𝖈𝖗𝖊𝖉𝖘: @demmi_borgir (left) and @vampology (right) on IG
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My Spigot in the Fountain of Youth
Watercolor and gouache on paper
8x11"
2017
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Hazel Scott playing two pianos at the same damn time with ease
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Tone Dispersals in movements No. 1 by Cat Lauigan
50″ x 36″
Dyed in Logwood and anatto seed on cotton
2015
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Rebecca Morris
MANIFESTO
(For Abstractionists and Friends of the Non-Objective)
BE A FORCE
Don’t shoot blanks
Black and Brown: that shit is the future
Triangles are your friend
Don’t pretend you don’t work hard
When in doubt, spray paint it gold
Perverse formalism is your god
You are greased lightening
Bring your camera everywhere
Never stop looking at macramé, ceramics, supergraphics and Suprematism
Make work that is so secret, so fantastic, so dramatically old school/new school that it looks like it was found in a shed, locked up since the 1940s
Wake up early, fear death
Whip out the masterpieces
Be out for blood
You are the master of your own universe
Abstraction never left, motherfuckers
If you can’t stop, don’t stop
Strive for deeper structure
Fight monomania
Campaign against the literal
ABSTRACTION FOREVER!
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Julian Jackson (American, 1953)
Castello series - 2015
@ Markel Fine Arts
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Mika Tajima (American, b.1975)
Negative Entropy series
more here
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double exposure test no. 71 & 52
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Not Knowing
Digital, 2016
From my exhibition Knowing And Not Knowing.
Inspired by the boundary between what can be known and what can only be known intuitively, this series explores the deep instinctual psyche.
There is a feminine connection to the instinctual realm, to moments of insight, to symbols of power. Signs and clues waver on the boundaries between intuition and conscious thought.
“He that knows not,
and knows not that he knows not
is a fool.”
-Arabic proverb
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Carnivorous Flowers
André Bauchant - 1939
Painting - oil on canvas
Height: 65 cm (25.59 in.), Width: 100 cm (39.37 in.)
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Which Way, 1975, Elizabeth Catlett
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