—Excerpts from "We Are Ok In Gaza" by Atef Abu Saif, a Palestinian Writer.

i want you all to understand this.

insulin pens are very often used by diabetic children (or their parents, but they were very easy to use during the short time i was prescribed them when i was a child myself). they’re less cumbersome, produce less waste, and are far easier than pulling insulin from a vial with a single use syringe, as syringes are much more susceptible to air bubbles, which result in the diabetic not getting enough medication. i’m explaining this part because i know that some diabetic adults do also use them, and i’m sure that that’s true of diabetic adults in palestine with such scarce resources. when it’s life or death, you can’t really be picky.

the israeli occupation is now banning insulin pens from entering gaza.

lack of insulin results in diabetic ketoacidosis — essentially a very, very dangerous version of the effects of the keto diet. insulin is a key for the sugar from one’s food (both slow and fast acting, since all food has some carbohydrates, from nuts to potatoes to table sugar) to get from their bloodstream into their cells. without insulin, the body resorts to eating through its own fat stores rather than the sugar it cannot access and tries to flush the excess glucose that is in the blood through the urine. this results in weight loss, headaches, nausea, dehydration, blurred vision, abdominal pain, impaired mental faculties, and, if left untreated, will result in a coma, and eventually death within a matter of weeks. not “can.” it will kill you if not treated, and was largely considered a lethal diagnosis until insulin was discovered in the early 1900s and made readily available in 1922.

i’ve been in dka. admittedly, i was very young and have blocked much of it out. but i do remember that it fucking sucked. i couldn’t focus on anything, i was ravenous no matter how much i ate, and the room spinning to the point i felt like i was going to throw up became an increasingly regular occurrence. i was seven years old and wasting away like i was starved. i was dying. a few more days, and i likely would’ve gone into a coma and might not be here now.

to inflict that, willingly and knowingly, on innocent people, is nothing short of a crime against humanity, and violates the geneva conventions (item 2.a.ii. torture or inhumane treatment, including biological experiments and item 2.a.iii. willfully causing great suffering or serious injury to body or health). not that the israeli occupation cares, of course, as south african prosecutors have already extensively detailed their crimes in the icj, and this one in particular has already been committed near-countless times.

this entire occupation is a genocide, and this is only one more nail in that coffin. but, as a diabetic — as a human being who has been in that state and was lucky enough to have the resources to live almost another fifteen years (with the anniversary of my own diagnosis about halfway through next month), i can’t find the words to express my disgust and rage anymore. maybe it’s selfish to be so deeply impacted by this particular blow. i don’t know. but these people have done nothing wrong but be disabled in gaza, and as someone with the same disability, i know that no one deserves this, even if they have committed a crime (which, again, these civilians, largely children, have not). i will not fucking stand for it.

we need a ceasefire. we need an end to the occupation. we need a free palestine. now.

here’s a masterpost of how you can help.

Sure, mine did too. But WE didnt fail as people. We didn’t fail some kind of morality test that put us here, and we’re not less of a person for it. My point is that many people, even subconsciously, think that we’re disabled because we didnt try hard enough, that’s what I’m talking about here.

🎀And we shouldn’t be treated like we are 🎀

This is my most popular post, so I just wanted to add, if you’d like to support my work, this is my Etsy shop:

moving far away to a sunny place.

THE AMAZING DIGITAL CIRCUS - OVA 1995

Something about FNAF 3 and Fazbear Frights taking place in 2023 in our current social media landscape

i have midterms tomorrow and here i am 

im also a little bit extremely angry about the assumption - by my family or doctors or the government or whatever - that my number one priority wrt to my health would be anything other than "feel as good as possible"

it feels almost transgressive to say like "actually, if working isn't going to contribute to my quality of life, I don't care about it" and "The only reason I would want to reduce my amount of medication is if it's impacting my quality of life."

my neurologist said in our first appt like "obviously we want you to be on as few medications as possible" and i did not succeed in mentioning that, actually, i will take 50 pills every day for the rest of my life if it means i get to feel okay most of the time.

like i don't even really care about being healthy. "being as healthy as possible" is not my #1 priority. my #1 priority is feeling good, followed closely by being able to do things i want to do. 'taking fewer pills' and 'exercising' don't even make the list. those are not ends, those are means.

I keep seeing critics talking about the fnaf movie being poor but it literally isn't for them. I saw someone else saying the movie's a love letter to the fandom and i WHOLEHARTEDLY agree.

This is how i took it: We, the fans, are Anton Ego, the critic from Ratatouille; the ratatouille was special to us because it was our childhood. I hate ratatouille (the food), but to Anton Ego it was everything. Critics don't like the fnaf movie because they only have the movie as context, but to fans, the fnaf movie is everything and we love it even though it's a little cringey. In fact we love it BECAUSE it's cringey in some cases.

Like no new viewers would get the chica's magic rainbow part, or the MatPat reference, or the whole ongoing bit about Dream Theory sucking, or understand how hype the whole ending part was.

I was lucky to be in a cinema full of fnaf fans, and we were cheering and laughing, and screaming at the references. People got up when the movie ended and SAT BACK DOWN when the living tombstone came on. We shouted the letters of the code, and screamed when Matpat said his line. People clapped and cheered at the end, and people were crying at the parts where they were treating the animatronics with love and affection.

No critics would understand how much fans want to interact with the animatronics in a positive way, or understand how much importance the five seconds of its me on the mirror means in implications of the lore. They wouldn't understand because they haven't been waiting a good part of a decade to see this movie. They came, they saw, and that's it, it was a second of their life, but to us it was everything. This is our ratatouille, made to impress us, not the other people in the restaurant. This was our movie, a love letter to the fandom, not the critics.

I like the changes to the story, because it puts us back at square one. We're fumbling to rearrange lore and timelines. We have to rearrange names, and start with a blank slate, and it feels like a homecoming where to critics, it might feel a little messy.

We've been given a chance to start the journey all over again and i fucking love it so much. Because i'm an adult, and all of a sudden, i'm twelve years old again and we're trying to figure out if phone guy is chica, and struggling our way through whatever the fuck was happening in fnaf 3 to get the good ending. The critics don't get this.

They don't understand how hype the midnight motorists reference is, nor did they care about the references on the chalkboard. Or the code at the end, or the song choices, or the lore implications. They don't understand the sudden lore drop of william afton, or the way he's acting, but we do. They don't understand the vengeful spirit, but we do. Nothing is explained to the audience, because we don't need it to be explained.

This is our ratatouille, and we love the rats in the kitchen.

tbh this is one of my fav things i've ever made. and its on t-shirts

Witch Bunny by Fernanda Dias

siphonophores will never not freak me out. stop doing that its SCARY but also please don't ever stop doing that you ethereal marine cryptid

Eh what the hell, happy Hyena Monday everyone

The newest member of the DJ crew! A... Furby?

Process of Bloom at Night ✨I did this colored ink painting as an illustration for the month of March in my 2023 Calendar! 

Music composed by Ryan Camus http://www.ryancamus.com/

They're out exploring!!!!