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Crowley and Plosives

@kimberleyjean asked in my recent post on rings and apostrophes why it is that I think Crowley pops the consonants of words at times, as in "BooK. shoP", and if there is a technical term for what he is doing. There is.

Let's talk about Crowley's exaggerated plosive sounds--as well as his little "mmm" thing-- and what this all probably has to do with his hiss.

In order to talk about why it likely is that Crowley pops specific consonants when he speaks-- with it being more pronounced at certain times than at other times-- we first actually have to talk about his hiss.

Crowley's hiss is less of a separate sound and more of a slur of what's known as a sibilant sound in phonology-- it's the sound of the letter s or the letters sh. If you say the word "sash" aloud, you're using sibilant sounds twice over-- once at the start and once at the end of the word. While Crowley could probably just hiss like a snake when he's in human form, we never actually hear him do that. We hear a hissing sound manifest in his sibilant sound when he is speaking-- which is to say when he's being a human over a snake. The same is true of Lord Beezlebub, whose fly buzz sound affects their speech. In their case, their sibilant sounds turn into the letter z to mimic a fly (as in, "It izzzzz written" on the tarmac in Tadfield in S1).

Sibilant sounds are part of a group of sounds known as fricatives, which are all softer in sound. They are grouped together based on how your mouth and throat move in forming the sounds and how much air is needed to move through them and in what way to say them. The letters k, p, t-- and sometimes d, b and g, depending on the word and the position of the letter in the word-- are "hard" sounds and are known as plosives. These are the sounds that Crowley tends to pop or to which he gives exaggerated emphasis in his speech. My theory as to why is basically that David Tennant decided that Crowley would feel the hiss is weak and react to it by popping his plosives to seem more intimidating, which really does go along with Crowley's psychology well.

Crowley's hiss is a feature of what of him is a snake and, as a result, will show up in the times that a snake would hiss. That means the slurred sibilant sounds show up primarily in situations in which he feels a sense of vulnerability. Snakes hiss when they're stressed or under duress and they hiss if you try to interact with them while they are digesting a big meal. In demon snake terms lol, it means Crowley is most likely to hiss in exactly the moment he does not want to (when he's anxious or afraid, which is usually when around other demons or angels). He probably cares a bit less about slurring sibilant sounds around Aziraphale after a big meal--or a "big meal"-- and Aziraphale actually probably likes it a bit as it's his life goal to keep that snake blissssssed out but the hissing around other people thing?

Crowley hates it. He haaaaaaates it. There is evidence of Crowley hating the slurred sibilants in a few scenes.

One is that when he shapeshifts into a monstrous snake to scare the guy at Tadfield Manor in S1, Crowley doesn't hiss at him-- he roars. Like a lion. (Lions are also on the arms and legs of his reason-for-therapy-alone throne chair in S1.) And this is his reaction when he makes the guy faint from fright:

He loves it. Ah, control...

Because Crowley is a lot of things, really-- he's a snake, yeah, but he's a big cat, he's a crow, he's a nightingale, he's a black swan, he's a horse... we could go on. To control the hiss when he wants to is to feel in control of himself.

We all know how much Crowley seeks as maximum control over how he's perceived by others as he's capable of generating. It's a normal response to all the trauma he's suffered. It's probably worth considering as well that Satan's attacks on Crowley render him incapable of controlling his own mind and body for the duration of the assault. He doesn't have the option to speak or, if he does, the words aren't his own. These are bodily autonomy violation issues and the result is that Crowley hates anything that makes him feel weak and the fact that he has in the hiss what amounts to a nervous tic that is a symptom of his anxiety disorder makes him feel out of control of himself.

Another example of him hating the hiss is when he intentionally slurs the sibilant s sound while mocking Heaven:

Crowley is not just talking about composers in this scene in general but using first-class composers as innuendo for sexual partners and mocking Aziraphale's potential choices if he gets stuck in Heaven for all of eternity. He does so by combining soft fricatives and his slurred sibilant hiss, showing how he equates the hiss with a sense of what he considers weak and unattractive.

The other scene that suggests this-- and shows how Crowley pops his plosives as a counter to the hiss-- is actually the end of the apology dance, when Crowley pops a t so hard, it's almost its own word: "You were righTTTTTT."

The apology dance scene and its hard T as the final note of the mock-submissive dance also makes it clear that, unsurprisingly, Aziraphale knows what the popped plosives are all about. Plosives are, well, explosive. They have harder, louder, more dramatic sounds. It seems like Crowley pops them both as a measure to counter his hiss and as a measure to try to control it. He's taught himself to respond verbally with intensive plosive popping instead of hissing, which is also why we don't actually hear him hiss all that often.

One of the only times is almost immediately after this:

Because saints and demons preserve us, it's Master Crowley, right? But then Satanic Nun!Nina interrupts them and Crowley starts slurring his sibilant sounds in sarcastic response to Aziraphale telling him that he didn't need to put the woman in a trance.

"Oh, oh, 'xcccussse me, ma'am, we're two supernatural entities looking for the notorioussss SSSSSon of SSSSSatan. Wonder if you might help us with our inquiries?'" How he controls the sentence, though, is really interesting. The extra-exaggerated sarcasm of the last sentence helps him regain control enough that the final 's' in 'inquiries' isn't hissed and he's back in control of it. He's also almost amping up the sibilant sounds he does slur sarcastically as well. Part of why it comes out here is that he allows himself to be less guarded with his speech in front of Aziraphale.

We've actually only heard him hiss his sibilant sounds about three times, if memory serves me correctly, and two of them are related to Heaven and Hell-- the two moments I mentioned above. They're examples of him trying to control-- and then sarcastically wield-- the hiss. (Particularly "celestial harmonies", which he did entirely intentionally.)

There's also one more positive instance of a sibilant slur though and that's this: "Yessssss, the 'Reign of Terror.'"

The long hiss of a "yesssss" in this scene is not one that bothers him because drawing out a sibilant sound during a sexy conversation with Aziraphale is a very different situation than one about or involving Heaven or Hell.

If you look back on the series, there are probably no more popped plosives than in Crowley trying to ascertain just wtf Gabriel is doing in the bookshop wearing nothing but their tartan bedsheet.

"WHaT. Arrre. You. DO. ING. In. THis. BooK. ShhhOP?" 😂

Crowley was literally terrified (and also losing it internally because he just jumped and basically screamed at the sight of Gabriel) and there's a very brief "shhhh" in "bookshop" that starts to slur and has him practically shouting the "OP" to finish the word without full-on hissing. It's a scene built around the plosives, really.

Gabriel probably understands Crowley's manner of speaking more than "Jim" did in this moment as Gabriel has his own affected way of speaking. His defensive speech has the same need for a sense of maintaining an appearance of control and dominance but is usually less about emphasizing plosives and more about conveying a sense of power through a perceived sense of "manliness" in a smug, corporate sort of way. The way he says "but as The Almighty likes to say: 'Climb Every Mountain'" in that 'CEO saying the bullshit company slogan to a junior employee at the company retreat' sort of way.

Gabriel usually uses intimidation through lower, more frighteningly measured tones that carry the sense that if you pissed him off, he would explode and it would not be pretty for you. It's what makes the moment when he does actually a bit shocking and that's when you hear the force come out in his speech a bit.

He pops plosives in the curse and owns the 'fucking' in that sentence as a result. That is top shelf use of a curse word, in that it's selective enough and pronounced in such a way as to give it real power. You know he's going to lose this round because he can't win it but you're still kind of afraid of him-- maybe for the first time.

But Jim? Jim has none of this.

Jim is a guileless lovebug who doesn't understand why Crowley would feel the need to speak-shout at him and pause dramatically so his "I. AM. DUSTING." response is priceless. Jim over-emphasizes all of the sounds because he doesn't know why Crowley only emphasizes the plosives and he pauses dramatically between the words more out of confused repetition of Crowley's speech pattern to try to relate to Crowley than out of understanding that it was meant to intimidate him. He uses the same sense of theatre that Crowley uses without any context as to why Crowley feels like he has to and, as a result, it guts Crowley's whole attempt to intimidate him to compensate for his own feelings of vulnerability.

Crowley and Aziraphale both are fascinated by words and the evolution of language and they speak every language in the world. This means that they both have the ability, in theory, to correctly speak in any accent in the world, which is necessary to be able to pronounce the words in every language. Between that and his self-conscious, trauma-adjacent, plosive/fricative issues, as well as just being interested in how things like pronunciation informs the evolution of language, Crowley is more aware than most of how he sounds when he speaks.

But there's also that his unique way of speaking-- when combined with his low, rumbly voice-- can be very sexy and he's aware of it, namely because it's clear that Aziraphale thinks his sounds-- all his sounds, along the full spectrum of them-- are hot. As a result, we also have scenes in the series wherein Crowley will sometimes heavily emphasize plosives-- and fricatives-- around Aziraphale just for fun because to do so has become a part of how he speaks and because the angel likes it. An example: the "lotsss of GooD DeeDsssss" bit of this:

That Aziraphale likes the full range of Crowley sounds is symbolic of the fact that Aziraphale likes the full range of Crowley, full stop. As a result, Crowley plays around with how he enunciates words, often drawing out parts of them in ways he knows Aziraphale will enjoy. His "oo" and "ou" sounds are often elongated into an "oooh"; he softens fricatives to a breath at times when speaking more gently. At other times, he amps up his RP accent and emphasizes certain words in a sentence with pauses and heavier enunciation ("canopy", "astonish") to maximize their appeal and to draw Aziraphale's attention to them, usually also for wordplay-related reasons ("did you smite them with your wrath?" in Lockdown, for example.)

Then, there is that part of their language thing also appears to be an interest in onomatopoeia, which are words that have derived in language not from a connection to other, previously-existing words but from the sounds of Earth. Crowley, in particular, loves onomatopoeia, and likes to weave words that are that into his conversation-- "frou frou", "whoop", etc.. The word "hiss" is onomatopoeia. Unlike other etymology posts I have written or will write, there is no "derived from the Old French x" or "from the Latin x" or the like for the history of "hiss"-- it's just literally that people heard a snake hissing and said that sounds like "hssss" and so we're going to call it a "hiss."

While Crowley has issues with his anxious snake hiss, though, he actively likes to make the pleasurable sound the humans (and angels and demons) can make-- the ultimate in onomatopoeia. The word that is actually more his anti-hiss than his popped plosives:

"Mmm."

"Mmm" is derived from nothing more than the human sound of contentment. It's an often almost involuntarily hum of pleasure-- the human sound of satiation. There is no other history to the word but that and there has not been since beings began to exist.

Crowley makes the sound unconsciously but he also makes it consciously at times when speaking with Aziraphale because he knows Aziraphale likes the sound of it. Case in point: the very obviously intentional "mmm" in the Edinburgh phone call (and the heavy, exaggerated plosives emphasis on what followed it):

"Mmm" is also something of an etymology joke as well because, at last count, I think I had at least twenty-five instances in a note file here about intentional wordplay between Crowley and Aziraphale that focuses on frequently confused words and phrases (to founder vs. to flounder; whoop vs. whoomp; wittering vs. withering; to get a wriggle on vs. to get a wiggle on, etc..) which I bring up mainly because, especially when written, "mmm" is frequently confused with "hmm", and the etymology of "hmm" is pretty funny from a Good Omens perspective.

While "mmm" is a sound of pleasure, "hmm" is a sound made of consideration, a kind of pause in a sentence to acknowledge something that was spoken and to either suggest you're giving it thought or to show hesitation over what was said-- or, possibly, both. While "mmm" is a contented sound derived from the human body, "hmm" is onomatopoeia because it is imitative of a different, very specific sound in nature...

...it comes from the droning sound of buzzing bees.

To Crowley and Aziraphale, "hmm"-- the sound of hesitation and reflective contemplation-- is a sound of the insects that are symbolically the angels and that's amusing to them since the humans frequently swap it out with their signature sound of pleasure while Crowley and Aziraphale do not find much about Heaven very arousing.

Crowley's new favorite hobby in S2 is making dirty jokes that are going over Muriel's head-- some of which, like his handcuff innuendo while getting Muriel to take him to (literal) Heaven, are a bit on the surface. Others, though, like the frequently confused words wordplay of using "mmm" in protest of Heaven instead of "hmm" in the "mmm, bees" moment after successfully getting one over on the angels-- are examples of just wordplay jokes that Aziraphale would have found funny that Crowley was amusing himself with in the moment.

Crowley is definitely not the only one of the two of them amping up those mmms though. The only bee who has his attention is playing right back...

...and the mmm thing is not exactly new, either...

...like for him to mmm his way through an entire barbecued ox five minutes after this...

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