Every artist who sees this post should do the following:
- Watch the video.
- Follow the instructions
- Reblog
I can’t stress you enough about how important these exercises are for your drawing hand. You don’t wanna get CTS of Tendonitis and similar stuff that will prevent you from making art or even hold a pencil.
Bonus content for the Fluffy Faerie Tales series being written for the 2024 @fluffyfebruary prompt month and posted over on @ladylilithprime 's blog! Day 14: Free Space (Bonus Content: Shower)
"Could you please hand me my pants?"
(Experimenting with my phone stylus and the Sketch app. Betcha you can recognize my reference image.)
I had to take some time to clean up the studio today. It was getting pretty messy in here. Usually does when work is going well. When I'm in the zone, I tend to be a one track pony, and that means things pile up.
Biggest reframe of my artistic life was when somebody pointed out that putting down your own work in front of people who enjoy it is tantamount to insulting those people’s taste. Knocked the self deprecation right out of me
Welcome to the @spnproshipbang art post for @samisadeangirl 's amazing story....
A crossover fusion between Supernatural and Jacqueline Kirby's "Kushiel's Legacy" series. Welcome to Ter d'Ange, where prostitution is quite literally a holy calling, in the service of the Angel Naamah, and she and her cohort, the Angels who have blessed the kingdom, will make use of their chosen champions.
There are twelve holy Houses in Naamah's service, each with a different specialization. Dean's is House Eglantine, and so eglantine blossoms and intricate knotwork are a recurring theme for the art and imagery of the story.
As a member of the House most known for creativity in the arts, Dean's taken some creative liberties when designing his marque, a tattoo denoting his service to Naamah and belonging to House Eglantine
At the masquerade, Dean arrives clad in gold as befits the Sun god Apollo of myth. He is easily able to pick out Prince Samuel from among the masked attendees despite the mask of a Minotaur.
I had a lot of fun doing the art for this amazing story, which you can find here on AO3!
Welcome to the @spnproshipbang art post for @samisadeangirl 's amazing story....
A crossover fusion between Supernatural and Jacqueline Kirby's "Kushiel's Legacy" series. Welcome to Ter d'Ange, where prostitution is quite literally a holy calling, in the service of the Angel Naamah, and she and her cohort, the Angels who have blessed the kingdom, will make use of their chosen champions.
There are twelve holy Houses in Naamah's service, each with a different specialization. Dean's is House Eglantine, and so eglantine blossoms and intricate knotwork are a recurring theme for the art and imagery of the story.
As a member of the House most known for creativity in the arts, Dean's taken some creative liberties when designing his marque, a tattoo denoting his service to Naamah and belonging to House Eglantine
At the masquerade, Dean arrives clad in gold as befits the Sun god Apollo of myth. He is easily able to pick out Prince Samuel from among the masked attendees despite the mask of a Minotaur.
I had a lot of fun doing the art for this amazing story, which you can find here on AO3!
The curse of modern fandom is that it has allowed fans to get even closer to artists, but they won't view the artists as people.
Human limits, human mistakes, human feelings, human needs, are never ascribed to artists, and when other fans rightfully point out, "hey, humans are making this, maybe don't harass them or demand they cater to your personal tastes," it gets shut down under, "uh, people who make popular mainstream things are automatically Public Figures who are also probably rich, so eat the rich and destroy artists over every perceived minor fault. <3"
Even though there's, y'know, a really big strike currently going on because those artists are very much not rich or influential or in control of the bullshit.
Half my life as a comic book creator is explaining that almost all of my training as an artist is pre-internet, pre-Photoshop, and pre-computer.
No, I don't trace all my figure work or backgrounds because almost all creators of my generation had to learn to draw extemporaneously, and it is actually easier and faster for me to just draw off the cuff than it is to dig through a pile of pics to get what I want.
No, this doesn't mean I never use reference and it doesn't mean I haven't ever closely followed reference - or even closely copied a reference photograph.
It means I usually don't have to use reference for things I draw every day, like the human body. But if I had to draw the Taj Mahal, I'd use reference. I mean, I could do a generalization of the Taj Mahal from memory, but I'd need reference to get it right.
No, back in the day artists didn't all use the Camera Obscura, overhead projector, or lightbox. There is the sight size method, the comparative method, and the construction drawing method. I learned all three and have never used a Camera Obscura. I only used overhead projector a few times and hated it. I usually only use a lightbox to transfer sketches to the final art boards.
In classical ateliers, artist candidates are locked in rooms without access to any kind of Camera Obscura-style tools to make sure the artist can draw and paint without reliance on them.
No, this doesn't make me a Luddite and it doesn't mean I don't use computers now, it just means I can draw and paint and write without them, perhaps with a bit more confidence than some who never had to do without.
There are some computer artists who can do without, and some who can't. No judgment.
You do you.
I did without computers because there was no with computers. And that is how I learned.
But I don't appreciate that some out there flat out mislead about drawing methods because, it seems, if they can't do something, clearly other people can't either. Just because an artist used reference on one picture or even a dozen pictures, that doesn't mean every single element of everything they draw was slavishly referenced.
Most comic book creators of my generation did not and do not trace their figure work in Photoshop. Or whatever.
Some do. Most do not.
That's all.
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