eternaleve
History person. Queer. Disabled. Crafty.
The one and only certified asexual thot. She/her. Catch my history video essays @JessC for analysis of Tudor England and sometimes media when I feel like it. I have a lot of hyperfixations okay.
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Last Seen Blogs
wintertalkerisawesome
■□ Delulu Era □■
it-is-me-ayana-jj-blog
Only for myself
mozhiii
Mojeh
brokenbouffants
To be an Echo
alunasky-blog
Alunasky
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Fortnite, are you sure about this? Did you think it through?
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Compilation of aew locker support for Nyla I've seen. It's nice to see several of her coworkers have closed ranks around her after all this.
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Shōgun BTS photos via Anna Sawai, Tokuma Nishioka, and Moeka Hoshi’s instagrams // @annasawai @moekappa382 @tokuma_nishioka 🤍
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cannot watch the return of the king without thinking of that bad bootleg with the fucked up subtitles that said “this will be the end of Gender as we know it” instead of “this will be the end of Gondor as we know it”
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Photo
These little kids at MoMa were trying to recreate this piece of art and it made my life.
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In 1963 photographer Bert Stern photographed some of the top actors/actresses at the height of their fame playing their dream roles for a photo series in LIFE magazine's December 20, 1963 issue.
Cary Grant as Charlie Chaplin's Tramp / Audrey Hepburn as Pearl White in 'Perils of Pauline' / Tony Curtis & Natalie Wood as Rudolph Valentino and Vilma Bánky in 'The Sheik' / Paul Newman as a Douglas Fairbanks Sr. swashbuckler / Frank Sinatra & Dean Martin as Judah Ben-Hur and Messala from 'Ben-Hur' / Bing Crosby & Bob Hope as 1930s gangsters / Jack Lemmon as a war pilot / Shirley MacLaine as one of Busby Berkeley's showgirls / Rock Hudson as Dr. Jekyll and Mr. Hyde.
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me getting five notes from my regular mutuals on any given post
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Anjin ✨
Friggin love this show. If you haven’t watched Shōgun yet, you should.
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like what do you mean the whole scene was inspired by "in the mood for love"... their unspoken tension as the sexiest scene in the show... are you insane!!
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In the early 1930s, scholarly studies were done on the impact of screen stars on teenagers, because of fears that the movies were sexualizing them. These studies found that teenage girls learned sex techniques through watching Garbo’s sex scenes, especially those in Flesh and the Devil; they then practiced her techniques at home with their girlfriends. Raymond Daum described Garbo’s many young female fans as having “schoolgirl crushes on her” that “defined a national idolatry.” And knowledge of Garbo’s non-heteronormative sexuality was spread through lesbian networks “from coast to coast.” Moreover, the 1920s was an era of commercial expansion in which the ranks of saleswomen and typists, careers dominated by young women, increased. These women made enough money to see a movie more than once. They identified with female stars and liked to see them in powerful roles.
Greta Garbo in Flesh and the Devil (1926)
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