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Please please please I know we all love Friends and Chandler was our favourite character and Matthew always put a smile on our faces and that’s all amazing but can we please please please talk about this:
“I've had a lot of ups and downs in my life. I'm still working through it personally, but the best thing about me is that if an alcoholic or drug addict comes up to me and says, 'Will you help me?' I will always say, 'Yes, I know how to do that. I will do that for you, even if I can't always do it for myself! So I do that, whenever I can. In groups, or one on one.
And I created the Perry House in Malibu, a sober-living facility for men. I also wrote my play The End of Longing, which is a personal message to the world, an exaggerated form of me as a drunk. I had something important to say to people like me, and to people who love people like me.
When I die, I know people will talk about Friends, Friends, Friends. And I'm glad of that, happy l've done some solid work as an actor, as well as given people multiple chances to make fun of my struggles on the world wide web...
but when I die, as far as my so-called accomplishments go, it would be nice if Friends were listed far behind the things I did to try to help other people.
I know it won't happen, but it would be nice.”
- Matthew Langford Perry
(August 19, 1969 - October 28, 2023)
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Are you sure this water’s sanitary? It looks questionable to me!
TARZAN (1999)
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Come with me now to see my world, where there’s beauty beyond your dreams. Can you feel the things I feel? Right now, with you. Take my hand. There’s a world I need to know.
TARZAN (1999)
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You came back. I came home.
TARZAN (1999) dir. Chris Buck, Kevin Lima
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Tarzan is one of my favorite Disney movies and the lack of merchandise especially with Disney 100 is criminal.
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“Suddenly there’s sunlight, bright and warm…”
“Suddenly I’m holding the world in my arms…”
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“Suddenly there’s sunlight, bright and warm…”
“Suddenly I’m holding the world in my arms…”
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That’s also one thing I love about Hadestown - you are told from the very beginning that it’s not going to end well. Yet you hope all throughout the play that “it might turn out this time” until the reprise of Road to Hell that no, it’s a tragedy, it was always going to end up like this, it will always end up like this and yet, you will hope everytime you hear the story, knowing how it ends, that it might end well.
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Myth
Ovid is the only acceptable version of the Orpheus and Eurydice myth. End of story (I’m serious though most others are ‘love is stupid he deserved it because love is dumb’). I’m posting it here instead of my main blog because… I get the vibe Anaïs read this version. Something about how lyrical it is, how we get the full song he signs to hades and Persephone and how fucking soul crushing it is? She must have read this one.
ALSO
There is a separate myth “the death of Orpheus” which, is absolutely. My heart cannot take it.
He’s the first to say they found each other in the end 😭
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His arms, her hands.
Both of them are extremely reactionary to touch. Absolutely too touch starved individuals that aren’t great at handling at first. I like how Orpheus allows himself to be  immediately hypnotized staring at his hand and so on— while Eurydice tries to fight however she feels. This isn’t the topic but I wanted to point it out.
Eurydice always holds her hands out the same way. She holds them cupped as if she expects you to drop something into her hand, she waits on the other person to act. Despite always holding her own and bouncing from town to town she is very quick to trust. Trust someone will be there to hold her hand or if she is being gifted something, it will be good.
I also absolutely just noticed the way O’s fingers grace her palm first, a brief touch- caution, making sure it’s what she wants. Hades goes slow with coins but it’s more for show, we know he’d likely force them if she took a second longer. I love this way she always holds her hand because it’s both trusting and foreshadowing.
Not only is it a show of trust but it is also the fact she leads. Orpheus only ever touches her, holds her, grabs her when he knows she wants it, she wants him. She holds out her hand first when she opens up, she pulls him into a hug and was full ready to drag him out of hades in act 2. It’s the “touch starved character to super touchy character”. And I can understand it! The girls had a impossibly hard life, half the time I think she’s checking just to make sure he’s really there with her! She also has the running thing of placing her hands to his chest, and the iconic hold absolutely melting into his arms.
It’s the trust. He has his arms extended/open and she runs into them, she accepts. That’s their thing. What reason doesn’t she have to trust him? The man who comes after her for over a millennium from time loop to retelling?
It’s also interesting considering Hadestown was made with giving Eurydice agency in mind, as in the myth she steps on a snake and dies accidentally. She doesn’t get much stay in the story. In this version I like how every action she makes is so clearly her choice? Good or bad. She’s absolutely an active player and it’s great
Am I a bit over analytical? Maybe? Am I a sucker for touchy characters obsessed with each other? Bet.
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Oh what a cool musical! Hope it doesn't become the only thing I listen to for an extended period of time
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