I’m starting a new series called “What if Tino was there?” where I show what it would look like if Tino was in every game. I’m starting off with secrets can kill where Tino delegates all the work to Nancy then eats everything on the menu in the meantime. He also told Nancy to ask the students what planet they identified with.
more: theft of the pacal (SSH), nancy’s desk (ASH), the great hall of castle malloy (HAU), magnus’s cabin (SEA), the witching hour (TRT), dear sweet charlotte (GTH), the hot kettle cafe (DDI), ma ‘n pa’s general store (TOT), mel’s room (WAC), luminous infusions (MID), the lilac inn (CLK), ravencrofts emporium (MID), the tower (TRT), the lost queen (TMB), linda’s room (CUR)
I’m starting a new series called “What if Tino was there?” where I show what it would look like if Tino was in every game. I’m starting off with secrets can kill where Tino delegates all the work to Nancy then eats everything on the menu in the meantime. He also told Nancy to ask the students what planet they identified with.
In listening to Music for Mysteries and practicing the main theme of SCK (i.e. the one that plays immediately when you start the game), I realized that the soundtrack is a lot more brilliant than its staticky, mono game version implies. As usual, I’ll make my points in bullet form and expound on them. Also, this meta is about SCK1, not SCK2, since I haven’t played the latter: