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#ユーリ!!! on ice
saitubaki · 4 months
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💓
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suka51 · 2 months
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2.14
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yaoiconnoisseur · 5 months
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Happy Hatchday, Yuuri!
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toorida-yuri · 10 months
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新しいことを始めようとしてキラキラしてる2人のイメージで描いてたよ
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elevenharbor · 4 months
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Commission piece for @neutronice. Thank you so much, friend!
✨inspo comes from chapter 5 (Gold & Silver) of her lovely YOI story, Fool's Gold. ✨
But 10000% recommend starting from the beginning because it is 🔥🔥🔥
Please don't repost, a reblog would be appreciated! Thank you!
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otayuriweek23 · 8 months
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Welcome Travelers, to Otayuri Week 2023! You've found yourself in the distant lands of tigers, bears, and figure skating, oh my! 🐯🐻💞 This year, we have word prompts, song prompts, and color prompts!
This event runs October 25 to October 31. Accessible versions of the prompts (including hex codes for the color prompts) and rules, as well as a Q&A, are available on our Event Details page.
Check out our carrd for links to our AO3, twitter, and more!
Thank you to everyone who participated in past Otayuri Weeks! It’s a joy to welcome you all back to the madness ❤️ And a special welcome to any newcomers! Looking forward to seeing what you all create! Word Prompts Day 1: Wedding, Realizations, Band AU Day 2: Vacation, Childhood, Bodyguard AU Day 3: Slow Burn, Dance, Arranged Marriage AU Day 4: Social Media, Shout, Dystopian AU Day 5: Milestones, Touch, Omegaverse AU Day 6: Pets, Relief, Western/Cowboy AU Day 7: Confession, Inspiration, Free Prompt!
Song Prompts Day 1: A song you'd blast at a party Day 2: A song that makes you cry Day 3: A song you'd sing at karaoke Day 4: A song you'd send to a would-be lover Day 5: A song that makes you want to run Day 6: A song that feels like a warm hug Day 7: Free choice!
Color Prompts Day 1: “thrill of the chase” Day 2: “waves of time” Day 3: “buyer's remorse” Day 4: “but did you die?” Day 5: “wait for me” Day 6: “as you wish” Day 7: “until the end of the line”
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fujiyl2 · 1 year
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久しぶりの投稿になります。
コロナとかいろいろで活動ができなかった…
勇利お誕生日おめでとう!!
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pokophobia · 1 year
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WE'RE SO FUCKING BACK BABYYYYYY.
apparently i have a thing for blondes, who would've thought. (quick glance to alois, gilbert, oliver ...)
i was trying another rendering style, hoping to go back to my more "paint-like" style ... i think i nailed it ~ :)
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ckstarereadytorollg · 9 hours
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What a lack of respect for the fans who waited so many years for this fucking movie. Let's see if they don't screw up other animes. Personally, I'm angry, a lot!
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anime-cafeteria · 8 months
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saitubaki · 2 months
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HAPPY BIRTHDAY CHRIS☺💋
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suka51 · 2 months
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2024
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toorida-yuri · 10 months
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heebiebeebies · 10 months
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Blue: Katsuki Yuri 💙
I needed someone to balance out all the bad decisions together. May we all have his luck and marry our crushes.
Just him:
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animehouse-moe · 6 months
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Manabu Otsuka, Mappa, and Jujutsu Kaisen & Yuri On Ice!!
Today (or well, yesterday in Japan), an interview went live with Manabu Otsuka (who is the CEO of MAPPA), which is equal parts disheartening and disappointing, making it an important read for any anime fan out there, and I'll explain why here.
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The single largest red flag here is this paragraph. They want to reach the heights of Kyoto Animation and Ufotable, but in a fraction of the time. This entire concept is a fallacy and just ridiculous in nature.
Why? Well, because Ufotable became a studio in the year 2000. They are just past 20 years of business. Kyoto Animation? That ones a little more valid since it was 1985, so I'll just provide an example to the former.
Ufotable, as a studio gained massive critical acclaim and success with Kara No Kyoukai / The Garden of Sinners, thrusting the studio into the limelight. The year that movie was released? 2007.
Only seven years after the official formation of the studio, they put out an insane success as a studio. Of course, that wasn't entirely consistent, but when you speak to the critical acclaim and refinement of a studio such as Ufotable, Kara No Kyoukai is by no means off of the table. Though, it's not like Fate/Zero was much further behind in 2011.
These dates will remain important later, but I just want to address the final part while I'm here.
Otsuka's solution to "catching" these studios that have a decade or more experience over Mappa? Brute force. Need experience to get better? Well, we're just cram in as much as we can to improve. Oh, but you're worried about quality? Don't worry, we'll make sure to maintain high quality.
Forget what's going on with Jujutsu Kaisen, forget even the issues with Hells Paradise. Series that they 100% funded struggled with production, outsourcing an incredible amount of frames to Chinese studios, even the original season of JJK and its movie struggled with production timelines while delivering.
The sheer hubris of Otsuka as a producer and the CEO of the company is impossible to grasp. During a season where staff members have been crumbling on social media, getting upset over complaints and words from fans, struggling to do good work, Otsuka believes it a good time to provide an interview about front-loading on productions to increase the rate of growth with the studio.
Incredibly frustrating to read, I can't imagine how the actual staff from Mappa feel about the direction they're being dragged in.
But that's only one of two parts to this interview that are just beyond repair.
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Otsuka directly credits Yuri On Ice!! and In This Corner of The World for the success and modern image of Mappa. But wait, isn't there supposed to be a Yuri on Ice movie happening at some point? Oh yeahhhhh, it's in production hell and Mappa won't say a word about any actual developments.
I think the only good thing to arise from this paragraph is the fact that they give credit to In This Corner of The World and have recently released Alice and Therese's Illusion Factory. It's the first movie they've release since 2016 that is not a complement to an existing anime IP.
Still, incredibly disheartening to see them credit such foundational series and yet stray so far from them. But hey, they're adapting battle action shonen #3451 so it's all okay.
Anyways, the numbers I mentioned earlier. It took Ufotable 7 years, or even 11 if you want to focus on TV anime only, to find massive success as a studio.
Mappa? They did it in 6 years with Yuri on Ice. Yuri on Ice!! quite literally built Mappa into the studio it is today. Otsuka admits that as fact. But still, Yuri On Ice!! remains by the wayside as a priority for the studio that owes it its standing in the anime industry.
I know that a lot of high level staff with various studios are very much out of touch with the industry as they focus on tradition and the more enigmatic (to Western populations) Japanese business practices, but this exists on an entirely separate level.
Which is incredibly disappointing because there's good conversation from Otsuka about independently produces anime and the monetary challenges that face a studio. But it's hard to feel sympathetic and agree with them when they handle so many other aspects so poorly.
So yeah, I'm not really sure I have some grand reason for why people should read it, but I think it's important in pulling back the curtain on the industry and your favorite studios to realize that these are all corporations trying to make money before they do anime.
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