Archival #15 [Long]
Spring 2023
Kissing the hand in the dark
All of your lips course and spark
Raising the hairs on her fingers
like trees in wildfire lose bark
.
.
Nothing will ever placate
my nature’s indiscretion
An everyday intoxicant
A gauntlet of obsession
Scriptwriter,
would you not
write me wise?
What is ironic
about the look in your eyes?
I cannot see
you easily
but I feel the film careening
I hope they capture
the way that you are
.
.
The temperature plummets
I cannot face the wind
I am radiating heat
and steam rises from me
like a hissing snake
slithering in the blue morning
skyward over a copse of trees
.
.
Someday there will be a change and we will all feel it.
.
.
No landmarks
No good or bad
No consequence
No decision
No direction
No closure
No end
.
.
Red flag,
freezing wave
Caught between
movement
At the mercy
of two hands
Fingers at a
half-mast
.
.
I steal a cup
to collect you in
I shake it on the streets
with my head bowed low
The pedestrian shuffle
sounds like your name
repeating
Who am I to you?
Who am I to anyone?
.
.
Will you let me find
a new way to say
these words?
A different way
A better meaning
Like how moving furniture
can really change a space
.
.
The floor that gave with every step.
.
.
It sees the bigger picture
It hands me an eraser
It wants me to know
the mistakes I am making
It wants me to change
but I do not
And my ears close
and my throat closes
and I wonder
if death is worth fearing
at 29
.
.
When was the last time
I stayed out
til I feared the sun
would see me?
When was the last time
I felt his eyes
upon my head
as I turned away to sleep in agony?
In the morning
he’s still watching me
and I wonder what he thought
about the words I spoke
in my dreams
.
.
You pass a witness
on the path
Your way divided
A yellow dash
Reflection only
in pavement passed
Beneath like bows
on presents wrapped
Giftgive in silence,
in nods and glance
A strange encounter
A stranger dance
The denim, blue on
blue black bike chain
Grease on my pant leg
I mix it with air
I pat the way down and
continue on.
.
.
I have one minute and it’s all I’ll ever need.
.
.
I’ve been taught
the most and the quickest
by the people who know the least
I have been given a scythe
with no deadline
for a field of wheat
Final stalk uncut
I grasp it gently between my fingers
and cut it like I were loosing a ballon
.
.
Two streams moving beneath two gentle stars.
.
.
I want to start making promises
but I’ve never known
something that cant be broken
.
.
Tiny sips
at a manageable
pace
Banging a
stack
of paper
on a desk
40 corners
and then
You turn
your back
I twist
spin in
the chair
form
a cycle
in
my heart
and keep
you deep
down there
.
.
It is possible
that the world may spin
without an impossible
complication
There are mornings
which may rise
without melody
in the throats of men
The silence is not empty
It is working too,
whispering
the implication
between me and you
.
.
Fake everything.
.
.
The spider in the ice cube
You saw it as you filled
You didnt care to warn it
You turned away and killed
It melts down in your water
and climbs upside the cup
And falls into your stomach
and never comes back up
.
.
Birds at nightfall
but which will be
the last to sing
a song for me
If one is followed
in tune by two
I wait for three
or else it’s you
.
.
I will never amount to anything and twenty minutes ago I considered how likely it was I could never write a word again
I am looking down a million pinholes backwards through time so what is a pair of binoculars to the Abyss Watcher?
What is age to the man about to die?
If you are reading this then it is too late
I see your eyes now
moving across the sky in an extraterrestrial pattern
Deep in the distance you are waving the world away
and I mistake it for a greeting
.
.
Fog is lifting.
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Archival #14
Early 2023
This will be the death of us all.
.
.
I want to tell you
every word I know
I want to hear you
in the air around me
I want to see you
whenever I want to
like a light I can keep
in a jar
A polestar, tethered to you
with a rope around your waist
Fateful orbiter,
gathering stars as I pass them
in a bouquet of blinding white
so volatile
you close your eyes as I give it to you
The thought pulsed
as I turned it in my head
A trinket I found on the ground
that I’m trying to recognize
the strange sentiment in
You mean something to someone,
yet here you are in my pocket
and I feel you against my leg
and smile as I take each step
more towards you each time
.
.
I was born with the gap of a snake’s teeth in my heart
and I have been measuring the holes
for my entire life
Matching the puncture
with the poison
and never considering
the fangs
.
.
You can’t escape something when it’s part of you.
.
.
When I was the last to speak to the sun
Held court at the end of the world
It bled a final time on the mantle
of the horizon
Spilling there like a bowl of cherries
across oceans
Keeping the stems for myself
to chew on
“You will not be saved from the night
but I will guide you through it...”
Knowing better than any
the million pieces frozen forever
shifting inside me like ice on the water
Effortless motions in spite of it all
Desperate for warmth
beyond when night falls
.
.
Grant me clearance,
small portion of heaven
I want you to feel
the obsession
I feel
I want you to see my shadow
on the ground as you move
I want you to know what life looks like
from a bird’s eye view
Seat at the table
Eagle in the air
owning your thoughts
.
.
Early spring
at the top of the stairs
An air conditioner
where all of my memories live
Humming idle
in the greying afternoon
Burial mound
and the mounting wraith
Hanging from a scythe
like a monkeybar
Dangling my feet
over his cotton robe
in the broken place
Carpeted
Pale beige
Catching blood
and wine
in my open mouth
A faucet that never
turns off
It just keeps dripping
in the broken place
Glass on the floor
Dirt on the deck
You wipe your screen
You crane your neck
A vantage point for advantage
A retrospect of regret
.
.
I could drink at the well
for hours
Until my belly explodes
and washes the dirt
in pitch black
Blindly binding
Groping fingers push around the dust
Then night comes
and the darkness
falls into it
and it climbs out
I cant even hear my name
Someone watches from the trees
and I wont ever see their face
.
.
Ten thousand planes pass.
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Archival #13
Early 2023
I will lie in the earth and let the blood flow and tell you it’s growing flowers on your grave. I will tell you the sun is shining on your face as it turns to stone in my hands.
.
.
When the sun goes out
I screw in another
and the whirring threads
stitch my worried heart
Illuminating a surgical scar
that reads like a liturgy
Passing between passages
and small holes in skin
I start to feel the warm air
assimilate the cool again
So I open the window
to keep out the storm
that walks in my head
through a landscape of thorns
.
.
There is nothing difficult
about holding a hand
but I find it impossible
to keep my fingers
from crushing yours
Snapping, cracking
like stems cut from flowers
The trashbin will smell of roses
for a week to come
As I raise the lid
I raise your nails
with a winch
to sleep under
The gold
stains my palms
with glitter
I spread it to my face
as I stir in my sleep
And when I wake
the morning light
illuminates my skin
like the sunrise
over a field of dew
.
.
You should unmask. We have all laid aside disguise but you.
.
.
There is love in the violence
that tears a man apart
and there is mercy in the breaking
of a wide and lonely heart
I am painting with the blood
that pours from your arm
Something depicting
the way you used to feel
The red brings out emotion
that other colors do not do
So look into the mirror
See me looking back at you
.
.
I am on the verge of the void
If I raise my arm
it disappears
If I lean my head
there goes an ear
Holding onto life I feel it snuff out
with the same hollow wind
which laughs as it flows
from heartland to heartland
in a black undertow
.
.
Isn’t it red?
That hue as you carry
it closer, it mellows
It’s more like a yellow
Funny how things change
as they spend time in
your head
If you’d have caught it in its prime
You’d have given it all to green
Unchecked by time,
one draws from what one has seen
But you didn’t notice it was different
You didn’t notice at all
Until it was lying dead before you
Until summer turned to fall
.
.
If this is not what you meant it to be
then bend the earth back
and touch moon to sea
Let them kiss there quietly
The tides breathe:
“Finally”
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Archival #12
2022
Everybody’s right about me.
.
.
Between the dark and the shadow
Between the whisper and stare
Between the cold and the empty
Between what’s left of me there
Under the moonlight
In the pale glow
Set in a spotlight
Watch the flesh go
No place I know
No place I know
World I cannot
last but a day in
Pacifier placed
in the mouth in the dark
A sucking heard ere the valley
.
.
I live in a world that I imagine, and this imaginary world is the real world.
.
.
We only come here to sleep
We only come here to dream
It is not true, it is not true
that we come to earth to live
You think if you were known
in a different way
by different people
you’d be happy.
You see yourself
in stars that do not set
You see yourself
in your eyes
looking back.
.
.
This I expected,
a time before the dark
when some things just are
But I do not want to talk
about the power I feel
I do not want to whisper
about the light that I see
I want to show it to you
I hear the stone hammer smack,
again and again and
against fresh bone
What a familiar feeling!
The hand on your shoulder is
the pressure in your palm
The hour of the furnace
It is so bereft of purpose that
each ember is a burning bush
The quickness with which fire takes
is half as fast as the speed that it dies
and I am always at odds with the way it burns
and why
But I was not expecting this
Alone in the dark,
with their footsteps now falling,
their laughter an echo
deep down in my heart
This is the bottom of my life
The glass lands inside
My skin grows around it
My heart beats beside it
I bleed when I move
.
.
“I’m leery of mentioning the river of blood. I can feel the river but as yet I cannot map it or spell out all its tributaries or describe to see towards which it courses. I no longer think I am living in a world that is dying. Now I firmly believe it is being born.”
.
.
There’s blood on the steps
There’s a man on the mountain
There’s a bird in the air
and it’s falling down towards me
Sunbathing in the shadow
of a million broken pieces
It is everything we’ve known
all collapsing at once
In my breathing there is nothing
and the skin forms a mantle left to pale in the heat
What I wouldnt give for it to be the solstice
that was exploding on your shoulders
There’s blood on my hands
There’s a man in the doorway
There’s a lion in the den
and it’s mane is on fire
Sunbathing in the shadow
of the lonely darkened room
It is everything I’ve known
collapsing all at once
Sometimes I feel so far away from everything
from everyone
from me
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"𝘛𝘩𝘦𝘺 𝘳𝘰𝘥𝘦 𝘰𝘶𝘵 𝘸𝘪𝘵𝘩 𝘧𝘭𝘢𝘮𝘦𝘴 𝘢𝘭𝘭 𝘢𝘣𝘰𝘶𝘵 𝘵𝘩𝘦𝘮 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘴𝘩𝘢𝘥𝘰𝘸𝘴𝘩𝘢𝘱𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘦𝘴𝘦𝘳𝘵 𝘣𝘳𝘶𝘴𝘩 𝘳𝘦𝘦𝘭𝘪𝘯𝘨 𝘰𝘯 𝘵𝘩𝘦 𝘴𝘢𝘯𝘥𝘴 𝘶𝘯𝘵𝘪𝘭 𝘵𝘩𝘦𝘺 𝘩𝘢𝘥 𝘤𝘳𝘰𝘴𝘴𝘦𝘥 𝘢𝘭𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘥𝘢𝘳𝘬𝘯𝘦𝘴𝘴, 𝘵𝘰𝘸𝘢𝘳𝘥𝘴 𝘵𝘩𝘦 𝘦𝘷𝘦𝘯𝘪𝘯𝘨 𝘭𝘢𝘯𝘥𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘢𝘯𝘤𝘪𝘦𝘯𝘵 𝘱𝘢𝘯𝘥𝘦𝘮𝘰𝘯𝘪𝘶𝘮 𝘰𝘧 𝘵𝘩𝘦 𝘴𝘶𝘯. 𝘜𝘯𝘥𝘦𝘳 𝘵𝘩𝘦 𝘩𝘰𝘰𝘷𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘩𝘰𝘳𝘴𝘦𝘴 𝘵𝘩𝘦 𝘢𝘭𝘢𝘣𝘢𝘴𝘵𝘦𝘳 𝘴𝘢𝘯𝘥 𝘴𝘩𝘢𝘱𝘦𝘥 𝘢𝘯𝘥 𝘳𝘦𝘴𝘩𝘢𝘱𝘦𝘥 𝘪𝘵𝘴𝘦𝘭𝘧, 𝘳𝘦𝘴𝘰𝘯𝘢𝘵𝘪𝘯𝘨 𝘶𝘱𝘰𝘯 𝘵𝘩𝘢𝘵 𝘩𝘢𝘳𝘮𝘰𝘯𝘪𝘤 𝘨𝘳𝘰𝘶𝘯𝘥 𝘢𝘯𝘥 𝘵𝘶𝘳𝘯𝘪𝘯𝘨 𝘵𝘰 𝘴𝘸𝘪𝘳𝘭 𝘢𝘸𝘢𝘺 𝘰𝘷𝘦𝘳 𝘵𝘩𝘦 𝘱𝘭𝘢𝘺𝘢, 𝘢𝘴 𝘪𝘧 𝘵𝘩𝘦 𝘷𝘦𝘳𝘺 𝘴𝘦𝘥𝘪𝘮𝘦𝘯𝘵 𝘤𝘰𝘯𝘵𝘢𝘪𝘯𝘦𝘥 𝘵𝘩𝘦𝘳𝘦𝘪𝘯 𝘴𝘰𝘮𝘦 𝘧𝘢𝘪𝘯𝘵 𝘳𝘦𝘴𝘪𝘥𝘶𝘦 𝘰𝘧 𝘴𝘦𝘯𝘵𝘪𝘦𝘯𝘤𝘦."
Magic and Dread is the first chapter of music from 𝒮𝓉𝑜𝓇𝓎𝒷𝑜𝑜𝓀, a new fantasy-inspired synth project of mine. By embracing the natural elements of one world, a tale of another long forgotten is told. At the core of the record stands its primitive backbone, tribal rhythms constructed from rock and sandstone formations found beneath the boiling blood moons of the American southwest.
Listen/purchase here: MAGIC AND DREAD
Comfy Synth Archives: www.youtube.com/watch?v=MuvJVdRVB0c
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Archival #11
Autumn 2021
Does dirt taste different with context?
Does sand change under your thumb?
I could’ve swore the wind sang my favorite melody,
knew my birthday, loved my mum
How small is life here
and how big nothingness!
How I dont have words for any of these things
I don’t, I don’t, I don’t
Not only for how things are
but for how things can be
These don’t mean much of anything to me
I look forward
See darkness
Look upward
See light
Look down and
See nothing
Look left and
See right
Cahoots with the phantom
in wait with the key
Not ever presenting
less beckoned by thee
So how many miles
still to Babylon?
It’s threescore miles and ten
And can I get there
just by candlelight?
Yea, and back again
Yea, and back again
Yea, and back again
Yea, and back again
.
.
The sun,
The candle,
The lantern...
I will write it down in fire
and live inside it.
And put my fear
between it all
Away again,
where the wind
worships me asleep
Out there on the porch
Face in the window,
please be my reflection.
.
.
Your heart is the thinker
Your brain cools the blood
Your hands merely surface
to hold dirt and mud
Your eyes are a picture
In front is the screen
The things that you’re knowing
are not what they seem
So too is the tonguing
So desperate for taste
But in different context
A solid is paste
So what is to make of
The life that we live
When all that remains is
what’s left from the sieve
What’s dropped there between
the holes in perception
Flows out to the ocean
in its own direction
Be wary of movement
Be wary of “sure”
They’re tricks sent from heaven
as poison, as lure
.
.
The skeletons even
say “Isn’t he thin?”
And I stand to reason
with flesh they stood in
How can, so undying,
a memory fade?
Deep wells in my heart
Slow deaths in the shade
A community of lions
and devils and dirt
Whose only sole purpose
was contemplate hurt
And champion unwilling
Though willing too they seem
I’d ask what you were doing
but not know what you mean
Some bread left naked
My skin without freckle
My teeth stand unsharpened
My heart knows no courage
.
.
Oh beautiful bridge,
I cross you and leave the town
and see you stretch
in another day
against some other crossing
Looking the same but different
Older yet sometimes new
It’s hard to think I recognize you
Oh beautiful bridge,
I cross you and go into town
.
.
“” It was a beautiful sight
The struggle of carp
To regain their abode
Before the river dried up
To a trickle and trap
There in strange pools of water
You would not need a line
You would not need a hook
You could leave those at home
You would always return
Where no drama repeats
It was a sin to catch them
It was worse to eat them
They are part of the people
Under blankets of nets “”
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"𝘛𝘩𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘯𝘢𝘵𝘶𝘳𝘦 𝘰𝘧 𝘧𝘪𝘦𝘭𝘥 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘴𝘰𝘮𝘦𝘵𝘪𝘮𝘦𝘴 𝘳𝘦𝘢𝘥𝘴 𝘢𝘴 𝘢𝘶𝘵𝘰𝘣𝘪𝘰𝘨𝘳𝘢𝘱𝘩𝘪𝘤𝘢𝘭, 𝘪𝘵 𝘪𝘴 𝘰𝘧𝘵𝘦𝘯 𝘥𝘦𝘦𝘱𝘭𝘺 𝘦𝘯𝘵𝘳𝘦𝘯𝘤𝘩𝘦𝘥 𝘸𝘪𝘵𝘩𝘪𝘯 𝘢 𝘧𝘢𝘴𝘤𝘪𝘯𝘢𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘳𝘦𝘴𝘱𝘦𝘤𝘵 𝘧𝘰𝘳 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘪𝘯𝘨 𝘱𝘭𝘢𝘤𝘦𝘴; 𝘴𝘰𝘶𝘯𝘥𝘴 𝘴𝘦𝘦𝘮𝘪𝘯𝘨𝘭𝘺 𝘴𝘱𝘦𝘤𝘪𝘧𝘪𝘤 𝘵𝘰 𝘵𝘩𝘦𝘮, 𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳𝘴 𝘧𝘰𝘶𝘯𝘥 𝘵𝘩𝘦𝘳𝘦 𝘧𝘳𝘢𝘶𝘨𝘩𝘵 𝘸𝘪𝘵𝘩 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘷𝘦 𝘰𝘳, 𝘫𝘶𝘴𝘵 𝘢𝘴 𝘸𝘦𝘭𝘭, 𝘯𝘰𝘵; 𝘸𝘪𝘵𝘩 𝘮𝘰𝘮𝘦𝘯𝘵𝘴. 𝘔𝘺 𝘸𝘰𝘳𝘬 𝘴𝘦𝘦𝘬𝘴 𝘵𝘰 𝘥𝘪𝘳𝘦𝘤𝘵𝘭𝘺 𝘦𝘯𝘨𝘢𝘨𝘦 𝘸𝘪𝘵𝘩 𝘮𝘰𝘮𝘦𝘯𝘵𝘴 𝘵𝘩𝘢𝘵 𝘧𝘦𝘦𝘭 𝘦𝘯𝘵𝘪𝘳𝘦𝘭𝘺 𝘪𝘴𝘰𝘭𝘢𝘵𝘦𝘥 𝘢𝘯𝘥 𝘮𝘰𝘮𝘦𝘯𝘵𝘴, 𝘳𝘦𝘧𝘭𝘦𝘤𝘵𝘪𝘯𝘨, 𝘤𝘰𝘯𝘵𝘳𝘢𝘴𝘵𝘪𝘯𝘨, 𝘵𝘩𝘢𝘵 𝘧𝘦𝘦𝘭 𝘧𝘢𝘮𝘪𝘭𝘪𝘢𝘳. 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘪𝘯𝘵𝘪𝘮𝘢𝘤𝘺 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘧𝘳𝘢𝘨𝘪𝘭𝘪𝘵𝘺 𝘰𝘧 𝘪𝘵𝘴 𝘭𝘪𝘮𝘪𝘯𝘢𝘭 𝘣𝘭𝘰𝘰𝘮, 𝘢 𝘱𝘭𝘢𝘤𝘦 𝘺𝘰𝘶 𝘴𝘭𝘰𝘸𝘭𝘺 𝘳𝘦𝘤𝘰𝘨𝘯𝘪𝘻𝘦 𝘺𝘰𝘶𝘳𝘴𝘦𝘭𝘧 𝘢𝘯𝘥 𝘰𝘵𝘩𝘦𝘳𝘴 𝘪𝘯."
https://skupina.bandcamp.com/album/ganz-im-gegenteil
I am incredibly honored to share my newest solo tape, Ganz im Gegenteil, released today through the seminal Brno/Berlin-based label Skupina. Ganz im Gegenteil was composed and assembled using recordings which explore the tactile sounds of various objects; sand, tree branches, jewelry, hairbrushes, and many odd stretches of stone. The result is, according to the label, "an absorbing, panoramic, and restrained sound collage" with the subtlest hints of minimal techno and trance interwoven with indeterminate rhythms, jury-rigged electronics, concrète sounds, and of course, all-encompassing silence.
Sincere thanks to Ján for their notes, their support, and the important work they do both inside and outside of sound. Sessions took place in Tennessee, Ohio, Illinois, Nevada, and Death Valley, California throughout 2020 and 2021.
Photography by Vanessa Valadez
vanessaivaladez.com
Annotation and Mastering by Adam Badí Donoval
abdonoval.com
Tape duplication by Headless Duplicated Tapes
headlessduplicatedtapes.com
Design by Deep Throat Studio
deeeeeeeeeeeeeeeeeeeeepthroat.it
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𝘌𝘯 𝘗𝘭𝘦𝘪𝘯 𝘈𝘪𝘳
Sep. 30 - Oct. 8, 2021
Danmark // Sverige
Sun sometimes doesn’t set up here, but surely this trip is almost over? What day is it now? Trash needs sorting. Mind if I photo dump? Takk.
In order: Gothenburg, Copenhagen, Malmö, Rebild Bakker, Roskilde, Mons Klint (Zealand), Grennen (Skågen). -
😶🌫️🌫 (at Scandinavia) https://www.instagram.com/p/CUvZcLBgEXT/?utm_medium=tumblr
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I want to write a big poem
A poem concerning all of the things I care about
A poem about me, and also about you
A poem that captures a certain something
and brings you back to way back when
I want to write a new poem
A poem about a place you havent been
A poem that tells you something about yourself
A poem that isnt only for me
I want to write a sad poem
A poem that they read for a lot of different things
on a lot of different occasions
because it’s just so fitting all the time
I want to write a happy poem
A poem that doesnt complain
or fester
or spite
I want to write a big poem but I dont know how
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Archival #10
2021
I am the only person to have ever lived.
.
.
Remember everything -
none of it useful
Forget easily
but help me find my way around a room
The memory there
gets harder to live the further we get from it
Sometimes in between it all
but mostly never there
.
.
And I think to myself
that most beautiful things in the world
are things that werent meant to be
.
.
Around corners freely,
there is nothing in its way
It overtakes me
Muting landscapes
Swigging turpentine
Staining a cup with the warmth of its breath
Braindeath, falling teeth -
rockslid, into pools of blood
Does dirt taste different with context?
Does sand change under your thumb?
.
.
The tailor wipes a tear from his eye
as he pulls his last stitch. Somewhere
a million miles away a fowl is born without crying
Marks on the calendar of a barely year. Faith
in kinetic motion. Hope
through the fingers and the wrists.
.
.
I don’t want to be seen
I don’t want to be known
I’d rather have
this secret from you
I’d rather I’d hide
it in drawers and dressers
I’d rather I’d wrap it
in towels and blankets
and hurry it all as you hear me coming and
I’ll smile as I notice the poor job you did
of putting it back just the way you found it
Because it’s different now
with you having noticed
Not better or worse
Not unlike any other time
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https://moco.bandcamp.com/
This summer I've been lucky enough to work with four incredible artists from around the world on Modern Concern's second batch of handmade CD-Rs. A lot of work goes into these. I don't really know what else to say, but I'm thankful to be able to collaborate with people whose practice means a great deal to me!
Standard Grey - 𝑯𝒂𝒏𝒅𝒍𝒊𝒏𝒈 (MOCO07)
Ins & Ens - 𝑳𝒂𝒏𝒅𝒔𝒉𝒂𝒓𝒆 (MOCO08)
Hashigakari - 𝑮𝒍𝒚𝒄𝒆𝒓𝒊𝒅𝒆 (MOCO09)
Thanks for listening. Lots of cool stuff on the way. Be safe.
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Last month I started @modern.concern, a small batch tape/CD-R label dedicated to sound art, creative composition, and field recording. Now we have an Instagram, and are selling our first batch of handmade CD-Rs.
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It always makes sense on paper.
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