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elisembia · 4 years
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1973. Some things never change
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elisembia · 4 years
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Call for 3-Month Artist in Residence
Malt AIR invites professional artists from all over the world to participate in a 3-month visual arts residency programme at Maltfabrikken in Denmark. Studio facilities and accommodation, as well as a travel grant and a monthly stipend, are included in the programme.
The purpose of the residency is to offer international artists the opportunity to develop new and enriching relations with the Danish visual arts scene, and to support the artistic process and research phase by giving the artist time, space and opportunities for reflection and focus.
The residency is run in collaboration between The Danish Art Workshops, Kunsthal Aarhus and Maltfabrikken, and is supported by The Danish Arts Foundation.
Deadline: 23rd of February 2020. Learn more about Malt AIR and our call here.
(Sponsored)
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elisembia · 4 years
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Renée Green at Nagel Draxler Kabinett
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elisembia · 4 years
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elisembia · 4 years
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Chitra Ganesh (A. 2001, F. 2013) Dhaka Art Summit: Seismic Movements  Shilpakala Academy, Dhaka, Bangladesh, Feb. 7–Feb. 15, 2020 https://www.dhakaartsummit.org/
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elisembia · 4 years
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Allan Sekula, Art Isn’t Fair. Galerie Michel Reim Paris
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Allan Sekula (1951-2013) est exposé et représenté par Michel Rein depuis 1998. Cette exposition d’automne 2019 présente des œuvres qui couvrent l’ensemble de sa carrière. 
1. Eyes closed assembly line, 2008 cibachrome transparency in light box 2. Replica of door to blacksmith’s shed, in situ (original in collection of Warsaw Ethnographic Museum). Ochojno, Poland, July 2009 Polonia and Other Fables series 2007-2009
3. Blacksmith’s work. Ochojno, Poland, July 2009 Polonia and Other Fables series 2007-2009 archival inkjet print mounted on dibon, wooden frame, plexiglas
4. Blacksmith’s work. Ochojno, Poland, July 2009 Polonia and Other Fables series 2007-2009 archival inkjet print mounted on dibon, wooden frame, plexiglas
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elisembia · 4 years
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Anna Boghiguian, The Square, the Line and the Ruler Exposition 11 oct. au 24 nov. 2019 - Beaux Arts de Paris 
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elisembia · 4 years
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Brecht George - Fluxus La Cédille Qui Sourit, Lunds Konsthall 1967
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elisembia · 4 years
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Belle performance de Naomi Lulendo dans le cadre de PER FORMA, Chapitre 1, performance : exposition Tongue on tongue, nos salives dans ton oreille cur. Prologue collective, Galerie Allen, Paris, 2019
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elisembia · 4 years
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elisembia · 6 years
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Interview with @kadistkadist by @lizy1984 about our exhibition on rn in Paris. We talk about intimate surveillance and more. Link in biaux. Directed by Louis Pierre-Lacouture. Camera work Jérémie Gaulin
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elisembia · 6 years
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#Repost @kadistkadist with @get_repost ・・・ CBT™: Who owns your data? Reverse negative patterns. Secure your data profile.🔒 Dr. Simone Browne shows how black and marginalised subjects are at greater risk of data exploration by revealing the link between biometrics and criminalisation. Contemporary surveillance methods continue colonial logic... See story for more details. #KOutOfOffice #SimoneBrowne #mozilla (à Kadist Art Fondation)
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elisembia · 6 years
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#Repost @kadistkadist with @get_repost ・・・ CBT™ Coding: Braiding: Transmission Providing a solution to intimate surveillance, data collection and the dangers of hypervisibility. 🔒Keeping your data safe🔒 Security through encryption. Follow our posts and stories this week to find out more. #pullrequests #KOutOfOffice #00cbt00 #tacticaltech (à Kadist Art Fondation)
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elisembia · 6 years
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Soon! @kadistkadist @isaackariuki.jpg #martinesyms @chloequenum @steffanijemison (à Kadist Art Fondation)
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elisembia · 6 years
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Saignantes (2005) #jeanpierrebekolo poster by Yunus Vally (à Mvog-Mbi)
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elisembia · 6 years
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Performance de Virginie Yassef Un scintillement précaire n'a pas de mémoire (à Palais de Tokyo)
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elisembia · 6 years
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BB (à AKAA - Also Known As Africa)
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