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swampyswan · 1 month
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No because I feel the need to explain the thought process cus it’s not actually as weird as it sounds to pick the walrus and I’m sick of pretending it’s not.
Is a walrus showing up on my doorstep more likely than a fairy, a fictional creature, showing up on my doorstep instead? Yes, obviously. But let me explain why the initial shock you’d feel from seeing either one is not as logical as what’s more statistically possible and based in human instinct.
If a fairy randomly appeared on my doorstep after ringing my doorbell, there are a few things that could play out. My initial thought was that the fairy is either one of those Tinker Bell types that are tiny and fly, or alternatively, it’s one of the humanoid ones from a Midsummer Night’s Dream or something. If it’s the latter, I might just assume that it’s a person in a costume, so I prefer the first idea because it’s direct proof of a magical being vs a possible cosplayer, and would be more initially shocking as a result, so let’s go with that.
But regardless, a magical entity has made itself known on my doorstep. While I would undoubtedly be freaked out, given that it rang the doorbell, and is, I’m assuming humanoid in appearance, presumably this is an entity capable of intelligence and can be at least spoken to like another human. I’d probably think it was some kind of joke at first, or a trick of the light, but if the magic of this being was super obvious to me, then I think eventually for a lot of people, fear would become CURIOSITY, and I’d likely be more fascinated than frightened. After all, magic exists, and it seems that for some reason it has some type of business with me! And it’s not like I know for sure what this creature is capable of, so I wouldn’t be questioning how it got there, instead focusing on the WHY. Humans are not so fear-brained that our first instinct with unfamiliarity is to dismiss what we’re seeing and flee; we’re inherently curious animals, and if we don’t know what something is, we try to inspect it safely. If the fairy is ill-intentioned then you’d probably find out by talking to it, and if it’s small enough you can swat the hell out of the little shit, but if it’s being otherwise civil towards you, you’re less likely to freak out.
I mean, if you saw a fairy, would you just swat it away like a bug even while it’s just on your porch the second you notice it, or probably take a few steps backwards in shock, maybe say “what the fuck?” Presumably at the VERY least, because this creature is unknown to you, you wouldn’t be as quick to get near it and instead engage with caution, so your panic level is likely to be lower and more curious about why it’s here, and if it can talk to you or at least communicate in some fashion, then the threshold of immediate danger is dependent on what it tells you. My first question after calming down from the initial shock would likely be to ask “what are you?!”
Now a walrus appearing instead. There is no whimsy, just presumably a regular ass walrus on your doorstep. For one thing, walruses are HUGE, and noisy, and get aggressive when threatened, so you’ll be defensive right off the bat. Unlike the fairy, a walrus is a knowably dangerous animal. I don’t know enough about a fairy to know what to do to avoid one harming me immediately, but I assume fairies don’t just knock on people’s doors to just beat them up on sight. What I DO know fully well is what an angry walrus can do, which would put me into flight or fight mode automatically.
But say you immediately slam the door and peek out the window to watch the walrus, because if you don’t close the door presumably it might try to get closer to you or waddle into the home. The longer you think about it the weirder it gets. Unlike with the fairy, the walrus can’t explain to you why it’s there, and it’s probably very stressed being in the middle of a random city. ALSO most humans live in environments walruses are not native to, while Fairies historically are associated with woodland areas, so if a fairy showed up I wouldn’t really be concerned with HOW it got there, because even if it doesn’t live nearby I can assume it’s a being of intelligence that can walk or fly, or I could just ASK it if I really cared enough. Walruses are large, slow on land, and not native to the area, so my first thought would be to wonder how it’s here to begin with.
There’s a million questions. How did it get here? Who the fuck rang the doorbell? Was it the walrus somehow? Literally how? Is this a prank? WHO DO I CALL TO GET RID OF THIS WALRUS? If this is a prank, who would plan this? Is it someone I know? Do I have a stalker? This walrus might hurt someone walking past my home! Do I call animal control? How do I explain the walrus to animal control? Is an intercity animal control center even equipped to deal with a walrus?
At least the fairy can presumably explain why it’s there, and it leaves it up to you to gauge whether it’s dangerous or not like you would with an actual stranger, and if you feel endangered by the fairy at least you have the capacity to try and reason with it, or m hit it with a newspaper if it’s small enough. What the hell do you do to calm down a walrus?
Basically it boils down to this: if you see a Fairy, your initial reaction would be a shocked but curious “what the hell?”
If you see a walrus, your initial reaction would be a terrified “What the FUCK?!”
I've asked this question before and been surprised by the results, now I have access to more weirdos it's your problem:
It is the middle of a Sunday afternoon. You have nothing on, and aren't expecting visitors, deliveries or post.
Unexpectedly, there is a knock at the door.
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swampyswan · 1 month
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I have zero clue what the Coffin of Andy and LeyLey is even about, I’ve only learn about the controversial parts secondhand through instagram and Twitter, but the discourse is so funny to me
I’ve seen a lot of people complain about the incest, and fans of the game replying with “the twins murder and eat people, the incest is the least of their problems” and “they’re bad people anyway” or “the incest is a skippable option so you don’t have to do it”
And the most fascinating reply to critics of incest in the game is “haters don’t even play the game, all they do is complain about is the incest!”
Which, fair enough, if a horror story has elements of incest and it’s portrayed as bad, or it’s only a small portion of the game, then it surely can’t be that big of a deal. Horror games are supposed to make you uncomfortable after all. The game must have more to offer!
And then I scroll through the tumblr tags and it’s literally almost NOTHING but fanart of the siblings making out. Perhaps occasional discussion of how shitty their parents are, but I see practically no discussion of the plot beyond it.
No wonder anti-COAAL people only talk about the incest, it sure seems to be the only part a lot of the fans care about about too
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swampyswan · 1 month
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theyre in a polycule
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swampyswan · 1 month
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masterpost
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swampyswan · 1 month
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Cold and Smitten = Voice of the Obsessed
Think about it. What are Smitten’s biggest defining traits? A strong belief in love, but also a delusional adoration for the Princess that supersedes the wellbeing of the world and even his own.
What are Cold’s defining traits? An intense lack of empathy, a disregard for the wellbeing of others, a fascination with pain and violence, and a collected demeanor.
So, if you mix together these two extremes, you get an unstable, morbidly curious maniac obsessed with the Princess, but rather than in a fairytale “true love triumphs” way, it’s more like the “love” of a stalker, where it’s much more unsettling, scary and possessive.
if i were to fuse some of the voices, who would you wanna see fused ? i had the idea of Cold and Hunted but i wanna know what other people want too
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swampyswan · 2 months
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oc asks: not-so-nice edition
alone: How does your OC deal with loneliness? Have they ever been completely alone before? How do they act when there's no one around to see them?
betrayal: Has your OC ever been betrayed by someone they thought they could trust? Has your OC ever betrayed someone who trusted them?
bound: Has your OC ever been imprisoned or captured? What happened? How did they get out? Did the experience leave any scars?
break: What would cause your OC to break down completely? What do they look like when that happens? Has anyone ever seen them at their lowest?
desire: What's one thing your OC wants more than anything in the world? Are they open with that desire? Why or why not? What would they do to fulfill it?
failure: What's your OC's greatest failure? Have they been able to move past it? Does anyone else know about it?
fear: What is your OC's greatest fear? What do they do when confronted with it? Are they open with their fear, or do they hide it away?
future: What's the worst possible future for your OC? Are they taking steps to avoid that outcome? Are they even aware it's a possibility?
ghost: Who or what haunts your OC? What happened? How do they live with their ghosts?
guilt: What is your OC guilty about? How do they handle their guilt? Do they try to avoid guilt, or do they accept it?
hate: What does your OC hate? Why? How do they act towards the object of their hatred?
heartbreak: Have they ever had a relationship that ended badly? Experienced some other kind of heartbreak? What happened?
hide: What does your OC hide? Why do they hide it?
hunt: Who or what is your OC hunted by? A person, a feeling, a past mistake? Is your OC able to let their guard down, or are they constantly alert?
mask: Does your OC wear a mask, literally or figuratively? What goes on beneath it? Is there anyone in their life who gets to see who they are under the mask?
midnight: What keeps your OC up at night? Do they have nightmares? Fears? Anxieties? What do they do in the small hours of the morning when they should be sleeping?
mistake: What's the worst mistake your OC ever made? What led to them making it? Have they been able to fix it? How have they moved on?
monster: Is your OC monstrous in any way? Is there something that makes them monstrous? Are they aware of their own monstrosity? Do they accept it or reject it?
nightmare: What does your OC have nightmares about? How do they deal with their nightmares? Do they tell people, or keep it to themself?
pain: What's the worst pain your OC has ever felt? Do they have a high pain tolerance?
secret: What's one secret your OC never wants anyone to know about them?
skin: How comfortable is your OC in their skin? Do they grapple with anything that lives inside them—a beast, a curse, a failure, a monster? How do they face the smallest, weakest, most horrible version of themself? Are they able to acknowledge it at all?
torture: Has your OC ever been tortured? Would your OC ever torture someone else?
wound: How does your OC handle being wounded? Are their wounds mostly physical? Mental? Emotional? What's the worst wound your OC has ever experienced?
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swampyswan · 2 months
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rb to fuck his flat bird face
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swampyswan · 2 months
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I love this because, if this interpretation is true, it puts Cold into the same “Razor Fanboy Club” as Stubborn and Smitten, where he experiences an almost sexual form of satisfaction from seeing her as a bunch of knives
Finally, he and Smitten can agree on something
So what the hell do yall think was up with Cold when he saw the Razor’s final form? Everyone else shows a different reaction that we could easily understand; most of them were a mixture of confusion, terror, infatuation, and rage at how insane things were, but also very in character. Cold’s response is… interesting.
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Cold basically is always emotionally and physically detached from everything, but one consistent trait of his is his odd relationship with pain. He finds pain to not be a detriment, but outright fascinating if it’s something he hasn’t experienced before. Cold in general seems to treat positive and negative stimuli as equal outcomes, which makes sense; he doesn’t care about what happens to himself, so he doesn’t have a preference one way or the other. Nearly all of the other Voices regard pain as a bad thing, or at least an obstacle to overcome, but Cold is the only one who doesn’t actually care.
But Cold does find pain he hasn’t experienced before interesting, such as in both Grey routes where he finds interest in burning to death or drowning just because it’s a novelty.
His tone during this line in the Razor route is fascinating because Johnny Sims takes a very neutral tone to his voice for Cold, and because of that it’s a bit hard to read what type of reaction Cold is giving here.
Is it a positive one, where Cold is in fascinated awe at a Princess experiencing something that would undoubtedly be excruciatingly painful if it was happening to anyone else? Or is it a negative one, where the Razor is so bizarre as an entity that even Cold, the voice that cares the least about pain in general, is put off by her existence?
What do you think?
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swampyswan · 2 months
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PLEASE WATCH AND REBLOG - DON'T JUST LIKE - THANK YOU
BISAN IS AFRAID THIS MAY BE HER LAST VIDEO. THE OCCUPATION IS PLANNING TO INVADE NASSER HOSPITAL IN KHAN YUNIS, THE LAST FUNCTIONING HOSPITAL IN THE GAZA STRIP.
instagram
SHE WANTS PEOPLE TO SHARE THIS. PLEASE, PLEASE REBLOG.
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swampyswan · 3 months
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So Arizona launched an “education hotline” that allows “concerned parents” to report “””critical race theory””” and other things like ~gender identity~ being taught in the classroom
It would be a shame if the number and email were spread to bad actors looking to prank call the AZ Department of Education
602-771-3500 or empower @ azed .gov 🤡
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swampyswan · 3 months
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I think the Narrator really fucked up when it came to the idea of handling the Long Quiet’s sympathy.
Like, he was REALLY relying so hard on the Long Quiet obeying him without question, even when he’s not being an open resource of info. When comparing him to the Princess, who answers questions to the best of her ability and is otherwise initially candid, he seems the less trustworthy of the two, if only because he’s not good with the LQ doing things out of the box.
If he’d been really clever, he could have played into the idea of sacrifice; rather than dehumanizing the Princess and implying she has no personhood and shouldn’t be respected (he consistently uses her lack of humanity as an inherent reason why she should die, mocks her sanity and her memory, and tries to use even the neutral parts of her existence to justify her death), he should have acknowledged them and still pushed the LQ to do the “right thing” (“I know this is hard, but she shouldn’t have to suffer, so make her death quick and painless” or something like that)
But he hates the Princess so much that he wants the Long Quiet to hate her too. Too bad this is a love story.
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swampyswan · 3 months
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Good Example: Fire Lord Ozai.
Ozai ends the show powerless, imprisoned, and disgraced to his entire nation. He was a cruel man who didn’t care about anything except for strength and power, and those are the two things he lost in the end.
His family? Zuko and Iroh betrayed him, and golden child Azula is so rife with her own problems that even she doesn’t prioritize him anymore. His kingdom and his title? It belongs to Zuko now as the new Fire Lord.
And his bending? The thing he saw as the greater priority, even over his own family? Gone. Aang took it. And, even more pathetic is that losing his bending was so debilitating to this guy that he gave up immediately. I can GUARANTEE that if Zuko, Azula or Iroh lost the ability to bend, they’d still keep going as strong as they usually would. They all have a tenacity and adaptability that Ozai never did.
Some people think Aang went too soft on Ozai by letting him live, but I’d argue death would have been a mercy compared to the shithole his life would become after defeat. If Aang had killed him, he’d have been martyred and praised as the a Firebender so powerful that the Avatar had to kill him to defeat him. Aang taking his powers proves that he’s just some guy, and not even a very impressive one.
i love when characters don't get to die
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swampyswan · 3 months
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I’d say that the biggest factor in a toxic relationship is fear.
Do you fear the other person’s reaction? Not necessarily because you think they’ll harm you, but because you fear their reaction in some way? When you do mundane things, do you constantly question whether what you’re doing will upset them or start an argument? Are you walking on eggshells around them? Are you changing large parts of your life to avoid inciting negative feelings in them? Do you find yourself shrinking to accommodate them and their opinions?
It’s easy to judge a relationship when you are both in a happy state, but how does the other person handle disappointment? Failure? Loss? Do they get angry with you? Do they take it out on you? Do you notice that when they get upset, even if you have nothing to do with it, you tend to feel nervous or apprehensive? Do you anticipate them getting angry or upset?
Because if you notice that there is a pervasive feeling of fear in the negative parts of your relationship, then something is wrong. You should NEVER be afraid of people in your life. Yes, even your parents. And your friends. You shouldn’t have to be afraid of anybody. Either you have some type of anxiety, or the other person’s made it a habit to take out their feelings on you, verbally or otherwise.
this might seem like a out of nowhere question. But I'm going to ask it anyways, how can you recognize when someone is to much of a negative impact on you? The good times feels like they our way the bad, but you hide things about yourself cause they won't like it, you avoid topics cause it makes them upset, you curve the way you talk to appease them. You have stuck with them because you love them, you do all that our of love, but when dos it become not okay
i think the fact you're even questioning that is a sign that you know something is not okay.
there are topics that you can't bring out with everyone, everyone has something that upsets them, that can be part of any relationship with any person. but if there are things about yourself that you're hiding and you feel that imposed silence, then i guess it's your choice to decide if that silence is worth that person or is worth breaking it and see if the other person wants to keep the relationship.
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swampyswan · 3 months
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There’s also something to be said about how much a Voice can override our own decisions and make choices for us. I think that has a hand in how “strong” a voice is, at least mentally. Because the reality of the Construct makes our perception and beliefs the currency of this world, it means that our character’s convictions affect the reality around them.
There’s a hierarchy of how much control over the narrative the Player and Voices have. In chapter 1s, we are almost always at the whim of the Narrator, chapter 2s give us an extra Voice that allows us have more power, and Chapter 3s almost always switch up the formula and force the Narrator to take a backseat. All of the Voices end up breaking the story in some way, but only a few manage to do it by themself.
Ironically, this puts Smitten at the very top in terms of power. The Damsel route is basically him railroading the plot in ways that are basically impossible (slipping the cuffs off of the Princess without having to cut her out and opening the door with his mind despite us not being able to do that before). And when you cross him, he ends up being able to overpower you and make you kill your self with NO room for argument. He’s so powered by his belief in love and romance that he single-handedly locks the story in a romantic route; even the Burning Grey still gives him an ending he’s satisfied with.
This actually puts Broken only second to Smitten in terms of power. He manages to override the Player’s decisions directly and tries to get us to kill ourself. That being said, I’d say that he was weaker than Smitten because, while Smitten was able to just DECIDE we were dead, Broken struggled to carry it through if we fight him on it. If a Player defies chapter 2 Smitten, they’ll die, but a Player can defy Broken and defeat the Tower.
Cheated is in third place, mainly because of his conviction of SPITE: he’s mad he was cheated out of a win and gets so fed up that he also alters the plot, including teleporting the Player directly to the cabin, staving off death, and locking us in a route that forces the others into the story.
look i know voice of the broken is a sad pathetic meow meow /affectionate but what if he's actually the second strongest voice physically?????
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swampyswan · 3 months
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i just had a thought about slay the princess.
so in one route, the narrator takes control of your body, right? just by saying what happens. but in others, like the thorn, you can will away what he tells you in much the same way.
so, what? does the narrator get weaker? do you learn how to overtake him?
i think no.
i think the way the narrator does that isn't actually him controlling you. rather, all he's doing is saying the words.
however, since he's been narrating this whole time, and has more or less presented himself as a powerful, knowledgable being, so you see him as able to take that control.
he's using your power against you.
and honestly, i can't blame him. but by the third chapter, you've seen otherwise. you've seen he isn't omnipotent and omniscient. so you don't give him that power anymore.
and he's not scared of that. i'd wager a guess that he didn't know if it'd work or not, in that original instance! in any of them! he just had to TRY.
i dunno if this is news to anyone else or not, but i just put it together and i'm pretty proud of that. :) thought id share! ^^
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swampyswan · 3 months
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Kitchen Fork
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swampyswan · 3 months
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The Voices of the Broken and the Hunted both call themselves “small” at different points. True sub energy from both of them
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