Ascetic Holding a Skull, c. 500, Cleveland Museum of Art: Chinese Art

The figure holding the skull has been identified as Mrgasirsa, who sought Buddha’s teaching on how to determine the karma and transmigration of the arhats. Mrgasirsa appears with Vasistha in some of the wall paintings of the Mogao grottoes in Dunhuang. Size: Overall: 19.4 cm (7 5/8 in.); Figure: 18.1 cm (7 1/8 in.) Medium: gilt bronze

https://clevelandart.org/art/1980.25

Listening to the Qin (Zither), Liu Songnian, 1150 - after 1225, Cleveland Museum of Art: Chinese Art

Size: Image: 23.8 x 24.6 cm (9 3/8 x 9 11/16 in.); with mat: 33.3 x 40.5 cm (13 1/8 x 15 15/16 in.) Medium: album leaf, ink and slight color on silk

https://clevelandart.org/art/1983.85

Landscape after Li Cheng, Unidentified Artist, 18th century or later, spurious date of 1680, Metropolitan Museum of Art: Asian Art

John Stewart Kennedy Fund, 1913 Size: 14 ½ x 11 1/8 in. (36.8 x 28.3 cm) Medium: Hanging scroll; ink on silk

https://www.metmuseum.org/art/collection/search/35971

Mirror with a Central Square, Immortals, and Auspicious Animals, 2nd century, Cleveland Museum of Art: Chinese Art

Size: Diameter: 18.4 cm (7 1/4 in.); Overall: 2 cm (13/16 in.); Rim: 0.7 cm (1/4 in.) Medium: bronze

https://clevelandart.org/art/1995.330

Winter Landscape, Yeoseol, 1500s, Cleveland Museum of Art: Korean Art

This wintry vista is a vivid example of idealistic monumental painting: the strong contrasts of ink washes and contouring brush lines; the bold outlining of rock shapes and tree trunks; and the many short, twisting brushstrokes which build up the surfaces of the rocks. Much of the painting’s appeal can be attributed to the dynamic lines and contrasting tonal patterns that lead the viewer’s eye from the lower foreground toward the cold mountain peaks in the distance. In the corner is the artist’s seal, “Yeoseol,” which means snow-like. Size: Image: 92.4 x 52.7 cm (36 3/8 x 20 ¾ in.); Overall: 195.6 x 74.9 cm (77 x 29 ½ in.) Medium: hanging scroll; ink and slight color on silk

https://clevelandart.org/art/1986.45

Square Covered Box with Hundred Antiquities, 1723-1735, Cleveland Museum of Art: Chinese Art

The painted decoration in this box cover provides an interesting image of the antiquities and objects being collected in the Chinese scholar’s desk—all of which are emblems of taste, status, and affluence. Connoisseurship, art cataloguing, art historical study, and elegant social gatherings developed alongside art collecting as part of the Chinese literati culture. Size: Overall: 4 x 7.5 cm (1 9/16 x 2 15/16 in.) Medium: porcelain with famille rose overglaze enamel decoration

https://clevelandart.org/art/1989.309

Poem No. 2: Of the Sea, Onchi Kōshirō, June 1957, Minneapolis Institute of Art: Japanese and Korean Art

abstract From the later memorial edition. Size: 17 ½ x 17 3/8 in. (44.5 x 44.2 cm) (image, sheet) Medium: Woodblock print; ink and color on paper

https://collections.artsmia.org/art/82416/

Album of Seasonal Landscapes, Leaf D (previous leaf 2), Xiao Yuncong, 1668, Cleveland Museum of Art: Chinese Art

Size: Overall: 21 x 15.8 cm (8 1/4 x 6 1/4 in.) Medium: album leaf, ink and light color on paper

https://clevelandart.org/art/1955.302.2

Flattened Ovoid Snuff Bottle with Stopper, 1796-1820, Cleveland Museum of Art: Chinese Art

Size: Overall: 8.4 cm (3 5/16 in.) Medium: porcelain

https://clevelandart.org/art/1944.214.a

Granary Urn, 206 BC - AD 220, Cleveland Museum of Art: Chinese Art

Size: Diameter: 26.1 cm (10 1/4 in.) Medium: glazed earthenware

https://clevelandart.org/art/1940.971

Yukadi Falls , Nikko (Nikko Yukadi), Kawase Hasui, 1941, Art Institute of Chicago: Asian Art

Bruce Goff Archive, gift of Shin'enkan, Inc. Size: 36.2 x 24.1 cm Medium: Color woodblock print

https://www.artic.edu/artworks/197341/

Snuff Bottle, 1644-1912, Cleveland Museum of Art: Chinese Art

Size: Overall: 7.7 cm (3 1/16 in.) Medium: glass

https://clevelandart.org/art/1920.429

Head from a Figure, Maya, c.600–909, Saint Louis Art Museum: Arts of Africa, Oceania, and the Americas

https://www.slam.org/collection/objects/9198/

Album of Miscellaneous Subjects, Leaf 5, Fan Qi, 1600s, Cleveland Museum of Art: Chinese Art

Leaf 5 This leaf evokes Zuo Si's poetic line: I shake my robe atop the cliff of thousand ren. Zhou Yi's colophon reads: That stone path surrounded by streams- for whom was it created? Leaning on my staff, I walk and hum, arriving alone. As soon as I ascend to gaze at these mountains, my happiness increases, Every morning the moistening dew makes the green moss slippery. Size: Image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); Overall: 21 x 22 cm (8 1/4 x 8 11/16 in.) Medium: album leaf, ink and color on silk

https://clevelandart.org/art/1975.22.5

Buddhist Triumphant over Temptation, c. 1300-1320, Cleveland Museum of Art: Chinese Art

Size: Overall: 28.6 cm (11 1/4 in.) Medium: gilt bronze

https://clevelandart.org/art/1972.161

Commemorative Cloth (adire oloba), Unidentified Yoruba artist, mid-20th century, Saint Louis Art Museum: Arts of Africa, Oceania, and the Americas

https://www.slam.org/collection/objects/54259/

Bowl: Cizhou ware, 1368- 1644, Cleveland Museum of Art: Chinese Art

Size: Diameter: 27.4 cm (10 13/16 in.); Overall: 16.4 cm (6 7/16 in.) Medium: stoneware

https://clevelandart.org/art/1948.207