the golden questions of dramaturgy should be “why this play now?,” “why this play here?,” and in the case of reviving cabaret on broadway, “why this play again?”
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gayle rankin tony question mark
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obsessed with stereophonic from across the country
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oh god the home movies scene oh god
oh gosh im 45 minutes into paris texas and harry dean stanton has already shattered my heart into a thousand pieces
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oh gosh im 45 minutes into paris texas and harry dean stanton has already shattered my heart into a thousand pieces
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that moment in evita where mandy goes “look if i take off my shirt…” and the canned crowd noise goes wild
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jesus christ. fine. ill say it. im sleepy. im sleepy, okay? do you know what being sleepy does to a person? to their spirit? i should be pitied.
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VEEP (2012-2019) | 1.05 Nicknames
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i mean good god! movin’ on up. the nanny named fran. i’ll be there for you. ducktales. thank you for being a friend. the beverly hillbillies. the fresh prince of bel-air. pokémon! they’re all practically standards, no??
and that’s not even factoring in the instrumentals! seinfeld! succession! i love lucy!
something something great american songbook tv show themes the venn diagram is a circle etc
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something something great american songbook tv show themes the venn diagram is a circle etc
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This could be so cloying, and in a way it absolutely is, but also I find it so wonderfully joyous in spite of itself, I don't know. It's probably the version of I Got Rhythm I listen to the most.
Unfortunately I can't find a source for who of the team of like, 8 credited orchestrators was responsible for these, but I love the arrangement so much
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hot damn i really do love writing a dramaturgy packet
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Me, shoving my earbuds in all the way to my brain: this will fix me
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