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creaman · 1 hour
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She Space on my Ghost til I Coast to Coast
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creaman · 1 day
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Every time someone says Scarecrow doesn’t have a god complex, I point them to this story. He literally calls himself GOD OF FEAR.
Batman: Shadow of the Bat #18  || Scanned at 300dpi
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creaman · 2 days
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reservoir dogs react to you being pregnant!! ♥
mr orange
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"um. i don't know. thats scary"
mr brown
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"unbelievable. this is EXACTLY the problem with women these days. y-you just assume that men want to deal with your BULLSHIT all the time *poking you with the end of a cigarette* do you think i give a FUCK about what you have to say. hey where are yiu going i wasnt done i want to talk about fight club"
mr pink
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"thats really cool babe. hey would you mind closing your eyes for a bit and giving me your car keys"
mr blonde
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"i don't fucking care."
mr blue
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"heyyy its me mr blue"
mr white
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creaman · 4 days
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creaman · 5 days
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Burger eating a Brak for @vincepti0n
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creaman · 20 days
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hot artists don't gatekeep
I've been resource gathering for YEARS so now I am going to share my dragons hoard
Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.
Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.
Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.
Smithsonian Open Access. Loads of free images. Free.
SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.
SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.
Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.
Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.
Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.
Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.
Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.
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creaman · 21 days
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spending the entire day writing one paragraph
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creaman · 22 days
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As a request, maybe a Jonathan Crane? Or do you not really do other rogues? Thanks for reading, whatever the outcome.
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Sometime I draw other gotham villains but the quality isn’t always enough to post here😂 and I like LOBO in DC villains besides the Joker, but is he a villain or …anti-hero…?
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creaman · 25 days
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Idk if I'm allowed to encourage this but everything you said about Kung fu Panda 4 is correct, it not only killed my grandma but massacred my bloodline. The only saving grace of that movie was the cute Dad stuff, and that the theater I watched it in had comfy reclining sofa chairs as seats.
Although you can make the point that Li and Ping 'distract from the film', being the B plot, they are genuinely the only good part of the movie. Again, you could argue that their absense would mean more time to develop the A plot, but their precense is the only funny and charming part of the film and the A plot had plenty of time.
The movie has the same runtime as its predecessors, but chose to spend near all of its time padding out the A plot with spoken exposition and filler chase sequences when it could have been fleshing out The Chameleon as a villain and developing Zhen and Po's dynamic.
Now taking this opportunity to talk about some of the secondary points I didn't get to cover in the primary post (hating is my passion)
Original Post
KFP4 spoilers again
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Juniper City Sequence
A lot of the comedy is generic subversion — A statement followed by a verbal or visual contradiction which is standard, worn out and the laziest most predictable form of comedy.
There was also a scene that actually made me pause the movie and cackle; not from the humour, but from the sheer absurdity; — in which Po refers to himself as “—The Kung Fu Panda!”
Has never previously referred to himself as this
Has never been referred to as that by others
This is a genius scene which takes inspiration from the most memorable sequence in Kung Fu Panda 2, in which Lord Shen utters the chilling line, "You see, I need my Kung Fu Panda Too." (So powerful. Brought tears to my eyes.)
Smarmy. Arrogant. Unearned. Even if this was the Kung Fu Panda I knew and loved, what a pompous way to put it.
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The Staff of Wisdom
It's pretty great. I tuned out all the lore, mostly because the first scene with this object is Po exclaiming "The staff of wisdom!" followed by nothing but exposition.
It's the implication that he's nothing without it, and that it embodies the Dragon Warrior. He's reduced to a staff which essentially has no function until the end. It sticks out in every scene because this meathead carries it everywhere, like its his house keys.
This one is a nitpick, but I think it looks stupid. It was fine in the third film because it functions as a little trophy for him, having defeated General Kai and finding peace with his identity — but it's too small for him, reads like a fucking lollipop and he looks ridiculous holding it because he doesn't use it in most of his scenes so it's just dead weight for the entire runtime.
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The Final Act
This part is a little less structured — I had stopped taking proper notes and started typing 'WHY??' and 'FUCK YOU'.
The Kung Fu Masters. My favourite part of the film, as a Lord Shen enthusiast, was when they brought him in for two seconds and then had him sit in a cage with no spoken dialogue for the remainder of the sequence. Why are they here? Why is kung fu stored in the spirit? (pee is stored in the balls?)
Just tried to talk about the bowing scene again but I just know I'm going to give myself an aneurysm. Postponed.
The defeat of The Chameleon. Among the most memorable villain defeats, we bring you: head trauma.
The Amalgamation. Oh man. Sorcery was already a stretch in the worldbuilding of Kung Fu Panda. Now you're telling me The Chameleon can shift into a huge amalgamation of all the kung fu masters? This has nothing to do with kung fu anymore — artificially inflated as a threat by being... bigger.
Spoilers, She doesn't even do anything with this. Kind of just runs around snapping at their heels.
The Chameleon really doesn't utilise her abilities at all. She turns into Lord Shen to... to kick Po. Not to manipulate him psychologically or anything, but to... kick him. Alright.
They opted to make the fight sequence cool (by having the Chameleon shift between forms for no real purpose) but the fight scene is a nothing burger, in which no real damage is done to either party until Po busts out the pwn stick.
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Closing Statements
I don't hate Kung Fu Panda 4 (blatant lie). I wanted the film to succeed, genuinely. But the state of it now...
Mess. Bury it.
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creaman · 26 days
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Do you have a voice claim for your Scarecrow? (I want to dunk your Scarecrow design in water and hang him by comically large clothes pins on a clothesline to dry/aff)
I'm not as firm on my Scarecrow as I was on my Riddler and Hatter voice claims, but this is what I have listed for now; subject to changes.
My Scarecrow is very reserved, but craves power and control.
The echoey Mister Negative voice lines would funciton as his voice to somebody under the influence of his toxins.
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creaman · 26 days
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prev tags.
You can really see the KFP2 influences, bits of it, Zhen’s hug in the third-act conflict mirroring Tigresses’, the factory/quarry sequences, the henchmen being reskins of Shen’s wolves — all of which is done with less charm and poorly integrated with the ‘fun’ elements. All of which completely unearned.
—BECAUSE KUNG FU PANDA 4 KILLED MY GRANDMA, OKAY?
To preface, I watched this movie and I'm genuinely tweaking right now so I had to write down a very brief (lie) criticism on this film — which you should boycott, by the way.
Starting with the things I liked, before briefing my primary points of criticism:
Po's Character Regression
Po and Zhen's Dynamic
The Chameleon
I'd also yap about Lord Shen and the death of the art style and the entire narrative and pacing and use of the staff of wisdom but my therapist says being such a hater is 'unhealthy' or something. My heart is full of hatred.
SPOILERS for the entirety KFP4 for the 2 people who care.
KFP4 undermines and ignores the previous three movies — Unwriting character developments, outright removing the Furious Five, straying from the character design philosophies and is completely inconsistent with the established lore.
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Things I Liked About Kung Fu Panda 4
The Chameleon's character design
Visual gag in the Tavern where Po uses a recently thrown axe as a hat rack (made me laugh)
When Mr. Ping did this:
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so cute! the little heart!
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Po — Character Writing
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Po, as established in the previous movies, is confident in his abilities and identity — he’s learnt inner peace, he’s matured as a character. However, in KFP4, his character has completely regressed. He’s immature again (such as KFP1, possibly worse) and says verbatim, “only knows kicking butt and taking names” — UNLEARNING inner peace and insisting that “…being the Dragon Warrior is all I know.”
It’s childish, and sort of Hotel Transylvania-esque.
Which isn’t helped by the comedy, the dialogue — a large chunk of which are jokes in the style of:
Master Shifu says something philosophical
Po quips off of it / doesn’t get it (i.e. Whoa!! beat I don’t know what that means.)
Oh, it’s great, yeah, very tolerable. Po’s shenanigans are normally reeled in by the presence of the Furious Five who are generally more serious in nature, creating a much needed balance in the dynamic — So without them, it’s just Po becoming increasingly obnoxious and insufferable with every consecutive quip throughout the screenplay.
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Po and Zhen — Character Dynamics
[No more graphics sorry I'm too angry]
As if it wasn’t obvious that Zhen was going to be the next Dragon Warrior the second she was introduced.
Zhen, as a character, has no depth besides being a quippy thief. She quips, she steals. This character has no motives — it can be assumed that the writers intended on a ‘change of heart’ thing, but she isn’t established as evil, her working for the Chameleon is written as a (albeit poor) twist reveal.
By which point, her taking either side wouldn’t make sense, given that she has shown no loyalty or attachment to either Po nor the Chameleon.
The movie artificially strengthens their bond by having Zhen start opening up about her backstory out of nowhere for no reason but they have done nothing to grow closer to each other.
Small tangent, her backstory is exactly what you’d expect it to be with no subversions or even emotional weight. Woe is me I was so small and hungry I had to steal to survive. Glossed over in about a minute.
The majority of the dialogue between Zhen and Po is spoken exposition — explaining how powerful and badass the Chameleon is, explaining how ‘we have to go here to do that’ and ‘this place was cool until the Chameleon did such and such’, and the rest of their time together is spent engaging in filler chase sequences and fight scenes.
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The Chameleon
Where do I even start…
This is where it becomes apparent that the movie relies heavily on telling rather than showing —
She is the weakest villain by far, not only in universe but as a written character; which is particularly disheartening because I genuinely adore her character design and feel as though a shapeshifting character has great potential.
The movie artificially inflates her power by insisting through exposition that this is the most capable antagonist thus far (lie).
The audience is TOLD by Zhen and various restaurant patrons that the Chameleon is a powerful shapeshifting sorceress and that she 'dominates the city' whilst the film does nothing to showcase this.
'Dominating the city' meaning letting her henchpeople run amock and bully the civilians just like Lord Shen's wolves in KFP2... uninspired.
I just realised they didn't even give her a NAME what the FUCK is going on
She describes HERSELF as ruthless, clever and unsentimental when comparing Zhen to herself.
She says HERSELF that she’s “Stronger than every opponent you’ve ever faced.”
Let’s see what vile reprehensible things she’s done, shall we?
Gently push someone down some stairs
Her first appearance is through Zhen’s exposition, as opposed to the dramatic and memorable entrances of the previous villains. Her motives or character aren’t established until the final third of the film. She doesn’t even FIGHT anybody until the final third of the film; and even then, her fight sequences are uninspired and she never really poses a real threat. (She goes down in two hits.)
That being said, WE CAN STILL SAVE HER GUYS WE CAN STILL GET HER OUTTA THERE I'M COMING FOR YOU CHAMELEON I'M GONNA DRAFT YOU A PROPER BACKSTORY AND MOTIVE AND YOU'RE GONNA BE THE MOST THREATENING VILLAIN THUS FAR
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There's a scene after the climax of the film where all the kung fu masters and previous villains from the spirit realm bow to Po. I'm not going to provide my thoughts on this because I fear I may burst a blood vessel. Good day!
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Closing Statements
To put it simply, Kung Fu Panda 4 was my Megamind 2.
The film rejects its predecessors in every way. It really feels as though they brought in somebody with no prior knowledge of the franchise to direct the movie.
It's a film that relies heavily on telling rather than showing — banking on the previous three movies to carry it through the box office.
It's just really disheartening to see studio execs turn one of the best franchises into a safe sequel cash grab and regress every character's development.
Nevertheless. I do adore the chameleon's character design so I might do my own take on her character.
As far as I'm concerned, there is no fairy godmother, there is no tooth fairy, and there is no kung fu panda 4.
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creaman · 26 days
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—BECAUSE KUNG FU PANDA 4 KILLED MY GRANDMA, OKAY?
To preface, I watched this movie and I'm genuinely tweaking right now so I had to write down a very brief (lie) criticism on this film — which you should boycott, by the way.
Starting with the things I liked, before briefing my primary points of criticism:
Po's Character Regression
Po and Zhen's Dynamic
The Chameleon
I'd also yap about Lord Shen and the death of the art style and the entire narrative and pacing and use of the staff of wisdom but my therapist says being such a hater is 'unhealthy' or something. My heart is full of hatred.
SPOILERS for the entirety KFP4 for the 2 people who care.
KFP4 undermines and ignores the previous three movies — Unwriting character developments, outright removing the Furious Five, straying from the character design philosophies and is completely inconsistent with the established lore.
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Things I Liked About Kung Fu Panda 4
The Chameleon's character design
Visual gag in the Tavern where Po uses a recently thrown axe as a hat rack (made me laugh)
When Mr. Ping did this:
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so cute! the little heart!
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Po — Character Writing
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Po, as established in the previous movies, is confident in his abilities and identity — he’s learnt inner peace, he’s matured as a character. However, in KFP4, his character has completely regressed. He’s immature again (such as KFP1, possibly worse) and says verbatim, “only knows kicking butt and taking names” — UNLEARNING inner peace and insisting that “…being the Dragon Warrior is all I know.”
It’s childish, and sort of Hotel Transylvania-esque.
Which isn’t helped by the comedy, the dialogue — a large chunk of which are jokes in the style of:
Master Shifu says something philosophical
Po quips off of it / doesn’t get it (i.e. Whoa!! beat I don’t know what that means.)
Oh, it’s great, yeah, very tolerable. Po’s shenanigans are normally reeled in by the presence of the Furious Five who are generally more serious in nature, creating a much needed balance in the dynamic — So without them, it’s just Po becoming increasingly obnoxious and insufferable with every consecutive quip throughout the screenplay.
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Po and Zhen — Character Dynamics
[No more graphics sorry I'm too angry]
As if it wasn’t obvious that Zhen was going to be the next Dragon Warrior the second she was introduced.
Zhen, as a character, has no depth besides being a quippy thief. She quips, she steals. This character has no motives — it can be assumed that the writers intended on a ‘change of heart’ thing, but she isn’t established as evil, her working for the Chameleon is written as a (albeit poor) twist reveal.
By which point, her taking either side wouldn’t make sense, given that she has shown no loyalty or attachment to either Po nor the Chameleon.
The movie artificially strengthens their bond by having Zhen start opening up about her backstory out of nowhere for no reason but they have done nothing to grow closer to each other.
Small tangent, her backstory is exactly what you’d expect it to be with no subversions or even emotional weight. Woe is me I was so small and hungry I had to steal to survive. Glossed over in about a minute.
The majority of the dialogue between Zhen and Po is spoken exposition — explaining how powerful and badass the Chameleon is, explaining how ‘we have to go here to do that’ and ‘this place was cool until the Chameleon did such and such’, and the rest of their time together is spent engaging in filler chase sequences and fight scenes.
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The Chameleon
Where do I even start…
This is where it becomes apparent that the movie relies heavily on telling rather than showing —
She is the weakest villain by far, not only in universe but as a written character; which is particularly disheartening because I genuinely adore her character design and feel as though a shapeshifting character has great potential.
The movie artificially inflates her power by insisting through exposition that this is the most capable antagonist thus far (lie).
The audience is TOLD by Zhen and various restaurant patrons that the Chameleon is a powerful shapeshifting sorceress and that she 'dominates the city' whilst the film does nothing to showcase this.
'Dominating the city' meaning letting her henchpeople run amock and bully the civilians just like Lord Shen's wolves in KFP2... uninspired.
I just realised they didn't even give her a NAME what the FUCK is going on
She describes HERSELF as ruthless, clever and unsentimental when comparing Zhen to herself.
She says HERSELF that she’s “Stronger than every opponent you’ve ever faced.”
Let’s see what vile reprehensible things she’s done, shall we?
Gently push someone down some stairs
Her first appearance is through Zhen’s exposition, as opposed to the dramatic and memorable entrances of the previous villains. Her motives or character aren’t established until the final third of the film. She doesn’t even FIGHT anybody until the final third of the film; and even then, her fight sequences are uninspired and she never really poses a real threat. (She goes down in two hits.)
That being said, WE CAN STILL SAVE HER GUYS WE CAN STILL GET HER OUTTA THERE I'M COMING FOR YOU CHAMELEON I'M GONNA DRAFT YOU A PROPER BACKSTORY AND MOTIVE AND YOU'RE GONNA BE THE MOST THREATENING VILLAIN THUS FAR
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There's a scene after the climax of the film where all the kung fu masters and previous villains from the spirit realm bow to Po. I'm not going to provide my thoughts on this because I fear I may burst a blood vessel. Good day!
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Closing Statements
To put it simply, Kung Fu Panda 4 was my Megamind 2.
The film rejects its predecessors in every way. It really feels as though they brought in somebody with no prior knowledge of the franchise to direct the movie.
It's a film that relies heavily on telling rather than showing — banking on the previous three movies to carry it through the box office.
It's just really disheartening to see studio execs turn one of the best franchises into a safe sequel cash grab and regress every character's development.
Nevertheless. I do adore the chameleon's character design so I might do my own take on her character.
As far as I'm concerned, there is no fairy godmother, there is no tooth fairy, and there is no kung fu panda 4.
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creaman · 28 days
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I’m his biggest hater
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creaman · 29 days
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fucked up drawings ft. a lot of @creaman 's sona and gamer scarecrow sona that i did LAST year
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creaman · 29 days
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I fell off
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creaman · 29 days
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Would love to hear about your hatter 👀
Here’s a voice claim.
I can’t tell you an awful lot but I can tell you that he has burnt off all of his fingerprints for an unspecified reason and that he often shatters his teapot against a table and holds out the remnants as a melee weapon looking around frantically and screeching “WHAT? WHO GOES THERE?”
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creaman · 30 days
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I’m his biggest hater
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