hotdiggitydollie
Who's Got the Action? Hot Diggity Dollie!
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Heart guard 🫀🗡️ [2022]
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Parenting is hard.
(Especially when your kids are adult and middle aged men who suffer from an existential crisis lol)
🏴☠️ p.6 of my silly OFMD fanarts 🏴☠️
Has this been done yet? I hope not :)
#ofmd#our flag means death#stede bonnet#blackbeard#lucius spriggs#izzy hands#edward teach#israel hands#ofmd fanart#reblog
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Thoughts on Fashion & Style from Harvey's Instagram Live with Samantha Rei
Last night, Harvey Guillén joined fashion designer Samantha Rei for a chat on Instagram Live to talk about life, style, the entertainment industry, and to answer some fan questions! The full video may be available via Harvey or Samantha's IG eventually, as they saved it at the end, but in the meantime I've compiled some of the questions and answers related to Harvey's relationship with fashion and style here!
This text is taken from the video and has been lightly edited for clarity.
Samantha: Dollie says, "as a fan you can really tell Harvey worked deliberately through fashion and photoshoots to establish his style in person, in front of the camera, and on the red carpet. I'd love to hear more about that journey and additionally if you have any tips for achieving confidence in style and fashion."
Harvey: Wow, good question! I feel like that was an avenue that never was presented to me as an option for the first part of my career. You know everyone's like "oh who dressed you?" I dressed myself! I mean I still do, but I didn't really get any kind of help with anything stylish-wise until recently, when I got the opportunity to work with different designers and stylists who introduced me to those designers. That's really what it is: a stylist will get you into an atelier or someone's house, like Christian Siriano or someone like that. But for the most part, for a long time I just kind of dressed myself, and on a budget.
Knowing Harvey was putting these kinds looks together by himself on a budget in 2017 and 2018, I will never again cut any of the Chrises with their MCU money a single centimeter of slack for showing up year after year, to event after event, in bland black or navy suits.
Harvey (continued): Because stylists are worth every penny, but they're expensive! They are expensive because they do a great job, but you also have to be constantly doing that. I think Zendaya was just talking about this in an interview. There's moments where you want a stylist because you want to look your best and you want the best opportunity and possibility, and there's moments where you're like "I'll dress myself, it's just a small event, I'll make it work. I'll make it work with what I have."
But yeah, I really wanted to put myself in a position where...why can't I like fashion? Why can't I do a photoshoot, and why can't I do a cover? I had a publicist, one of my first publicists...I said "I want to be the first to do something, like be on a cover of something like this!" And they straight out loud said "that's not going to happen." And I was like..."oh well, I mean maybe not overnight, but that should be the goal, we should work toward--"
And they were like "yeah, but we want to be realistic...and that's not gonna happen."
Cannot imagine being the person to tell THIS man he's never going to be on the cover of a magazine.
Harvey (continued): I realized, if people on your team are naysayers or they're not seeing the vision, those people aren't on your team. So unfortunately, I had to let them go, because if there's someone on your team who's already being toxic towards your vision, that's not the vision, that's not the vibe, that's not it. And so I'm glad to report that shortly after that we did get a cover! And then I was able to kind of show that off and be like, "it can be done!" You just have to find the right team and the right people who see your vision.
I think for so long it's just been easy to say no to people who don't fit the mold of Hollywood, and I'm not here to fit a mold. I'm here to break it.
Samantha: You're killin' it! You have no idea how many of these questions were just "when is he starting a fashion line?"
Harvey: I want to! I think right now I'm so focused on my main passion, which is acting, and I'm so grateful and blessed to have opportunities that are coming my way and that I am excited for. And now wrapping something that I'm gonna hold so dear to my heart like Shadows for so long, I'm so grateful. And you know, most actors would kill for just the opportunity to be on a show like Shadows and call it a day, and I would be happy if that's the work that I'm known for, because it's such a great show.
But I'm fortunate that I have all of these other things that are coming up. I'm so excited for the opportunities, and I'm excited for the different characters and different roles and different hats I get to put on.
But eventually that would definitely be an avenue that...I mean, it would definitely be on brand! You know? It would be so on brand to open a plus size line, especially because growing up I didn't see as many options for plus size people, period. But if there were, obviously the lean is for female clothing, and it was never for men at all. Like the options for a plus sized guy was like...screen t-shirts and jeans. And that's it!
Or it was always Big and Tall, where if you weren't tall you got stuck with a really short and stout kind of shirt. The measurements were always catered to "if you're big, you gotta be tall," and well, I don't know if that's true, but there was no in between. So that's a market that I would definitely want to look at. But for the time being I'm focusing on the acting part of it.
Samantha: Kelly wants to ask, "do you like any specific colors or patterns? Where are your tastes when you dress high fashion?"
Harvey: I used to be afraid of color a lot because I was always told if you're plus sized or bigger you'll amplify yourself. But I think you shouldn't be afraid of color. Last year, a year ago next month, at the Meta Gala I wore pink! That was all Christian Siriano from head to toe, and there was a wink there and a story behind it--if you know you know--why he and I chose the color pink for the Met Gala and who they were honoring and all of that. So I'm not afraid of color. I try to be very specific about the dimensions and where my leg cuts off or where it elongates my leg.
Harvey's now-iconic outfit from the 2023 Met Gala--whose theme was honoring Karl Lagerfeld--blended foundational style elements of Lagerfeld's most famous designs for Chanel with all the things Lagerfeld loudly hated throughout his life. Lagerfeld was infamous for making shitty comments about plus sized people, people of color, short men, and a host of other things. He also disliked the color pink. So Harvey showing up as himself and looking stunning wearing that glorious pink number was possibly the classiest shade ever thrown.
Harvey (continued): I've just been like the Christian Siriano poster boy this year! Which is a funny story because when I first approached him over a year ago for the Oscars, he was really busy and he said "I really don't make menswear."
And I was like "well I'm not saying I want you to make completely a tuxedo, I want you to do something in the middle." And he was like "well, I kind of did that with Billy Porter" where he put Billy in this really amazing gown. And I was like "well I don't want to do a gown, I want something between that, you know? Like where it doesn't have to be a traditional, boring, just plain old tuxedo, and it doesn't have to be this amazing, beautiful ball gown that Billy had worn."
Because he doesn't really design for men, he designs for women. And he said "this would be the first I would do this." And I said "then that's great! It'll be the first!" And he definitely had never designed for a plus sized man, so we were checking all these boxes off.
So my idea was if someone in 1920 went to an award show but was trying to wear a vintage Victorian or Edwardian outfit to honor a vintage look. So the hair was 1920s. The hair was done by Connie, who was my hair person in What We Do In the Shadows, who helped me originate the original look for Guillermo.
And Romie--who's my best friend since third grade--is my makeup artist, and she did my makeup for the Oscars and makeup for a lot of the events I go to.
And it was just amazing, you know. That outfit...oh my god. Vogue ran it, they got so many likes, it was on every social [media] outlet, and it did so well that last fall, for the first time, [Christian] had a men's line. And I can't help but wonder if it was a coincidence, if it had anything to do with my "how about we try this experiment!"
This beautiful vintage-inspired look for the Oscars was Harvey's first red carpet collaboration with Christian Siriano and landed him on nearly every best dressed list for the event. The metallic brocade tuxedo gown and bell hem trouser were included in Siriano's Fall 2023 line, and are available to order on his website (for a hefty price) as separate pieces in sizes up to a size 30 (58 bust, 60 waist).
Harvey (continued): Christian's been great, and of course he would make amazing pieces for menswear, of course he would!
We collaborated on a lot of things. For the Critic's Choice award we did a really cool cut, which was like a midriff cut with a peek-a-boo of belly. Because you know, I like my body, and I can show it off! And he did it in a way where I was like "woah!" It elongated my leg and it had a peek-a-boo of a little bit of tummy, and it had a neckline that plunges. So it shows your chest, and it's mesh, and then this giant bow on the side that you can take off or put on.
This red carpet look Harvey wore for the Critic's Choice Awards is one of my personal favorites. It feels like plus size people are always being urged to both cover up as much as possible and make ourselves as small as possible. But this outfit stares those demands in the face and says "Why though? Fuck that! Show yourself off and take up space!"
Harvey (continued): It got so many compliments on the carpet! And it's to a T a Christian look, but also very much me, because we collaborated in what that would look like and how I want that on my body, how it looks on my body, because what looks good on me may not look good on someone else. But it's knowing what your best assets are and what you're showing off, and what you want to show off. Because that's what's going to make you feel the most comfortable, when you're showing off something that you love about yourself.
Samantha: That's literally what I tell my clients! You feel the best you've ever looked in your life when everything just fits you perfectly and shows off the best parts of your body that you like the most. It's not about hiding, it's about amplifying.
Harvey: Yeah, exactly.
---
Thank you so much to both Samantha and Harvey for this wonderful conversation on IG Live! It was truly a joy to witness it and get more insight into Harvey's thoughts on fashion and style.
If you're interested in Samantha Rei's designs (including her OFMD-themed makeup pallets!), check out her website here. And you can find WWDITS-themed Harvey-approved merch at his website here!
#fashion#harvey guillén#christian siriano#plus size fashion#menswear#samantha rei#red carpet looks#reblog
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Oh my - love them also much!!
I made them.😂🪡
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I don’t care that it’s been months; I’m still thinking of how to tighten up s2 and make it have literally any narrative impact/emotional growth. So here’s my chopped and screwed s2 rewrite that nobody fucking asked for, PART ONE:
The big, overarching change is that Ned Lowe is the BBEG of s2. We’re saving Zheng and, more pertinently, Prince Ricky for s3 (that’s definitely happening in my world, shhh). This gives weightier narrative stakes to the Kraken era, since the looming problem is predicated on Ed’s actions – much like the Badmintons as BBEGs in s1 were based in Stede’s actions/past.
The season begins the same: the trauma crew are raiding every day, never making port. The Kraken is making everyone’s lives difficult. They break Ned Lowe’s record, but it doesn’t seem to matter (also Lucius is hiding in the walls of the revenge, causing even more stress and probably trying to haunt Ed. Let’s add a little levity.)
Stede and co in the ROP. Stede’s bartending at Jackie’z and hears someone talking about blackbeard… but they’re being very complimentary. Calling him “fascinating,” “a dedicated man” – not the kind of language that Stede’s gotten used to arguing about. Who’s this gent who seems to actually GET Ed? His name is Ned Lowe, and he’s looking for his old pal blackbeard.
Stede and the crew hitch a ride out of the ROP with Ned, since they all have the same goal – finding Blackbeard. Besides, Ned is genteel. He seems to have the same sort of appreciation for finer things that Stede has, and it’s nice to see after spending so much time cleaning up vomit at Jackie’z. Maybe Stede and Ned have a dinner in the captain’s cabin a la Barbarossa and Elizabeth Swann in the first PotC… everything is grand and well laid out, but something is very wrong. Stede tries to ignore this, but his “this guy is bad news” senses from being a gentleman are tingling.
Meanwhile, back on the trauma ship, Jim is trying not to mourn Oluwande. They’re very “everyone I’ve ever loved is dead; why would he be any different?” They’ve thrown themselves into pirating as a way to double down on their hardened I Am Vengeance persona, and this growing thing with Archie as a rebound.
Leg thing/Frenchie is first mate now/crazy storm thing/let’s kill Blackbeard are all the same. Except Lucius is there, probably spending a lot of time hiding with drunk/sick Izzy (there’s some hurt/comfort in both directions, as much as izzy can be lucid for it). He also shows up for that final shot of the crew looking down at Ed while Jim hefts the cannonball. Ed’s not worried about hallucinating anymore; he’s finally about to die!
It’s Ned’s ship (plus Stede et al) that comes across the storm wreck of the Revenge. Our crew still has to escape over to their old ship, not because anyone found Ed’s corpse but because Izzy, in a moment of clarity, is like oh shit, Ned Lowe is super bad news, we have to get the fuck out of here right now. This way we get the beginning of a basis of trust between Izzy and Stede, since Stede listens to the insistence of the Trauma Crew and takes Izzy’s advice on when to get out of a bad situation.
Gravy Basket happens.
Someone (Lucius?) tells Stede that Ed’s body is still onboard. MerStede happens.
Jim is extremely overwhelmed that Olu is alive. The two of them have a very sweet romantic reunion. They confess to Olu about Archie, but insist that she was just a rebound. Archie tries to laugh the whole thing off – it’s fine! This didn’t matter! Shit things are bound to happen to everyone! Jim feels mega guilty and starts to realize that maybe it wasn’t just a rebound – they might actually care for Archie.
The uicorn leg half of “fun and games” is pretty much the same, the big division between the crews being that The Trauma Crew wants to banish or straight up kill Ed, but they’re still very much being chased by Ned Lowe. Stede’s crew insists that getting distance here is more important than adjudicating that mess.
We do all still come together to give Izzy his new leg.
Ed is locked in some kind of makeshift brig, making everyone tetchy and uncomfortable. Except for Stede, of course, who sees this as his chance to explain himself to LITERALLY captive audience Ed. Stede has the “I love everything about you” scene with him there, and explicitly tells Ed that he didn’t go to the dock bc of Chauncey (holy shit, how does he never fucking bring that up in the actual s2). Ed is moved but not convinced to forgive Stede… yet. They do the hand holding thing here, but don’t have the conversation about taking it slow. Instead, offering his hand thru the bars of the brig is the only thing Ed does to show that he’s heard Stede and is considering forgiving him.
The other half of this episode is the crews re-integrating emotionally. Jim/Olu/Archie explicitly discuss their relationship structure. Jim can be with both of them. Lucius and Pete get to have a moment about how Pete thought Lu was dead; Lucius admits that he kind of thought he was too, since all he did was hide and hang out with a guy who was too delirious to even really recognize him.
Somehow we still get Ed in that catboy collar. Nonnegotiable.
Part two incoming…
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8 years ago today!!
Martin Freeman with my boys
I thought it was worth a bit of my time to head up to the Whiskey Tango Foxtrot premiere tonight in NYC. Was hoping for a glimpse of MF, but I brought along John and Sherlock in case of a miracle and guess what?
A miracle happened! Martin came over to greet us and sign for everyone. He graciously posed with mini John and Sherlock. MF was so sweet - while I auditioned for the role of Crazy Doll Lady number 1.
I think he really liked them though and was nearly as pleased to meet them as I was him.
Shoutout to @ericswifetara who sent me a wardrobe full of beautifully sewn and crafted clothes for the boys - the white shirt of which Sherlock is sporting here!
Also so much love to the Hellions for all their love, cheerleading and awesomeness! @heimishtheidealhusband @hopelesslybenaddicted @iamjohnlocked4life @may-shepard @monikakrasnorada @queenmab3 @roseinmyhand
#martin freeman#whiskey tango foxtrot#sherlock plush#dolls#mini john and sherlock#bbc sherlock#john watson
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a quick animation i did for izzy's fanon birthday :-3
also!! my online store for prints, stickers and keychains is now open!! https://lucinfernos.com/ for all the goodies <3 thanks for supporting me!
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i’ve had this post saved to my drafts forever because i knew i must redraw it someday
#wwdits#horse girl nandor#what we do in the shadows#nandor the relentless#guillermo de la cruz#reblog
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The pink glazed donut with ranibow sprimkles and his space bf🍩🌠
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To be a vampire is my dream. But to be your familiar will be my honor. Thank you for this opportunity.
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A little piece I made for The Con O'Neill love project lovingly collected and edited by Ringa Sunn and celebrating the one of a kind actor and human. Wanted to show off the Izzy Hands plush art I've collected and also pay tribute by connecting to one of Con's early roles in Willy Russell's Dancin' Thru the Dark. Lucius is as ever on hand to lend his teaching talents.
Ps. That is the What We Do in the Shadows fancy room. Reused it like how The King's Speech sets doubled as the setting for a gay porn film.
Pss. Nipped the music from DTTD, and I believe that's Mr. Russell's sweet picking on banjo.
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#Happy Superbowl superb owl
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Con supporting the trans community🏳️⚧️🤍
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