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lovemanythings · 1 year
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Francesco Hayez (Italian, 1791-1882)
Vengeance is Sworn, 1851
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lovemanythings · 1 year
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Odilon Redon (1840 - 1916) 
Le Vitrail
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lovemanythings · 1 year
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satan smiting job with sore boils by william blake
c. 1826; ink and tempura on mahogany
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lovemanythings · 1 year
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Wilhelm List (1864 – 1918) 
Umarmung, um 1905
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lovemanythings · 1 year
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Jacqueline Marval (French, 1866-1932)
Les Bavardes, 1916
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lovemanythings · 1 year
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bain á la grenouillére by claude monet
1869; oil on canvas
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lovemanythings · 1 year
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la grenouillére by pierre-auguste renoir
1869; oil on canvas
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lovemanythings · 2 years
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the burial of atala by reverend ebenezer cobham brewer
1892; lexicography
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lovemanythings · 2 years
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Art by August Hoffmann Von Vestenhof - Jugend, May, 1897
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lovemanythings · 2 years
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albaydé by alexandre cabanel
1848; oil on canvas
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lovemanythings · 2 years
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Τhe Poet’s Dream by Robert Walter Weir, 1830
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lovemanythings · 2 years
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the abduction of psyche by william-adolphe bouguereau
1895; oil on canvas
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lovemanythings · 2 years
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the moorish chief by eduard charlemont
1878; oil on panel
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lovemanythings · 2 years
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four seasons in one head by giuseppe arcimboldo
1590; oil on canvas
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lovemanythings · 2 years
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interior of the pantheon, rome by giovanni paulo panini
c. 1734; oil on canvas
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lovemanythings · 2 years
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the vision to the youth bartholomew by mikhail nesterov
1889-90; oil on canvas
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lovemanythings · 2 years
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ivan the terrible and his son ivan on 16 november 1581 by ilya repin
c. 1883-1885; oil on canvas
this work has been called one of russia’s most famous and controversial paintings; it has been vandalized twice. the prince hit his son with his staff, which resulted in a very serious head wound. having injured his son, the father immediately indulged in deep grief. on the fifth day, his son died.
the work does not represent violence but its resolution. ivan the terrible holds his son as his eyes bulge with horror, despair, and madness while making the futile attempt to cover his son’s wound that he inflicted.
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1883; oil sketch
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1882; pencil sketch
in the earlier sketches, ivan the terrible still clings to his sceptre with more visual bloodstains. the moment in the final painting represents remorse, forgiveness, and love.
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