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frostfires-blog · 2 months
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I know it's a little late to be doing this now, but I wanted to do something for Valentine's Day, especially since I haven't posted anything this year... But couldn't think of anything you guys would want to see...
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I'm going to leave this open for a week while I finish up my next hanakotoba post. I'll make posts on whichever ideas get the most traction and have them up as soon as can even though it'll likely only be posted after Valentine's Day depending on how fast the voting goes... If the results are very close, I'll consider doing multiple posts.
Other ideas/asks are more than welcome if these are too basic. (P.S. I'll tag you if I use your idea)
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P.S. Me this Valentine's Day:
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frostfires-blog · 5 months
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SNK FINAL ED: ITTERASSHAI
HANAKOTOBA ANALYSIS
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-> White Cherry Blossom
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White cherry blossoms are the first flower featured in the final ending theme song credits. The cherry blossom (Prunus serrulata) is also known as the Japanese cherry and is the unofficial national flower of Japan. Its Japanese name Sakura (桜) has been derived from the word “saku” which means “to bloom”.  Its meanings in hanakotoba are “beauty of spirit”, grace, chastity, excellent beauty, gentleness, good education and the “transience of life”. In Japan, cherry blossoms are also a symbol of the “beauty of impermanence”—a Shinto concept better known as “mono no aware” (物の哀れ) as their falling petals are a reminder that although life is short, it is beautiful and should be savoured. The Japanese concept of “natsukashi” (懐かしい) likewise emphasizes the fleeting nature of cherry blossoms. This concept refers to the happy-yet-wistful nostalgia for times and things that we will never be able to go back to. We will never get to experience those moments again, just like the ephemeral cherry blossoms, which makes them even more significant. Cherry blossoms bloom from March to April which is the start of the new fiscal year in Japan. As a result of this cherry blossoms have also come to symbolise new beginnings and springtime. Given that feudal Japanese soldiers associated cherry blossoms with honour, discipline, and dignity—falling flowers were thought to be symbolic of a Samurai's death. In Western floriography, cherry blossoms herald the changing of the seasons and symbolise renewal and rebirth. They also symbolise the fleeting nature of life, tenderness, forgiveness, strength, beauty, love, confidence, peace, friendship and gratitude. White cherry blossoms, in particular, represent purity, innocence, and simplicity, as well as hope and rebirth. White cherry blossom blossoms convey joy in the celebration of new beginnings. “Utsukushiki Zankoku na Sekai” (AOT ED1) depicts a young Mikasa rushing about looking for Eren in a dark, gloomy landscape before shifting into her older self. “Akuma no Ko” (AOT ED7) depicts a young Eren wandering around on his own in a dark cage until he breaks free into a colourful meadow before morphing into his older self. Meanwhile, the final ending, “Itterasshai”, depicts both a young Mikasa and Eren as well as an adult Mikasa and Eren uniting in a field of flowers beneath a picturesque sunset. Given that white cherry blossoms symbolise new beginnings, hope, and rebirth, their inclusion in this montage enhances its depiction of the pair reuniting in the afterlife—effectively tying the first and seventh ending sequences together. Various concepts embodied by the cherry blossom, particularly the transiency of life, mono no aware (the beauty of impermanence), and natsukashi (nostalgia for times and things we can't return to), are also significant themes in Attack on Titan's final arcs, making the flower's placement here appropriate.
-> Red Rose
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The next set of flower featured in the final ending sequence are red roses. In Japan, red roses are called benibara (紅薔薇). In hanakotoba roses symbolise love and beauty while red roses in particular symbolize affection and passionate love; while rose thorns represent “happiness in misfortune”.  In Western floriography, roses symbolize love, passion, beauty, romance and secrecy. Red roses symbolize enduring passion, desire, affection and romance. In the visuals for “Itterasshai” four red roses are seen growing alongside a white picket fence. A white bird is later seen flying with a single red rose in its beak. Four red roses are said to symbolise that “nothing will ever come between us”. While a single red rose symbolises love at first sight. This suggests that nothing, not even death, is capable of impacting the pair's feelings for each other and that they have been in love since their first meeting as children. While red roses are an international symbol of romance, passion, devotion and long-lasting love, in some cultures they symbolise sacrifice, martyrdom, bravery, and strength.  These qualities embody Eren’s character pretty well.
-> Dandelion
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In the above panel, Mikasa holds two dandelion flowers in her hands. Dandelions (Taraxacum) are known as Tanpopo (たんぽぽ) in Japanese. Its meanings in hanakotoba are sincere love, separation and a prophecy of love. Additionally, in English floriography, dandelions represent faithfulness, hope, healing, light and happiness. They also symbolise joy, youthful thoughts, endurance, prosperity and healing. Given that the dandelion is a symbolic representation of faithfulness, happiness, healing, light, hope and prophecies of love—their use in this ending sequence further reinforces the concept of Mikasa reuniting with Eren in the afterlife.
-> White Daisy
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Daisies (Bellis) are known as hinagiku (デイジー) in Japanese, and they hold the hanakotoba meanings of patience, purity, “secret love”, hope, innocence, beauty, peace, and faith. In English floriography, yellow daisies symbolise joy, and growth as well as a turning point or new beginning. Considering the daisy's symbolic connotations, its usage ending sequence once more accentuates the depiction of the pair finally getting a new start following the events of the series' conclusion. Its meanings of patience, hope, faith and secret love in particular highlight Mikasa going through the rest of her life hoping to be reunited after death.
───●◎●─── P.S. ───●◎●───
-> White Carnation
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The flowers Mikasa places by Eren’s grave are the same flowers we see her holding after her passing. These flowers are known as carnations (Dianthus caryophyllus) and are called Kānēshon (カーネーション) in Japanese. Its meanings in hanakotoba are innocent and deep love.  White carnations in particular hold the meaning “my love is love” and pure love in Japanese culture. In Western floriography, they symbolise love, fascination and distinction. Carnations are the most popular flower used at weddings in China, while in Korea they express admiration, love and gratitude. Carnations are frequently given as gifts in Japan to convey affection for loved ones or to honour those who have passed away. White carnations, in particular, represent purity and are therefore commonly utilised in ceremonies and rituals. The meaning of these flowers makes them an excellent choice for this scene and ties well into Mikasa and Eren’s dynamic. The flower’s meaning “my love is alive” perfectly encapsulates Mikasa’s feelings in the aftermath of the series and is a fitting offering for Eren’s gravestone.
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╰┈➤ Attack on Titan ED7 Hanakotoba Analysis
╰┈➤ Anime Hanakotoba Posts Directory
[I wanted to contribute something towards the fandom considering that aot/snk has finally ended but I knew that doing a full-scale review of the episode would be a bad idea. In short, I want to say a lot of things but at the same time, there's nothing I want to say... When I saw the flowers featured in the final ed I knew I had to cover them. If you guys want me to do a Q&A for the show, I'd be willing to... So, feel free to send me questions to answer...
As a side note, I didn't go into a lot of detail here and stuck to focusing on eremika since I've already done a hanakotoba post for snk/aot--where I went into greater depth on the show's general themes.]
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frostfires-blog · 5 months
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Itterasshai - Ai Higuchi Attack On Titan Final Chapter ED
╰┈➤ Attack on Titan Final ED: Itterasshai Hanakotoba Analysis
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frostfires-blog · 5 months
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Jujutsu Kaisen Hanakotoba Analysis
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-> Black Lily
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The flowers pictured in this scene are black lilies (Lilium) which are known as kuro yuri (黒百合) in Japanese. Its hanakotoba meanings are “love” and “curse”. In Western floriography, they symbolise rebirth, transformation and the appeal of the unknown. In the scene pictured above Tsumiki Fushiguro is seen surrounded by myriads of black lilies which is fitting considering she was cursed and fell into a coma. Cursed love is a significant theme in Jujutsu Kaisen, particularly in the prequel film Jujutsu Kaisen: 0. In the film, Gojo says, "Love is the most twisted curse of all." This perfectly encapsulates the symbolic meaning of the black lily.
-> Black Petunia
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“Made my decision, I won't go back anymore, and I won't regret it. Watch as I change reality. Even if the truth is cruel... Catastrophe will be overwhelmed..." (Vivid Vice, Who-ya Extended)
While the flower pictured in Jujutsu Kaisen’s second opening, Vivid Vice, is often thought to be a black lily; it more closely resembles a black petunia. Petunias are known as pechunia (ペチュニア) in Japanese and hold the hanakotoba meanings of “peace of the heart” and “with you, the heart will be soft”. In Western floriography, petunias mean “your presence soothes me”. Darkness, mourning, and resentment are associated with black petunias. However, black petunias also have the enigmatic connotations of strength, mystery, and uniqueness. In the opening, a black flower, presumably a petunia opens up while a juvenile Emperor Angelfish (Pomacanthus imperator) swims around it. This fish is thought to represent Junpei Yoshino while the flower is thought to represent Yuji Itadori. Additionally, throughout this Jujutsu Kaisen’s opening sequences water has been shown to represent danger and destruction. Thereby making this scene a depiction of how Yuji’s strength has blossomed because of having undergone serious loss and being nurtured by danger and destruction. Both Yuji’s background as well as the origin and full extent of his unique abilities remain shrouded in mystery. This ties in with black petunias symbolizing strength, mystery and uniqueness.  In addition to this Yuji’s kindness, upbeat and easy-going personality bring a sense of reassurance to those that know him well. The other connotations of the petunia, which include "your presence soothes me," "the heart will be soft with you," and "the peace of the heart," are all related to these attributes.
-> Red Spider Lily
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“Memories are fragile I have no use for yesterday So the moon is dark, twisting light Where shall I go tomorrow” (Akari, Soushi Sakiyama) “Indomitable spirit and immeasurably bottomless love and hate The everlasting half-melted life bound to the fallen” (Avant, Eve)
In Japan, red spider lilies (Lycoris radiata) are known as higanbana (彼岸花) which means autumn equinox flower. They represent sad memories, resignation, independence, lost memory, abandonment, passion and those who are never to meet again in Japanese hanakotoba. The red spider lily is also associated with death, goodbyes, rebirth and the far shore (land of the dead). The red spider lily's symbolic meaning of farewells and rebirth is embodied in classic Japanese artworks depicting mythological situations, where they are referred to as the "flowers of heaven.“ In Japan, there is a strong correlation between the Buddhist and Shinto religions and red spider lilies. These striking flowers are thought to represent rebirth and the transience of life. They are also believed to guide the deceased's spirits transition to the afterlife. They are frequently observed blossoming next to cemeteries or other holy locations. They are also thought to have protective properties that shield against negative energy and evil spirits. Red spider lilies are also thought to symbolise the boundary between life and death in Japanese culture. This is because its flowers bloom during autumnal equinox when Japanese Buddhists believe that deceased people's spirits return to the near shore (the world of the living). Some legends claim that when an individual crosses paths with someone they will never see again, red spider lilies blossom alongside their path. These legends are partly responsible for the flower's affinity with final goodbyes, in addition to its association with death and the hereafter. This flower is also regarded as a symbol of both death and rebirth and are described as the flowers that grow in hell in the Lotus Sutra. As a result of this, certain Buddhist traditions in China and Japan believe that these flowers aid spirits in crossing from the afterlife into reincarnation. The flower's sad symbolism for loss and parting is based on an ancient Chinese legend about two elves, Saka and Manju, who were the guardians of leaves and flowers, respectively. They could never meet, however, because the red spider lily never sprouts flowers and leaves at the same time. They both yearned to meet one another, and they violated the gods in order to do so. The gods punished them harshly for this and separated them for eternity. The flower is still associated with loss, both of loved ones and of memories. Despite their frequent association with death and parting, red spider lilies are also admired for their beauty and resilience. They can survive in a range of challenging environments, including rocky and riverside locations, and their vivid red hue helps them stand out against the surrounding scenery. As a result of this, these flowers can also be seen as a symbol of strength and perseverance in the face of adversity. The red spider lily also represents beauty because of its vivid, vibrant red blossoms, which give a sense of elegance. Red spider lilies are pictured in Jujutsu Kaisen’s 3rd ending theme as well as the opening credits for its mobile game, Phantom Parade. In ED3, the flowers could be a harbinger of how various characters in this arc will meet their impending deaths, separating them from everyone else. The final panel of this ending depicts Gojo and Geto walking beneath a bridge. The underbridge in the real-life location on which this scene was based is only a single-path bridge, however here the bridge splits into two opposite directions. This is similar to legends that state that when a person meets paths with someone they will never see again, crimson spider lilies bloom across their path. This alludes to how Gojo and Geto will part ways at the end of the Hidden Inventory Arc and will never walk alongside each other again. In the Phantom Parade OP, myriads of spider lilies are pictured under an ominous sky surrounding Mahito and Pseudo-Geto. The use of these flowers here foreshadows their connection with the far shore, their association with human souls and bodies, and their nefarious schemes involving carnage and death.
-> Cherry Blossom
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“And now, I can only imagine my future taken away by a curse. Running and falling, embracing these wounds that won't disappear... The world awaits for this moment.” (Kaikai Kitan, Eve)
The cherry blossom (Prunus) is known as the Japanese cherry and is the unofficial national flower of Japan. Its Japanese name Sakura (桜) has been derived from the word “saku” which means “to bloom”.  Its hanakotoba meanings are “beauty of spirit”, grace, chastity, excellent beauty, gentleness, good education and the “transience of life”. In Japan, cherry blossoms are also a symbol of the “beauty of impermanence”—a Shinto concept better known as “mono no aware” (物の哀れ) as their falling petals are a reminder that although life is short, it is beautiful and should be savoured. The Japanese concept of “natsukashii” (懐かしい) likewise emphasizes the fleeting nature of cherry blossoms. This concept refers to the happy-yet-wistful nostalgia for times and things that we will never be able to go back to. We will never get to experience those moments again, just like the ephemeral cherry blossoms, which makes them even more significant. Cherry blossoms bloom from March to April which is the start of the new fiscal year in Japan. As a result of this cherry blossoms have also come to symbolise new beginnings and springtime. Given that feudal Japanese soldiers associated cherry blossoms with honour, discipline, and dignity—falling flowers were thought to be symbolic of a Samurai's death. In Western floriography, cherry blossoms herald the changing of the seasons and symbolise renewal and rebirth. They also symbolise the fleeting nature of life, tenderness, forgiveness, strength, beauty, love, confidence, peace, friendship and gratitude. The Cherry Blossom's association with "happy-yet-wistful nostalgia for times and things that we will never be able to go back to" is reminiscent of both Gojo's and Yuji's carefree high school days before the Hidden Inventory Arc and Shibuya Incident respectively. The transiency of life is a central motif in Jujutsu Kaisen, as being a Jujutsu sorcerer means facing the threat of death around every turn. "No matter how many allies you have around you; when you die, you'll be alone". This line said by Gojo reinforces that one's time in life is finite and that nothing can stop death. Even if you have your loved ones with you at the time of death, they will not accompany you on your journey to the hereafter. 
-> Ginkgo
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In Japan, ginkgo trees (Ginkgo biloba) are called ginkyo (銀杏) and symbolise magnificence, longevity, requiem, strength, hope and peace in hanakotoba. In Western floriography, ginkgo trees symbolise solemnity, longevity and requiem. The beauty and symbolism of the ginkgo tree are valued by many European cultures, who associate it with power, resilience, human progress, enlightenment, and memory enhancement. The ginkgo tree also represents renewal as shows off a magnificent colour display each autumn as it sheds its leaves to sprout new ones. In other Asian cultures, ginkgo trees are highly symbolic of longevity, endurance, resiliency, and hope. The ginkgo's symbolic meaning is said to be derived from the tree’s ability to survive under the harshest conditions as well as its long lifespan. When displayed as a single tree, it stands for strength and solitude. Many of Jujutsu Kaisen's characters embody the Ginkgo's symbolic qualities of strength, power, resilience, renewal, and solemnity. Meanwhile, the tree's symbolic meanings of hope and longevity are contradicted by its brutal motifs and numerous tragic deaths.
-> Hydrangea
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“Before my goodwill breaks down, I should have told you everything. In a life where night descends and dissolves, The murky feelings flicker in the dim light.” (Akari, Soushi Sakiyama)
Hydrangeas (Hydrangea macrophylla) are known as Ajisai (紫陽花) in Japan. Its meanings in traditional hanakotoba are pride, patience, coldness, heartlessness and temperament. Conversely, the flower is also connected with empathy and apology. In Japanese culture, the blossom has both positive and negative connotations, representing both deep or heartfelt emotion in addition to a fickle or changeable heart. In Western floriography, hydrangeas have both negative meanings—such as heartlessness, boastfulness, and coldness—as well as positive meanings—such as sincerity, honesty, gratitude, heartfelt emotions and deep understanding. The hydrangea's symbolic meanings of pride, patience, coldness, heartlessness, temperament, and a fickle or changeable heart correspond to Gojo's character during the Hidden Inventory Arc and Geto's character post-Hidden Inventory Arc. The flower's connotation of deep or heartfelt compassion and empathy corresponds to Geto's character during the Hidden Inventory Arc and Gojo's character after the Hidden Inventory Arc. Hydrangeas are also associated with gratitude, sincere emotions and deep understanding, all of which characterise Gojo and Geto's friendship.
-> Osmanthus
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Sweet osmanthus (Osmanthus fragrans ) is also known as orange osmanthus, sweet olive, tea olive and fragrant olive. It is known as Kinmokusei (金木犀) in Japan and symbolizes a “humble and noble person” as well as “first love” in hanakotoba. Contrary to its sweet and wonderful fragrance, this plant only produces small, modest flowers, from which it is supposed to draw its symbolism of humility. The reason osmanthus symbolises nobility is supposed to have originated from the way that rain gracefully scatters the flowers without diminishing their fragrance. Osmanthus also symbolizes love, passion and sensuality in Japanese culture. In Western floriography, osmanthus flowers symbolize love, faithfulness, prosperity, happiness, fortune and protection. Orange osmanthus flowers in particular symbolize joy, optimism and serenity. Osmanthus flowers also symbolize honesty, spiritual enlightenment, elegance and beauty. The Osmanthus flower’s meanings of joy, serenity, optimism, happiness, faithfulness and good fortune encapsulate the carefreeness of Gojo and Riko’s school days before the Hidden Inventory Arc. Its symbolic meanings of faithfulness, happiness, purity, beauty and optimism resonate with Riko’s character. While its symbolic meanings of spiritual enlightenment, honesty, elegance, protection, nobility and good fortune resonate with Gojo’s character.
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╰┈➤ Anime Hanakotoba Posts Directory
╰┈➤ JJK OP4 Traditional Symbolism
[I didn't go into much depth here since I wanted to keep things brief—because I know my other posts have been somewhat wordy lately... Please feel free to leave your thoughts and suggestions in the comments section. Also, I added new information that I missed to my "JJK OP4 Traditional Symbolism" post, so check that out if interested.]
If you liked this post, you should check out my other hanakotoba posts… I've created a convenient directory so you can locate them all without having to browse through my entire blog.]
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frostfires-blog · 5 months
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Tiān Guān Cì Fú Hanakotoba Analysis Part 2
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-> 4) Lotus/Water Lily
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Despite having a few distinguishing characteristics, lotuses (Nelumbo nucifera) and water lilies (Nymphaea) are frequently mistaken for one another. As a result of this, their symbolic meanings frequently overlap to the point where they have the same connotations across certain cultures. Thus, for the duration of this post, I shall use both names interchangeably. In China, lotuses are known as lián huā (蓮花) or hé huā (荷花) while water lilies are known as shuìlián (睡莲) and héhuā (荷花). They are renowned as the gentleman's flower since they grow upwards pure and unstained from the mud. As a result of how it grows, this flower is associated with endurance, elegance, resilience, triumph over adversity and ultimate purity of mind and heart in China. The lotus is considered a sacred flower, embodying the essence of divine beauty and grace. It is also a symbol of moral integrity, emphasising the importance of maintaining inner purity and virtuous behaviour in the face of worldly temptations. In China, part of the lotus flower’s Chinese name “l蓮” (lián) is homophonous with the words “聯” (lián) meaning “to bind/connect as in marriage”; “戀” (liàn) meaning to love; and “廉” (lián) meaning modesty. This has resulted in the lotus flower symbolizing love, marriage and unions in Chinese culture. The lotus is thus a common motif in poetry, from the Tang and Song dynasties to contemporary works, and it is used to express love, convey feelings, and reflect on the state of humanity. A single stalk bearing two lotus flowers symbolises the yearning for harmony and a shared heart. This was derived from the fact that the “荷” (hé) in the lotus flower’s other Chinese name also means “union” and is homophonous with the word “和” (hé) meaning uninterrupted or one after another. In addition to this, a lotus bloom complete with a leaf and bud represents a complete union. Water lilies are often used in bridal bouquets because they are considered a lucky charm and symbol of 100 years of love in China. The word “l蓮” (lián) also sounds similar to “連續” (liánxù) which means continuous. This conveys the idea of constant growth and spiritual progress thus making the lotus a symbol of the continuous pursuit of knowledge, wisdom, and enlightenment. Lotus flowers symbolize purity, wisdom, peace, perfection, humility, enlightenment and rebirth in various Asian cultures because of their strong connection to Buddhism. The lotus is commonly used as a metaphor for the path to enlightenment in Buddhist literature. In the same way, as lotuses arise from the murky depths of ponds and lakes, pure and uncontaminated by the pollutants of their surroundings, so too are humans capable of rising above the obstacles and temptations of the outside world to achieve enlightenment and spiritual purity. The lotus is compared to the pure soul in South Asian Ismaili literature. There is a poem that highlights the beauty of the lotus, noting how its delicate white petals remain pure and attractive despite their murky surroundings. Similarly, a pure soul is both part of and not of this world, much like the lotus's surroundings. The lotus has deep symbolic meaning in Taoism, such as representing peace, balance, and the interaction of the natural and human worlds. It is a strong metaphor for the "interconnectedness of all things and the inherent harmony within the universe". The serene beauty of the lotus flower and its adaptability to many environments are representative of the Taoist concept of living in harmony with the natural order of things, flowing with life's rhythms, and maintaining balance in the face of change. In Taoist philosophy, the lotus is also connected to transcendence and immortality. Its enduring cycle of life, death, and rebirth is symbolised by its capacity to regenerate and blossom year after year in spite of the changing seasons. The lotus is a representation of transcendence and spiritual development that guides individuals towards a state of inner immortality and connection with the divine.
In Japan, lotuses are called ren (蓮) or hasu (はす) while water lilies are called suiren (睡蓮). In hanakotoba, lotuses symbolise eloquence, detached love, sacredness and a pure heart. They are also associated with rebirth, purity, transformation, renewal, spiritual enlightenment and resurrection as well as beauty, grace and perfection. In hanakotoba, water lilies symbolise a pure heart, faith and trust. In Western floriography, water lilies symbolize purity of the heart, virtue, innocence, achieving great things, beauty rising from humble beginnings and bringing together separate things. Pink waterlilies in particular are often associated with feelings of admiration. Since its scientific name was derived from the Greek nymph, water lilies while a symbol of beauty also has a dangerous side in addition to being a symbol of unity and balance. Lotuses can also symbolize estranged love as well as eloquence in floriography.
Despite a certain someone’s trials and attempts to corrupt Xie Lian in order to mould him into a perfect successor, the latter remained firm in his beliefs—"I just won’t change! Even if it’s painful I won’t change, Eve if I die, I won’t change, I will never change!” (MXTX, p. 1937). This ties in with the lotus flower’s symbolism of “rising above obstacles and temptations of the world to reach enlightenment and spiritual purity”, “triumph over adversity” and “maintaining balance in face of change” as well as “ultimate purity of mind and heart”. The lotus flower’s symbolic meanings of humility, virtue, resilience and constant growth complement Xie Lian’s character after his third ascension while its meanings of perfection, divine beauty, grace, and purity complement his character before and during his first ascension.  The lotus flower’s symbolic meanings of perfection, virtue, divine beauty, grace, and purity complement his character before and during his first ascension while its meanings of humility, wisdom, resilience and constant growth complement Xie Lian’s character after his third ascension. The lotus is a highly revered flower in both Taoism and Buddhism, and both have served as inspiration for the basis of Tiān Guān Cì Fú’s complex setting and lore. The lotus flower’s symbol meanings of “transcendence and immortality”, “divine beauty and grace”, “unity and balance”, “the cycle of life, death and rebirth” as well as “rising above obstacles and temptations of the world to reach enlightenment and spiritual purity” are all recurring motifs in Tiān Guān Cì Fú. Additionally, the lotus’ symbolism of longstanding love and feelings of admiration tie into Hua Cheng and Xie Lian’s relationship. A single stem bearing two lotus flowers denotes a desire for harmony and a shared heart. To share someone’s heart is to completely understand, accept and support them. Xie Lian professes his desire to understand Hua Cheng—"I want to understand your everything" (MXTX, p. 943)—while Hua Cheng states at the end of the book, "I understand your everything. Your courage, your despair, your kindness, your pain, your resentment, your hate, your intelligence, your foolishness” (MXTX, p. 1953). Xie Lian is completely enamoured by Hua Cheng and wants to be someone he can confide in and rely on. While Hua Cheng not only adores Xie Lian but fully understands him and accepts every part of him. As a heavenly official and a supreme ghost king respectively, Xie Lian and Hua Cheng's union brings together the heavenly and ghost realms—which embodies the lotus' symbolism of unity, balance and bringing together separate things. Throughout various cultures, the water lilies and lotuses repeatedly symbolize gracefully overcoming adversity as well as embodying the essence of divine beauty and grace; because they grow pure and unstained by the mud in which they grow. This sentiment is reminiscent of one of the most famous quotes in Tiān Guān Cì Fú which was said by both Xie Lian and Hua Cheng—“The one standing in infinite glory is you; the one fallen from grace is also you. What matters is ‘you’ and not the state of you” (MXTX, p. 943 & 1438 & 1930).
-> 5) Autumn Ginkgo & Maple Trees
In the scene wherein Xie Lian meets “San Lang” for the first time, there are Ginkgo (Ginkgo biloba) and Maple trees (Acer) present in the background. Their vibrantly coloured leaves cascade onto the pair as they converse, creating a picturesquely autumnal setting. A ginkgo tree is also present in the scene where Xie Lian speaks to other heavenly officials via the communication array while maple trees are featured in many pieces of official artwork for the donghua.
5.1) Ginkgo
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Ginkgo trees are known as yínxìng (銀杏 ) in China and are the country’s national tree. In Chinese culture, ginkgo trees are highly symbolic of longevity, endurance, resiliency, and hope. The ginkgo's symbolic meaning is said to be derived from the tree’s ability to survive under the harshest conditions as well as its long lifespan. When displayed as a single tree, it stands for strength and solitude. In Japan, ginkgo trees are called ginkyo (銀杏) and symbolise magnificence, longevity, requiem, strength, hope and peace in hanakotoba. In Western floriography, ginkgo trees symbolise solemnity, longevity and requiem. The beauty and symbolism of the ginkgo tree are valued by many European cultures, who associate it with power, resilience, human progress, enlightenment, and memory enhancement. The ginkgo tree also represents renewal as shows off a magnificent colour display each autumn as it sheds its leaves to sprout new ones. Even if he denies it—"Don’t think someone overly perfect... If it’s just watching a shadow from afar and never having to interact, then whatever. But once acquainted and grown close, you will find that this person was not what you had imagined; maybe the complete opposite. When that happens, you will be completely disappointed” (MXTX, p. 445)—Xie Lian embodies the qualities of hope, peace, strength, and resiliency. Hua Cheng, on the other hand, sees Xie Lian as the embodiment of hope—"You never know. I don't care if anyone else is disappointed. But to some, the very existence of a certain person in this world is in itself, hope” (MXTX, p. 445). Which encapsulates the symbolic meanings of the Ginkgo tree: strength, hope, resilience, peace, and perseverance.
5.2) Maple
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“Looking up they were traversing through a maple grove, a sea of flaming red in a field of green. The rustic charm of the mountainous countryside, with fresh grass that refreshed the mind, was extremely intoxicating. But, Xie Lian could not help but give a slight start. A long time ago, in his youth, when he cultivated at the Royal Holy Pavilion, the entire mountain of maple was like this: shimmering like gold, intense like fire. The unforgettable sight before him now inevitably took him on a trip down memory lane” (MXTX, p. 117). Maple trees are known as fēngshù (楓樹) in China and primarily represent the passage of time and seasonal change. Furthermore, maple trees have traditionally been associated with abundance and positive energy in Chinese Feng Shui. These trees are thought to denote growth and prosperity. This is partly because red is considered an auspicious colour in China and is thought to bring good luck and happiness. Maple leaves and bark are also frequently used as materials in Taoist spells for drawing out courage, wealth and luck as well as for healing and attracting love. The maple tree is also a symbol of enduring love since it is frequently associated with loyalty and durability. Hence, maple leaves are connected to marriage and love in China. In Japan, maple trees are known as kaede (楓) and symbolize precious memories, restraint and beautiful change in hanakotoba. In addition to this, they also symbolize endurance, strength, resilience, transformation and change. The reason why maple trees are associated with change and transformation is because their leaves change colour with the seasons, morphing from green to yellow, orange, and red. This vibrant range of colors also represents the passing of the seasons, the changing nature of life as well as the beauty and fragility of life. In Japanese culture, the maple tree's five-lobed leaf is a representation of wealth and good fortune. Throughout various Asian cultures, maple trees are associated with persistence and stability, expression and passion, power and regality, endurance and strength as well as determination and resilience. In Western floriography, maple trees are associated with peace, serenity, reservedness, unity, humility, strength, endurance, balance, wisdom, and promise as well as seasonal change and new beginnings. The maple tree has also been utilised as a symbol of passion and desire in literature and art. Its vivid, crimson autumnal leaves represent the intensity of love, while its sturdy roots represent the deep bond between two individuals. While the tree's ability to endure adverse weather represents the tenacity and endurance required in romantic partnerships. Maple trees have been used as an enduring symbol of the transformational power of love in several literary and artistic works. Although roses and doves are more commonly linked with love, maple trees perfectly encapsulate the intense emotion and raw intensity of love.  Red maple trees are one of Tiān Guān Cì Fú’s signature motifs because of their use during the scene where Xie Lian meets San Lang—“The cart was driving through the forest of flaming red maples, where maple leaves danced their way to the ground. A leaf playfully landed on the shoulder of the youth, and he blew it off softly, then looked up at Xie Lian, speaking with a shadow of a smile” (MXTX, p. 119).  As a result, the use of maple trees in this scene greatly contributes to the romantic atmosphere. Hua Cheng's tremendous devotion to Xie Lian is foreshadowed by the maple tree's connotation of passionate, enduring love and devotion. Considering red is Hua Cheng's signature colour, having Xie Lian surrounded by a veritable sea of red sets the intimate cosy ambience needed for this scene.
-> 6) Red Spider Lily
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The red spider lily (Lycoris radiata) is known as mànzhūshāhuá (曼珠沙華) or the bǐ'ànhuā (彼岸花) in China and is a symbol of autumn. The flower is also regarded as a symbol of both death and rebirth. Red spider lilies are described as flowers that grow in hell in the Lotus Sutra. As a result of this, certain Buddhist traditions in China and Japan believe that these flowers aid spirits in crossing from the afterlife into reincarnation. The red spider lily also represents beauty because of its vivid, vibrant red blossoms, which give a sense of elegance. In Chinese culture, the red spider lily has a long history and is commonly associated with death and funerals. It is considered bad luck in some parts of China to keep this plant in your home since it is thought to attract ghosts. The flower's sad symbolism for loss and parting is based on an ancient Chinese legend about two elves, Saka and Manju, who were the guardians of leaves and flowers, respectively. They could never meet, however, because the red spider lily never sprouts flowers and leaves at the same time. They both yearned to meet one another, and they violated the gods in order to do so. The gods punished them harshly for this and separated them for eternity. The flower is still associated with loss, both of loved ones and of memories. In Japan, these flowers are known as higanbana (彼岸花) which means autumn equinox flower. They represent sad memories, resignation, independence, lost memory, abandonment, passion and those who are never to meet again in Japanese hanakotoba. The red spider lily is also associated with death, goodbyes, rebirth and the far shore (land of the dead). The red spider lily's symbolic meaning of farewells and rebirth is embodied in classic Japanese artworks depicting mythological situations, where they are referred to as the "flowers of heaven.“ In Japan, there is a strong correlation between the Buddhist and Shinto religions and red spider lilies. These striking flowers are thought to represent rebirth and the transience of life. They are also believed to guide the deceased's spirits transition to the afterlife. They are frequently observed blossoming next to cemeteries or other holy locations. They are also thought to have protective properties that shield against negative energy and evil spirits. Red spider lilies are also thought to symbolise the boundary between life and death in Japanese culture. This is because its flowers bloom during autumnal equinox when Japanese Buddhists believe that deceased people's spirits return to the near shore (the world of the living). Some legends claim that when an individual crosses paths with someone they will never see again, red spider lilies blossom alongside their path. These legends are partly responsible for the flower's affinity with final goodbyes, in addition to its association with death and the hereafter. Despite their frequent association with death and parting, red spider lilies are also admired for their beauty and resilience. They can survive in a range of challenging environments, including rocky and riverside locations, and their vivid red hue helps them stand out against the surrounding scenery. As a result of this, these flowers can also be seen as a symbol of strength and perseverance in the face of adversity.
Red Spider Lilies greatly complement Hua Cheng as only only are they his signature colour but are also associated with death, rebirth, longing, parting, loss and passion which are all traits associated with him. Hua Cheng has effectively died three times and has come back three times which ties into the flower’s association with the transience of life, death and rebirth. Red spider lilies are also seen as a symbol of passion, strength and perseverance in the face of adversity which fits Hua Cheng’s character. In some official artwork such as the one shown above, red spider lilies are associated with Ghost City. This is fitting considering the red spider lilies symbolise the boundary between life and death whereas Ghost City is said to be “the most prosperous place within the ghost realm, situated right at the crossroads of the mortal and ghost realms” (MXTX, p. 287). 
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╰┈➤ Part 1 ✿
╰┈➤ Anime Hanakotoba Posts Directory
[Forgive me if I missed anything; I attempted to include everything featured in the donghua, novel and official artwork. There was a lot I wanted to say, but I could not articulate it all as eloquently as I wanted to… I wanted to go all out for this while also keeping it as brief as possible… So, forgive me if this is just tons of gibberish. I always find that I can say and write a lot about the things I like but always find myself inadequate when speaking and writing about the things I truly love. Hopefully, I did this masterpiece justice.
If you liked this post, check out my other hanakotoba analysis posts... Also, if I've gotten any of the kanji, romaji, hanzi or pinyin incorrect, feel free to correct me]
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frostfires-blog · 5 months
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Tiān Guān Cì Fú Hanakotoba Analysis Part 1
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-> 1) Peach Blossom/Plum Blossom/Cherry Blossom
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While the flowering trees featured in the donghua as well as in its opening credits, official artwork and ending credits could be plum blossoms (Prunus mume) or cherry blossoms (Prunus serrulata), they are most likely to be peach blossoms (Prunus persica). Despite the fact that they can be difficult to differentiate between at times, especially when referencing a drawing, these three blossoms do have a few distinguishing features, which are as follows. Peach blossoms have pointed petals, plum blossoms have rounded petals, and cherry blossoms have a notch at the tip of their petals. Peach blossoms produce two flowers from a single node, whilst plum blossoms produce one flower per node and cherry blossoms produce several flowers per node. Finally, while plum and cherry blossoms develop leaves after their blossoms fall, while peach blossoms seem to produce leaves concurrently with flowering. Despite these distinctions, these flowers are frequently confused with one another, resulting in a significant overlap in their symbolic meanings throughout different cultures; thus, my decision to feature them all here.
1.1) Peach Blossom
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Peach blossoms are known as táohuā (桃花) in Chinese. They symbolise immortality, vitality, longevity, peace, good luck, success and prosperity in Chinese culture. Furthermore, peach tree wood was believed to protect humans from evil spirits, therefore branches were hung above doorways to drive demons away, and peach wood wands were used in exorcisms. Furthermore, its Chinese name “táohuā” has the figurative meaning of “luck in love affairs; luck in love”. Peaches are also known as senki or senka in China (meaning tree or fruit that gives power to the gods), and it has been believed since ancient times that peaches have the divine power to grant people perpetual ageing and longevity.  Peach blossoms are known as momo (桃) in Japanese. Its meanings in hanakotoba are “I am your captivator”, “invincible under heaven” and good-natured. Its symbolic meaning of "invincible under heaven" stems from the fact that peach has traditionally been used to fend off evil spirits and as a spiritual medicine for immortality. In Western floriography, peach blossoms symbolize longevity, gentleness, honour, peace, happiness and generosity. The peach blossom also has the meanings "I am your captive" and "your charms are unrivalled qualities." The peach blossom has been used as a symbol of renewal and growth in Western literature.Xie Lian’s infamous quote “Body in the abyss, heart in paradise” (MXTX, p. 6) is translated from the original “Shēn zài wú jiàn, xīn zài táo yuan” (身在无间, 心在桃源)—which can be roughly translated as “Body in Wujian, heart in Taoyuan”. The word "paradise" in his quote actually corresponds with the Chinese phrase "táo yuan" (桃源)—which is short for táohuāyuán (桃花源)—which means "peach blossom valley," and is a saying for paradise/heaven. The phrase is taken from the title of Tao Yuanming's 421 CE fable, which details a chance discovery of an ethereal paradise where its inhabitants live an ideal existence in harmony with nature for centuries, remaining oblivious of the outside world. This phrase can also refer to an idealistic place of serenity and rest, but it is also used to refer to an unrealistic fantasy. Additionally, the peach blossom’s symbolic meanings of immortality, longevity, good luck, generosity, honour, good-natured, prosperity and “invincibility under heaven” as well as its association with gods and divine power suit the attributes of the heavenly realm—which is where they are primarily seen in the series—as well as the values its officials are meant to aspire to. The tree’s symbolic meanings of “your charms are unrivalled qualities”, “luck in love”, renewal and growth greatly complement Xie Lian and Hua Cheng’s relationship. Despite having his luck sealed away and being catastrophically unlucky from then on, Xie Lian was extremely fortunate in discovering profound and enduring love. Furthermore, Xie Lian's immense generosity and compassion for people, albeit an unattainable ideal for many, was part of what drew Hua Cheng to him: "If your dream is to save the common people, then my dream, is only you" (MXTX, p. 1953). This corresponds to the peach blossom's association with dignity, serenity, charity, and "unrivalled charms". The scene in the second season's ending theme visuals during which a peach tree branch is shown enduring weather conditions throughout all four seasons is a representation of Hua Cheng's patience and dedication while searching for Xie Lian during the 800 years between the latter's second banishment and third ascension. It also parallels Xie Lian's patience and fidelity while waiting for Hua Cheng's return after the final battle.
1.2) Plum Blossom
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Plum blossoms are known as méihuā (梅花) in Chinese. They hold the symbolic meanings of endurance, perseverance, vitality, inner strength, hope and thriving through adversity in Chinese culture because they are one of the hardiest flower species in the world and blossom during winter defying all the vagaries of winter weather. When their blossoms valiantly emerge during the latter weeks of winter, they are seen as a hopeful omen of spring and are treasured for their splendour during the darkest time of year. Plum blossoms thus herald the arrival of spring and signal the end of winter. Plum blossoms are also China's national flower, serving as a national symbol. Plum blossoms are associated with longevity because their blossoms remain in flower for a month. Plum blossoms can also represent those with a strong personality who are unafraid of difficulties.   In Japan, plum blossoms are known as ume (梅). Its meanings in hanakotoba include integrity, patience, elegance, loyalty and faithfulness. In Western floriography, plum blossoms symbolise keeping promises, fidelity, beauty and longevity. Plum blossoms are also associated with the end of winter and represent hope, tenacity, perseverance, courage, and beauty's capacity to overcome adversity. Furthermore, plum blossoms represent prosperity, fruitfulness, beauty, purity, and good fortune. Wild plum blossoms in particular represent independence. The intricate dynamics of Hua Cheng and Xie Lian's relationship are complemented by the symbolic meanings of hope and the onset of spring evoked by plum blossoms. After 800 years of roaming alone, Xie Lian meets Hua Cheng. Bringing a sense of fulfilment, excitement, and happiness to his life that he hadn’t felt in a long time; as he told Hua Cheng, "Only after meeting you, did I rediscover that it's such a simple thing to be happy" (MXTX, p. 1060). Plum blossoms can also represent individuals who possess strong personalities and are not intimidated by challenges, which complements Xie Lian's character well. Despite being subjected to tremendous adversity, he continues to be as unyielding and resilient as he was before his first banishment, remarking, "I might not be able to decide whether the road is easy or not, but whether I walk it is entirely up to me" (MXTX, p. 1125). The plum blossom’s symbolic meanings of integrity, patience, fidelity, perseverance, courage, beauty, independence and elegance also complement Xie Lian’s character. The plum blossom’s symbolic meaning of keeping promises greatly aligns with Hua Cheng’s character, especially when referencing his declaration to Xie Lian near the end of the novel, "There is no banquet in this world that does not come to an end...but I will never leave you. I will come back...Your Highness, believe me" (MXTX, p. 1954). True to his promise, he defies death once more to return to Xie Lian after replenishing his spiritual power for an indeterminable amount of time. Hua Cheng’s unwavering devotion to Xie Lian is a core part of his character which also ties into the plum blossom’s meanings of fidelity, loyalty and faithfulness. Hua Cheng’s favourite poem referenced in the novel—Ache of Separation by the Tang poet Yuan Zhen—is a reference to his immense devotion. The poem states “After seeing the vast sea, no water can compare; Scattered from the peak of Mount Wu, there are no other clouds… Many times I’ve passed through the flowers, yet I spare them no glance; For half my fate is in cultivation, and the other half, in you.” This poem, which is akin to Hua Cheng's feelings for Xie Lian, describes the poet's unwavering love and devotion for his late wife Wei Cong and how nothing and no one else can compare to her presence in his life. This once more relates to the plum blossom representing devotion, loyalty, and fidelity.
1.3) Cherry Blossom
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The cherry blossom (Prunus serrulata) is also known as the Japanese cherry and is the unofficial national flower of Japan. Its Japanese name Sakura (桜) has been derived from the word “saku” which means “to bloom”.  Its meanings in hanakotoba are “beauty of spirit”, grace, chastity, excellent beauty, gentleness, good education and the “transience of life”. In Japan, cherry blossoms are also a symbol of the “beauty of impermanence”—a Shinto concept better known as “mono no aware” (物の哀れ) as their falling petals are a reminder that although life is short, it is beautiful and should be savoured. The Japanese concept of “natsukashii” (懐かしい) likewise emphasizes the fleeting nature of cherry blossoms. This concept refers to the happy-yet-wistful nostalgia for times and things that we will never be able to go back to. We will never get to experience those moments again, just like the ephemeral cherry blossoms, which makes them even more significant. Cherry blossoms bloom from March to April which is the start of the new fiscal year in Japan. As a result of this cherry blossoms have also come to symbolise new beginnings and springtime. Given that feudal Japanese soldiers associated cherry blossoms with honour, discipline, and dignity—falling flowers were thought to be symbolic of a Samurai's death. In Western floriography, cherry blossoms herald the changing of the seasons and symbolise renewal and rebirth. They also symbolise the fleeting nature of life, tenderness, forgiveness, strength, beauty, love, confidence, peace, friendship and gratitude.
In China, most of the Cherry blossom’s Japanese symbolic meanings are more strongly associated with plum blossoms. Cherry blossoms are known as yīnghuā (樱花) in Chinese and symbolise life, beauty, femininity, power and mysteriousness in Chinese culture. While still occasionally connected to the concepts of life and death, Cherry blossoms are more connected to the concepts of love and romance as well as beauty and femininity in Chinese culture.
Cherry blossoms are primarily associated with the transiency of life. In Xianxia novels like Tiān Guān Cì Fú, where characters can achieve immortality through cultivation, themes such as the transiency of life are not majorly relevant. However, in Tiān Guān Cì Fú, gods are powered by the faith and worship of their followers and without this faith they would fade into non-existence. These Heavenly Officials are not all-powerful but are beholden to fate like all other living things and are capable of death. It was also stated by MXTX, that Heavenly Officials banished or not, are not included in the wheel of reincarnation after death. This reaffirms that while long-lived, “when humans ascend, they are still human; when they fall, they are still human” (MXTX, p. 541). Xie Lian’s first 2 ascensions and subsequent banishments are also reminiscent of the fleeting nature of life—“He ascended to the heavens quickly, but his fall from grace was even faster” (MXTX, p. 10). At one moment he was “the crown prince who pleased the gods”, at the pinnacle of prominence and the next he was “the laughingstock of the three realms”. This ties in with the cherry blossom’s representation of the fleeting nature of life. Xie Lian’s words to Hua Cheng in chapter 31—“Those who have known each other for decades can become strangers in a day. We've met by chance, and we may part by chance. If we like each other then we shall continue to meet; if we don't, then we shall part. At the end of the day, there's no banquet in the world that doesn't come to an end, so let's go all more with the flow, and I'll say what I want to say” (MXTX, p. 267)—are also reminiscent of the fleeting nature of life.
The Cherry Blossom’s association with the “happy-yet-wistful nostalgia for times and things that we will never be able to go back to” is reminiscent of Xie Lian’s halcyon days before his first ascension as well as the friendship of the Xianle Trio before the fall of Xianle. Additionally, the cherry blossom also symbolizes strength, dignity, “beauty of spirit”, peace, forgiveness gratitude, friendship and tenderness which are all qualities that can be associated with Xie Lian. 
-> 2) Peony
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“At the corner of the jade altar table sat a tiny, lonesome flower. A far-gone memory surfaced in Xie Lian’s mind, and he was momentarily stunned. It was like a dust-covered picture, but when he tried to wipe it clean, it remained blurry. Unspeaking, he frowned and loosened his grasp to pick up that flower. Hua Cheng put down his brush as well and slowly began to grind some ink. “What’s wrong?” Xie Lian smiled. “Nothing. Just…this flower’s scent is refreshing. I’ve always liked this sort.” Offerings of flowers in temples and palaces were far from rare. However, most devotees offered large, fresh bouquets of bright red or purple blossoms, or handcrafted imitation flowers that never wilted. After a pause, Xie Lian said, “Could this be the flower which Crimson Rain sought?” Hua Cheng smiled. “Gege has such godly premonitions.” (MXTX, pp. 765-766) Despite the flower Hua Cheng shielded from the blood rain after raiding Qi Rong's hideout—“…a shower of blood rain poured down from the skies. He saw a flower was getting battered by the bloody rain, so he tilted his umbrella and shielded it” (MXTX, p. 120)—earning him the alias "crimson rain sought flower”, it is never named in the novel. It is however confirmed to be the same kind of flower he always places as an offering on the altar of Xie Lian's temple. In the donghua however, it is portrayed as a white peony (Paeonia). Peonies are known as mǔdān (牡丹) in China and were regarded as China’s national flower during the Tang Dynasty (618 to 907 A.D.). In accordance with this, they symbolise prosperity, honour, wealth and beauty, love and happiness. The Chinese term for peonies means "the most beautiful” while other Chinese names for peonies are "fùguìhuā" and "huawang," which translate to "king of the flowers" and "flower of riches and honour," respectively. In Japan, peonies are called botan (牡丹) and symbolize shyness, wealth and regalness in hanakotoba. The flower's profound appearance, notably its multitudes of large petals that are thin and silk-like, is considered to be where the peony symbolising wealth and regalness originated. In Western floriography, peonies represent bashfulness and compassion. It is speculated that the reason Hua Cheng shielded the white flower to prevent it from being stained by the blood rain is because he associated the flower with Xie Lian.
-> 3) Wild Rose
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The flower featured in the above panel is likely a red rose. In China, roses are known as méigui (玫瑰), and in accordance with their universal symbolism, they are strongly associated with romance, passion and love. Thanks to the Chinese monthly rose (Rosa chinensis), which blooms in almost every month of the year, creating a "spring" that never ends, roses are also associated with longevity and the perpetual spring in China. Considering that the colour red is auspicious, red roses are also thought to bring good fortune in China. In Japan, roses are called bara (薔薇) and its meaning in hanakotoba is love and beauty. Red roses in particular symbolize affection and passionate love; while rose thorns represent “happiness in misfortune”.  In Western floriography, roses symbolize love, passion, beauty, romance and secrecy. Red roses symbolize enduring passion, desire, affection and romance. A single rose is said to symbolize love at first sight. The rose flower’s symbolic meanings of enduring passion, romance, “love at first sight” and secrecy tie in well with Hua Cheng and his motivations—“My beloved is a brave, noble, and gracious special someone. He’s saved my life; I’ve looked up to him ever since I was young. But, I wanted to catch up to him more, and become an even stronger person for him. Although he might not remember me well. We never really talked. I want to protect him” (MXTX, p. 1953). The wild rose flower depicted in the opening is seen wilting as Xie Lian walks by leaving only thorns. This could be a depiction of how Xie Lian’s naïve, fragile passion from his youth has long since wilted leaving behind someone wiser who is able to find happiness in misfortune and life’s simplicities. The scene could also possibly be an allusion to how in the novel’s original character concepts Xie Lian was supposed to become a flower god in charge of flowers blooming and wilting after being banished.
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╰┈➤ Part 2 𐀔
╰┈➤ Anime Hanakotoba Posts Directory
[I had to split this post in half due to Tumblr's image/gif limit so please find part 2 on my blog. Also, I wanted to post this on the release date for S2 of the donghua but felt like the post wasn't ready yet so decided to postpone it till this week. If you liked this post, check out my other hanakotoba analysis posts... Also, if I've gotten any of the kanji, romaji, hanzi or pinyin incorrect, feel free to correct me]
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frostfires-blog · 6 months
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Bleach Hanakotoba Analysis Part 3 ~ OP16: Scar & ED31: Saihate
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-> Division 01: Chrysanthemum
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The flower insignia of the 1st division is the chrysanthemum (Chrysanthemum morifolium) which is known as kiku (菊) in Japanese. According to the official Bleach lore, this flower signifies truth and innocence. Its meanings in hanakotoba include nobility, virtuousness, perfection, rejuvenation, longevity and good luck. A sixteen-petalled chrysanthemum is not only one of Japan’s two unofficial national flowers but is also used on Japan’s imperial seal. In Western floriography, Chrysanthemums symbolise cheerfulness, devoted love, loyalty, happiness longevity, joy, trust, optimism, fidelity and friendship. In some cultures, Chrysanthemums—particularly white ones—are only associated with mourning, sympathy and death.
-> Division 02: Pasque flower
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The flower insignia of the 2nd division is the Pasque flower (Pulsatilla) which is also known as the nodding anemone and wind flower. It is called the okinagusa (翁草) in Japan. According to the official Bleach lore, this insignia means “seeking nothing”. Its additional meanings in hanakotoba include “untold love”, “pure heart”, and “love of betrayal”. The downward flower of the Pasque flower is said to have given rise to it symbolising "untold love" and "pure heart" as this is thought to mirror the feelings of a pure girl who is ashamed of her sentiments and finds it difficult to express them. The Pasque flower's symbolic meaning of a "love of betrayal" stems from the fact that after reaching their peak, the flowers that initially bloom face downwards turn upward. In Western floriography, the Pasque flower represents rebirth, renewal, hope, dignity, nobility, grace and the phrase “forsaken in love”.
-> Division 03: Marigold
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The flower insignia of the 3rd division is the marigold (Tagetes) which is known as the marīgōrudo (マリーゴールド) in Japanese. According to the official Bleach lore, this flower signifies despair. Its meanings in hanakotoba include jealousy, despair and sadness. In Western floriography, they symbolise grief, despair, and jealousy as well as the expression of deep feelings and passion.
-> Division 04: Bellflower
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The flower insignia of the 4th division is the bellflower (Campanula) which is known as the berufurawā (ベルフラワー ) and otome kikyo (乙女桔梗 ) in Japan. According to the official Bleach lore, this flower signifies that “those who grieve are loved”.  Its meanings in hanakotoba include gratitude, sincerity and pleasant chatter. Bellflowers are a symbol of gratitude, constancy, romance, and support in Western floriography. Additionally, bellflowers can stand for affection, delicacy, humility, and everlasting love. In particular, blue bellflowers are symbolic of peace, healing, openness, tranquility, and friendship—on the other hand, cream bellflowers are symbolic of thoughtfulness, grace, elegance, peace, and hope. Given that a bellflower's shape resembles a church bell, it is believed that the flower's symbolic meanings of gratitude and sincerity originate from church teachings. It is thought that the bellflower's symbolic meaning of pleasant chatter originates from the observation that its flowers which point diagonally upward bloom together giving the impression that the small flowers are merrily conversing with one another.
-> Division 05: Lily of the Valley
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The flower insignia of the 5th division is the lily of the valley (Convallaria majalis) which is known as suzuran (鈴蘭) in Japanese. According to the official Bleach lore, this flower represents sacrifice, danger, pure love, humility and sweetness. Its meanings in hanakotoba include purity, humility, sweetness, chastity and finding happiness again. These flowers are symbolic of purity, humility, sweetness, rebirth, good fortune, joy, youth, discretion and a return of happiness in Western floriography. With its lovely, sweet aroma, it's difficult to believe that such a demure-looking flower could be dangerous. It is crucial to highlight, however, that this flower is an extremely toxic plant that, if consumed, can cause severe disease or death. The Lily of the Valley plant contains around 38 distinct cardiac glycosides (cardenolides)—which are a class of organic compounds that increase the output force of the heart and decrease its rate of contractions—that are exceedingly poisonous to both humans and animals. Given its toxicity, it's ironic, that the plant is associated with good fortune, purity, joy, and sweetness.
-> Division 06: Camellia
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The flower insignia of the 6th division is the Japanese camellia (Camellia japonica) which is known as tsubaki (椿) in Japanese. According to the official Bleach lore, this flower represents “noble reason”. Its meanings in hanakotoba include modest kindness and pride. In Western floriography, camellias have a long-standing symbolic association with romance and devotion. They symbolize strong desire and passion as well as unfaltering love, devotion, affection, refinement, perfection, faithfulness, and admiration. Normally, the petals and calyx separate as a flower dies, but in the case of camellias, the petals and calyx fall together, preserving the entire flower. In recognition of this, camellias are used to represent longevity, perfection, and pure, unreserved, love that never fades. Red camellias are thought to represent romantic love, passion, or desire. Pink camellias convey feelings of longing and gratitude. White camellias are associated with purity, faithfulness, admiration, perfection, and good fortune. On the other hand, white camellias are regarded to bring bad luck in Japan since they are associated with death and mourning.
-> Division 07: Iris
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The flower insignia of the 7th division is the iris (Iris japonica) which is known as ayame (菖蒲) in Japanese. According to the official Bleach lore, this flower signifies courage. Its meanings in hanakotoba include glad tidings, loyalty, messages, hope, graciousness as well and kindness of the heart. In Western floriography, they symbolise hope, faith, friendship, wisdom, royalty, valour and messages.
-> Division 08: Crane flower
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The flower insignia of the 8th division is the Crane flower (Strelitzia) which is also called the Bird of Paradise flower. In Japan, it is known as the Gokurakuchouka (ゴクラクチョウカ ). Its Japanese and English names are derived from the flower’s resemblance to a family of tropical birds native to New Guinea called Paradisaeidae. According to the official Bleach lore, this flower represents “everything that is obtained”. The phrases "date in love" and "pretentious in love" are its hanakotoba meanings. The exotic appearance of the flower, which is compared to a person in love, is considered to be the basis of these connotations. In Western floriography, the crane flower symbolizes magnificence, faithfulness, excellence, success and well as having joy in the face of both challenges and successes alike. Additionally, they also symbolize freedom due to the flower’s resemblance to a bird in flight. The Crane flower is native to South Africa where it holds the meanings of freedom, success, loyalty, thoughtfulness, immortality, love and optimism.
-> Division 09: White poppy
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The flower insignia of the 9th division is the white poppy (Arctomecon merriamii) which is known as shiroi popī (白いポピー) in Japanese. According to the official Bleach lore, this flower symbolizes oblivion. Its meanings in hanakotoba are sleep and oblivion. In Western floriography. White poppies represent sleep and peaceful rest. They are associated with faith and the concept of the soul's eternal life, and they also serve as a symbol of remembrance for deceased loved ones. Given that white flowers are symbolic of purity; white poppies are a symbol of restful sleep, pleasant dreams and renewal.
-> Division 10: Daffodil
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The flower insignia of the 10th division is the daffodil (Narcissus) which is known as suisen (水仙) in Japanese. According to the official Bleach lore, this flower signifies mystery and egoism. Its meanings in hanakotoba include self-love and self-esteem. Yellow daffodils in particular are linked to the phrases "come back to me" and "I want you to love me again." In English floriography, daffodils represent self-love, respect, egoism, and unrequited love. In contrast with the aforementioned negative connotations, daffodils also represent strength, overcoming hardships, and the arrival of success and wealth. White flowers typically symbolize purity—however white daffodils signify a desire for transformation.
-> Division 11: Yarrow
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The flower insignia of the 11th division is the yarrow (Achillea alpina) which is known as nokogiri (鋸草) in Japanese. According to the official Bleach lore, this flower signifies fighting. Its additional meanings in hanakotoba include bravery and healing. The yarrow is a symbol of bravery in Western floriography, particularly in times of war, and wearing it is said to bestow courage and protection. The yarrow is also said to represent everlasting love, healing and good health because of its medicinal properties. Its Japanese name, “nokogiri”, translates to “saw grass” and is presumably derived from how the tooth-like shape of a saw’s teeth resembles the plant’s bipinnate/tripinnate leaves.
-> Division 12: Thistle
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The flower insignia of the 12th division is the thistle (Cirsium spp.) which is known as azami (アザミ) in Japanese. According to the official Bleach lore, this flower signifies vengeance, strictness and independence. Its meanings in hanakotoba are independence, retaliation, sternness and “do not touch”. In western floriography, thistles symbolise austerity, nobility of character, independence and misanthropy.  In the Victorian era, the gift of thistle flowers served as a warning against unwanted meddling. These flowers are incorporated in the expression “as prickly as a thistle” which describes someone who is easily enraged, particularly in the face of criticism. As Scotland’s national flower, thistles represent bravery, luck and strength. Thistles are referred to as the "flower of the sun" and the "herb of the witches" in the Basque area of France. It is said that thistles provide protection from evildoers and witchcraft because witches are said to be unable to look directly at the sun.
-> Division 13: Snowdrop
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The flower insignia of the 13th division is the snowdrop (Galanthus nivalis) which is known as the sunōdoroppu (スノードロップ) and the matsuyukisou (待雪草) in Japan. According to the official Bleach lore, this flower represents hope. Its meanings in hanakotoba are hope and consolation. In Western floriography, the snowdrop represents purity, rebirth, sympathy and hope.  A single snowdrop was seen by the Victorians as a symbol of death and was unlucky to bring into a home. On the other hand, the snowdrop is also associated with rebirth, springtime, and the ability to overcome life's challenges. The snowdrop blooms from mid to late January as winter slowly begins to end thereby reminding us that there is light at the end of the tunnel. It reminds us all that if we put our minds to it, we can achieve great things in life. It also serves as a reminder of change and represents a willingness to grow. Snowdrops are thus often gifted to those trying to move forward from sadness and negativity.
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[If you liked this post, check out part 1 (here) and part 2 (here)... Also, here's the link to my directory of other hanakotoba analysis posts (here)]
[P.S. Here is the final part of my hanakotoba analysis on Bleach. I kept things brief and didn't go into how each flower suits each squad, captain and vice-captain primarily because of time constraints... Also, I doubt anyone wanted to do that much reading lol... I'll happily elaborate and answer any questions in the comments though...]
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Bleach Hanakotoba Analysis Part 2 ~ ED31: Saihate
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-> Rukia Kuchiki: Cherry Blossom
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In the extended version of Bleach’s 31st ending theme song, Rukia Kuchiki is pictured with branches of the cherry blossom tree. The cherry blossom (Prunus serrulata) is also known as the Japanese cherry and is the unofficial national flower of Japan. Its Japanese name Sakura (桜) has been derived from the word “saku” which means “to bloom”.  Its meanings in hanakotoba are “beauty of spirit”, grace, chastity, excellent beauty, gentleness, good education and the “transience of life”. In Japan, cherry blossoms are also a symbol of the “beauty of impermanence”—a Shinto concept better known as “mono no aware” (物の哀れ) as their falling petals are a reminder that although life is short, it is beautiful and should be savoured. The Japanese concept of “natsukashii” (懐かしい) likewise emphasizes the fleeting nature of cherry blossoms. This concept refers to the happy-yet-wistful nostalgia for times and things that we will never be able to go back to. We will never get to experience those moments again, just like the ephemeral cherry blossoms, which makes them even more significant. Cherry blossoms bloom from March to April which is the start of the new fiscal year in Japan. As a result of this cherry blossoms have also come to symbolise new beginnings and springtime. Given that feudal Japanese soldiers associated cherry blossoms with honour, discipline, and dignity—falling flowers were thought to be symbolic of a Samurai's death. In Western floriography, cherry blossoms herald the changing of the seasons and symbolise renewal and rebirth. They also symbolise the fleeting nature of life, tenderness, forgiveness, strength, beauty, love, confidence, peace, friendship and gratitude. Rukia Kuchiki presents herself as a cool, restrained and stern warrior with firm convictions, however occasionally she breaks out of her shell and is kind. She tends to keep her emotions to herself, unless she is irritated, and finds it difficult to confide in others. This ties in with the cherry blossom’s meanings of grace, discipline, chastity, honour and dignity. Throughout the series, Rukia is constantly improving herself and growing not only in strength but also in confidence. This complements the cherry blossom’s meanings of confidence, strength, new beginnings, springtime and the changing of the seasons. One of the cornerstones of Bleach's development is the connection between Ichigo and Rukia. Ichigo was able to protect his loved ones and become involved in the affairs of the soul society thanks to Rukia's initial transfer of her abilities to him. Since then, they have often come to each other's rescue and have developed a strong sense of gratitude, admiration, respect, and trust for one another. This ties into the cherry blossom’s meanings of strength, gratitude, friendship and love. Cherry Blossoms also tie into Rukia’s connection with her adopted brother, Byakuya and her sister, Hisana. Upon her death, as she looked at the first cherry blossoms of the season, Hisana asked Byakuya to find and protect Rukia as she regretted abandoning her years ago and felt unworthy of being her sister. This complements the cherry blossom’s meanings of forgiveness, love and the fleeting nature of life.
-> Uryū Ishida: Edelweiss
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Edelweiss (Leontopodium nivale) is known as Ēderuwaisu (エーデルワイス) in Japanese. Its meanings in hanakotoba are are courage, power and precious memories. Its name translates from German to mean "noble white". Edelweiss is only found in white-blooming variants, unlike most other flowers. These reasons are the basis for the flower's symbolic connotations in Western floriography, which include innocence, purity, renewal and wishes for peace. The flower also represents integrity, excellence, elegance, noble courage, and boldness. Edelweiss flowers are well-adapted to high-altitude environments with frigid temperatures, harsh sunlight and low oxygen levels and have thus come to represent rugged beauty, strength, nobility, adventure and perseverance. The Edelweiss flower also represents intense devotion, sacrifice, care, and deep love. One of the most well-known stories about the edelweiss is about a young man who, in an act of bravery and love, risks his life to climb a mountain’s steep rocky face to gather edelweiss flowers for a woman. Uryū Ishida is typically reserved, independent, and solitary—however, he tries to act cool when among other people. He has a strong sense of justice and is incredibly intelligent and chivalrous. These attributes greatly complement the Edelweiss’ meanings of integrity, excellence, elegance, boldness and noble courage.
-> Renji Abarai: Sasanqua Camellia
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The flower Renji is pictured with is the sasanqua camellia (Camellia sasanqua) which is a species of camellia native to both China and Japan. It is a different species than the camellia pictured with Byakuya Kuchiki in this ending (Camellia Japonica). The Camellia Sasanqua and Camellia Japonica are primarily differentiated by the former’s earlier blooming season (early fall to early winter) as well as its smaller leaves and flowers. In addition to this, Camellia Japonica’s flowers fall whole, while Camellia Sasanqua's petals fall apart. The sasanqua camellia is known as the sazanka (山茶花) in Japan. Its meanings in hanakotoba are dedication and overcoming difficulties. In Japan, red sazanka represents humility and beauty, white sazanka represents charm and rejection and pink sazanka represents eternal love. In Western floriography, the sasanqua camellia represents desire and passion. It is said that the sasanqua's meanings of "overcoming difficulties" and "dedication" are derived from the fact that flowers bloom in early winter when the cold intensifies. Renji Abarai comes across as dynamic, eccentric, brash, and stubborn, yet he is also incredibly dedicated and determined, willing to fight and die for his convictions. This ties in with the sasanqua’s meanings of passion, dedication and overcoming difficulties.
-> Yasutora Sado: Canna Lily
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The Canna lily (Canna) is known as kanna (カンナ) in Japan. Its meanings in hanakotoba are passion, cheerfulness, eternity and delusion. In Western floriography, the canna lily holds the meanings of beauty, protection, purification glory, power, hope, confidence and confiding in heaven. The flower also holds the negative connotations of paranoia and suspicion. The vigour and beautiful appearance of its flowers, which can withstand the midsummer sun, are thought to be where its meanings of passion and cheerfulness are derived from. Yasutora Sado is a quiet but incredibly brave, strong, and kind person who is also extremely loyal. These traits tie in with the canna lily’s meanings of passion, power, confidence and protection. Additionally, canna lilies originate from Latin America and tropical Asia and are exotic and vibrant with a rich cultural and symbolic history. This ties in with Sado’s half-Mexican heritage. In mythology, it is said that a demon who was envious of Buddha’s strong spiritual power threw a large boulder down on him from above. However, most of the rock shattered at Buddha’s feet without hitting him with only one fragment hitting his toe. Where the blood from his wound dripped onto the ground, a red canna lily blossomed, and the devil was swallowed by a rift of the earth due to its wrath. This legend is reminiscent of the scene where Sado was struck by a falling steel beam, which fractured but did not injure him as well as one of his fullbring powers, named “Left Arm of the Devil”.
-> Orihime Inoue: Glory-of-the-snow
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Glory-of-the-snow (Scilla section Chionodoxa) is known as yukigeyuri (雪解百合) in Japan which translates to “snowmelt lily”. Its meanings in hanakotoba are purity, innocence, hope, modesty and compassion for friendships. It is also considered a sign of spring as it blooms when the snow melts. In Western floriography, it symbolizes glory, camaraderie and toughness. Although she comes out as naive and ditzy, Orihime Inoue is better described as being sensitive, caring, amiable, funny, and optimistic. This strongly complements the glory-of-the-snow’s meanings of purity, innocence, hope and compassion for friendships. Furthermore, the star-shaped, six-petaled flowers of the glory-of-the-snow closely resemble Orihime's flower hairpins that her late older brother had given her.
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[If you liked this post, check out part 1 (here) and part 3 (here)... Also, here's the link to my directory of other hanakotoba analysis posts (here)]
[P.S. Here is the continuation of my hanakotoba analysis on Bleach as promised... Thank you to @jushiro-ukitake & @elyonholic for reminding me about the flowers featured in the extended ending. Given that the flowers are black and white, it was difficult to identify them—so if I misidentified any of them, I apologize; I did my best. Also, I had to put the Gotei 13 squad flowers in a separate post because of Tumblr's image limit...]
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Tian Guan Ci Fu | Heaven Official's Blessing ED2 ~ Return to Dust
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Hi, thank you for posing about Gintama, I love this anime sm and it was nice knowing more about the flowers in OP 15 👏
please tell us more about Bleach Tybw OP and extended ED
thank you.
Hi, thanks for sending an ask🌸✨️ I'm glad you enjoyed my Gintama post (it's my 2nd favourite anime, so I love talking about it any chance I get😂).
I've already been working on the Bleach TYBW extended ED since another person suggested it. While I was busy with it, I thought that I might as well expand on what I skipped in the OP—since all of the flowers made another appearance in the ED.
I sadly probably won't go into a lot of detail about how the flower suits the characters—for the division insignia—since analyzing 13 captains and 13 vice captains personalities is a lot. Also, I feel like not all the flowers suit the captains/vice captains and more so suit the divisions itself.
I will go into more detail on Rukia, Renji, Uryu, Orihime, and Sado since they got individual flowers (despite it being a bit hard for me since I dislike some characters hehe🥲)... I will say that identifying the flowers for those 5 have been challenging since the black & white colour scheme and artsytle make it difficult to identify the flowers clearly....But I think I have have down so it's just a matter of putting the research together, formatting and explaining things...
Sorry for rambling on😅
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I hope you don’t mind me messaging you but it’s probably easier to share links this way 😅
I’ve been hoping someone would identify the six hearts gang’s flowers from here
https://www.tumblr.com/dont-look-up/704735395766730752/tybw-cour-1-special-ed-six-hearts-gang
https://m.youtube.com/watch?v=3iptnJEg1kI&ab_channel=アニプレックスチャン���ル
Hopefully those links work lol
Thanks!
I don't mind at all🌸 Once again, thank you for the suggestion...I'll get to working on it as soon as I can.
I love this ending so much and listen to it so much that I've memorized the lyrics—but I had no idea there was a longer animated version🥲 So thank you for letting me know. The visuals are so stunning😭
Identifying and researching everything might be a little tricky because everything is in black and white. Since colour not only helps with identifying the flower but also greatly influences its meaning...But I'll definitely try my best.
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Bleach Hanakotoba Analysis Part 1 ~ OP16: Scar & ED31: Saihate
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Ichigo Kurosaki -> Gloriosa
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Aside from the 13 other flowers—which are associated with each of the Soul Society’s thirteen court guard squads respectively—the Gloriosa is also pictured in Bleach’s sixteenth opening theme song. The Gloriosa is also called the glory lily, flame lily and climbing lily. It is known as Gurorioosa (グロリオサ) in Japanese. Its hanakotoba meanings are glory and bravery. In English floriography, they also symbolise passion, purity, beauty and pride. Its name is derived from the Latin word “gloriosus” which means splendid. This name was inspired by its bright, fiery colouration and majestic, wave-like petals. The symbolism invoked by the Gloriosa not only greatly commemorates Bleach’s grand return with the TYBW arc—but also greatly complements Ichigo’s character. Ichigo’s name means to “protect one thing” and he has lived up to his name by bravely fighting in a number of glorious battles to protect those important to him.
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[If you liked this post, check out part 2 (here) and part 3 (here)... Also, here's the link to my directory of other hanakotoba analysis posts (here)]
[P.S. I didn't cover any of the other flowers featured in this opening since I feel like their meanings are common knowledge amongst the Bleach fandom already since they are the insignia of the Gotei 13... But if you guys want me to cover them properly, then I can in another post. So let me know in the comments...]
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SNK ED 7: Akuma no Ko Hanakotoba Analysis
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-> Evening Primrose
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The first flower pictured in Akuma no Ko is the white evening primrose (Oenothera speciosa). Evening primrose is known as tsukimiso (月見草) in Japanese and its hanakotoba meanings are “silent affection” and “transient spirit”. In English floriography, they symbolize mute devotion, inconstancy, and faithfulness. As its name suggests, evening primrose blooms at night thus avoiding public view. This is where the meanings of silent affection and mute devotion are derived from. White evening primrose flowers turn pale pink when they wither in the morning, this is where the flower's meaning of inconstancy and transient spirit are derived from. In the visuals of this ending, young Eren is surrounded by countless white evening primrose flowers as our focus is drawn to a single evening primrose a single drop of blood stains the flower. This could symbolize Eren being corrupted by hatred, trauma, and loss or Eren’s love for those he is close to corrupting his morals. Eren’s shortened lifespan greatly contrasts his lofty goals and immense determination which ties into the flower symbolising transient spirit. Eren has stated that he will keep “moving forward” and has greatly changed since his first appearance both physically as well as mentally. This fits in well with the flower symbolizing inconstancy. Eren has hidden his feelings and intentions from his friends and loved ones, especially Mikasa, until the moment of his death. This ties in well with the flower symbolizing mute devotion, faithfulness, and silent affection. 
-> Wildflowers (Part 1)
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As the song reaches its chorus both the cage surrounding Eren as well as the accompanying darkness disappear as he is surrounded by a bright field of blooming wildflowers. The most notable of these wildflowers are yellow daisies and lavender. Daisies (Bellis) are known as hinagiku (デイジー) in Japanese, and they hold the hanakotoba meanings of faith, “secret love”, hope, beauty, peace, and faith. In English floriography, yellow daisies symbolise joy, and growth as well as a turning point or new beginning. Season 4 has been an immense defining moment for Eren, and his final actions have resulted in a tentative peace sort of new beginning for humanity tying into the flower symbolising turning points, new beginnings and peace. Lavender (Lavandula) is known as rabenda (ラベンダー) in Japanese. Its hanakotoba meanings include “expectation”, “suspicion”, “distrust” and “answer me”. In English floriography, lavender flowers symbolise devotion and love in addition to distrust and silence. The tranquillizing effect of lavender and its mysteriously strong scent is what its meanings of silence and distrust have given rise to its respective meanings of “silence” and “distrust”. Throughout most of the final arc, Eren’s motivations and feelings have been secret to his friends and comrades. In the days leading up to his defection from the scouting regiment, others regarded him with suspicion and distrust whilst simultaneously having expectations for him. After his defection, his friends demanded answers from him to no avail. This ties into lavender’s meanings of expectation, distrust, suspicion, silence and “answer me”. Lavender’s meaning of devotion complements Eren’s determination towards protecting his loved ones is shown through his willingness to dirty his hands, go through immense suffering and even temporarily hurt them for their own ultimate benefit.
-> Wisteria
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We are then shown various locales in Paradise Island including Trost district and Utgard castle all of which are pictured as decrepit, uninhibited ruins overtaken by various plants. The most prominent of these is the wisteria pictured growing on the brick walls of the Trost district. Wisteria is known as fuji (藤) in Japanese. Its hanakotoba meanings are “kindness”, “welcome”, “never leave” and “intoxicated/drunk in love”. In Japanese culture, wisteria has also come to symbolize honour, wisdom, endurance, steadfastness and support. In English floriography, wisteria is associated with being steadfast, faithful and welcoming. Additional meanings include tenderness and sensitivity. Wisteria’s meanings of steadfastness and endurance complement Eren’s determination and stubbornness while its meanings of honour and kindness contradict Eren’s willingness to sacrifice the greater good in order to protect those important to him. Wisteria’s tendency to grip tightly to trees to grow up straight is what has led to it coming to mean an unwillingness to let go or being drunk in love. This concept strongly encapsulates Eren’s feelings towards Mikasa, particularly highlighting his unwillingness to see her move on after his death.
-> Wildflowers (Part 2)
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The final panels in this ending show older Eren walking freely in the field of wildflowers. As our focus is shifted to his feet trotting through the myriads of flora. The most notable of which are white daisies, violets, white globe amaranth, nemophila and cosmos. Daisies (Bellis) are known as hinagiku (デイジー) in Japanese, and they hold the hanakotoba meanings of faith, “secret love”, hope, beauty, peace, and faith. In English floriography, white daisies symbolise innocence. The concept of childhood innocence being corrupted by cruelties of war and discord is a central theme in Attack on Titan. Violets (Viola) are known as sumire (菫) in Japanese. Its hanakotoba meanings include “humility”, “sincerity”, “small happiness” and “love”. While in English floriography they represent faithfulness, modesty, affection and virtue.  The meaning “small happiness” resonates with Eren’s ideology as he is willing to sacrifice many so that those he cares for (a small minority) are happy. Nemophila are more commonly known as baby blue eyes and are called rurikarakusa (ネモフィラ) in Japan. Its hanakotoba meanings are daintiness, “I forgive you” and “success everywhere”. Although Eren maintains a determined and cold persona in order to fulfil his plans, deep down he is scared and unsure which ties into the flower symbolising daintiness. In the end despite dying and being stopped partway, his loved ones are able to live fulfilling lives tying into the flower’s meaning of “success everywhere”. White globe amaranth (Gomphrena globosa) is known as sennichikou (センニチコウ) in Japanese. Its hanakotoba meanings are unfading love as well as timeless/eternal love. In English floriography, they symbolise unfading love, immortality, hope in misery as well as what is unchangeable. The name and meaning of this flower both derive from the flower’s long flowering period. The phrase “hope in misery” perfectly encapsulates what many of the characters including Eren have been struggling to grasp.  The meanings of unfading, timeless and eternal love describe many of the friendships and relationships in the show and encapsulate its themes of love and loss. At this point, Eren is set on fulfilling his goals despite his friends wanting to change his mind. This ties into the flower symbolising what is unchangeable. The Cosmos flower is known as kosumosu (宇宙) in Japan. Its name is derived from the Greek word "Kosmos" meaning harmony and order. This has contributed to the flower coming to symbolise harmony, beauty and peace in English floriography. Its hanakotoba meanings include humility, purity, affection and modesty. The Cosmos flower is also said to represent "the joys that love and life can bring". Ironically Attack on Titan rarely focuses on the joys that love and life can bring but instead highlights that while beautiful, the world is also especially cruel. Additionally, the cosmos flower’s meanings of peace, purity and harmony are juxtaposed with the dark themes of war, loss, corruption and sacrifice in the show.
P.S.
-> Bellflower
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Bellflowers have made consistent appearances in Attack on Titan since the first episode. Bellflowers are from the Campanulaceae family and are known as berufurawā (ベルフラワー) or kikyo (キキョウ) in Japanese. Its hanakotoba meanings are gratitude and sincerity. While in English floriography they symbolise constancy, sorrowful regret, humility and kindness. The flowers made notable appearances in the opening scene under the tree where Eren and Mikasa were sitting as well as in season 2 where Eren unlocked the co-ordinate power of the founding titan after Mikasa’s speech. In both scenes, we see characters being vulnerable after having premonitions of future loss and having faced repeated loss. This ties in with the flower’s meanings of humility, sorrowful regret, and sincerity. After Mikasa’s speech—wherein she thanked Eren for everything he had done for her—Eren gets up and is motivated to persevere once more. This ties in with the flower’s meanings of constancy, kindness, and gratitude.
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[If you liked this post, check out my other hanakotoba analysis posts here ❀]
[I didn't go into a lot of detail here because everything is very abstract and subtle and is thus difficult to explain than with other shows... Also, many people—including myself—have very conflicting views on and interpretations of the ending of Attack on Titan... So, I don't want to stir up discourse.]
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Shiguang Dailiren/Link Click
Season 2 Key Visual
Hanakotoba Analysis
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In the first key visual for season 2 of the donghua, Cheng Xiaoshi and Lu Guang are pictured alongside what seems to be pink periwinkle and spiderwort flowers. The spiderwort (Tradescantia) is also called the dayflower and is known as zǐ wànniánqīng shǔ (紫万年青属) in Chinese and the shirokusa (紫露草) in Japanese. The spiderwort flower is associated with immortality, optimism, and moral authority in English floriography because of its evergreen foliage and lasting flowers. Its hanakotoba meaning is platonic respect. In China, the spiderwort flower symbolises longevity and good luck. It is also utilised in pain-relieving medicine used to treat diseases. Conversely, the spiderwort flower can also symbolise transient happiness. The periwinkle (Catharanthus roseus) is also known as the Madagascar periwinkle, Cape periwinkle, or Rose periwinkle. The periwinkle is known as chángchūnhuā (长春花) in Chinese and nichiodoriji kusa (日々草) in Japanese. The periwinkle symbolises faith, trust, everlasting love, and purity in English floriography. This flower is associated with admiration, appreciation, new beginnings, and friendships. Periwinkles can also symbolise tender recollections and sweet or pleasing remembrances. Its hanakotoba meaning is pleasant memories. In China, periwinkles love, passion, nurturing and warmth. Memories and human relationships are a central part of Link Click as Cheng Xiaoshi and Lu Guang co-own a shop called the Time Photo Studio where they use their powers that let them jump into photographs, live the events of the picture, and resolve past regrets. The deep friendship between its main cast is another central theme in Link Click especially the great lengths Lu Guang and Cheng Xiaoshi are willing to go through to ensure the other’s safety and happiness. This ties in well with the periwinkle’s meanings of tender recollections, sweet or pleasing remembrances, friendships, and new beginnings. Every time they jump into a photo, they risk changing the past which has ultimately resulted in dire consequences for them both interrupting their halcyon blissful lives and trapping them in a seemingly endless cycle of loss. This ties in well with the spiderwort flower’s contradictory meanings of longevity and transient happiness. 
[If you liked this post, check out my other hanakotoba analysis posts here ❀]
[P.S. I didn't want to go into too much detail here since I've already done 2 other hanakotoba analysis posts on Link Click―so if you liked this post then check out those... Also, if I've gotten any of the kanji, romaji, hanzi or pinyin incorrect, feel free to correct me]
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frostfires-blog · 6 months
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Tian Guan Ci Fu | Heaven Official's Blessing OP2 ~ Lian Cheng Ci
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frostfires-blog · 6 months
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Which 2022/2023 shojosei anime from my latest post is your favourite/Which one are you most interested in?
Given my latest recommendation/review post (click here if you haven't seen it yet) on this topic I was wondering what others thought?
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frostfires-blog · 6 months
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Shiguang Dailiren/Link Click Hanakotoba Analysis: Lu Guang Omake
Shiguang Dailiren 《Link Click 》 Hanakotoba Analysis Additional Revisions
Given recent revelations in the newly released episode 24, I have decided to revisit this topic to add some additional information now that we have some more context into Lu Guang's actions and thoughts. I wanted the new material to be easily accessible so that those who have already seen my original post don't have to reread it. So, if you haven't seen it already, please click on the link provided here.
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⚠️Warning! Spoilers for Link Click Episode 24/Season 2 Episode 12!⚠️
The forget-me-not not only serves as a powerful symbol of the ties that bind loved ones together but also of the enduring power of love and memories. The forget-me-not is also said to be a symbol of hope and continuity as it is resilient and blooms even under challenging conditions. This flower thus additionally symbolises staying true to oneself.  The final episode of season 2 revealed that Lu Guang comes from a different timeline where Cheng Xiaoshi has died. Cheng Xiaoshi’s death caused Lu Guang to break their rules without hesitation.  He lives likely constantly haunted by the memory of Cheng Xiaoshi’s death, despite the latter being alive alongside him in the present moment, while actively trying to prevent his death. The incredible lengths Lu Guang is able to go through for Cheng Xiaoshi ties into the forget-me-not’s meanings of remembrance, enduring love, faithfulness, fidelity, and friendship.  Additionally, the forget-me-not’s resiliency and meanings of hope, continuity, and staying true to oneself greatly complement Lu Guang’s dedication and commitment to altering fate. The statice flower’s meanings of “unchanging heart, uninterrupted memory, and eternal immutability” parallel Lu Guang’s unwavering dedication and perseverance in saving Cheng Xiaoshi no matter the consequences of changing the past well.
[If you liked this post check out my other hanakotoba analysis posts here ❀]
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