Listened to “Songbird” by Christine McVie as I finished this

.

“And I love you, I love you, I love you Like never before.”

Art for when the artist, and somebody needing company, is tired and worried about getting older; when one is just full of irrational and quite frightening thoughts. The realization that not too far into the future, you shall be organizing your Father’s funeral, your Grandmother’s house will be someone else’s house, you might actually get quite bizarre looking as you get older - some people look better as child and adolescent then they do as a grown person - and horrible entities such as “income tax” and insurance company bastards accusing you of not paying your bills when you have shall be a common occurrence. And how there is nothing sadder than waking up on Christmas day and not being a child anymore

Bloody hell

Let’s just sit back and wonder what this girl would/could look like if I could sketch faces

Deep Blue Sea (2011); directed by Terence Davies

J’ai décidé ce soir que Martin Phipps et Alexandre Desplat étaient mes deux compositeurs préférés; bougre Beethoven, passe à autre chose

Two Lovers (2008); directed by James Grey

Princess Tuvstarr gazing down into dark waters of the Forest Tarn, 1913

Painted by John Bauer

Bien que la nuit ait été faite pour aimer / Et le jour revient trop tôt / Pourtant, nous n’irons plus loin / À la lumière de la lune / À la lumière de la lune

Adrien Brody; "The Brothers Bloom"

“The Guernsey Literary and Potato Peel Pie Society”; film by Mike Newell, and the novel written by Mary Ann Shaffer and Annie Barrows

De la mannequin, actrice et chanteuse fillipino-australienne, Anne Curtis Smith

Un portrait que j’ai fait d’Adrien Brody et Keira Knightley dans le thriller psychologique américain de science-fiction réalisé par John Maybury en 2005. C’était l’un des plus rapides de détails modérés que je pense avoir jamais terminé; seulement deux, ou trois matinées et/ou après-midi. Je ne pense pas que je pourrais supporter de regarder le film, mais il y avait quelque chose de beau au milieu de tout l’état du film, les deux couchés ensemble. Cela m’a frappé assez profondément

My paintings (a study of romance) of Francesco Cuizza and a unknown lady from Malia James film clip for “Don’t Leave” by MO and Snakehips

Michael Caine interviewé dans le Dick Cavett Show, 1972

Matty Healy; “Being Funny in a Foreign Language”

The 1975; “Being Funny in a Foreign Language”

Braslun llac yr oeddwn am frysio a gorffen - post - cyn i mi fynd i'r gwely

A portrait I did earlier of Japanese model Yuka Mannami whilst listening to “Norwegian Wood” by Haruki Mannami (A Chinese-American friend of mine records himself reading the chapters which he then sends to me)

.

Ysbrydoliaeth ymylol fy babi