so it turns out you can take out unlimited books at once at the local library. unfortunately my muscles don't have unlimited strength yet

I’m not a classicist, but I suspect one of the reasons so many of the Greek gods are portrayed so unflatteringly was less because they were seen as villains than because they represented their domains.  Of course Zeus sometimes misuses his power, that’s what a king does.  Of course Artemis’s wrath is wild and painful, that’s what nature can be.  Of course Hades snatched away a young girl from her mother’s arms, that’s what death does.  This is one of the reasons callout posts for some gods comparing them negatively to ‘nicer’ gods are kind of missing the point.

It's wild to me that there are people out there who genuinely don't like women. I'm not even talking like romantically or sexually or anything I mean like they just don't care about them at all.

They won't watch or read anything with female main characters, they don't listen to music made by women, they don't ever think about girls at all. It's crazy to me

Alright girls, you know what we need to do

oh boy I hope my good friend Jonathan Harker has a good trip this year

Saw this on a door at work.

Reblog so everyone can hear what they need.

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

This meeting could have been a cuneiform tablet

if I say "I have to Austin Powers my car out of a parking space," do you understand what i mean

i'm reading all the peter wimsey novels because someone recommended gaudy night and that's how i work, and now i'm up to the nine tailors and just finished murder must advertise (my favorite so far), but i found it really hard to get through have his carcase, which was odd since i loved harriet vane so much in strong poison. even the characters seemed to bugger off at the end of have his carcase instead of tying up all the storylines and sayers seemed disengaged after the first act or two. i liked the parts with peter and harriet, even the two chapters that are 99% cipher, but everything else felt weak. did you enjoy this one/why or why not? do you have a favorite of the wimsey novels other than gaudy night?

I may be inducing a fight by saying this but I think Have His Carcase is one of Sayers' weakest novels, and certainly the weakest of those featuring Harriet Vane. I tried to re-read it recently and couldn't get very far into it, and I'm a huge fan of Sayers. I think it's also a necessary book in order to create a complete story for them -- but I don't know that it's necessary to read it in the modern era, and certainly not necessary to re-read it.

(My other picks for least enjoyable: Five Red Herrings and Nine Tailors, both of which are visibly her attempts to write like Agatha Christie, one of her literary heroes -- and they're not bad books, I just don't like Agatha Christie style "clockwork" mysteries, which tend to sacrifice personality to logistics. I suspect this may have impacted Carcase somewhat. We will come back to this.)

Gaudy Night is actually not my favorite overall -- I think it's one of her best, but Murder Must Advertise is my favorite and in fact the first one I read. Which is hilarious because Peter spends a significant amount of time Not Being Peter Wimsey in it, but it's just such a combination of things I love. Advertising (which Sayers worked in and which she also clearly loved writing about), secret identities, crime rings, a hint of romance, office gossip...

Anyway, Carcase. I think the problem is that to get from Strong Poison to Gaudy Night, there has to be a bridge, and it has to be kind of an unpleasant one, and thus you get Have His Carcase. One of the major points of Harriet's arc is that Sayers wanted to contravene the "damsel rescued by the hero" narrative. Not so much because she believed women should save themselves or not, but because she believed that a relationship based on that kind of inequality, where one partner was grateful (or was expected to be grateful eternally) for being saved, was inherently unhealthy and unsustainable, and it was also a super common narrative at the time she was writing. This reaction to the narrative is most visible in her unfinished novel Thrones, Dominations -- which was finished after her death by Jill Paton Walsh, and I'm not a huge fan of the end product, but I've seen the original manuscript held at Wheaton and it's evident that this was a theme before anyone else took over, it wasn't forced into the plot.

In any case, Sayers had to get Harriet and Peter from victim and rescuer to equal footing, and while Gaudy does a lot of lifting in that regard, it doesn't do enough on its own, there had to be a previous groundwork laid. In a sense I'm glad that the grappling they have to do, which is sensible and intelligently written but also really unromantic, was done in Have His Carcase, so that it doesn't intrude more than briefly into Gaudy Night. Carcase is a lot about Harriet setting boundaries and testing whether Peter will cross them, and Peter reacting (sometimes poorly) to someone challenging him in ways he's unaccustomed to being challenged. Carcase is two people finding out the worst parts of each other so they can work out that they love the reality of each other anyways, which is what they're doing in Gaudy. But we have to witness it in Carcase, which is unpleasant. At least for me.

As she matures as an author and gains more power over how she's published, you can see Sayers trying new things -- after Bellona (another fave) she gets very literary with Strong Poison, and then seems to swing between these kind of torturous attempts at Christie's style (Herrings, Tailors) and incredibly sensitive, emotionally delicate books like Murder Must Advertise and Gaudy Night. Carcase is a weird combination of the two, where she seems to be applying the dispassionate Christie style to a book that wants to be Gaudy Night but can't be.

Anyway, even her less enjoyable books can still be pretty fun, and it's worth it to have books like Murder Must Advertise and Strong Poison, and the thrilling romance of Gaudy Night. But yeah, Carcase is a bit of a slog to get through.

i really like looking at google image searches for “firemen rescuing cats” or something because you get super cute pictures like

AND THEN THERE’S THIS ONE

Southern Hemisphere, Earth

@steggyfanevents | STEGGY MONTH CELEBRATION 24’ the road to endgame - attractive and next to each other

Oh gawd every time you think it's over it gers BETTER

🙌🏻 🙌🏻 🙌🏻 🙌🏻