable enough yet to drop the formalities - or, he simply may not be sure if he can.
Navigating formalities and when to drop them is tricky, and requires some degree of social intuition. Generally speaking, Segasaki dropping a speech level should be a sign that it might be okay for Yoh to drop as well (not to the same level of course, just a little less formal) - but given how Yoh sees them as living in different worlds, and how fearful he is of being hated, it's unlikely that he'd want to touch the status quo.
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Y: あの人の気持ち? Y: That person's feelings?
Yoh's pretty much stuck to the phrase "that person" when referring to Segasaki this whole episode, even during his flashback. He tends to do this when he's feeling some distance between them (like in Ep 2).
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On screen messages: Y: What is Kintsuba? S: You don't even know what Kintsuba is? Y: I'm sorry [Yesterday] S: I'll be back late today Y: Understood [Today] (unread) S: Just give the editor some kind of excuse, and come back right now
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A: 随分 追い込まれてたねぇ Y: 気持ちを言葉にするとか あんまりしたことなくて Y: 他人の気持ちなんて なおさら A: You've pretty much been cornered, huh?* Y: Putting feelings into words and all... I've never really done that myself... Y: Let alone (doing that for) another person's feelings. *This is in reference to Man-san asking Yoh to write out Segasaki's feelings
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A: めちゃくちゃにしてやる, めちゃくちゃにして..x10 A: Gonna mess you up, mess you up... x 10
Yes, this does sound like a line straight out of a bad Jp AV 🤣🤣. I mean, we're talking about scenes from Man-san's manga right? That they had to mosaic out? 🤣🤣
Now you know why Segasaki is pissed.
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S: 可奈美さんも一緒に仕事してるんですか? M: すみません!瀬ケ崎さんにご報告もせずに進めてしまって S: いや、可奈美さんのせいじゃないですよ S: Kanami-san, are you also doing your work together with him? M: I apologize! We ended up moving forward without even alerting you about it! S: No, it's not your fault, Kanami-san
You can tell Segasaki has misunderstood here - he thinks Man-san has also been called to work at this Editor's place, and is completely not listening to what she has said, hence her ?? reaction 🤣
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S: あ、すみません 急用ができてしまったので葉を迎えに来ました S: Ah, I apologize An urgent matter arose, and so I've come to pick Yoh up.
Segasaki's being quite formal here, but this is not the way to be polite. The "proper" way to request leave to go home early on behalf of someone else would be to first, apologize specifically for the disruption, introduce yourself and your relation to that person, apologize that an urgent matter has come up, regrettably but firmly insist that said person must return home immediately on pain of death, apologize again for all the trouble caused, promise to make up for it, humbly ask for understanding, and then apologize your way out the door.
So yes, despite the polite word forms this is quite rude, and is so far removed from Segasaki's usual "public mode" that it cracks me up. Segasaki's composure is unravelling by the second in these next few scenes - he is pissed and absolutely does.not.give.a.shit. 🤣
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From right to left: S: So, this bastard is the famed Editor huh... S: Don't you dare try to deceive and pull tricks on Yoh! S: The hell you doing touching him like that so freely!! A: Who (is this)?
The language gets progressively ruder the more the speech bubbles get pointy and the larger the font gets🤣🤣
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M: 瀬ケ崎さん やっぱ強いわ~ M: Segasaki-san really has a strong presence after all~
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Y: 黙っててごめんなさい* S: あのさ Y: はい S: ああいうのがいいわけ? Y: え? S: 俺より あの男のどこがいいわけ? Y: I'm sorry for keeping this from you!* S: Tell me Y: Yes S: Is that what you like? Y: Huh? S: Compared to me, just how is that guy better? *Yoh uses the full but informal version of "sorry" here - gomen nasai. Making a note of this here so I can come back to it in one of the analysis posts.
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Y: え、いや Y: 比べるものじゃないと思うけど。。 S: あるんだろうが 俺より いいところが S: まあ、納得する理由がない限り俺は認めねえけどな Y: 強いて言えば 優しいかな* Y: 人の話を ちゃんとじっくり聞いてくれるし Y: Um, no... Y: I don't think it's something that can be compared... S: There is something, isn't there? Some way in which he's better than me S: Though, unless you give me something I think is reasonable I won't accept it Y: Well if I had to say something then... maybe, he's kind?* Y: I mean, he listens carefully and attentively to what someone has to say...
*優しい (yasashii) - often translated as "kind", it encompasses the ideas of "caring", "tenderness", "thoughtful/considerate", "warm/gentle". It's often a trait people say they look for in their significant other.
This word has come up often to describe Segasaki - in Ep 2, Segasaki uses it to describe himself, in Ep 3, Yoh uses it to describe Segasaki's voice, and of course here in Ep 6, red shirt uses it to describe Segasaki again. Even when the word isn't said out loud, a lot of Segasaki's actions would fit this word - In Ep 2, when he picks up after Yoh and comforts him during their not-argument. In Ep 3, when he passes Yoh his gift, and implies there's nothing to be sorry for. In Ep 4, the way he coaxes Yoh. In Ep 5, when he takes care of Yoh. In Ep 6, he speaks up for Yoh in the cafeteria when he doesn't have to, when he goes to help Yoh. The irony of this moment is that Segasaki puts in a lot of effort and probably does pride himself in being yasashii, and he listens to Yoh better than Yoh listens to himself, and yet he hears from Yoh that he isn't yasashii or attentive, which explains the pained expression on his face.
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S: あ、そう S: 俺先行くわ* S: Oh, is that so? S: I'm going ahead then* *わ (wa) - this ending particle puts emphasizes one's statement, but is not one that Segasaki usually uses. It's less forceful that his usual speech, because he's quite hurt by Yoh's statements.
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Y: かばんに入ってたやつ 戻しといてから Y: The thing that was inside my bag, I put it back so... The way Yoh ends this sentence leaves room for a follow up - it's an invitation to continue the conversation, which we actually have not seen him do with Segasaki, and that's why he looks so dejected when Segasaki rejects that invitation by walking away.
Though it's been hinted at throughout the show, Ep 6 is where we get confirmation that Yoh's just never quite fit in with the crowd, and that Segasaki has always been in the center of it. The stark difference explains why Yoh is so afraid that one day he will do something to make Segasaki hate him, and why he reflexively rejects the idea that Segasaki could possibly love him.
This episode is painful, for both of them. For Yoh, because from the intensity of his monologues, we finally get a sense of how big a presence Segasaki is to him, and therefore, how devastating it would be to lose him. For Segasaki, because for all that he can read Yoh, for all that he has done to try and reassure Yoh of his love, he still cannot make Yoh see, cannot make Yoh hear.
"If he ended up hating me then I felt like I might die."
It is precisely Yoh's love for Segasaki that makes Yoh fear the possibility of losing him, and it is that fear that blinds, deafens and mutes Yoh to the very thing he hopes for. And it is in trying to protect himself, that he inadvertently hurts the very person he loves so much.
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brownie-pics · 6 months
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'23.8.27 春日大社参道にて
いつものように参道を歩いていると、前方にまったりと座るロップイヤーの牡鹿の後姿が・・。
・・ロクさん、黄泉から出てきた😳?真昼間なのに😨💦・・などと思ってやや恐る恐る近づくと足もあるし、よく見りゃロクさんの特徴ある受け口の度合いもそれほどではなく、どうやら出てきたものではない様子(そりゃそうだ😅)・・近くに長年ロクさんを撮り続けていた写友さんが。
よく似た子ですねぇ、なんて話しながら撮らせてもらいました。
長く奈良公園で住んでいたロクさん、この子はどうか分かりませんが、彼の遺伝子を受け継いだ子たちは多分、今も園内を闊歩しているんでしょうね。
↓昨年、ロクさんが虹の橋を渡ったと聞いた時の投稿です。
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tsunagudesign · 1 year
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/あなたらしい暮らしづくり。. . . . 川口市の鉄骨倉庫。. . . . 基礎配筋工事がほぼ終わり、配筋検査をしてきました。. . 平屋の鉄骨造なので、工事のスピードがとても早いです。. 気を抜いていると、どんどん工事が進んでいきます。. . 今回も鉄筋の種類、径をはじめ、緊結状況やピッチ、かぶり厚さなどを確認しました。. これから基礎コンクリート、土間コンクリートの打設へと進んでいきます。. . 来月末には上棟する予定です。. 駆け足で進みます。. . . . 過去の実例はプロフィールのHPからご覧ください。 👇👇👇 @tsunagu_design_office . . . ◾️建築相談. ◾️空き家の利活用のご相談. ◾️注文住宅設計. ◾️お店開業支援. ◾️児童福祉・老人福祉施設設計. ◾️モノづくりサポート. ◾️開発許可・農地転用・農用地除外申請. . #設計事務所 #数世代先の子どもたちへ出来ること #建築 #住宅デザイン #店舗デザイン #飲食店デザイン #空き家 #インテリア #インテリアデザイン #自由設計 #住まいづくり #家づくり ----------------------------------- 🌿つなぐデザインオフィス 📍千葉県松戸市常盤平3-4-7-101 📞047-707-2902 🖥https://tsunagu-design.com ----------------------------------- (Kawaguchi, Saitama) https://www.instagram.com/p/CqU7sEePFmH/?igshid=NGJjMDIxMWI=
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shioriya-archi · 1 year
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2/11、12日に完成見学会開催予定の花巻百ノ沢の家をチョイ見せ第三弾…そして、大詰め。笑 今回は水廻りをご紹介。 先ずは造作キッチン…一言、いいなぁ。近くに配膳台があり薪ストーブがあり、家族が集まりそうなキッチンって、とても幸せ感があることを改めて感じます☺️ 今回紹介の水廻りの共通点は、給排水管が見える作りになってますが、隠れてジメジメ感があるより清潔感があってとてもいいなぁと思います。 是非、体感して欲しいと思います❗️😊 #岩手県  #花巻市 #栞家建築舎 #Ume-ie建築設計事務所 #しおりや  @tettsu1972 #岩手県産材 #岩手県森連 #いわて森の棟梁 #いわて木づかいサポーターが作る住宅  #板張り外装 #杉板張り #新住協 #高断熱高気密 #200ミリ断熱の家 #許容応力度計算による耐震等級3 #手仕事  #木の住処 #家づくり #住まい #心地よい家 #暖かい家 #エコな暮らし #本と栞と綴り #田舎暮らし  #自然素材の家づくり #自然素材 #チャフウォール #樹々に囲まれた住まい #中村好文好き  #伊礼智好き  https://www.instagram.com/p/CoZuEfChH0m/?igshid=NGJjMDIxMWI=
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yoga-onion · 1 month
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Legends of the humanoids
Reptilian humanoids (9)
Naga 2 – Shesha, the king of the serpents [Part 1]
The Brahma Purana describes the reign of Shesha as the king of the serpents in Patala:
During the night the light of the moon is not utilised for its coolness but only for illumination.
Since that passes away is not taken notice of by the Nāgas who enjoy with gaiety the foodstuffs and the edibles they consume and the great beverages they drink. 
Nor are Danujas and others aware of it.
O brahmins, the forests, rivers, lakes, and lotus ponds, the cooing of the cuckoo and other sweet birds, the pleasing skies, the unguents and the continuous notes and sounds of musical instruments such as the lute, flute and Mṛdaṅga drums, O brahmins—all these and other beautiful things are enjoyed by virtue of their good luck by Dānavas, Daityas and Nāgas residing in Pātāla. The Tāmasī form of Viṣṇu, named Śeṣa (Shesga) beneath the lower regions.
Daityas and Dānavas are not capable of recounting his good qualities. He is honoured by Devas and celestial sages. He is spoken of as Ananta. He has a thousand hoods and he is clearly bedecked in Svastika ornaments devoid of impurities. He illuminates all quarters by thousand jewels on his hoods.
— Brahma Purana, Chapter 19
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伝説のヒューマノイドたち
ヒト型爬虫類 (9)
ナーガ 2 〜 蛇の王、シェーシャ(難陀竜王) (その1)
『ブラフマ・プラーナ』には、冥界 (パーターラ)における蛇の王としてのシェーシャの治世が描かれている:
夜の間、月の光は涼しさのためではなく、灯りとしてのみ活用される。
月明かりが過ぎ去ってしまわないので、ナーガたちは、彼らが食い潰すことを許された食材や食べ物、そして彼らが飲む格別な飲み物を歓喜して楽しむが、そのことに注意を払わない。また、ダヌージャたちもそれに気づかない。
バラモンたちよ、森、川、湖、蓮池、カッコウなどの鳥の鳴き声、心地よい空、香油、リュート、フルート、ムリダンガム太鼓の楽器の絶え間ない響きや音、これらすべての美しいものは、パーターラに住むダーナヴァ、ダイティヤ、ナーガたちの幸運によって享受されている。シェーシャという名のヴィシュヌの魔性形は、下界の下にいる。 
ダイティアとダーナヴァは、彼の善良な資質を語ることができない。彼はデーヴァと天界の賢者によって尊ばれている。彼はアナンタとして語られる。彼は千の頭巾を持ち、不純物のないスヴァスティカの装飾品ではっきりと飾られている。彼は頭巾の上の千の宝石によってすべての四方を照らす。
- ブラフマ・プラーナ第19章
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backy3723 · 5 months
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「例えば、毎日サバの味噌煮を食べているようなお年寄りに、いきなりハンバーグを食べさせようとすると拒絶反応を示すはず。だから一旦、ブリの照り焼きを食べてもらうんです。遠回りのようですが、まずは『変化するのも悪くないな』と気づいてもらって、新しいものを受け入れるメリットを感じてもらうことから始めるんです」
「島民の平均年収は1100万円」…高額納税者たちが“瀬戸内海の離島”に続々と移住してくるワケ(週刊SPA!) - Yahoo!ニュース
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kennak · 8 months
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今年、20台半ば過ぎにしてついに俺は大学に受かった。具体的に言うと北海道大学の医学部医学科である。俺は昔から医者になりたかった。中学生のときにはもう医者になろうと思っていた。しかし現実は非情であった。俺が高校1年生に上がった頃、俺を女手ひとつで育て上げてくれた母がぽっくりと逝ってしまった。そこで北海道の祖母の元に預けられることになったのだが、祖母はすでに70歳を超えており、さらに軽度の認知症であった。必然的に高校は転校か退学を迫られたわけだが、祖母の強い要望により俺は高校を退学して働くことになった。これが10年ぐらい前の話だ。とはいえ、俺は医者になる夢を諦めるつもりはなかった。祖母の友人のパン屋にて最低時給で働きつつ、少しづつ大学進学資金を貯め、高校卒業認定試験に受かった。しかし19歳のころ、今度は祖母が死亡。俺は天涯孤独の身になった。20代も半ばに過ぎたころ、ついに生活に余裕が出てきたので俺は念願の医学部受験に挑戦することにした。俺はことさら不幸自慢をするつもりはない。と言うか、自分が不幸だと感じたことはない。俺と同じ待遇でのたれ死んでいるやつは確実にいるはずだし、これが俺の標準だからだ。自分の状況に文句を言っているだけでは、明日の飯も食えない。さて、医学部受験の話に移る。俺は北海道に住んでいたので、道外の大学に行くことは資金的に不可能であった。北海道では大昔から医師不足が叫ばれ、コロナ前から自然に医療崩壊していると指摘されて久しいが、その割には医学部が3つしかない。北海道大学、札幌医科大学、旭川医科大学の3つだ。これが首都圏だったならば私立の医科大学という選択肢が視野に入るのだろうが、資金的に無理だった。私立医科大では受験料に10万円近くかかるし、そもそも受かったとしても授業料を借金だけでは賄えない。この仕組みを知った時、「そりゃ、医者の息子は医者になるわ」と思った。俺のような貧乏人は受験料すら払えないが、彼らはガンガン払える。スタート地点からして違うのだ。とはいえ、文句を言っていても仕方がない。俺は北海道大学の医学部医学科を焦点を当て、ついには受かった。1年間集中して勉強に捧げたため、生活費はとっくに底をつき、受からなければ首を吊るしかないという状況であった。当然、入学費や授業料が自前で払えるわけがないので、日本学生支援機構に借金をして入ることとなった。さて、ここでぶち当たったのが「給付奨学金制度」というやつだ。これは比較的最近生まれたもので、生活の苦しい学生に学費を給付するという制度だ。さらに、「給付奨学生」になると国公立ならば大学の授業料が無料(!)になるというおまけ付きだ。なんという良い制度であろうか。俺は早速申し込んだが、却下された。理由は「年齢」である。というのも、この給付奨学金制度では「高校卒業2年以内(20歳以下)」でないと対象外になり、問答無用で失格となるのである。俺は高校卒業認定をとっていたが、これも「1 8歳から5年以内(23歳以下)」でないと対象外。どれだけ貧しかろうと、どれだけ生活に困窮してようと、23歳以上に給付奨学金は絶対的に出ないのである。「それならば仕方がない。なら給付奨学金は要らないので、授業料を免除だけしてほしい」と言ったところ、これも却下であった。なぜならば「給付奨学生」でないと「授業料免除」には該当しないのである。それならば給付奨学金が無い時代の授業料免除はどうなっていたのか?それは大学が独自に学生の収入を元に授業料を免除できていたのだ。その頃には20代、30代だろうが、収入が少なければ授業料免除になる可能性が高かった。しかしながら「給付奨学金制度」が出来たことにより、「授業料免除制度」は「給付奨学金制度」の一部分扱いになり、20代は問答無用で借金をしなければいけなくなったのだ。俺は愕然とした。というのも、ほとんど俺と同じ待遇で医学部に入った5年生の先輩と話す機会があったからだ。その先輩は給付奨学金制度がない時代に20代後半で大学に入り、大学独自の授業料免除制度でなんとか大学に入ることができたのである。彼が卒業するまでは免除対象であるという。これはひどい。いや、ヤバい。不公平感が半端ない。国は「学び直し」を声高に叫んでいるが、これが今の実態である。謎の線引き、謎の境界線。まるでヨーロッパ人に勝手に国境を引かれたアフリカ人のような気分だ。追記:「給付奨学金」は経済的困窮者が大学に行けるようにするための制度だが、果たして高校を卒業してから2年以内に大学に進学しようと決められる困窮者が大多数なのであろうか?経済的困窮者は高校を卒業後、「大学に行く」というメリットがありつつも、働かなければ生活がままならない者が多いはずだ(俺は高校すら行けなかったが)。そういった人々が成人を迎え、「大学に行こう」と決めても、国が一律かつ絶対的に決めた「高校卒業から2年以内まで」という謎の縛りで困っている人はたくさんいるはずだ。そんな気持ちでこの記事を書いた。国に問い合わせて見ると、「卒業から2年以内」を変える予定は無いようだ。「どうして卒業後3年や4年や5年以内ではなく、2年以内なのか」と質問しても「そう決まっているから」としか言われなかった。俺たちは制度の中で生きているので、制度の内容によって人生は大きく変わるし、それは納得できる。しかしながら、「なんとなく」で決められた制度に人生を大きく左右されるのはキツイ。追記2:【これまでの授業料減免制度】大学に収入を報告する↓大学が学生の年齢など関係なく困窮具合を判断↓授業料減免【今の授業料減免制度】日本学生支援機構に給付奨学生として採用される(20歳以上は申し込みが絶対的に不可。理由は不明)↓給付奨学金を受けた人のみが授業料減免を受けられる
大学無償化の年齢差別がヤバい マジでやばい
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