solarpunkmagazine
Solarpunk Magazine
The Official Tumblr of Solarpunk Magazine | Run by co-EIC Bri, @mosshawkarts
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#Design The recently completed “Seoullo 7017” Skygarden, an abandoned overpass turned elevated park modeled after the High Line in NYC, Jung District, Seoul, South Korea [2000×1334]
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Something that I think should be an important part of solarpunk aesthetics is screws.
Look at your smartphone. No screws. You've got to have specialized tools to get inside your phone to repair something. There are certain pieces of tech that are glued in place and glue can't be undone without permanently breaking the bond.
But screws!
You can take apart a broken old radio, repair what's broken, and, if you were careful in taking it apart, you can put it back together and have a fully functioning radio and all you need is a common screwdriver!
It's hard to build screws and other mechanical fasteners because it requires more planning than clamps and glues, but isn't that what solarpunk is all about‽ It's about care and sustainability and and a radio or a computer built carefully with repair in mind is a sustainable computer that stays out of landfills and in use.
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they should invent a kind of going outside that doesn’t cost money
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ECLIPSE CELEBRATION
Digital Illustration by Christina Bencina
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Today’s solar eclipse is endorsed by Solarpunk Magazine! Enjoy three minutes of confused owls and what a loading screen might look like if life were a video game.
How did you celebrate today’s special celestial event? Were you able to witness totality?
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The sidewalks in my neighborhood often feature little wandering moss balls. I have noticed them often and wondered about them. In this part of England, there is a lot of moss always, on everything, everywhere; but that’s sedentary moss, unchanging, holding still - practically characterised by its year-round chilling-out-ness. Moss in the pavement cracks, growing along the buildings and front of garden wall; moss in the gardens and the corners between sidewalk and street. but the tumblemosses are not connected to the continuous belts of stay-at-home moss. They are disconnected, tumbleweeds, pilgrim wanderers: appearing suddenly on the pavement and mooching mysteriously on their own journeys. Like aquarium moss balls but without the currents of the water to justify them. They appear in the middle of the sidewalk in the middle of the town.
The children say they are Moss Children who have broken off from their Moss Family. They often pick them up and carry them around, shouting. Occasionally we have had to take them on train journeys (nobody else seems to have Tumblemoss; it seems to be around our neighborhood.) Sometimes the kids want to make terrariums or things, and so we specifically collect the Tumblemoss, since it’s clearly unrooted and not spoiling anything if we take it home(and I’d feel bad for the kids pulling up actual moss.) but the origins of Tumblemoss, or Moss Children, have always been a bit mysterious. They simply appear, like wild land Marimo, enigmatically. An empty sidewalk in the morning suddenly has a perfect round Moss Child in the afternoon.
Today I learned the secret origin of the Tumblemoss. Would you like to guess it?
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Call for Submissions: OPEN
Current Call: April 1-14*, 2024
*accepting submissions for Colorful Roots issue
https://solarpunkmagazine.moksha.io/publication/1/guidelines
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cruelty is so easy. youre not special for choosing it
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Geology of Natural Disasters and How to write them into your fictional universe.
So, you want to write about a natural disaster to advance your plot and torture your players/characters even more? Let me tell you how, accurately.
I feel like unless it is a volcano, natural disasters are a pretty slept on plot drivers, and some of them are really cool and unique! Today, I will talk to you about land slides, earthquakes (And earthquake related disasters), and volcanoes.
Landslides: Probably one I see the least in stories, but one that would be incredibly interesting to write into a plot where they believe in curses. Landslides can happen along ocean bluffs, slightly hilly areas, and highly mountainous areas, this means it is something that can happen in most landscapes. But what can trigger a landslide? Mostly all you need to trigger a landslide could be just abnormally large amounts of rain, excessive deforestation (with a little bit of rain), or an earthquake. If you don't want to use deforestation or an earthquake as a catalyst, a really cool indicator that the land is slipping and may be prone to a collapse is J hooked trees.
This indicates that there is soil creeping slowly over time, and it may lead to a major landslide.
2. Earthquakes: Probably one of the easiest things to write, earthquakes can happen anywhere, but they are most common in places that are tectonically active areas. There are about three types of environments you can expect earthquakes to be common. The first is just rugged mountains, if your landscape looks like this, you should write in earthquakes. Associated hazards could be landslides, avalanches, and large falling rocks.
The next landscape could be a thin mountain range, next to the ocean, very scenic, but very dangerous. Essentially, I am describing a subduction zone environment.
Earthquakes in these areas could equal a couple different associated disasters. Scenario one: A very large earthquake happens, and the ocean begins to recede. This is a tsunami, enough said. If you are writing a tsunami though, please, please, do not write it as a large wave, thank you. Also, a common way people are hurt by tsunami's are from them going into the ocean because they don't understand a tsunami is going to happen.
Scenario two: A large earthquake happens, your characters are in a valley and suddenly the ground begins to liquify as the ground shakes, once the shaking stops, the ground becomes solid like nothing ever happened, except everything has suddenly sunk into the now hard ground. This is called liquefaction and it typically happens in areas that have loose dirt or lots of saturated soil.
Scenario three: There are a lot of small earthquakes, they do not cause a lot of damage, but you begin to notice that one of the isolated mountains has a plume rising. Earthquakes can indicate lava moving underground and the filling of magma chambers.
The next environment that can host lots of earthquakes would be regions that have a lot of really deep valleys and small mountain ranges (not cone volcanoes), but overall seems pretty flat.
This indicates a transform fault like the San Andreas. If you want to hint at there being earthquakes in the area, you can show fence posts that are suddenly several feet out of line at a dilapidated farm or something similar.
(These earthquakes are different because they are cased from sideways movement, not an up-and-down movement this hint can only be used for this environment). Volcanoes would not be found here, but liquefaction and landslides could still occur here.
4. Volcanoes: If you thought earthquakes had a lot of information, volcanoes do too. First you have to ask yourself, what kind of volcano you want to have, what kind of eruption style? So lets break down the kind of eruptions you can have and what their landscapes look like. Hawaiian Shield volcano: This will produce a smooth fast lava, the landscape typically is pretty flat, but there will be small cones and the rocks can have a ropey or jagged texture and the rocks will be almost exclusively black to dark red.
Stratovolcanoes: These will be solitary mountains, typically, that look like perfect cones (Picture shown in earthquake section). These will have large ash cloud eruptions and pyroclastic flows, they may have some lava, but typically most damage is done from the pyroclastic flows (think Pompeii). Some hints of these, other than describing the cone features (which can be hidden by other mountains), would be to talk about petrified wood! Trees can get fossilized in the ash and I imagine it would be very strange to find this rock that clearly looks to be a piece of wood, but its a rock. Subcategory- Calderas: Used to be a large stratovolcano, but they erupt so explosively that the entire cone collapses and creates a basin.
There are a lot of kinds of volcanoes out there, so forgive me for just putting an infographic and then talking to you about these really rare types of eruptions that I feel like people should know about.
Okay lets talk about blue lava (kind of) and black lava
You will notice the lava is still red in the middle of this image, during the day these would look like a normal eruption, but at night the burning sulfur would make it appear blue. Some cool features other than this, would be that any water in the area would become very acidic and burn the skin due to sulfuric acid. This would again be really cool if you are trying to describe a 'cursed' land.
Black lava: This happens only in the east African rift I believe, but it is a carbonatite lava, but if you are writing in a rift valley (where the continent is tearing apart to form a new ocean) this might be a cool feature. The lava will cool white and will quickly erode, it makes for a very alien landscape!
Anyway as always, this is supposed to be an introductive guide for the basics of writing geology to create cool landscapes/features into dnd or fictional universes, if you are a geologist please understand my oversimplification of tectonics, I didn't want people to run away.
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FundsForGaza is a page of a rotating list of fundraisers for Gazans - individuals and families who are in Gaza right now and facing genocide.
It is explained in more detail in this post from the official instagram account, but to quickly summarise, six verified fundraisers are highlighted at a time, allowing you to provide direct support without being overwhelmed by the amount of fundraisers, worrying about outdated information, or falling for scams.
Sharing this link and, if you are able to, donating even one dollar to one of the fundraisers listed will make a direct difference.
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Okay here's a question that is constantly rattling in my mind. How could the outdoor recreation and environmental education communities be made more inclusive for you?
I'm asking because I now have an opportunity in May or June to possibly speak with a group of local outdoor recreation and education businesses who want to be more inclusive in their business practices and considerations.
So what do yall consider before stepping in a store or going on a hike? What barriers, concerns, or issues do you consider within those spaces. I know I have plenty but I'd love to hear others thoughts.
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So Netflix is releasing this animated movie but here’s the thing - all backgrounds are done in AI. No actual BG artists were hired or credited for this work.
And here’s the kicker - I gave them too much credit. I realized that not even the AI users are credited apparently.
Check this out:
“+Human”. No names, no nothing.
I know it’s tempting, but please don’t hate-watch this thing. Numbers equal profit even if the people watching are just doing it to mock. Don’t give Netflix and other studios even more incentive to fire more animators and replace them with machines trained on their work and skill. Hilariously, the excuse used is ‘there aren’t enough artists’. That’s not true - there are more than enough artists, but the real issue is that no one wants to pay a living wage. Here’s a short video about the reality of animation in Japan.
The biggest winners in this equation at the end of the day are the AI infrastructure owners - owners of Midjourney, Stable Diffusion, etc. Do not feed this machine, it creates more monopolization of entire industries, raises a powerful few and dehumanizes the rest.
EDIT: a lot of people are unsure what the anime’s called - it’s The Dog and the Boy.
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Palestine will be free in our lifetime 🇵🇸🍉🕊️ Don't look away, and let's keep supporting Palestine in any way we can.
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"I’m personally a Holocaust survivor as an infant, I barely survived.
My grandparents were killed in Aushwitz and most of my extended family were killed.
I became a Zionist; this dream of the Jewish people resurrected in their historical homeland and the barbed wire of Aushwitz being replaced by the boundaries of a Jewish state with a powerful army…and then I found out that it wasn’t exactly like that, that in order to make this Jewish dream a reality we had to visit a nightmare on the local population.
There’s no way you could have ever created a Jewish state without oppressing and expelling the local population. Jewish Israeli historians have shown without a doubt that the expulsion of Palestinians was persistent, pervasive, cruel, murderous and with deliberate intent - that’s what’s called the 'Nakba' in Arabic; the 'disaster' or the 'catastrophe'.
There’s a law that you cannot deny the Holocaust, but in Israel you’re not allowed to mention the Nakba, even though it’s at the very basis of the foundation of Israel.
I visited the Occupied Territories (West Bank) during the first intifada. I cried every day for two weeks at what I saw; the brutality of the occupation, the petty harassment, the murderousness of it, the cutting down of Palestinian olive groves, the denial of water rights, the humiliations...and this went on, and now it’s much worse than it was then. It’s the longest ethnic cleansing operation in the 20th and 21st century.
I could land in Tel Aviv tomorrow and demand citizenship but my Palestinian friend in Vancouver, who was born in Jerusalem, can’t even visit! So then you have these miserable people packed into this, horrible…people call it an 'outdoor prison', which is what it is. You don’t have to support Hamas policies to stand up for Palestinian rights, that’s a complete falsity.
You think the worse thing you can say about Hamas, multiply it by a thousand times, and it still will not meet the Israeli repression and killing and dispossession of Palestinians.
And 'anybody who criticises Israel is an anti-Semite' is simply an egregious attempt to intimidate good non-Jews who are willing to stand up for what is true."
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