distant--shadow
brows
@>-'-- i finally got a ko-fi and prints are available here early 30s transmasc. poster of fanart (often adult themes) and other ramblings. weak for imogen temult and suffering with imodna brainrot, though i'm also partial to imogearne (i just support my moon woman). ty 4 stopping by
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one for the road
(taking a break for a while, figured i may as well share this one before i'm mia. enjoy the spring or whatever season you're in☮️)
#imodna#imogen temult#laudna#critical role#wlw#(witch loving witch)#i will see myself out with an ichor play piece thanks
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woah, what was the comment?
whilst marisha was in the hot dog costume that looked more like a vulva, Liam said "this is orym's form of dread" (making a joke about him being gay so ew pussy terrifying to him/implying men don't have them)
#nah I'm not surprised coming from this cast#I just think like given how 'queer friendly' the show masks as they could go without saying hurtful stuff and things that perpetuate#these sort of cisnormative mindsets
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fun little transphobic comment from Liam there at the end of that ad
#haven't seen the episode yet but I am also taking a 'break' from posting again#if anyone wants my discord for chats or like a mailing list sorta situ feel free to shoot me a DM I still check those time to time but I'm#not using this site otherwise
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The thing that I keep getting stuck on is that Lilianna believed Imogen when she suggested she didn't know about the assassination attempt. Is she swayed because she's had a change of heart, or is she swayed because this deception means she can still believe in the uncomplicated innocence of her daughter? And if the latter, what happens if that image of Imogen is broken again?
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2 horrid nightmares in a row. this 1 trans guy can fit so much father-based ptsd in him.
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idk if this is really a prompt but after last episode i was thinking about your cyborg laudna form of dread art and the possibility of her adapting some of fcg’s aesthetic into her form of dread after everything, if that give you any ideas? love your art!
ahh thank you, it's real flattering to know that my cyborg assassin has been on your mind! honestly I've been wanting to draw/revisit that design the past couple weeks too, I'll make a note of this and see where it goes!
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Maybe something with Imogen and Liliana? All their interactions were really interesting last episode
aye, thanks for reminding me that I wanted to draw her! Will give it a go
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totally cool, totally fine. Just gotta get dressed and meet up with my normie cool friends after an episode like that and pretend I'm not an emotional wreck
#my anxiety meds were not enough lol#OK maybe not normies but they're freaks in different ways#I need to record a voice note of me shouting for ten minutes
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"BECOMING ONE WITH NATURE"
NOELIA TOWERS // 2023
[oil on canvas(?) | U/D]
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Going to throw my hat into the “Liliana sucks” arena with this piping hot take: She doesn’t really love Imogen.
She loves the idealized version of Imogen she’s built in her head over 25 years of absolutely no contact with her. She loves the innocent little girl that needs her mommy to protect her from the big bad gods. She loves the daughter who will be grateful to her for all the hard decisions she had to make.
Her denial and self-absorption were enough to protect that ideal of her daughter from actual Imogen begging her to reconsider; she could tell herself that Imogen just didn’t understand what was at stake, or why these hard decisions had to be made.
But Imogen finally crossed a line that Liliana couldn’t reconcile with her idealized little girl, and that’s why Liliana broke so dramatically. Her “daughter” is dead, replaced with a hardened adventurer who’s willing to make her own hard decisions, and isn’t going to thank Liliana for the carnage she and Ludinus have left in their wake.
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there are yellows on yellows and greens on greens
merges goarse flowers' and daffodils' seams
patterning a quilt or a lightweight spring jacket
for a fox in the gutter twisted at the hip
wearing its intestines like a scarf
reds on reds on greys on drains
at another park
I make myself a temporary public sculpture next to the path
church hall disco fog machine nostrils billowing
coat the pond where a swan builds her nest
out of reeds and organ pipe cleaners and a string vest
by the north sea
in the harbour workers with cigarettes frankenstein fishing nets
I photographed, saltwatered and nicotined holding my breath
and between deaf ears sits mother's inebriated mouth
rehearses apologies around teeth that want to fall out
back at home
standing on a samaritans' bridge
my weather report is relayed from the motorway underpass
broadcasts a yellow rain warning in yellow LEDs
lands on oxidised burnt umbers and crusty eroding chromes
blends into one paint stroke as my eyes water
father mother son daughter
you always get the word wrong
empty cans crossing the road a family of ducks
mother (father) (daughter) son
cheep cheep cheap chin wag swan song
pressure washes the pavement with the acid inside my stomach
red lorry yellow lolly (you always get the word wrong)
into the gutter
mono tone
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beautiful drawing I saw in the women's bathroom last night at the bar
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Hélène Delmaire shares her process and sketches while creating the ‘Portrait’ Criterion Collection DVD/Blu-ray cover (article linked in source)
#relatable when she talks about zoning out doing the folds in the fabric#I should do a day of just studying draped tea towels and jackets n shit
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#felt#no but also like it is the number 1 turn on but also like such a distinction between bad moaning/words not good and otherwise
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Danusha Laméris, Bonfire Opera: Poems; “Passion Fish”
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