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dihuh · 2 months
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I've been greatly enjoying Swamp Jawn's analysis of Dungeon Meshi, and I would recommend anyone with an interest in storyboarding to watch this video in particular to see how you can use character blocking and motion to move from one shot to the next! And totally agreed on the soap making montage, it's integral to the story to see that both Senshi and Marcille are fallible and that each world view can learn from each other!
Dungeon Meshi Episode 7 was super interesting from an adaptation standpoint - this'll be a little different from what I usually write about (though I do still talk about the animation in the full video).
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Studio Trigger have never done a straight-up manga adaptation before - and led by Yoshihiro Miyajima, a big fan of the manga who pushed hard for the adaptation to get made, and who has never directed a full series before, it was unclear if they'd be able to find the right balance between a simple panel-for-panel recreation and making something that's completely different.
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And in the first few episodes, you could really feel the tension between the influence of a cautious young creative with great respect for the source material, and a studio with a unique established visual style. It kinda seemed like they were ping-ponging willy-nillily between the two sides of that spectrum.
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But this episode showed that Miyajima (and series writer Kimiko Ueno) can take 3 chapters, slice them up and rearrange them into a cohesive-feeling episode while taking into account the differences between screen and page, and using them to their advantage.
Starting with the way the water looks. This line from the manga describes a faint magical glow to the water in this lake and you can see that the cavern fades into darkness above, but Kui's illustration style doesn't really define lighting and shadows very much compared to the cel-drawing style of animation. So the animators took the opportunity to use the water as the light source, and make a whole episode that's lit almost entirely from below. It really gives an otherworldly feeling to this area.
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Particularly when the Kelpie shows up, that under-lighting works wonders to define its anatomy within the relatively simple line art.
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What do you do when you can't show the immense fuck-off scale of a monster with a beautiful full-page spread like this?
Well you use what you do have: the ability to move the camera instead. This is such a great way to communicate the scale of this thing, AND such a great way to show some of Senshi's anime-original butt-cheeks!
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This is one of my favorite shots from this episode - this whole sequence is super hectic, cutting quickly from character to character, but they use tricks like this to keep you from getting confused. This is framed much like it is in the manga, but with the moving image, they're able to use the trajectory of the fish head in the background to lead your eye directly from Chilchuck, right to the point where Senshi pops up in the foreground and transition seamlessly from one character to another!
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Now, it's not all good - I am a bit disappointed that they removed Marcille's own Senshi-style soap-making montage, which was the perfect visual representation of the culmination of the character development and understanding built between Senshi and Marcille.
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It's a shame to see it go.
I get more into that, what else was cut, and much more in this video where I broke down the entire episode!
Check it out if you feel like it. If you don't, jump in a ditch, cover yourself in leaves and jump out at people as they walk by.
Thanks for reading!
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dihuh · 8 months
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sneak peek at good omens season 3
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dihuh · 9 months
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I second that other anon, you went from making a great webcomic to making great cartoons and I'm really glad to hear things have been going well for you.
ahhh!!! this is too kind, thank you! ;;;;;
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dihuh · 9 months
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hello again!
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dihuh · 9 months
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Sometimes I just really wanna draw hair!
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dihuh · 9 months
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I get very excited whenever I see your name listed on a project. I'm like "look!!! I know that person!! I follow her webcomic and have for many years! I'm so glad she's doing well"
AHH T___T that is so kind!! I've been very lucky to have been busy in animation for the past 10 years now, but I really do miss the time and energy I used to have for my own projects! So I'm really honored you all stuck around, thank you ;____;
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dihuh · 9 months
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i love your art so much, i was reading lonely vincent and then ended up looking you up to follow here! im not sure if you knew already but the tumblr link on lonely vincent's website leads to a different blog
Thank you so much!! And whoops yes, I did actually change the name of my blog to be more consistent with the rest of my branding on other social media... I'll update it when I finally get around to starting my webcomic again haha, it's in a heavy planning/wistful thinking stage :')
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dihuh · 9 months
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I lurk here a lot and I need to update more
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dihuh · 1 year
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These are old doodles from 2020 in the thick of the pandemic. I adopted my sweet kitten BB Slider and she was my constant companion for the loneliest days of lockdown. 
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dihuh · 1 year
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just some dads playing god of war
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dihuh · 1 year
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Finished this up today, not sure which i like better
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dihuh · 1 year
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A quick little study of Nyx, from the Apple TV+ series I directed on last year, Wolfboy and The Everything Factory! I love Nyx with all my heart
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dihuh · 1 year
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This is and probably will always be one of my favorite things I’ve ever boarded haha, from Infinity Train Book 3.
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dihuh · 1 year
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Oh my gosh hi! Glad to see you're back! I was just thinking about your webcomic the other day! Hope your week is off to a good start!!
This is so sweet, thank you! It's honestly nice to be back on tumblr. :') Happy to keep working on the reboot of the webcomic too, hope you all can see it... soonish lol!
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dihuh · 1 year
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Some new art, wow
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dihuh · 1 year
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I made this last year after I watched Squid Game
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dihuh · 1 year
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I made this on the very last day of 2021, and this is probably the last time I did a full color proper illustration, oof...
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