sneedronningen
Sneedronningen
There's a place /
Somewhere that's between dream and awake /
That's where we'll find each other
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The teenager was asked to write a short scene or draw a short comic using a comedic trope from a list on a handout in their HS American Lit class. They chose to do the comic …
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my tumblr glitched and add this two posts together which was very funny but also very fitting
okay but, what about my sanity?
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Magdalena Jetelova: The Domestication of a Pyramid (2014)
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Pancake’s Guide to Basic Handsewing (with pictures!)
Aka things you could find elsewhere on the internet but here’s my own take. Note that while the running and back stitches are historically accurate, my felling stitch is not done how you would find it taught to a Victorian schoolgirl.
Holding the needle and fabric:
Modern sewing guides often overlook this because it’s sort of intuitive if you’ve been doing this since childhood. For beginners it might not be so obvious. I hold the needle between my thumb and index finger of my dominant hand. For running and backstitch I keep the worked (already sewn) fabric pinched between my index and middle fingers of my dominant hand, and the working (to be sewn) fabric pinched between my thumb and index or index and middle fingers of my non-dominant. I leave only about an inch gap between my hands. This keeps the fabric nice and taut while I work, and helps me keep an even stitch tension as well.
Construction stitches:
Running stitch:
This is the *most* basic stitch. You poke the needle down, you poke the needle up, you pull the needle through. It is a very efficient stitch because you can poke in and out multiple times and pull the thread through all at once, as I have in the above photos. This is the stitch you use for most hand-gathers and for some seams. For seams, use it where there won’t be any strain, like a vertical skirt seam.
Backstitch:
Insert needle, come up as if doing a single running stitch. Insert the needle back towards your dominant hand, and come up past the end of the current stitch. A continuous backstitch will insert the needle in the same hole as the end of the previous stitch. A spaced backstitch will take up more fabric coming up and leave a gap between the current and previous stitch when inserting. The specific size of the gap is dependent on your needs. I typically insert halfway. This is your workhorse stitch for seams that need to be strong.
Finishing stitches:
Finishing stitches are usually for hems and seam allowances. These are also the stitches you might use to take up a skirt hem or shorten a sleeve. To start I usually anchor my thread by taking a tiny stitch through both the folded-up hem or seam allowance and the main fabric. Reinsert through the same spot and tighten. Depending on how slick your thread is, you may want to repeat this a couple times, shifting over a bit each time.
Felling (fold on the outside):
For felling where the fold is the only side that will be visible, take a long, slightly diagonal stitch across the back, barely catching the edge of the fold in the way up. Insert your needle next to the fold close to where you just came up and repeat. This is the fastest and easiest type of felling. This is also what I use for attaching lace.
Felling (fold on the inside):
When the fold will be on the inside and not visible, like a standard double-fold hem, you will want to take a tiny stitch across the “back”, either slightly diagonal or nearly vertical, catching the edge of the fold. You will end up with long stitches along the fold and tiny stitches on the other side. Note that the “back” in this case is actually the right side of the fabric.
Slip stitch:
This is for a finish that you want minimally visible on both sides. It is also the slowest finish. Insert your needle into the fold and exit the edge of the fold, catching a tiny bit of the outer fabric. Pull through. Insert your needle in the same spot or close to the same spot you exited the fold. Repeat. It’s called a slipstitch because you have to slip the needle inside the fold. You will have tiny stitches visible on both sides, which will be basically invisible if you match your thread to your fabric.
Decorative stitches:
Stem stitch:
This is basically the inverse of a backstitch. Like, in the most literal sense. It is worked toward the dominant hand, though you still insert the needle away from the dominant hand. You start by coming up from the wrong (back/under) side of the fabric then inserting the needle towards the dominant hand, about two backstitch lengths away from your start. Then you come up at the halfway point between where you started and where you just inserted the needle. Pull through. Insert the needle one back stitch length away from the end of the previous stitch, and come up in the same or close to the same spot as the end of the previous stitch. Pull through, repeat. This is my usual embroidery stitch for outlining.
(Reverse) Chain stitch:
I almost never use a regular chain stitch because it’s annoying and fiddly as hell. A reverse chain stitch is structurally identical but it worked completely differently. To start, make a single running stitch and come up one stitch-length away. Then slide your needle under the previous stitch and insert the needle into the same hole as the current stitch. Come up one stitch-length away. Continue sliding the needle under the previous stitch. I work it towards the body or away from my dominant hand, but I find working towards the body makes it easier to slide the needle under. It also does not matter from which direction you go under the previous stitch as long as it’s the same for every stitch in each continuous section. Make sure to catch both “legs” of each loop. I sometimes use this for decorative topstitching. It is very inefficient both in terms of time and thread, but it looks really nice when you get it right.
Those are all the basic stitches I use for my hand-sewing!
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Finalmente 💚
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When Everything Everywhere All at Once said “The only thing I do know is that we have to be kind. Please, be kind, especially when we don’t know what’s going on"
When the Good Place said “Why choose to be good every day when there is no guaranteed reward now or in the afterlife… I argue that we choose to be good because of our bonds with other people and our innate desire to treat them with dignity. Simply put, we are not in this alone.”
When Jean-Paul Sartre said ”‘Hell is other people’ is only one side of the coin. The other side, which no one seems to mention, is also ‘Heaven is each other’. Hell is separateness, uncommunicability, self-centeredness, lust for power, for riches, for fame. Heaven on the other hand is very simple, and very hard: caring about your fellow beings.“
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Comic by PetFoolery
Hands up if you'd also adopt that little noodle! ✋
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I love this kind of animation so much 💚
smooch!
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@imogenegomi thank you for the tag!
Ok, this was extremely hard because I listen to a lot of music so I choose five among the ones I currently listen on a daily basis
Stella cadende - Mahmood
Blacklash blues - Nina Simone
Il prigioniero - Michele Venanzoni (TMHH)
Bruane Brenn - Kvelertak
Qué nos va a pasar - Reina Republicana
Everyone who want to please join in
put 5 songs you actually listen to, and then publish. tag 10 of your favourite followers ( was tagged by @cigarbruise !! love u ‘n thank u for the tag <3 <3 ! )
when ur around ( takayoshi )
i melt with you ( daulton hopkins )
tunnels ( saturn 17 )
billie bossa nova ( billie eilish )
forgotten love ( AURORA )
tagging — @nordicbananas, @alexisomnias, @floraldresvi, @camvrin, @ @melitheduck, @kaiserkisser, @tsukishiro-yue2402, @tulipsfaeries, @snobwaffles <3
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shoutout to the people working for hours on content that only gets ten notes. i’m kissing you tenderly on the forehead as we speak
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We always praise Louis' acting as Aidi, which is very much deserved because he lives and breathes that character, I 100% buy every line and every scene because his acting is THAT detailed, but let's talk about Nat too. Because I don't think I've ever had an actor convince me so much that their character is genuinely in love. Nat is really good at it in real life too (be it fanservice or genuine adoration for Louis let's leave that for another day) acting with subtle glances or intense stares. Leaving line delivery out of focus, he is very much a body language actor.
Again, he acts a lot with his eyes and expression, but even down to the smallest movements of his hands. Like the way his fingers caress the hair at Ai Di's nape when they kiss, how he carefully shields Aidis body while manhandling him or the every other subtle glance over Ai Di's whole face while he talks just- 💋👌 I think the perfect example, even though found in all his scenes, is definitely their scene at the bar. You can read all the confusion, all the desperation, all the love- add to that the line delivery of "what about me?" and I'm a GONER.
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"Bloodhounds" - Kim Joo Hwan
“It's all over, Mom. Let's go home now. Alright, Okay. Oh God, I'm so proud of you!"
Bloodhounds 사냥개들 // Episode 8
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