Is there a set limit to how far away from an angel their halo can get before it stops being "attached to" them? Can an angel feel/tell if something is happening to their halo, and if so is it a more physical or mental thing? Do halos follow an angel in a "path of least resistance" way, or just whichever way the angel went (like if an angel moves under a branch and their halo is at a height to go above it, does it go above or below it)? Can halos get stuck on doorways or other obstacles?
Halo's are non-physical, so you can't grab it nor can it interact with something. they're all rays of light.
sisters got a basically crippling addiction to monster energy and it causes a screaming match every time she runs out and nobody wants to go buy her more
oh this has me curious since a lot of people seem to be (very reasonably!) interpreting that familial curses poll as "family has a medical history." so here's a slightly more specific one, bc i wanna know how common This Experience is:
inspired by boop day, reblog this post if its ok for people to send you random asks and interact on your posts with no judgement. i want to talk to people.
one day at my new job and my feet got blisters cuz my shoes are not designed for long term walking so ive gotta power through it until i get my first paycheck and can buy shoes
Fanfic tiktok is wild... I see so many people saying shit like "I could never read anything below 60k!!", or "What story can you even tell in under 5k words?" or "A oneshot below 10k isn't even a story!" or "I always filter completed fics by 100k< only!"
And I'm like...
A) which fandoms are you reading fics for where you have this kind of offerings on the regular?
B) have you heard of short stories? If you truly think every story NEEDS to be longform to connect with people, I sincerely feel sorry for you.
C) Average novel length is between 50k to 100k. I'm sorry, but CONSISTENTLY demanding fic writers to push out fics of that length is insane. Just think about it: YOU DEMAND AUTHORS TO PUT OUT FICS THAT COMPARE TO COMMERCIAL NOVELS IN LENGTH (AND QUALITY) AS A BASELINE.