I was told this post was Ambroys. Lo and behold, I made it so.

boop him.

Man it really sucks when you make a deal with an evil wizard and he turns you into a bunch of adorable pastel pastries, am I right fellas

(Based on this absurdly cute keychain I got)

Hello. My mom suffered a major life-threatening injury last week and has been in the ICU fighting hard and going through surgeries nearly every day since, with more to come and a long road ahead in the best case scenario. While staying with my dad, trying to support him and hoping and praying for mom's recovery, I learned that my twin sister passed away. We aren't - weren't - even 30 years old. The pain is indescribable. Some time from now, I may take refuge in art. That time is not now. Thank you for your patience.

Ambroys and Hyden being rich cads together, chatting about golfing, fine cigars and country clubbing.

A sneak peak at the secret unlockable "saucy playing card" alternate skin for Wishbone's "Cheat" minigame. Alas, they are microscopic in game, so it's harder to appreciate Sam's leg hair. But you know it's there.

(Disclaimer: May not actually be very saucy.)

People are too nice to me and send me so many intriguing and prescient questions and scenarios about my imaginary friends. Some of these I would have a hard time responding to with drawings, so I've gotta just use my words (SO MANY WORDS) instead!

So, for all interested parties, in response to those questions, here come some LORE RAMBLES: THEO EDITION.

Asks and answers under the cut!

Thank you! “Strange but interesting” is what I aim for with him.

I don’t think I’ve talked about Theo’s voice before! To be honest, I often struggle to imagine precisely what my character’s voices are; the qualities of my mental performance for them varies from day to day. Still, I think with Theo I can formulate a description of some kind.

I imagine his voice to be on the higher end for a man, though not exaggeratedly so, along the tenor range. He can deepen his pitch purposefully to sound more imposing or masculine, but his voice tends to rise in pitch further and further when he’s tense, like a violin string on the verge of snapping. He speaks clearly and distinctly, sometimes to the point of almost biting off the ends of words rather than having them sloppily run into each other, and only rarely uses contractions. His voice has a slight nasal quality to it at times. When he’s angry, a bit of a rattling growl can edge the end of his words.

When he was young, he was a terrible stutterer. He made a concerted effort to train himself out of stuttering in his adolescent years, but he will still lapse into r-ruh-ruh-repeating his syllables if anxiousness gets the better of him and makes him forget to swallow those extra sounds.

He is an expressive speaker, far more so than he’d prefer. Like his pitch varies, so too does his volume, and he can swing from speaking so softly as to be almost inaudible to screaming with all the volume his lungs can muster in a moment. His cadence is full of exaggerated pauses for effect mixed with swift traipses through less important words said simply for the music of reciting them to himself; his conversational tone sounds more like a performer going through a soliloquy than casual speech. In large part, that’s because he’s had more pleasant experiences with theater than conversation.

As many have noticed, he has also a vocal tic. He makes nasally sounds and guttural grunts and growls involuntarily, more often when he’s nervous or upset about something. As he gets older and his body is less able to shrug off the effects of his little smoking habit, he wheezes and coughs in the middle of his sentences as well.

For most settings, I imagine him speaking in a highly affected Transatlantic accent, but in Amaranthine (which is what I assume people are asking about and what I’m defaulting to for these answers), his accent might be more typically British posh-y, like Received Pronunciation. Or maybe not, I mean, it’s a funny animal fantasy setting, so he could have any accent I like. :P

If you want auditory examples, I think something mixing the high-pitched, sibilant, nasally breathiness of Peter Lorre with the refined yet expressive voice of Vincent Price would get you pretty close to what I imagine. To break from the classic horror actor category, you can also throw in this animated series’ depiction of Doctor Octopus to add the all-important ingredient of “nerd factor” to his voice, haha.

He’s a bookworm, yes, but that means he likes to learn! In his case, he’s also someone who enjoys mastering (or at least getting competent at) new skills and is extremely likely to learn to do something well just because someone thinks he can’t. He also has the benefit of being kicked out of school and extremely unemployed, so for most of his life he had lots and lots of free time to take on all manner of niche hobbies if he so desired!

His drive to learn a new skill is motivated by a combination of practicality, gentlemanliness, a need to know how to handle his own business to have as little outside interference as possible or simple intellectual curiosity (which itself is often a cover for boyish whimsy about Cool Stuff). To give examples of practical skills he taught himself: most people probably wouldn’t expect him to be a good cook, but he learned to do that because his family lost their household staff, and someone had to figure out how to cook beef – and because he wanted to take better care of his mother after she fell ill. He’s a great seamster because he wanted to make alterations to his clothes to better fit his unusual proportions without suffering the indignity of being prodded and measured by some nosy tailor. Where he lives, engines are extremely uncommon, being used only for agriculture if at all, but if Theo did own his own automobile, he would learn how to fix the thing himself as best as he could because he wouldn’t want some stranger poking around in his precious baby. He does know how to repair basic clockwork mechanisms, though! (Even if he won’t fix his own pocket watch for weird sentimental reasons.) He taught himself to be ambidextrous purely because he worried about losing a hand in a freak accident one day. He never wants to be caught unprepared or feel like he can’t handle something on his own if he needs to.

For skills in the “oh but if I could do this it would be so cool – I MEAN GENTLEMANLY” camp… yeah, actually, he does like to fence. He might not be able to hold his own all that well against a trained opponent, partly just because of his own physical limitations, but he knows the footwork and he certainly enjoys fighting stationary enemies while role-playing in his head as a knight. (He would be exceedingly embarrassed if anyone knew that part.) He can dance – but only as half a pair – and play the piano – or at least the chords his fingers can reach. He makes model ships and is familiar with all their parts even though he’s never seen the ocean. He knows a fair bit about women’s fashion and could probably help a lady pick a flattering dress for a gala… if she didn’t mind dressing about decade out of style. He’s a fine marksman, though that does overlap with “practical skills” when you live in a world with monsters creeping around on the edges of towns. And that’s not even getting into his self-taught anatomy lessons! But maybe we shouldn’t get into that, for the sake of our stomachs.

I could keep rambling, but to summarize, Theo lacks worldly experience, but he is a curious little guy and has all kinds of weird skills rattling around in his skull. You never know what he’s gonna know! Except for anything involving successfully interacting with other people. He’s never going to know how to do that.

Theo is the sort of person who enjoys collecting things, in that he is often captivated by the history and sentimental value of objects that catch his eye, likes to have a little hoard he can lord over like a dragon, doesn’t see value in minimalism and is loath to get rid of anything he owns.

However, he’s a homebody who rarely traveled far from his hometown of Northcrest, a small and remote barony, and his family (and therefore he) did not have the kind of financial situation that allowed for many frivolous expenditures. Therefore, he cannot regularly obtain new items for his collections because he would quickly exhaust everything that caught his eye in his own town, and he would be wary of spending his family’s dwindling funds on something that only served to satisfy his own whims. If he were in different circumstances, able and willing to travel more broadly and possessing the kind of wealth that allowed him to fully indulge his fascinations, I’d imagine he’d have quite the collection of art, weapons, antique books, clothing, and other fineries. As it stands, he only rarely adds a new object to his own collections, and he instead contents his inner dragon by attempting to maintain and catalogue the acquisitions made by past Norths that have accrued in their manor over the generations. Still… a toy store in his town has made quite a profit off him by having new model trains in stock around his birthday and holidays.

I don’t think he’d be terribly enthused with an insect collection, regrettably. At least not a live one. Preserved, exotic kinds might at least hold the intrigue of far-off places, but something more mundane (and wrigglier) would repulse him more than fascinate him.

I’m going to say somewhere along the line between “absolutely not” and “it’s complicated.” Theo obviously gets fulfillment from looking after the people he cares about, and in Amaranthine, he’s been in a caregiver role for so long he takes a certain amount of comfort in it. Even so, if he somehow knew people thought that he “wants” the people he’s close with to fall ill, or have chronic poor health, he’d be horrified. Theo’s not exactly the most hale and hearty fellow himself (and he’s also made his health notably worse through the years via his own actions, good job on that bud), so he knows first-hand how miserable frequent illness is. He wouldn’t want someone to suffer through that. Also, witnessing his mother’s slow decline and death was harrowing for him, and part of why he flings himself into caring for Hyden is that he doesn’t want to see something like that again and is doing all he can to keep Hyden stable. It brings him comfort, but the stress of feeling responsible for someone’s health – and the stress of only being able to manage their symptoms and never fix the problem – takes a toll on him, too, even if he wouldn’t say so.

So, he wouldn’t blame a sickly partner for their condition, and he’d be willing to care for them and want to help them, but I don’t think he’d ever say he “wants” someone he cares about to be sick. Would he nonetheless be more likely to get close to someone sick versus someone well? Well, maybe. Theo has a bit of a dependent streak, not in that he needs someone to dote on him, but that he doesn’t feel like he has any worth in a relationship unless he can provide protection or assistance. But someone could easily satisfy his need to be needed in other ways, too. Like someone being clumsy and needing their clothes mended regularly, or having a deadbeat husband they need murdered, you know, stuff like that.

He doesn’t know much, and never cared to ask much either, like you imagine. He mostly just knows they’re not nobility, they do have some mage ancestry and ability, and beyond that aren’t important (according to Jocosa). Besides, as a history nerd, he has little interest in learning about his father’s side when his mother’s side has biographies, tapestries, records of badges and achievements and personal spellbooks in such great measure that he couldn’t hope to go through them all in his lifetime. Does Leonard’s side of the family have even one tapestry? No? How dull.

For his part, Leonard isn’t close to or fond of most of his family and isn’t very candid about his past life before becoming successful, so he was amenable to not talking much about his childhood or ancestry. He would prefer if Jocosa was similar restrained and didn’t extoll the virtues and history of her bloodline constantly, but alas, no. One of the consequences of marrying into snotty nobility, I suppose.

Oh, you’re on to something there! :)

Now, with someone like Theo, whose brain is a Gordian knot of congealing gray matter basting in a cerebral soup of self-deception, neuroticism, and concentrated hatred, it’s hard to point to one thing as the sole cause for any of his many issues. At the same time, I don’t want to just dump the entirety of Theo’s issues with his family and how they impact him psychologically because I worry that I could write a thousand words about it and still have five thousand more in me, and we all have other things to do with our time than read all that. That said, to briefly (ha) touch on what you’ve mentioned…

Many of Theo’s problems with intimacy, with needing to feel useful, with fearing connections with others, and so on do stem from his troubled family history. At least some of his self-loathing is borne from him, at a glance, looking more like the man he most despises instead of being the same long, slim, elegant creatures that form the roots and branches of his mother’s family tree. Although, the irony in that is that all the “bad” genetics that cause him grief and suffering come from his mother’s side – but he alternately blames the cruel gods and himself for being a freak, not his mother or grandpa or any of his weaselly ancestors for that.

It’s also true to say that Theo’s self-sacrificing and self-effacing acts of kindness towards his mother and to others he cares for are done in part to make up for the fact of his own existence. The fact that his beloved mother had to couple with a disgusting, loathsome, degrading, unfaithful cur of a man (have I mentioned Theo really hates his dad yet?) in order to bear him weighs heavily on his mind and warps his self-concept. As much as Theo knows his mother loves him, he also knows – and despises – that he if he’s his mother’s son, he’s also his father’s spawn.

Jocosa doesn’t talk at length about her problems to Theo, or anyone – she wouldn’t want to make Theo feel responsible for her woes and she isn’t the kind of woman to whine about her life’s tribulations besides – but Theo isn’t so ignorant that he can’t pick up on the tension in other’s conversations, read meaning into words left unsaid, or work backwards from what he is told to deduce the rotten truth behind what little he’s told. He knows that everything involving his conception was hard for her, even if she doesn’t say it, and he feels he needs to do everything in his power to make up for the suffering bringing him into existence put her through. ...And I could go on but I think that’s enough to get the picture for now. Have I mentioned I can write a lot of words about Theo??

I think Hyden would know better than to say something like that – out loud. Hyden does try to push Theo into a personal valet role. But Theo has his limits and Hyden is smart enough to not press them (too much, right away). Being referred to as a kind of servant is one of those limits that really pisses him off and would be a one-way ticket to not getting any more pillow fluffing. Also, for as much as he helps Hyden with daily tasks and provides whatever dotage he feels is required of him as an apprentice, caregiver or host, there are tasks a manservant would be responsible for that Theo categorically refuses to do (even though Hyden wishes he would).

I am greatly amused by the thought of someone trying to get a flower crown on Theo. I can’t imagine it’d ever go much better than people trying to put shirts on their cats. He just really doesn’t like situations wherein Stimulus I Have No Control Over Is Happening To Me.

He does tend to flip from fury to (relative) calm depending on the circumstance and the source of annoyance, so you’re spot-on with the variable reactions he could have to a floral intrusion. I would say he isn’t likely to use “witch” as an insult for the same reason as he wouldn’t use “harpy” or “ice queen” as an insult, which is that any kind of derogatory comment his mother was ever called might as well be a compliment in his books. “Harlot” is completely fair game, though.

Thanks a bunch for the kind words on my weird rat guy. So happy you like him!

(Also “dark fantasy rose type flower” made me laugh. God. He’s such an edgelord. Emphasis on the “lord”, with a title and arms and everything.)

Glad you like seeing him! I guess one of the benefits of me not getting particularly exotic with the colors or markings on my furry designs is that you can find associations to actual animals like this! I hope your pet rat had a better temperament than Theo does, though.

…Which sounds a little stupid considering quite a lot of these answers involved me talking at length about Theo being sad and self-sacrificing and crap like that. I swear to God he’s a nasty little bitchboy most of the time. I need to draw him biting someone on the face or insulting someone for being poor or eating someone’s eyeball or something again to balance the scales here.

Note to self.

You know me I see a cool world idea and I wanna stick my goobers in it! This one based on the Amaranthine world by @chocodile Something inherently funny about sticking a very good lad in a very very terrible corrupt world. More lore underneath if interested! (None of this is canon to the setting. This is me playing in the setting.)

Oswald here is the sole inheritor of a large automaton company, once mild-mannered in simple clockwork and toys now expanding out into mechanical wonders and weaponry. His arm being one such wonder of their own making. Gifted in magical talents it all "went to waste" to power his once missing limb. (Still it jerks unaturally like something mechanical). Rumored to be a child of an affair (being rabbit and a hare mix) Despite all this he's the epidimy of "golden retriever energy". Inherently a goodie two shoes. Many attempts to use his status and his mechanical know-how to try and better the lives of the commoners stuck in the frozen landscapes, most deals not working out in his favor. Basically the Moogle to Hyden's Nu mou hahah

man every time i see your comics i'm like. impressed. there's so much lavish detail but it feels like you crank these things out, how long do they take you on average??

Geez, does it really feel like I crank them out? I feel like it takes me far longer to draw compared to other artists, comics included.

I often work on comics over the course of months, so it's hard for me to gauge exactly how long each takes. When I work on them, I often do so all day because it's hard for me to get into the Zone otherwise. Different pages can also take wildly different lengths of time depending on how complex they are. Sketching each page of Separation took less time than Old Wounds, for instance, because for Separation I was trying to keep things as simple as I could manage (lots of talking heads, few panels per page, minimally complex poses, and backgrounds of the easiest variety - random shrubs - though I did splurge on a couple panels nonetheless...).

Anyway, I'm extremely embarrassed to say how long I take to complete various stages of the comic process, because it seems to be way, way longer than the average. My only explanation is that I'm bad at this and exceedingly inefficient. Still, since you asked, I'd guess the breakdown post-script and thumbnailing goes something like this, per page:

Layout/Dialogue Bubbles - 2-6 hours, depending on how badly I screwed up spacing panels in the thumbnailing stage

Sketching - 12-36 hours, depending on the number and complexity of the panels

Lining - 12-24 hours

Flat Coloring - 6-12 hours

Shading/Lighting/Glowy Bullshit/Color-Fussing - 4-8 hours?

Final Touches - 2-8 hours?

"Thinking about working on it but not working on it" - Countless hours. Shame. Shame.

So, almost 40 hours per page is my most optimistic estimate, almost 100 hours per page when I get, erm, ambitious. You can see what parts of the process I tend to be overly precious about, and where I tend to start to give up and go EH FUCK IT. I greatly admire people who can put beautiful lighting or intricate painting into comics but those people ain't me.

Multiply that estimate per comic page, and those work hours get pretty high. All that to say... boy, if only I could crank these out. Since I lack efficiency, I compensate by no-lifing it and spending all my weekend time drawing, in the hopes that I can exorcise the demons in my brain and finally know peace one day.

Hyden contemplates change, and perhaps his own mortality.

...And also how much he hates having to button his own shirts.

ART RAFFLE

Get a rendered portrait/ bust of your blorbo of choice (Fandom or oc) similar to this header art! One winner will be randomly selected at the end of February and worked on during March. Winner will of course get the full resolution sent privately for personal use. You can also request a friend’s blorbo if you have a special someone to surprise!

How to participate:

Follow me

Like and reblog this post to your main blog (so I can tie your follow with your reblog)

Bonus: If you include in the reblog (text or tag) who your blorbo is, you might get a surprise doodle of them. If no blorbo is mentioned, you’re just running for the main prize mentioned above. That said; if you win, you aren’t tied to this blorbo in case you change your mind at the end of the month.

Apparently, shockingly, there IS such a thing as getting a little too much attention for Ambroys.

@kwillow I felt bad for the pretty bird lady in the latest ambroys comic, so I drew a small doodle of my girl Roselyne helping her feel better.

Theo often ministers to Hyden's various wants and needs, and displays an unusual patience for him, considering Theo's typically prickly (at best) demeanor. However, I feel I should note that his attentiveness isn't borne not out of some urge to subordinate himself, or Hyden's higher noble status, or even entirely from his admiration for the man. Mostly, he's sympathetic towards Hyden's frequent bouts of infirmity and need to be tended to.

Ill health runs - ran - in the North line. Out of necessity, Theo has learned so much about sickness: how it can be treated, how it sometimes can't be treated, how to make it bearable - if only for a moment, and that feeding a cold doesn't do all that much, but a hearty stew certainly doesn't hurt. Caring for an ailing mentor is a familiar, almost comforting ritual to him by his adult years. He welcomes the opportunity Hyden presents to fall back into his old routines. It makes him feel useful. It makes him feel that maybe he can fix it this time.

So, you see, Theo really isn't a butler. He's a nurse. *

* (Theo is neither a butler nor a nurse. Do not allow him access to your wine cellar or your medical records.)

Some more facts and headcanon about the Saint Alexandrites bc life is hard right now.

-Brietta is the most serious of the sisters, being less ladylike and knows how to play the harp.

-Annika is softer and ladylike, holds Brietta on a leash, she sings beautifully.

-Both sisters paint the walls of the mansion, the place needs to be restored from time to time, and they have a gallery of their own in the mansion.

-Oscar didn't approve of the short uniforms they wear, but they wear them anyway...they're not ashamed to show their ankles, their legs, their thighs...oh boy. The scandel.

-Oscar has a lot of patience, many monarchs tried to manipulate him into horrible things in the past, but if growing up with a mad scientist and being a dad taught him anything, it was: Be double suspicious.

-The sisters are always seen together, they talk together, and sometimes they finish each other's sentences, they are scary, and uncanny sometimes. AND to win them over, give them sweets... lots of sweets.

-Oscar's family is known for the large jewelry business and the necklace with a large heart-shaped Alexandrite gem called "Heart of Aurora" wich is the family business name, basically Oscar's business is about jewelry.

-To do business with him, contracts are written in Oscar's blood, using magic, he literally has control over the contract, over the people, if you are unlucky enough to sign a contract with his blood you are trapped in the contract until he says otherwise.

-Oscar's power is literally hypnosis but he doesn't use it, his head hurts.

Oscar: Oh, they don't bite.

Ambroys: YES THEY DO!!!

Ambroys and Oscar being No energy X Too much energy duo and the twins being scary for yhe vibes. @kwillow

As an eligible young noble of no small fame, Ambroys had a number of arranged courtships and suitresses in his youth, but any nascent marriages always fell through.

It's not that he didn't try; he certainly knew how to court a lady (perhaps too well, according to many fathers and husbands), and when he lacked knowledge on the affairs of womens' hearts, he sought counsel from a young woman who was a dear friend of his (perhaps too much counsel, according to his own father). Nonetheless, all he garnered for his efforts was separation after separation.

Ah, well. Maybe it was for the best.

The Visitor - Behind the Scenes

"The Visitor" is my first big story of mine that saw the light of day. In this post, I'll be explaining my thought process behind why and how I made it. In a future post, I'll be explaining my Arhulian species, and my character Niadris in more detail. But for now, I'll be on to explaining my creative process. Firstly, a few months ago I got back into tumblr after finding the blogs of @chocodile and @kwillow. Their characters, their art, their stories. They moved me, they inspired me! Drawing was never my strong point, (I had to enlist @aryeonos to graciously sketch my species reference for me <3) but descriptive writing is something I can do! So through that, it was the avenue I expressed my creation. That said; Ary being my editor and proof reader really helped me achieve a level of polish I don't think I could have accomplished on my own. <3 The Amaranthine characters are so rich and vibrant, I just wanted to write for them. Their personalities just seemed really fun to write for, as well as gave me a clear picture of how each character would behave in a story. A solid baseline for my weirdo badger-pede to contrast with. So I poured over Kwillow's and Chocodile's art pages for information about the characters and the setting. I wanted to respect the lore and setting as best I can; as well as the fact, the more information I had, the easier it would be to write.

Feelin' A Bit Drafty In Here

In a very early pre-draft version of the story (where I was still ideating over it), I thought I would try to tell the story from Niadris' perspective, but Aryeonos felt it would ruin a lot of the mystery and suspense surrounding Niadris, as well as deprive me of character interaction moments for the rest of the cast. So I redid the entire tone and course of the story to focus on the Rising dawn quartet, (sans snoozing bunny) with Niadris being the add - an apt decision since the cast literally considers them an intruder! In the new story format, I thought about Theo being so nerve wracked by Niadris that he would try to poison them, only for it not to work, and for Niadris to then reveal their life-sensing ability to Theo and tell him that they are not mad because always knew where he stood as a veiled threat. The story would have had a more adversarial tone; but then after doing some more lore spelunking, I learned that Theo prefers to handle confrontation openly and honestly as opposed to taking the scoundrel's way out.

So after learning that wasn't a very gentlemanly move, I decided to shift gears and redo the story (again) to what you see today. After that, I looked up the other characters for pertinent lore and information about them. I was already pretty familiar with Hyden, and Theo was the first character I discovered since I'm a diehard rat/skaven fan and always combing the internet for rat characters!

Then came to Alex and Ridge. After having my "cast" in hand, I figured out what to do with them. In the current iteration of the story, I wanted Niadris being self-conscious of their frightening appearance (they've certainly been screamed and shot at enough) and opt to meet the cast in a way that does not end in violence. Hence the Arhulian observing the cast for a long time and then making their carefully planned move. Likewise, first impressions are very important, and Niadris trying to approach the situation in a delicate manner (whether or not it worked) was one of my central goals in depicting them, and Arhulians as a whole. They are far from mindless brutes... Switching back to the the Amaran quartet, they are not my characters obviously - I'm just writing for them - so I tried to make educated guesses on how'd they react based on the information I had at hand. So keep in mind these are my personal head cannons of these characters!

Character Dynamics

Hyden - Due to the way the story was structured, he was not utilized very much. Which, is a shame on one hand, but on the other, it leaves my options open for how he would react in a future story. He could be just as lost as the rest of the cast, then shift to be deeply fascinated by the unnatural being that is Niadris. Treating them like magic buddyTM Ambroys 2.0. (Though he may find it much more difficult sink his roots into Niadris, as they are far sharper, and not blinded by idolism like Theo.) Or, alternatively, Hyden being a time displaced scholar could know something about Arhulians the present day cast does not, and is trouser-browningly terrified. But that is as much as I'll reveal for now. We'll see what way the coin falls. :) Theo - Theopolis North was the most fun to write for. Poor little Rat man pinballed through many different emotions across the story. Firstly, fear. Secondly, he's even more unnerved by the fact Niadris can go toe-to-toe in his smartassery which means it's intelligent. And that's extra dangerous in his eyes. I thought about writing Theo being even meaner and more hostile, but I decided Theo has a few reasons to keep himself reeled in. 1) Theo - though a poorly adjusted meanie - has enough sense to know that trying to stress-test this thing's patience would not go in his favor if the matter escalated. Especially with a thing that could throw him across a room or eat him alive. Unmetaphorically. Best to let a sleeping dragon lie so to speak. 2) I've noted that Theo appears to be a dire misanthrope, so a thought occurred to me that Niadris is just so alien they just end up in a loophole of sorts. And I decided that is a funny dynamic, and I'm going to roll with that. :) 2.5) Theo's aggression seems to be heavily rooted in his own insecurities. Niadris is somewhere between socially illiterate to too logically minded to care. So in a way, from theo's perspective; that's big wall that isn't there for him. 3) As much as it agonizes him to admit, the alternative is telling this thing to sod off, resulting in them just roaming about unaccounted for entirely. At least this way, he can keep an eye on them... 4) Granted, he does not want to admit it outright and 'encourage' them, Theo is personally intrigued by Niadris. Although he hasn't quite put it together it yet; Arhulians are intelligent, sentient, beings that definitively exist outside of "ascension". The implications would be defining to say the least. Theo's name would go down in the books for sure... And lastly, this being gives him a sense of deja vu he tries not to think too closely about. Henceforth, I laid down the roots of what may be the beginning of a very odd "friendship" as hinted at in the closing paragraphs of the story.

Alex - From the lore I got on her, she jumped out to me as the most rational and calm-minded of the group. She's a cool, collected soldier. Her perception is sharp (and unlike Theo, it's not calibrated in entirely the wrong direction via paranoia). Her nature as a sniper means it's natural for her to sit back, absorb information, and think about a decision before making it. Because of this, it felt natural that she'd fall into the role of "team mom" because she's the most level-headed and surprisingly enough, the most socially adjusted of the group. Especially since her competition is: 1) Hyden; a washed up noble that doesn't know what century he's living in - whose social resume is bossing around servants and bullshitting noble asses.

2) Theo; a misanthropic, paranoid, bulgy-eyed weirdo that's a reclusive shut in. 3) Ridge; Likely the best of the three. But if I remember the lore right, it's heavily implied that Ridge was in jail for some time, so I'd wager that has not done his social skills any favors. So with that in mind, Alex is the glue desperately trying to keep (the now) quintet from unraveling.

Ridge - Of the four characters here, Ridge has the least information available that I could find, so a lot of his character is implied from his surface level details, like him being big and brawny, that he had spent time in jail, and is at the very least in a non-hostile relationship with Alex. With all that said, I guesstimate he has the least amount of emotional baggage and personality extremes, so I felt that Ridge would be the best fit for a layman character. Niadris - Beyond what I already mention here, I'd rather keep their inner workings hidden, as they are both a mysterious, and a still developing (both in-universe and in a meta sense) character...

What's Next?

Without giving away too much, the logical path forward to the story is that Niadris is playing it safe as they have never been around multiple people for an extended period of time before. So they take on a passive role to learn and observe the... odd group dynamic the rising dawn quartet have. There will be a great deal of funny character moments and learning experiences for all involved! Over time, Niadris will start to make their own waves as they get accustomed to the group, and begin manifesting their own wants once they feel comfortable exerting their own social pressure. Likewise, everyone is wary of the big, scary Arhulian. But on the other hand, their value as an asset is undeniable! And they would be a pretty definitive tie-breaker should a schism arise... Various parties will likely be setting plans into motion to try and vie for Niadris's loyalty now that this wild card has scuttled their way into the group. With the groundwork of Niadris' and the Arhulians' introduction laid, I have to spend some time thinking about the path forward; as this is the point where things can really diverge, so I must decide what direction the story is going to head in. So alas, I don't really have an ETA in mind for the next chapter of this fan-story.